DDWS presents winners of amateur nature photography contest

DDWS presents winners of amateur nature photography contest

HEIDI DIRKSE
First place winner “Looking for Love.”

On Oct. 5, the “Ding” Darling Wildlife Society-Friends of the Refuge held the official judging for its 31st annual “Ding” Darling Amateur Nature Photography Contest. It announced the 2023 winners on Oct. 21 at the inaugural Art in the Wild at the J.N. “Ding” Darling National Wildlife Refuge on Sanibel.

Judges selected three winners and 10 honorable mentions out of 91 entries from 14 states and three countries. All photograph entries were shot at the Sanibel refuge complex. The judges included a refuge staffer, photographer/artist and member of the Sanibel community.

“Despite the disruption from Hurricane Ian, the contest generated much excitement and nostalgia among photographers and our judges,” contest coordinator and DDWS Manager of Events, Marketing and Communication April Boehnen said. “The photographers found our resilient wildlife and enduring beauty once again.”

First place went to Heidi Dirkse, of Maine, for her portrait of a reddish egret titled “Looking for Love.”

“The photographer caught their subject in an instance of full plumage — a striking moment in nature,” judge and Sanibel resident Laurie Harkey said.

FRANK BRINKER
Second place winner “Low-flying Fisherman.”

In second place was Frank Brinker, of Oberageri, Switzerland, with a photograph of a black skimmer titled “Low-flying Fisherman.”

“Wildlife photography combines subject and opportunity with patience and skill,” judge and wildlife photographer Kyle Sweet said. “This photo truly exemplifies all of these. Not only is the fisherman in full focus, but the plight of the prey is as well, making this photo truly worthy of the award.”

Kathleen Colligan, of Pennsylvania, took third place with “Mangrove Tree Crab.”

“The mangrove tree crab is an often-overlooked animal that is an essential component to red mangrove ecosystems,” judge and Refuge Manager Bob Gerwig said. “This photograph draws the viewer in with lots of textural elements and observes the rule of thirds.”

The winners received cash awards from the DDWS: $300 for first place, $225 for second place and $175 for third place. Each honorable mention winner received a $25 award, which reflects a refund of the contest entry fee.

KATHLEEN COLLIGAN
Third place winner “Mangrove Tree Crab.”

The honorable mentions included:

– Nate Arnold, of Florida, for “The Strut”

– Scott Becque, of Delaware, for “Ta-Da”

– April Sue Billings, of Maryland, for “Manatee Up for Air”

– Peg d’Entremont, of Maine, for “Snuggling with Mom”

– Kent Jager, of Florida, for “Pretty in Pink”

– John Johnston, of North Carolina, for “Still on Sanibel”

– Lois E. Kraemer, of Florida, for “Vibrant Hibiscus”

– Linda Kruleski, of Florida, for “Look Over Here”

– Charlie Lais, of Florida, for “Walk On By”

– Conrad Peloquin, of California, for “Pretty in Pink”

The winning photographs and honorable mention award entries will be on display in the refuge’s Visitor & Education Center throughout the year.

To view all of top-ranking entries, visit dingdarlingsociety.org/articles/photo-contests. The page also contains information on the 2024 photo contest. The deadline for submissions will be Sept. 15.

The J.N. “Ding” Darling National Wildlife Refuge is at 1 Wildlife Drive, Sanibel.

Native Art Gallery Looks to the Future With a Nod to the Past

Native Art Gallery Looks to the Future With a Nod to the Past

(Courtesy of Center for Native Futures)(Courtesy of Center for Native Futures)

In a landmark building in the Loop, a band of artists launched a new art gallery unlike any in Chicago. Across from Federal Plaza stands the Marquette Building, built in 1895. Its newest tenant is the forward-looking Center for Native Futures.

Thanks to our sponsors:

The inaugural exhibition showcases dynamic work from artists representing 19 Native tribes. The center was founded by artists on a mission to make an epicenter of Native creativity.

One founder is Chris Pappan, a visual artist who exhibits internationally and helped shape the “Native Truths” exhibition that debuted at the Field Museum in 2022. Pappan is an enrolled member of the Kanza Nation and has Lakota heritage.

“We’re not making pottery for tourists or dreamcatchers to hang in your car,” Pappan told WTTW News. “We are raising important issues of identity, politics, history and survival in our work. We are visualizing and activating our future selves by not kowtowing to pressures of what Native art is supposed to look like or what other people may think. We are defining it for the here and now.”

Pappan’s work is layered with history and alludes to the “ledger art” made by 19th century Native prisoners who made art on ledgers and other scrap paper. His wife, Debra Yepa-Pappan, is also a co-founder and artist. She is of Jemez Pueblo descent.

Chris Pappan’s work alludes to the “ledger art” made by 19th century Native prisoners who made art on ledgers and other scrap paper. (Marc Vitali / WTTW News)Chris Pappan’s work alludes to the “ledger art” made by 19th century Native prisoners who made art on ledgers and other scrap paper. (Marc Vitali / WTTW News)

“This is really Chris and Debra’s baby,” said artist Monica Rickert-Bolter, a citizen of the Prairie Band Potawatomi Nation. “They had the vision to do this over 20 years ago. Most of us are from the Great Lakes region or have Chicago ties. We’re all mixed-identity Natives trying to figure out how we keep our traditional practices alive, but also showcase how we’ve evolved and how these things are still continuing.”

The artists have a choice location in the Marquette Building because one of their primary supporters is the MacArthur Foundation, which owns the building. The Marquette is also home to historic Tiffany mosaics — murals that depict the life of the building’s namesake, the French explorer Father Jacques Marquette.

As Rickert-Bolter explained: “There are these beautiful Tiffany murals that display the narrative behind the Jesuit priest Marquette, but it’s problematic. The imagery of the Native people are clearly Plains (as opposed to Potawatomie). It’s very romanticized and uplifting, showing how the Europeans tamed these Natives, these savages, and all that.”

In January 2024 an exhibition will address the problems with the Tiffany murals and explore the history of the Potawatomie people in the area.

(Courtesy of Center for Native Futures)(Courtesy of Center for Native Futures)

Artists of the Center for Native Futures refer to “Indigenous futurism,” an ever-evolving term meant to expand possibilities by “imagining our realities without colonial limitations.” They developed the nonprofit gallery with key funding from the Chicago-based Terra Foundation for American Art and opened in September.

“The reaction we’ve been getting in the gallery is showing me that people here have been starving for accurate, contemporary representations of Native people,” Pappan said. “I’m glad we’re able to share that in our hometown.”

The gallery also appears to be the first of its kind.

“In most recent memory, we are the first,” Rickert-Bolter said. “But we don’t want to be the last.”

The inaugural exhibition, “Native Futures,” runs through May 17, 2024, at the Center for Native Futures, 56 W. Adams St. in Chicago.


Thanks to our sponsors:

Thanks to our sponsors:

Learn printmaking with Bruce R. Bleach

Learn printmaking with Bruce R. Bleach
MIDDLETOWN, NY — To complement his solo show, artist Bruce Bleach will hold a master class on printmaking on Wednesday, November 8 from 5:15 p.m. to 7:45 p.m. at the Orange Hall Gallery.

Local Arts Roundup: Indian art gallery launches in Los Altos

Local Arts Roundup: Indian art gallery launches in Los Altos

More than 150 guests gathered at Los Altos Golf & Country Club in September to celebrate the launch of the Neev by Neha Contemporary Indian Art Gallery, a project designed to amplify the visibility of promising and renowned artists from India. The exhibition showcased the works of more than 25 artists, representing a diverse range of media aimed at encapsulating the beauty and diversity of Indian art.

According to founder and art curator Neha Singhal, the endeavor had been in the making for more than a year, driven by a vision to foster connections between emerging artists with limited resources and established talents from India. The gallery provides a platform for global art exposure and offers Bay Area art enthusiasts a unique opportunity to experience thoughtfully curated



11_1_23_COMM_gallery9.jpg

Artist Ayelet Gal-On opens a new exhibition at Gallery 9.




Annual Washougal Studio Artist Tour Holiday Art Market Coming Nov. 18-19

Annual Washougal Studio Artist Tour Holiday Art Market Coming Nov. 18-19

Washougal, WA – Explore the world of unique and exquisite holiday gifts by stepping inside the studio workshops of local artists during the annual Washougal Studio Artist Tour Holiday Art Market. This special event is scheduled for Saturday, November 18 and Sunday, November 19, running from 10 am to 4 pm both days.

The idea for this event emerged following the success of their springtime Mother’s Day tour, where customers were captivated by the exceptional artistry they encountered. Event organizer and talented fused glass artist, Shirley Bishop, shared her insight: “Customers at our Mother’s Day tour asked if we held anything like this near the holidays. Customers were impressed with what they saw. They were impressed with the quality and uniqueness of the art. They wanted access to our local artists for their holiday shopping.”

This year’s third annual tour, the Washougal Studio Artist Tour (WSAT) Holiday Art Market, will showcase the creations of sixteen artists at four unique Washougal art studios, most of whom have been part of previous studio tour events, with new ones we are also excited to share! Because this endeavor proved successful, it is sure to continue to be a cherished Washougal holiday tradition. 

“The tour provides an opportunity to invite customers into artists’ studios to better understand the process they go through to create these works of art,” explained Bishop. “People love to buy directly from the artist, see their workspace, and learn more about them. The pieces in the tour are exceptional and unique. These artists are not ‘crafters.’  They are truly artists making a living selling their art.”  

Ry Luikens
Visit www.Ry4Camas.com

Some of the artists even offer art classes for the public to learn their techniques.

Participating artists in our 2023 Holiday Tour includes: 

  • Studio #1: Linda Andrews-Riggs, specializing in watercolors; Sharon Buckmaster who creates wearable art, and Sandy Moore (studio owner) with her creative fiber art.  
  • Studio #2: Regina Westmoreland, talented mixed media artist, Phyllis Carter, celebrated for her fused glass artistry, Ellen Nordgren also known for her work in mixed media, Deborah Nagano mixed media artistry, Liz Nye specializing in mixed media art, Toni McCarthy with her boho style jewelry, and Tamara Dinius an expert in mixed media artistry and owner of the Adret’ Collective of artists.  
  • Studio #3: Kathy Marty with her hand-woven rugs and home goods from Pendleton woolen scraps, LesleyAnne Ezelle an alpaca fiber & clay artist, Roxanne Turley works in alcohol ink/mixed media, Shirley Bishop (studio owner) known for her beautiful glass artistry.  
  • Studio #4: holds David Van Zandt (studio owner) as a bronze sculptor & his oil artistry and Charlene Hale also well known for her unique glass art works.

The event is sponsored in part by a City of Washougal Lodging Tax Fund grant. For event details, artist profiles and contacts, and a map to the studio locations go to https://www.washougalstudioartists.org

Holiday art

What’s Going On in the Asian Art Market Right Now

What’s Going On in the Asian Art Market Right Now

Welcome to the Art Angle, a podcast from Artnet News that delves into the places where the art world meets the real world, bringing each week’s biggest story down to earth. Join us every week for an in-depth look at what matters most in museums, the art market, and much more, with input from our own writers and editors, as well as artists, curators, and other top experts in the field.

In today’s global discourse, “Asia” often takes on an expansive, sometimes oversimplified, identity. Especially within the global art market, this vast continent is frequently painted with broad strokes, overshadowing its rich tapestry of cultures, intricacies, and nuances.  

Over the past two decades, major global auction houses have been touting “the Asian market,” highlighting the fact that about one-third of its sales go to Asia. But exactly where and to who? We always hear about sales of blue-chip western galleries at art fairs in Asia, but little on their counterparts from the region. Is the art fair frenzy even sustainable in Asia as the art fair roster is getting more crowded? What about the region’s homegrown talents who are raved by local players but getting little attention in the rest of the world? And what is the future of Asia’s art market amid the economic uncertainties and geopolitical tensions? 

These are some of the questions we aim to address with The Asia Pivot, our latest bi-weekly newsletter focusing on the art market of the Asia-Pacific region available to Artnet PRO subscribers. The Asia Pivot will bring exclusive market data, analysis, and insights about the region, breaking this big cluster into bite-size takeaways, while shining a spotlight on the local market and rising stars. We’ll also trace the growing presence of the Asian diaspora and Asian market players’ increasing outreach in the western market. 

To mark the launch of the newsletter, Artnet, in partnership with Asia Now in Paris, presents “New Frontiers and Fresh Challenges: The Future of the Art Market in Asia and the Asian Diaspora.” 

Taipei and New York-based art advisor Gladys Lin and Seoul-based collector JaeMyung Noh joined Artnet News’s Vivienne Chow at Asia Now in Paris to discuss current market trends and challenges, as well as the hopes and fears of those living in the region. Drawing their various experiences and observations, Lin and Noh shared their insights that are rarely heard beyond the region.  

Follow Artnet News on Facebook:
Want to stay ahead of the art world? Subscribe to our newsletter to get the breaking news, eye-opening interviews, and incisive critical takes that drive the conversation forward.

Prime Hook Best in Show honor goes to photographer Sharon Denny

Prime Hook Best in Show honor goes to photographer Sharon Denny

Sharon Denny has won Best in Show in the 19th annual Friends of Prime Hook National Wildlife Refuge Nature Photography Contest.

Denny’s winning entry of a spectacular snowy egret in flight was captured near her home in Rehoboth Beach, but she almost didn’t take the photo. Her neighbor had urged her to take pictures of a flock of birds at the nearby pond, but she hesitated. “I needed more pictures of white birds like a hole in the head,” she said. But when she went, she found a group of snowy egrets in a feeding frenzy, gorging themselves on tiny fish. Instead of wading for dinner, the egrets were swooping past and reaching down to pluck fish from the water like skimmers. The result was her winning photo, “Breakfast to Go.” Judges said it was well composed and well lit. They praised the color, the background and the sense of movement.

“I just love being outdoors and around nature,” said the retired journalist.

Denny’s winning entry was announced at an awards reception Oct. 15.

The annual contest attracted some 38 photographers who submitted 207 photographs in six different categories. Photos will be on display at the Prime Hook NWR Auditorium through Sunday, Dec. 9. Judges this year were: Ken Arni, Deb Payette, David Koster and Ed Norman. They said they had a difficult time choosing from among some outstanding works submitted by a number of photographers.

For full results, go to friendsofprimehook.com or visit the refuge office.  

Everyone is encouraged to always practice responsible and respectful wildlife viewing and photography.