“This Has To Be A Joke, Right?”: Woman Asks This Wedding Photographer To Refund Her When The Marriage Goes South

“This Has To Be A Joke, Right?”: Woman Asks This Wedding Photographer To Refund Her When The Marriage Goes South

Some people seem to be out of touch with reality when it comes to how certain services work. Let’s take photography, for example. Once it’s all been said and done and you have paid for a job well done, there is no basis for requesting a refund. Unless the pictures are gone or somehow ruined (which they probably aren’t if you’ve already paid for the service), the chances of you getting the money back are close to none.

This woman thought otherwise and asked her wedding photographer, Lance Romeo, to refund her for reasons completely out of his control. In her message, revealed on Twitter by the South African artist, she complimented the professional on doing a wonderful job and simultaneously asked him for the money, which he thought was a joke. Scroll down to find his conversation with the client below.

Even the best of professionals can’t “untake” pictures, which makes photography a non-refundable service

Image credits: Getúlio Moraes (not the actual photo)

This photographer was stunned at his client’s request for a refund for reasons that were in no way related to him

Image credits: LanceRomeo

Image credits: LanceRomeo

Getting a refund is impossible because the job has already been done and it included more than just taking pictures on the big day

Lance Romeo told his client that he can’t “untake” the pictures, which is why his service is non-refundable. The photographer has already spent his time, effort, and resources, and the fact that she no longer needs the end result doesn’t cancel out all that’s been put into getting it.

And it’s not only about all that’s invested in the wedding day—a photographer’s job entails more than just capturing the actual moment. They also have to sort through and edit hundreds of pictures, which is not less important and often takes even more time than the special day itself. According to Wild Romantic Photography, editing wedding pictures usually takes roughly 14 hours. But this estimate differs with each artist, of course.

Wedding photographers sure have plenty of material for editing, as they usually take roughly up to 1400 pictures during a 12-hour shift. The number of images the client receives is often a matter of agreement, but it’s usually less than half of all that the professional captures.

Putting everything in writing can help prevent similar situations and ensure the client has all the details regarding the service

In her messages, the woman said the photographer should have disclosed his no-refund policy in the agreement. To be fair, when everything’s there in black and white, no one can threaten you with lawyers four years after you provide the service.

According to Your Photo Advisor, it’s better to have a strict policy and not to give out refunds left, right, and center. However, it’s been pointed out that some situations might require the photographer to reimburse their client. At least a partial refund could be offered when the person with the camera disrupts the event or ruins the pictures, for example.

Having all the details in writing also helps to set clear guidelines for specifics, such as the number of photographs the client will receive or the number of hours the professional is hired for. They might also include at least a rough idea of when the photographs will be ready, as most people are understandably eager to see them.

Unfortunately, sometimes clients complain about something that is not in the hands of the artist; the way their smile looks in the picture or the color of someone’s tie, for example. In Lance Romeo’s situation, it was the fact that the client no longer needed the pictures. And that only shows that some people are indeed somewhat out of touch with reality when it comes to how certain services work.

People didn’t hold back their opinions, some mocked the absurdity of the situation

That’s far from the only time photographers had to deal with ridiculous requests or suggestions, here are some examples:

“Surely photographers will line up to pay me to shoot my wedding in the middle of nowhere”

Image credits: InTheRainbowRain

“My dad’s a photographer, this is his most recent client”

Image credits: jonnymoon5

“This guy trying to charge a photographer to share his photographs”

Image credits: pesky_oncogene

“This model looking for a free wedding photographer. Dancing will be free for you too”

Image credits: OldSpiceAquaReef8

“The joys of being a professional photographer”

Image credits: keepsha_king

K-Beauty’s Brush With Fine Art

K-Beauty’s Brush With Fine Art
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Amorepacific partners with the Metropolitan Museum of Art to expand the reach of Sulwhasoo, their luxury Korean beauty brand.

“I am ginseng,” boomed the voice of Tilda Swinton to partygoers in the Metropolitan Museum of Art’s Temple of Dendur, where Sulwhasoo, the Korean beauty brand, was throwing a lavish dinner to celebrate its new partnership with the 152-year-old institution. A promotional video featuring Ms. Swinton played overhead, depicting a ginseng root spinning in circles.

The British actress had been named Sulwhasoo’s global ambassador, but couldn’t attend because she was filming. Still, the evening’s guest list was a who’s who of Korean excellence, including the global pop star Rosé, of K-pop group Blackpink, the Academy Award-winning actress Yuh-Jung Youn, writer Cathy Park Hong and the Michelin-starred chef Junghyun Park, who had prepared the ginseng-inspired menu. The rapper Anderson .Paak was the D.J. for the after-party.

“Sulwhasoo is my mom’s favorite brand,” said Ashley Park, 31, a star of “Emily in Paris” on Netflix. “It’s a smell I associate with her: ginseng. It’s like, ‘That’s mom.’”

Ginseng, an ingredient often used in traditional Asian medicine with a distinctly earthy smell, is a key ingredient used by Sulwhasoo in many of their more popular products.

“When it comes to Sulwhasoo and the ingredients that we use — it’s mostly edible ingredients,” said Kyung-Bae Suh, 60, the chairman and CEO of Amorepacific, which was founded by Mr. Suh’s grandmother, Dok-Jeong Yun, in 1932 (Amorepacific is the parent company of Sulwhasoo). “They can be used in food, medicine. The philosophy behind it is that inner health and inner beauty is very important. If your inside is beautiful and healthy, it’s going to manifest on your surface, on your face, on your skin.”

Anderson .Paak was the DJ for the afterparty at the Met’s Temple of Dendur.Ye Fan for The New York Times
“When it comes to Sulwhasoo and the ingredients that we use — it’s mostly edible ingredients,” said Kyung-Bae Suh, the chairman and CEO of Amorepacific, the company that owns Sulwhasoo.Ye Fan for The New York Times
The Concentrated Ginseng Renewing Cream.Ye Fan for The New York Times

This thinking embodies, in many ways, the larger ethos behind Korean beauty, or K-beauty as it is more commonly called, which has become increasingly popular in America in the last two decades. According to data from Kotra, Korea’s trade promotion agency, in 2018 Korea’s cosmetics exports were estimated at around $5.95 billion, up 22 percent from the year before. Often exoticized for its unfamiliar ingredients, such as snail mucin and donkey’s milk, K-beauty espouses the idea that cosmetics need not be about correcting your imperfections, but rather about cultivating what comes from within.

Over 90 percent of Sulwhasoo’s sales still come from Asia, but the brand is now looking to expand its presence in the United States and Europe, where it is less known. Mr. Suh recognizes this as Sulwhasoo’s “big push,” with celebrities such as Rosé and Ms. Swinton, and a subtle redesign of the brand’s packaging (its signature amber hue now has an ombré fade). Both signal Sulwhasoo’s desire to capture a younger and more Western customer base. It’s a new page for a relatively dignified brand, which in its 25-year history has avoided any form of celebrity endorsement until 2018.

Still, there are reasons to be skeptical of the benefits touted in luxury skin care (a bottle of Sulwhasoo’s best-selling Ginseng Renewing Serum costs $210). Despite South Korea’s overwhelming number of beauty products and its industry’s unparalleled innovation, South Korea is still often referred to as the plastic surgery capital of the world. According to a 2019 report from the International Society of Aesthetic Plastic Surgery, Korea had the highest rate of plastic surgery per capita in the world, with 13.5 cosmetic procedures performed per 1,000 individuals.

“If there is a ‘secret’ to Korean beauty, it would be the medical advancements they’ve made in low impact or less-invasive surgery and injectables,” said Euny Hong, journalist and author of “The Birth of Korean Cool: How One Nation Is Conquering the World Through Pop Culture.”‌

“Sulwhasoo is my mom’s favorite brand,” said Ashley Park, from the show “Emily in Paris.”Ye Fan for The New York Times

The history of Amorepacific dates back to the 1930s, during the Japanese occupation of Korea, when Ms. Yun sold camellia hair oil in Kaesong, a city now part of North Korea, to help support her family. Women at the time traditionally wore their hair parted down the middle, braided and coiled into a bun with a hair pin; the oil kept the hair in place and retained its luster. Pure camellia oil — the hard-earned result of manually pressing hand-peeled and ground camellia seeds — was valued for being scentless and for keeping hair shiny for a longer period of time.

As the mother of six children, Ms. Yun juggled parenting with the responsibilities of her nascent business, often bringing her infants on the road to breastfeed while pedaling her wares. By the end of the 1930s, business was robust enough for her to set up her own storefront, called Changseong Shop.

In 1945 World War II would intervene. Ms. Yun’s second son, Sung-whan Suh — who had become a valuable employee, entrusted with bicycling to Seoul to buy ingredients — was drafted into the Japanese army. A year later, he returned and took over the family business, renaming the company Taepyeongyang (“Pacific Ocean” in Korean). It was an allusion to his ambitions to grow the company beyond Korea’s own shores.

The next decade proved to be challenging, marked by the divisive violence of the Korean War. Sung-Whan Suh relocated his own family to Seoul, launching a popular face cream and hair pomade. Many Koreans, however, preferred beauty brands from the West and Japan when they could afford them. Ambitious and with an eye toward longevity, Sung-Whan Suh created a research and development lab in 1954 in hopes of competing and harnessing the power of ingredients found in Korea, including ginseng. Today, Amorepacific’s research and development lab employs over 500 people.

In 1987, the company launched Sulwha, an herb-based cosmetic. It wasn’t until 1997 that the brand landed on the name Sulwhasoo.

“‘Sul’ means snow, ‘wha’ means flower, ‘soo’ means beauty. Snow, flower, beauty,” explained Ga-Yoon Jung, senior vice president of marketing at Amorepacific. “But it doesn’t mean the literal flower and snow. The snow flower is the first flower that blooms right after winter.”

A performance by Ambiguous Dance Company.Ye Fan for The New York Times
Michelin-starred chef Junghyun Park prepared the ginseng-inspired menu.Ye Fan for The New York Times
Mr. Park, the chef, with his wife.Ye Fan for The New York Times

That same year, Sung-Whan Suh’s second son Kyung-Bae Suh took over as CEO of Amorepacific. By then, South Korea’s economy was booming, and investing its money in film, television and pop music in what would become known as “the Korean Wave” or “Hallyu.”

Today, Mr. Suh is one of South Korea’s wealthiest citizens. In 2018, he debuted Amorepacific’s new headquarters, a stunning 22-story building in Seoul designed by the architect David Chipperfield, who is being awarded the Pritzker Prize later this year. He is also an avid collector of contemporary and Korean art.

Neither the museum nor Mr. Suh would disclose the terms of their sponsorship, but the association came about after Max Hollein, the Met’s director, flew to South Korea last summer. Sulwhasoo plans to underwrite two additional community-oriented programs with the Met. “They wanted to be involved where they could offer support for our programming — and it wasn’t a one-off event or exhibition,” Mr. Hollein said.

For Mr. Suh, who feels the Met’s sense of heritage aligns with that of his family’s company, the choice to partner with the museum may also be guided by his own experience: In 1983, it was the first museum he ever visited outside of Korea.

Because of its history, the popularity of Sulwhasoo — a prominent brand in Amorepacific’s portfolio — also carries a kind of nostalgia for Korea’s difficult past. “I think that’s been comforting for many Korean people, given how quickly the economy grew,” said Joyce Kong, a former Korean beauty consultant. Both represent the changes South Korea has experienced in the last century. “To them, Sulwhasoo is still tethered to this old world.”

New Submission Categories for Hal Prize in Photography

New Submission Categories for Hal Prize in Photography

The contest is also using a new submission platform

There’s less than one month until submissions open for the 2023 Hal Prize, and as we move toward the opening, my excitement continues to grow. 

We have some changes this year that will make the contest even better, including new photography categories selected by our partners at Peninsula School of Art. A few popular categories from last year are returning, and a few have been added under the expertise of this year’s photography judge, Allen Morris, whom Peninsula School of Art selected. 

The categories for this year are Analog Alternative Processes, Digital Manipulation, Landscape and Nature, People and Portraits, and Animals. You can learn more about these categories below.

When the Hal Prize began in 1998, all submissions were physical. Then, with the advent of the internet and more online accessibility, we switched to using an online platform. This year, we’re switching that platform to Zealous, which works well for both writers and visual artists. Zealous is easy to use when submitting work, and it has a very active help center and live chat, should any questions arise.

Photography Categories

Analog Alternative Processes 

This image is by Christina Z. Anderson, who teaches at Montana State University. She is a world-renowned resource for alternative process photography and has published books on the subject.

Share your historical process photo: cyanotype, Van Dyke brown, gum bichromate, lumen prints and more. If it’s old school and analog based, it fits this category.

More example work: Christina Z. Anderson, Mary West Quin, Joseph Minek and Eric William Carroll.

Digital Manipulation

Work by Jenna Marti.
“Her work displays such care and has such a poetry to it that it was an absolute must-share.” — Allen Morris

Pixels are meant to be pushed around, and a whole new world can be created using digital-manipulation techniques. Show us your composites, collages and all photographs that are digitally augmented.

More example work: Jenna Marti, Josh Passon, Brooke Shaden and Maggie Taylor.

Landscape and Nature

Photo by Camden Hardy from his body of work The Wayfinder’s Dilemma.

These are the subjects that always surround us. No matter where you go, there is a vista to behold, beautiful plant life to explore or fungi to focus on. This category invites you to share your images of the beauty you find in the natural world.

More example work: Terry Evans, Camden Hardy, Mark Brautigam and Laura McPhee.

People and Portraits

Photo by Lois Bielefeld of Milwaukee, from her series ‘Androgyny.’

It’s easy to forget that a portrait is just as much about the artist as it is about the subject or sitter. Share your photography of other humans in this category to help us understand who they are and who you are!

More example work: Lois Bielefeld, Kurt Simonson, Richard Renaldi and  Hillerbrand and Magsamen.

Animals

“Rhino on Lake, Lake Nakuru” by Nick Brandt.
“The reflection is so beautiful, and his work is beautiful on its worst days, transcendent on its best.” — Allen Morris

Whether domestic or wild, scaly or furry, slithery or on Hoff, animals have been favorite subjects for the camera lens since the beginning of photo history. Show us the majesty – or whimsy – of the animal kingdom through photos in this category.

More example work: Joel Sartore, Nick Brandt, Mary Lee Agnew and Karine Aigner.

8142 Review, Vol. 1 and 2 are available for purchase at doorcountypulse.com/shop. The publications feature the winners of the 2021 and 2022 contests, respectively.

Public talk on photography set for Saturday

Public talk on photography set for Saturday

PORT TOWNSEND — “I love photography,” said Christopher Rauschenberg, “because it takes me places I haven’t been … and when I look at other people’s photography, I’m looking at the world through other people’s eyes.”

Rauschenberg, curator of the “Wet: Reflections on Water” photo exhibition at Northwind Art’s Jeanette Best Gallery, will give a free public talk this Saturday.

His 5 p.m. discussion will take place at the Best Gallery at 701 Water St. in downtown Port Townsend, so he’ll be surrounded by the show.

An artist whose works are displayed in museums and galleries around the globe, Rauschenberg was the juror chosen last winter to select the 40 photographs in the “Wet” exhibition.

“I’ll talk about how things look together, and what some of the issues are that the show raises,” he said, “and I’ll talk about photography, how it describes the world, and how it’s integrated into everyday life now.”

Photos have a key role to play, added Rauschenberg, who is also a cofounder of Blue Sky, the Oregon Center for the Photographic Arts in Portland, Ore.

In these times, we need to find ways to recognize each other’s shared humanity, and “I feel like photography is one of the ways to do that,” Rauschenberg said.

The “Wet” show “is a nice mixture of people who would describe themselves as photographers, and others who might not,” he said. The doorway into this art form, he added,
has become an open archway.

Rauschenberg, the son of famed artists Robert Rauschenberg and Susan Weil, notes that photography — and art, for that matter — is far less rigid now than it once was when it comes to mediums and boundaries.

Structures have been loosened, and “my father was one of the main looseners,” he mused.

“Wet: Reflections on Water” explores the beauty and power of water, from roaring waves to unexpected colors on pavement. There are images of the Pacific Ocean, of Lake Crescent, of a calving glacier and of a bright-green anemone. Documentary, abstract, color and black-and-white images share the gallery space.

The exhibition, Rauschenberg said, brings together a mix “of beautiful and thought-provoking pictures on the most important subject on Earth.”

“Wet” will stay on display through April 30 at the Jeanette Best Gallery, which is open from noon to
5 p.m. Thursdays through Mondays. Voting for the People’s Choice Award, a $100 prize, will go on throughout the show.

For more information about Northwind Art’s gallery shows and classes at the Northwind Art School at Fort Worden State Park,
see https://northwindart.org.

Photographer’s runner during Queen’s coronation tells of power of printed images

Photographer’s runner during Queen’s coronation tells of power of printed images

A photographer’s runner who watched the late Queen’s coronation while perched high up on scaffolding inside Westminster Abbey has said he hopes the King’s coronation will make people appreciate the power of printed images.

Alex Falk was just 17 and working for the Press Association on Coronation Day 70 years ago.

It was his job on June 2 1953 to assist photographers during the ceremony and afterwards make his way quickly back to Fleet Street from the abbey, carrying a satchel full of precious 5×4 inch double dark slides to be processed.

He told the PA news agency: “What we try to do is show people you’ve got an image… if you don’t print it, you don’t see it for the next generation.

People are watching us, let us not let the country down and I feel sure that the new King and Queen won’t let us down

Peter Falk

“When you travel the world you see people’s real images, from your parents, your grandparents, your great-grandparents.

He said digital images “travel the world” but get “lost” whereas printed images go on display in people’s homes and “hopefully this coronation will bring it back to people so they can enjoy it”.

Mr Falk, 86, said he cannot visit London on the big day because he has to care for his wife but they will enjoy watching the ceremony on television with a toast of wine.

He described working at the late Queen’s coronation as “wonderful”.

He told PA: “I was a junior runner on that particular occasion, a very long day working with photographers taking their images from wherever they were taking them back to Fleet Street to get them processed and printed to publish in magazines and papers.

“It was wonderful because of course everything was totally new. We were in the abbey and up at the scaffolding right at the top, facing them as they walked down the aisle.

“They were taking pictures, we then took those images on five by four sheet film back by motorbike to Fleet Street.”

He said he is sure the King will not “let us down” next month and hopes it will be an opportunity to showcase the UK to the world.

He said: “We are not an island unto ourselves. We need people to come, we need to travel abroad, take the good news. The Queen was yesterday, the King is today.

“We as a country should gain from it because we are the centre of attraction.

People are watching us, let us not let the country down and I feel sure that the new King and Queen won’t let us down.”

Rad Technologies Inc. (RAD) is Bringing AI-based Intelligence

Rad Technologies Inc. (RAD) is Bringing AI-based Intelligence

Visual art marketing is joining the AI revolution as ROI-based creative influence campaign pioneer Rad Technologies Inc. (RAD) teams up with visual marketing agency LNDMRK in a first-of-its-kind partnership. The two companies are pleased to announce their new product, RAD Visual Arts, which allows best-in-class creatives to collaborate with brands to develop cultural moments, content, and community through AI-informed visual art.

Iconic brands–such as Apple, Nike, and Porsche–who recognize the value of visual art marketing, have long turned to LNDMRK for solutions that leverage the world’s best-known visual artists. They’ve enlisted top creators such as Shepard Fairey, Sir Peter Blake, Vexx and Burnt Toast for highly curated murals, art installations, advertising campaigns, product collaborations, and live events.

Marketing Technology News: MarTech Interview with Liviu Tanase, CEO at ZeroBounce

Now LNDMRK’s best-in-class visual art marketing strategy will begin harnessing the powerful precision of RAD AI’s data-driven creative intelligence solution. Trusted by leading enterprises, RAD Visual Arts will empower visual art marketers with data from over 600 API connections—including Reddit, Meta, TikTok and more—to drive decisions about campaign target audience personas, influencer selection, and content strategy.

“By partnering with LNDMRK, we’re combining the power of visual art as a marketing tool with the guaranteed performance of AI-backed marketing,” says RAD Founder and CEO Jeremy Barnett. “Successful visual art marketing depends on connecting the artists with cultural moments and market niches. Until now, marketers have been forced to rely on intuition and guesswork to guide their campaign decisions. We’re bringing quantifiable performance standards to visual art marketing and changing the way brands think about content marketing.”

“Joining forces with RAD takes our world-class visual art marketing capability to the next level,” says partner at LNDMRK Kevin Klein. “For over a decade, LNDMRK has been working with the world’s leading brands on establishing a genuine connection point to the visual art space. Our focus has been developing brand relationships with a category of talent which is not oversaturated by influencers and celebrity endorsement. The partnership between RAD and LNDMRK combines our network of visual artists with quantifiable marketing goals – this winning formula is the next chapter in brand collaborations.”

Marketing Technology News: Five Questions Every AdTech Company Needs to Ask Before Sharing a Dataset

And the winner is … Sony World Photography awards 2023

And the winner is … Sony World Photography awards 2023
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Lupus Hominarius refers to the legends of Calabria, Italy, surrounding the figure of the werewolf. According to folklore, you could become a werewolf as a result of a curse or through infections, bites or pacts with the devil. The legend shared by many towns in Calabria relates to the ‘first wedding night’, in which the bride dies at the hands of her werewolf husband while the two are consummating their marriage. Very often, such tales were created to prevent women from going out alone in the village, especially at night.