The 2022 Early Career and Emerging Talent Architectural Photography Award Winners

By in Photography

The 2022 Early Career and Emerging Talent Architectural Photography Award Winners

APA Awards News

It’s time to announce the official winners of the 2022 Early Career and Emerging Talent Award! The Early Career and Emerging Talent category is the APA Award’s most entered and most competitive category. Just like last year, we are blown away by the talent and hard work of all the new architectural photographers out there.

For this award, we asked photographers who have been practicing architectural photography for 5 years or less at the time of the contest deadline to submit 3 images that they felt best represented who they are as a photographer. Up for grabs was an all-expenses paid trip from anywhere in the world to Southern California for a one-on-one workshop, plus our 2022 Emerging Talent trophy. Second place is awarded $500 USD and our runner-up trophy!

Here are the 3 highest scoring entries for the Early Career Award as selected by our panel of judges:

Honorable Mention: Levi Wells

This year we’ve decided to include an honorable mention slot for each category of our awards. The 2022 Early Career and Emerging Talent honorable mention goes to Mexico City based photographer Levi Wells. Levi has been photographing architecture for 5 years. You can check out Levi’s Instagram @leviwellsphoto.

Judge Mario Depicolzuane shares that he feels this entry is “Warm, authentic and technically well-executed. It shows the architecture and also tells the story.”

Congratulations on scoring so highly Levi, and thank you for your submission!

Runner-up: Pekka Lähteenmäki

The 2022 Early Career and Emerging Talent Award runner-up is Pekka Lähteenmäki. Pekka is a photographer from Helsinki who has been photographing architecture for just 1 year. His Instagram is @arcphotopekka.

Pekka will take home the second-place prize of $500 USD and the runner-up APALMANAC Emerging Photographer trophy!

Pekka noted “I’ve always loved architecture and I aim to become a full-time architectural photographer. I’ve done much work to get my portfolio to a state I could show it to my future clients.”

Judge Lucas Blair Simpson says “Very strong POV. I know right away these images are from the same person. Very nice use of composition. The three images are of different subject matter but work together and display strong understanding of composition, light/shadow, and color but each in its distinct way. I want to see more!”

Judge Stewart Hicks shares what he liked about these, stating “Gorgeous colors and compositions. Flatness and depth combine the nature and architecture into surreal relationships.”

Congratulations Pekka! What a stunning submission, especially for being so new to the field.

Winner: Laura Deus

The winner of the 2022 Early Career and Emerging Talent award is Laura Deus! Laura Deus is Lisbon based and works as both an architect and a photographer. She has been photographing architecture for 2 years. Laura’s Instagram is @laura.deus.

Laura says “When simplicity and architecture meet, for me, photography becomes art, expression, feeling. More than documenting, I intend to create pictures that allow the spaces to speak for themselves, throughout composition, lights, scale and colours. I believe human scale is a fundamental piece for the connection between architecture and feeling, so it is quite common for me to include people on my work. Plus, as a female photographer, I tend to prefer female figures that contribute to the feeling of lightness on spaces.”

Judge Lucas Blair Simpson shares “I love the graphic quality of these images. I immediately understand this photographer’s POV and I appreciate the consistency of vision.” Judge Celeste Bolt says, “Beautifully composed shoot. The photographer shows the scale of the project as well as its levels very smoothly, supported by a seemingly genuine owner/occupier participation which sets the series alight.”

Laura’s prize is an all-expenses paid trip to Southern California for a personal one-on-one workshop. She also will receive the 2022 Early Career and Emerging Talent winner’s trophy! Congratulations Laura, well deserved!

We’d like to extend a massive thank you to everyone who entered the 2022 APA Emerging Talent and Early Career Award category. We’re looking forward to what the 2023 Awards will bring!

Asian Art Museum showcases history of dance in “Beyond Bollywood” exhibit

By in Art World News

Asian Art Museum showcases history of dance in “Beyond Bollywood” exhibit

Raw video: Asian Art Museum showcases history of dance in “Beyond Bollywood” exhibit


Raw video: Asian Art Museum showcases history of dance in “Beyond Bollywood” exhibit

02:00

SAN FRANCISCO — The sights and sounds of Bollywood filled San Francisco’s Asian Art Museum over the weekend at the opening party for its newest exhibit: Beyond Bollywood: 2000 Years of Dance in Art.  

The group Non Stop Bhangra performed traditional Punjabi folk dances, which reflected some of what museumgoers will see on display in the exhibition.

The group also gave lessons and even invited everyone in the audience to join in on the dance later on in the evening on Saturday. 

Beyond Bollywood celebrates 2,000 years of dance in the visual arts in South and Southeast Asia, and the Himalayas. 

The exhibit has immersive features and showcases 120 artworks including paintings, sculptures and video from present day Bollywood to its origins. 

“I hope they get a sense of the importance of dance in visual art, dance is known as a performing art, and obviously it is but there are so many depictions of it in the visual arts,” said Asian Art Museum’s Chief Marketing & Communications Officer Yael Eytan. “The stories behind it are really deep, and really interesting, and really tied up in mythology and religion, and socio-cultural themes”

Guests were also able to enjoy the South Asian tradition of henna at the special event. 

The Asian Art Musuem will host several pop-up dance performances in the coming months. 

Beyond Bollywood is on display through July 10.  

For more information, visit Beyond Bollywood

Betty Yu

Betty Yu joined KPIX 5 in November 2013 as a general assignment reporter. She spent two years at WTVJ, the NBC-owned station in Miami, as a reporter before moving to San Francisco.

Fine Arts Student of the Week: Junior follows sister into photography

By in Photography

Fine Arts Student of the Week: Junior follows sister into photography

Peyton Freeman

Grade: Junior.

Age: 16.

Art focus: Photography.

Adviser nomination: “Peyton is a very talented photographer! She sees things that other young photographers do not. Peyton is meticulous in choosing her photos for projects and is willing to ask for feedback and accept it regardless of what that feedback might be,” adviser Andrew Dwyer said.

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Memorable fine arts achievement: Besides this achievement, my most memorable art achievement was in fourth grade when I played Dorothy in my school’s production of “The Wizard of Oz.”

Artist most admired: The artist I admire the most, specifically in the photography field, is my older sister, Parker Freeman.

What got you interested in photography? Not only is she the most admirable photographer to me, my older sister also piqued my interest in the art. She has taught me over the years how to see the beauty in everything and how to properly capture that beauty.

What are your favorite subjects to photograph? I love to photograph common subjects and find a way to make the shot unique. For example, I’ll take a photo of a book but I’ll take it at an angle that makes it look like stairs.

Do you have any projects you’re especially proud of? There are a few photos I am specifically proud of. Those photos being a still shot I got of water from a drinking fountain, a shot I captured of the smoke coiling in the air from a stick of incense, and so on.

What’s the hardest part about taking the perfect photo? For me personally, the hardest part of capturing the perfect photo is getting past my own mind. By this, I mean that I sometimes struggle to accept that a shot is seldom going to replicate my vision and that I need to find ways to compromise with reality and work around obstacles.

Dream job: My dream job is to be an English professor at the college level.

Extracurricular activities: A capella choir and theater.

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Favorite subject: Literature/composition and seminar.

Favorite movie: The Star Wars franchise, specifically “A New Hope” or “Revenge of the Sith.”

Favorite TV show: “Redwall,” which I watched growing up with my family.

Favorite book: “The Name of the Wind” by Patrick Rothfuss and “The Song of Achilles” by Madeline Miller.

Favorite song: “Lover, You Should’ve Come Over” by Jeff Buckley, “Waiting Room” by Phoebe Bridgers and “Just a Boy” by The Backseat Lovers.

Favorite band/singer: The Backseat Lovers, Jeff Buckley and Jimmi Henrix.

Favorite food: Pasta (in any way, shape, or form).

Hobbies: I love to read, listen to music, mountain bike, hang out with my friends and family, work, and pick up random little projects every here and there (such as embroidering, sewing, etc).

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Parents: The source of all that I have accomplished, Katie and Ryan Deblock.

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Emerging Treaty #3 artist takes homes $5,000 top prize

By in Native

Emerging Treaty #3 artist takes homes $5,000 top prize

An emerging Indigenous artist from Treaty #3 is being recognized for their work in the north.

Storm Angeconeb has been awarded the 8th annual Barbara Laronde Emerging Artist Award from Native Women in the Arts, taking home the top prize of $5,000.

“Miigwech,” Storm wrote on social media. “I am so thankful and honoured. I want to pursue this path in the arts. I’m thankful for my team and those that pushed me to take steps out of my comfort zone. This was a huge step. When I found out I was cooking soup and burnt my bannock and cried.

Angeconeb is an Ojibwe visual artist from Lac Seul First Nation, born and raised in Winnipeg and currently lives in Red Lake. Over the past few years, her artwork has been featured throughout Winnipeg on murals and lightboxes.  

“Storm Angeconeb was selected from a number of nominees from across Northern Ontario. NWIA’s Artistic Director, Ariel Smith remarked. “On behalf of the Board and staff of NWIA, we are thrilled to present this award to Storm Angeconeb and to recognize her commitment to the development of her artistic practice. We are confident that Storm has a great future ahead of her.”

The Barbara Laronde Emerging Artist Award was created to honour the legacy of NWIA founder Sandra Laronde and her vision and commitment to Indigenous artists. It celebrates the career of one outstanding, emerging Indigenous artist based in Northern Ontario.

You can find more of Storm’s work on her website HERE.

San Francisco Leads the Way in Sustainable Hospitality

By in Art World News

San Francisco Leads the Way in Sustainable Hospitality

When travelers visit San Francisco, they expect to experience the beauty and bounty of California, from incredible, natural sights to farm-fresh food. The city by the bay has long been at the forefront of sustainability, with a history of policies and initiatives aimed at preserving the environment: San Francisco was the first city in the United States banning plastic bags in 2007. Today, San Francisco’s hotels lead the way in environmentally responsible hospitality, from LEED-certified buildings to green initiatives and eco-conscious practices.

Here, we explore how a few of San Francisco’s most notable hotels ensure visitors experience the eco-conscious mindset inherent to Bay Area culture.

Hotel Zetta

Just South of Market Street, adjacent to the shopping hub of Union Square and San Francisco’s public transportation—including the famous Cable Car—is Hotel Zetta. The vibrant 116-room hotel is swanky but playful, fusing art, technology, and sustainability into each touchpoint. Throughout the hotel, guests will encounter revitalized, repurposed, and recycled items transformed into works of art, like a chandelier made from 1,200 pairs of recycled eyeglasses, or a Great Dane sculpture made of repurposed forks, tools, and bolts.

“Social responsibility is woven into the mosaic fabric of our beliefs and culture,” says Desiree Hemmelgarn, Director of Sales and Marketing. “The goal is to always be a positive force for good and to maintain an equilibrium between the business, the welfare of society, and the environment.” The commitment is inspired by San Francisco’s standout role as one of the greenest cities in North America, and the local tourism community’s collective focus on using renewable energy and producing zero waste.

Hotel Zetta San Francisco

Hotel Zetta San Francisco

Inn at the Presidio

Though San Francisco has numerous parks providing access to nature, The Presidio stands apart from the rest fully immersing itself within greener pastures. Formerly a military base, this decommissioned spot is now part of the Golden Gate National Recreation Area, with bayfront access, lush forests and restored waterways, and an awe-inducing view of the Golden Gate Bridge.

“The future of our planet was at the forefront of the vision for the Inn at the Presidio and its sister property, Lodge at the Presidio,” says Director of Presidio Lodging, Terry Haney. “This commitment to preservation and sustainability impacted every decision – from the reuse of historic buildings to the day-to-day operations.”

The 26-room hotel has been LEED Gold Certified by the U.S. Green Building Council since 2012, while adhering to the Secretary of the Interior’s Standards for the treatment of historic properties. The hotel makes use of green materials like insulation made from repurposed cotton denim, and follows a rigorous recycling and composting program that diverts the majority of its waste from landfills.

Inn at the Presidio

Inn at the Presidio

The St. Regis San Francisco

The St. Regis Hotel San Francisco is one of the city’s true standouts, from its unbeatable location near the city’s best museums and main convention center, to the elegant but modern reincarnation of a historic building. The hotel neatly balances a high-end experience with being green, because it’s in the DNA of the property—and the city in which it’s found. “Sustainability is at the core of The St. Regis San Francisco, as we see ourselves as part of the community in which we operate,” says Roger Huldi, general manager of The St. Regis San Francisco.

In addition to being a San Francisco Green Certified Business and California Green Lodging Program participant, the St. Regis San Francisco collaborates with the hospitality community to achieve common goals. “The St. Regis San Francisco is an active member of the Hotel Council of San Francisco, and we work closely with other hotel members, as an industry, to share best practices and initiatives to support the City’s goal towards NetZero Carbon Footprint,” Huldi says. Building off of this, Huldi recently participated in the Hotel Council’s sustainability panel to share learnings and ideas to further a citywide goal towards a sustainable future.

The St. Regis Hotel San Francisco

The St. Regis Hotel San Francisco

1 Hotel San Francisco

One of the newest hotels to open in San Francisco is 1 Hotel, a natural fit among the city’s sustainability-minded hospitality community. Facing the iconic Ferry Building and Bay Bridge on the Embarcadero, the hotel weaves into the fabric of the city with its urban-rustic style.

“At 1 Hotel San Francisco, we believe that sustainability is not just an ethos, but a social responsibility to create a better future for our guests, community and the planet,” says Ashley Gochnauer, general manager of 1 Hotel San Francisco. “The Bay Area is one of the most environmentally conscious regions in the world, so preserving natural resources and reducing environmental impact is at the heart of what we do.”

When guests enter the lobby, they are embraced by a veritable forest of living plants on a backdrop of reclaimed barn wood, with all the concrete details made locally using recyclable material. In the rooms, upcycled wine bottles-turned-cups are available for use, as well as refillable water stations on every floor. And the roof garden supplies fresh ingredients as locally-sourced as it gets.

1 Hotel San Francisco

1 Hotel San Francisco

Hero image: The St. Regis San Francisco

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Written by
Ali Wunderman

A love letter to movie trailers and the joy of shared anticipation

By in Art World News

A love letter to movie trailers and the joy of shared anticipation
Eating popcorn while watching a movie on the couch.

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Antonio Gravante / EyeEm/Getty Images/EyeEm

When I saw the Barbie trailer, an homage to 2001: A Space Odyssey, I was blown away. I was intrigued by the concept of a Greta Gerwig interpretation of the Barbie universe, and when the trailer ended I was completely sold on the project. The trailer brilliantly set a unique tonal expectation and captivated an unexpected demographic through its referential humor.

This trailer sparked me to analyze my love for movie trailers.

Many trailers use genre as a way to sell a film. For example, action trailers follow a clear format. They draw you in with spectacle and show fans of the genre that the film will have all the fight scenes and explosions they could want. Other trailers rely on the persuasive tool of star power — focusing on the biggest names involved in the project. Finally, there are those like the Barbie trailer that sell you on a movie using eccentric style and creative editing as a marketing tool.

For the most part, we’ve moved past the bellowing voice-overs declaring “IN A WORLD…” at the start of a trailer. Nevertheless, a movie trailer is in fact inviting you into their world. When done well, they are a perfectly crafted nugget of persuasion.

The good, the bad and the brilliant

A common complaint about trailers is that they defeat the purpose of needing to actually see the movie. To skeptics out there, I want you to feel heard: there are some awful trailers. Every plot point spoiled, every punchline told, every twist revealed. But the bad trailers make the good ones even sweeter. A perfect example can be found in two trailers for Stephen King movie adaptations.

The trailer for the 1976 horror film Carrie manages to reveal almost every important part of the movie. By the end, there is no feeling of excitement or curiosity about the film.

But then you have the trailer for The Shining. After some scrolling credits highlighting the big names of the movie, an eerie tune gets increasingly louder and blood begins to rush out of elevator doors. The blood takes over the entire screen and the trailer concludes.

The trailer brilliantly utilizes the power of the well-known novel the movie is based on to create a trailer so compelling it doesn’t need a single word. Even if you haven’t read the book, you know everything you need to know: this movie will be a masterfully terrifying experience.

Then you have trailers that expertly montage key moments without actually giving away anything. The Social Network trailer is one of the most captivating pieces of storytelling. Whoever decided to score this trailer with a Belgian girls choir cover of Radiohead’s “Creep” deserves a raise. It begins with an eerie depiction of social media and builds to a frantic pace, matching the film’s story but leaving the audience wanting more.

From the witty rhythmic pacing of The Big Short trailer, or the unparalleled editing genius of the Dr. Strangelove trailer, or the needle drop of “Paper Planes” by M.I.A. in the Pineapple Express trailer, a good trailer plays like a music video. A perfect companion piece to another art form. They allow you to reenter the world of a movie in just a few minutes.

The exhilaration of expectation

I love rewatching trailers for movies I’ve seen, but I want to highlight one of the most magical components of movie trailers: the exhilaration of expectation. Trailers build conversations and community surrounding the anticipation of a movie.

Something special occurs when a compelling preview plays at the theater. The murmur of noise spreads as moviegoers express approval for the upcoming project. In just a couple of minutes, a trailer has given people something to talk about and a shared thrill. Watching a good trailer that captures the essence of a movie builds a lovely bubble of excitement that you get to share, discuss, and develop as you wait for a movie’s release.

Whether it is to revisit a beloved movie, to build excitement for an upcoming project, or just to admire a masterclass in curating a vibe, movie trailers are truly an underappreciated art form.

What are you really into? Fill out this form or leave us a voice note at 800-329-4273, and part of your submission may be featured online or on the radio.

.able Journal Publishes Research Through Images

By in Art World News

.able Journal Publishes Research Through Images

François-Joseph Lapointe, “Microbiome Selfies” (2014-2020). Image courtesy of François-Joseph Lapointe

The complexity of the world today—with emergencies related to climate, health, migration, and more—demands that we bring together all the available tools and disciplines for reflection and action. How can knowledge be interwoven to expand our understanding of the world and broaden our imaginations, to look to the future on an international scale? “Research-creation,” or practice-based research, is a relatively recent field between theoretical and applied research associating experimental, exploratory, and critical approaches and practices while privileging sensorial experience. Through installations, dispositifs, and performances, new methodological tools are being created to access sources of shared knowledge and to explore contemporary transformations aesthetically.

How can we go beyond text in communicating these findings at the intersections of art, design, and science? The traditional methodologies and formats of journal articles are not always adapted to research that explores sensorial and singular forms.

.able Journal is the result of observing this limitation, reinventing the publication form by making research accessible through images. Free of charge and distributed on numerous platforms, media, and devices—including formats specifically adapted for social media—the journal gives immediate access to visual essays and creates multiple entry points for all to access research in the arts, design, and sciences. Centered on the visual, this system makes the text ancillary, overturning the traditional balance between text and image. .able’s publication modalities leverage and circumvent contemporary fragmented reading patterns, allowing transitions between different devices, beginning with smartphones.

 

A photo of hands swiping on a tablet

A reader checks out “Yōkobo” by Dominique Deuff, Gentiane Venture, Isabelle Milleville, and Ioana Ocnarescu on .able. Image courtesy of Dominique Deuff

As a peer-reviewed journal, .able experiments with the potential of academic publishing, going beyond text-centric conventions to explore the many alternatives and opportunities that multimedia and multiple platforms offer. From the design of sustainable fashion or bioluminescent micro-architecture to the dynamics of bacterial contamination or the exploration of deep sleep, .able combines academic excellence, artistic rigor, and accessibility focused on exploring contemporary sociopolitical and environmental issues in images and putting these challenges into perspective. The journal offers a new space for interdisciplinary research to both the academic community and the wider public. With its radical approach, it aims to reinterpret the traditional publishing process.

Created at the initiative of La Chaire Arts & Sciences of the École Polytechnique, the École des Arts Décoratifs–PSL, and the Fondation Daniel et Nina Carasso, .able journal is published by Actar Publishers and supported by some 30 international academic partners brought together to publish innovative interdisciplinary research.

The free-of-charge, open-access journal is available now at able-journal.org and distributed on social media at @ablejournal.

 

A photo of hands opening a print version of .able journal

A print.able issue, printed on demand. Image courtesy of Actar Publishers

An image of black braided forms

Emile de Visscher & Ophélie Maurus, “Petrification.” Image courtesy of Ophélie Maurus

An image of two robotic alien creatures stalking a extraterrestrial environment

Peter Lunenfeld, Denise Gonzales Crisp, and the students of UCLA’s Design Futures 2021, “Solve for (x)Futurisms.” Image courtesy of UCLA | Albert Acosta, Zara Aiken, Helena Alcala, Nel Alpysbayeva, Sascha Barnes, and Natalia Beltran

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article .able Journal Publishes Research Through Images appeared first on Colossal.

Ithaca Farmers Market Returns to Steamboat Landing for 50th Season

By in Art World News

Ithaca Farmers Market Returns to Steamboat Landing for 50th Season
image

The Ithaca Farmers Market opened to the public at its waterfront location in the Pavilion at Steamboat Landing on April first, 2023. The market has operated since 1973 and is celebrating its 50th year of serving the community.

The market’s 50th year is set up to be an interesting one as it is considering reopening their mid-week downtown market in DeWitt Park, in addition to their satellite market at East Hill. The DeWitt Park market was a popular downtown destination, but it was forced to close due to COVID-19 restrictions that limited customers.

At the beginning of March, the market announced that they would be seeking community input through an online survey to understand whether or not residents would be interested in attending a midweek downtown market. On March 28, it was announced that the survey would remain open until April 7, 2023.

The survey asks residents to consider if they would prefer the midweek market to be held on Tuesdays or Thursdays, if the hours should be from 11am to 2pm or from 3pm to 6pm and if it should be held at DeWitt Park — as it was before the pandemic — or in a new location on the 100 block of West State/MLK Street?

The marketing coordinator for the Farmers Market, Carie Cuinn,  issued a press release saying that so far, according to the survey “customers are mainly looking for prepared foods and a good variety of farm products.” Cuinn continued saying, “Once the community votes are tallied, [the market] will work with their vendors to ensure they can properly fill this need before moving forward with a final decision.”

According to Cuinn, “Ithaca Farmers Market will announce their results in May 2023, and if they decide to reopen the downtown market, Ithaca could see it later this year.”

The link to the community survey can be accessed here.

While the future of a downtown midweek farmers market remains uncertain, Cuinn has encouraged residents to visit the market on the waterfront in the Pavillion at Steamboat Landing to experience the “wide variety of products” from within 30 miles of Ithaca.

Products include: farm-raised meat, eggs, and dairy; fresh vegetables and fruit; locally-gathered honey and locally-prepared staples like jelly and sauces; bread, pastries and other baked goods; wine, hard apple cider and mushroom spirits; as well as live plants and the best selection of hot food and art.

Throughout the month of April the market will be open on Saturdays from 9am to 3pm and starting on May 7 the hours on Sunday will range from 10am to 3pm.

The Market at Steamboat Landing operates rain or shine, from April through December each year. It features more than 80 unique local vendors at each market, plus live outdoor music — weather permitting. The market has space for parking, and easy access via public transit on TCAT Route 13.

The Ithaca Farmers Market Organizational Manager, Kelly Sauve, recently said “The farmers market organization wouldn’t survive without its community and in this 50th season we look forward to celebrating with you all, hosting fun events and featuring non profits, including our very own Friends of Market.”

Sauve continued saying, “We think this year will be the best one yet as customers shop the best food, art and groceries within 30 miles while also learning about great community resources and enjoying being together.”

Operations Manager at the Farmers Market, Cassidy Graham has said, “In our 2023 season, we are happy to welcome several new vendors to our IFM community who offer an exciting variety of new products.”

Graham continued saying, “If you stop by Steamboat Landing this season, you will find kombucha and hard ciders from Redbyrd Orchard Cider; nursery trees, plants, and seasonal produce from Perry City Orchard & Nursery; an array of honey products from Picaflor Farm; chicken wings from Wally’s Wings and Things; and plenty more! We will continue to add new vendors to our roster throughout the 2023 season so you’ll be sure to find new products, as well as all of your favorite classics, every time you visit us at Steamboat Landing this season.”

The Pavilion at Steamboat Landing is located at 545 3rd Street, Ithaca, NY 14850. Saturday market hours are 9AM to 3PM beginning April 1, 2023. The market will reopen on Sundays beginning in May 2023.

To learn more visit the Ithaca Farmers Market website or follow the Farmers Market on Facebook, Instagram or Twitter.

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