Travel Photographer Takes 24 Trips to Capture the “Soul of Cuba”

Travel Photographer Takes 24 Trips to Capture the “Soul of Cuba”
Mechanic in Cuba Working on a Car by Michael Chinnici

“Cuban Repair Shop”
This post may contain affiliate links. If you make a purchase, My Modern Met may earn an affiliate commission. Please read our disclosure for more info.

American documentary photographer Michael Chinnici is in love with Cuba. He began visiting the country once travel restrictions eased and he hasn’t looked back since. Vanishing Cuba is his look at the “soul of Cuba” through evocative photographs of the country’s people and places. This large-format coffee table book features over 300 images from his first 24 trips to the island nation and is available in three special editions.

Chinnici’s powerful visuals are accompanied by stories in English and Spanish to help guide the narrative. Many of these stories are told by the Cubans who have created strong bonds with the New York-based photographer. And together, they are helping tell a story of Cuba’s past, present, and future.

From intimate portraits to landscapes to candid moments on the street, Vanishing Cuba is a collection that speaks to the heart. Turning the pages, it’s impossible not to feel Chinnici’s love for Cuba. In this way, it’s more than a photography book but is rather a love letter to all the Cubans who have left an impression on the photographer and who continue to drive his passion to return.

We were able to chat with Chinnici about his love for photography and for Cuba, as well as the impact he hopes Vanishing Cuba will have. Read on for My Modern Met’s exclusive interview and pick up a copy of Vanishing Cuba on Red Octopus Publishing or Amazon.

Black and White Photo of Cuban Children by Michael ChinniciBlack and White Photo of Cuban Children by Michael Chinnici

“The Children of Cuba”

What sparked your love for documentary photography and investigating other cultures through your art?

There are many genres of photography. They all appeal to photographers in different ways. I love to connect with my subjects. I get this mainly through people and environmental captures. I don’t get that kind of feedback from more static photography. Don’t get me wrong—I love landscape, nature, architecture, etc., but I just don’t feel the same connection.

I fell in love with documentary photography because it captures real life in a beautiful and truthful way. It allows the viewer to see the world through my eyes and better understand the story that I’m telling.

I enjoy giving people a better understanding of the world around them. It can also help people to learn about new customs and traditions and to appreciate the diversity of the world’s many cultures.

Sunset in Cuba by Michael ChinniciSunset in Cuba by Michael Chinnici

“Vanishing Sun”

How did the initial trip to Cuba come about and what was it about the country that hooked you?

When I realized that travel to Cuba was possible, I contacted some friends who connected me with the right people. Having the right team on the ground in Cuba—or any country—is key to exploring and capturing unique, truthful, and compelling images.

What hooked me? The people. Everyone I know who has gone or who I’ve brought to Cuba has fallen in love with the people. I’m no different. I’ve traveled to many countries, and there’s something exceptional about Cuba and Cuban culture. The people have beauty in their souls.

Cuban Woman Sitting on a Bed by Michael ChinniciCuban Woman Sitting on a Bed by Michael Chinnici

“A Room With a View”

When did it then transform into something larger?

I’m now up to 28 trips with my upcoming April trip.

My photography travel company Photo Workshop Adventures leads photographic and cultural trips worldwide, including Cuba.

As my love for Cuba grew and the global interest in traveling to Cuba increased, so did my trips. But even if that were not the case, I would have found a way to return and capture the everyday life of the Cuban people. I’ll probably continue to go to Cuba several times a year for as long as it’s feasible.

Sunrise in Cuba by Michael ChinniciSunrise in Cuba by Michael Chinnici

“Sunrise on the Malecon”

As Americans, we often have a very specific idea of what it must be like in Cuba based on past history between our countries. What was the most surprising thing you learn through your time in Cuba?

The most surprising thing I’ve learned is how similar Cubans are to Americans. Other than the distinct differences between the governments and the landscape, the people are the same. We feel an affinity toward each other. It’s pretty remarkable. I talk about this in my book, how my fears and concerns on my first trip evaporated in a matter of days.

Think about the tumultuous relationship the United States and Cuba have had since the 1959 Cuban Revolution—including almost no diplomatic relations. The 60-plus-year trade embargo against Cuba is still in place. Think how that embargo affects everyday life for Cubans. You would think there would be much hatred and anger toward Americans. It’s the opposite. Strangely, I see only anger toward the Cuban government.

Classic Car in Cuba by Michael ChinniciClassic Car in Cuba by Michael Chinnici

“Bullet Nose”

What were some of the biggest changes you saw in Cuba throughout your trips?

There have been many changes, such as fewer vintage American cars on the streets (mainly due to the addition of newer Chinese government cars and taxis). Fewer young women giving birth. A brain drain of some of the smartest and youngest people who have left for the United States and Europe. Deterioration of infrastructure. Less food, electricity, fuel, water, medicine, health care, etc., very high inflation, and no tourism. Many new hotels sit empty, waiting for the next surge in tourism. It’s strange to see.

I’ve also witnessed positive changes, such as capitalism. Young entrepreneurs, taxi drivers, tour guides, mechanics, and retail shops trying to get ahead and make a difference. But they are few and far between.

Portrait of a Cuban Woman by Michael ChinniciPortrait of a Cuban Woman by Michael Chinnici

“Exotic Beauty”

Is there any image in particular that has special meaning to you, and how so? 

There are too many images that I’ve taken for there to be one image that stands out and means something special to me. The book contains 300 images, edited from a collection of tens of thousands. But since you are asking the question, I will tell you about the story behind one photo.

I took an image of a young woman titled Exotic Beauty. The title describes her unique blend of ethnicities. It’s not my favorite, but it has a very special meaning. I was in a restaurant in Old Havana when I noticed a waitress with a unique look. I asked her if I could photograph her, and she graciously accepted. Taking just a few minutes of her time, I asked her to step into the kitchen doorway, and I took her photo.

Soon after, Dayle and I became friends (like I do with so many of my encounters). Fast forward several months later. Francesco, a young Italian man with a love for photography and Cuba, who follows me on Instagram, saw my post of Dayle. They connected, and when the Covid restrictions were over, he traveled to Cuba, where they began a beautiful relationship. Recently, they were married in Florence, Italy. Knowing that my photograph connected two people and created a beautiful love story makes what I do all worth it.

Black and White Portrait of a Cuban Taxi Driver by Michael ChinniciBlack and White Portrait of a Cuban Taxi Driver by Michael Chinnici

“Taxi Driver”

What do you hope that people take away when looking at Vanishing Cuba?

It’s my hope that people will come away with better love and understanding of Cuba and the Cuban people. Feel my connection to the Cuban people and appreciate my photography.

Vanishing Cuba is now available in three special editions.

Vanishing Cuba Set by Michael ChinniciVanishing Cuba Set by Michael Chinnici

Michael Chinnici: Website | Facebook | Instagram

My Modern Met granted permission to feature photos by Michael Chinnici.

Related Articles:

Beautiful Aerial Portraits of Classic Taxis Showcase Daily Life in Cuba

Cinematic Portraits Capture the Warm Glow of the Streets and People of Cuba

Photographers Document the Soulful Streets of Havana During Obama’s Visit to Cuba

American Photographer Captures Everyday Life in Cuba, Feels Like He Went Back in Time [Interview]

MnDOT conducting aerial photography work in southwest Minnesota

MnDOT conducting aerial photography work in southwest Minnesota

WILLMAR, Minn. – The Minnesota Department of Transportation will conduct aerial mapping of several locations in southwest Minnesota this spring. The mapping will create a record of existing infrastructure and landscape along, and adjacent to, MnDOT right of way for transportation planning and highway design. This work will be conducted after the snow has melted and before trees leaf out.

Weather permitting, work will begin mid-April at the following locations:

Highway 75 – from Pipestone County Road 4 to Highway 30 in Pipestone
Highway 22 – at the MnDOT truck station in Glencoe
Highway 7/22 – from Shady Ridge Road Northwest to Garden Road Northeast in Hutchinson
Highway 23 – between Highway 274 and Highway 67 south of Granite Falls
Highway 29 – from Canton Avenue to North 8th Street in Montevideo
Highway 59 – from Highway 23 to Highway 19 in Marshall

The public is asked to not disturb temporary targets

In order to obtain accurate aerial mapping, MnDOT crews paint large white “X” targets on paved surfaces, and place plastic or fabric “X” targets on unpaved surfaces.

Examples:

       

A survey crew then records the coordinate position and elevation of the temporary targets for the aerial photography company. The plastic and fabric targets are temporary and will be removed by MnDOT when the photography is completed.

Landowners in the areas that will have targets placed on or near their property will be contacted directly. MnDOT asks that landowners and others who come across targets not remove or disturb the targets. If a target must be moved, please contact the District 8 Willmar Office at 320-231-5195 and ask for assistance from Surveys.

Jaipur Living sells rugs with a legacy

Jaipur Living sells rugs with a legacy
The spacious new showroom at Jaipur Living has sitting areas and a kitchen as part of its charm. Walls of rug samples are grouped by color.

Photograph courtesy of Jaipur Living

Jaipur Living’s new showroom in Acworth is like an art gallery for rugs. The warehouse-sized facility is open to the public, though a limited number of products, such as pillows and poufs, are sold directly to consumers. The showroom is primarily a resource for designers and retail stores to peruse and purchase the company’s many lines of rugs.

This locally based family business has a higher calling, which adds to the meaning behind each rug. “There is a purpose-driven approach to what we do,” says marketing director Zoe Glade. With roots in the centuries-old art of rugmaking in India, founder Nand Kishore Chaudhary started the business in 1978, initially working with two artisans on two looms. Today, Jaipur Living has a network of 40,000 artisans in more than 700 villages in India. The company is proud to offer employment to artisans abroad who might not have a means of making an income otherwise. And alongside every business decision there’s a commitment to keeping an age-old art form alive.

Jaipur Living sells rugs with a legacy
Jaipur Living CEO Asha Chaudhary (left) and COO Archana Chaudhary welcomed guests to the showroom opening, and keep the family business going on a day-to-day basis.

Photograph courtesy of Jaipur Living

Jaipur Living sells rugs with a legacy
Tables and chairs are set up for designers and retailers to meet with Jaipur staff for their orders. Also shown are poufs and pillows that are part of the brand.

Photograph courtesy of Jaipur Living

The majority of Jaipur rugs are wool, hand-knotted creations, although they also sell vintage rugs and machine-made indoor-outdoor rugs, which represent a growing segment of the market. Many of their rugs wear rich colors, but the company has noticed a trend toward a neutral and calming color palette. This new segment of the inventory is called “Quiet Elegance,” and is filled with faded Oushaks and grounded neutrals.

Jaipur Living sells rugs with a legacy
Neutral rugs are popular.

Photograph courtesy of Jaipur Living

Designers or retailers can also design their own rugs and take home swatches to see if a particular weave and color palette might work. Custom rugs are then shipped to the location. Rug devotees might enjoy seeing a section of the showroom devoted to “Manchacha” rugs, which translates to “rugs from the heart.” These one-of-a-kind rugs are made from extra fabrics given to artisans, who then tell a story through the rug in artsy ways.

No surprise, the people at Jaipur Living have one piece of advice for how to begin decorating a room: “Start with the rug.”

Advertisement

Is It Worth Traveling for Photography if AI Can Do It for You? |

Is It Worth Traveling for Photography if AI Can Do It for You? |

I recently posed a challenge to DALL-E 2 (or to myself?) to mimic one of my photos using prompts. I didn’t think it was actually going to work, until it did. Almost.

The left part of the photo above represents AI’s interpretation of a “photo of Fire Island Lighthouse during the day with few clouds and common reeds with shallow depth of field in foreground” which is about the best way I could describe the actual photo I took with a Canon EOS M6 Mark II and Sigma 56mm f/1.4 DC DN Contemporary Lens.

To get that photo, I drove out about an hour to Robert Moses State Park’s parking field five. I parked my car, carefully picked out which lenses to bring with me for my trip (and yes, I also brought along Camera brand camera) and then walked about a mile along a boardwalk to get out to the lighthouse, and then walked off the path along some dirt trails to find this interesting scene from amongst the reeds. I made the conscious decision to shoot at ISO 100 and set my aperture to f/1.4 to get the shallow depth of field. I had to think to put a 3-stop neutral density filter on my lens so that the camera’s maximum mechanical shutter speed of 1/4000 would be able to expose the scene properly.

But I’ll be damned if the AI didn’t come close enough to make me wonder: In a couple of years when the computers actually get it right, will it be even worth it to get “the shot” when “the shot” could be produced with just a few clicks of a keyboard?

To be fair, AI is a long way off, and in the case of the main photo in this article, I think it was a combination of a detailed enough prompt and some luck. Sometimes, I struck out, like with this photo of the Montauk Point Lighthouse that I tried to recreate with AI:

The prompt for this one was: “Low angle shot of Montauk Point lighthouse covered in white Christmas lights with long exposure of water flowing over rocks and lighthouse reflecting in water at dusk with clouds.” It certainly looks like the Montauk Lighthouse has seen better days in the AI photo, but still, as in the photo of the Fire Island Lighthouse, it doesn’t look like the AI is too far away from actually figuring this out.

Some may argue, especially in the case of recognizable landmarks like these two lighthouses, that the AI is essentially just stealing images and tweaking them a bit. While it’s impossible to tell what’s going on behind the scenes of the software, I wouldn’t be surprised.

That said, I’d never be able to photograph a “Photorealistic image of a t-rex wearing sunglasses driving a red convertible car through a machine car wash,” and so I’ve got to hand it to DALL-E 2 on that.

Still, with the ability to produce frame-worthy images (maybe) in the near future through AI, is it worth it to travel at great cost and expense to make a photo?

For me, the answer will always be yes, as I want to experience and see the very thing I’m photographing, which is something AI will never replace. But is that the case for you? Is having the photo produced by an AI prompt good enough for you?

Leave your thoughts in the comments below.

Photo Friday: Exploring the history of photography through the work of Julia Margret Cameron – TownLift, Park City News

Photo Friday: Exploring the history of photography through the work of Julia Margret Cameron – TownLift, Park City News

Over the history of photography, there have been many problematic truths to be acknowledged, with the lack of diversity being prominent among them. While this largely holds true, there have been those to break that barrier, not only defying the typical definition of a photographer during that time but also resetting the previously held set of rules that were placed on photography. Julia Margret Cameron, from 1815 to 1879, did just that after receiving her first camera in December 1863 at age 48 as a gift from her daughter and son-in-law.

Photography has always trended toward having this set of rules that lead to a need to provide a perfect recreation of a moment in time. For years this was the case, but there have been those that pushed against that notion pushing back against perfectionism and proving that rules are meant to be broken.

Cameron’s style was unique in that the majority of her images were slightly out of focus. While that might make her images technically imperfect, that wasn’t the point. She was not set out to establish a professional studio or follow some prenotion idea of photography but rather one of feeling. Her work was not given much acknowledgment by her peers, but that didn’t matter to Cameron.

“From the first moment I handled my lens with a tender ardour,” Cameron wrote in her manuscript entitled Annals of my Glass House, “and it has become to me as a living thing, with voice and memory and creative vigour.”

This slideshow requires JavaScript.

Her deeply religious beliefs and friendships with many well-known people of Victorian England, such as Sir John Herschel, Charles Darin, and several others, had an effect on what she photographed. Many of Cameron’s images contain elements of storytelling and involve heavily staged scenes. One of her more well-known images was a reimaging of Idylls of the King that was shot after her friend and neighbor Alfred, Lord Tennyson, requested it. The image features a girl playing the harlot Vivien who enchants Merlin.

imageVivien and Merlin. Photo by Julia Margret Cameron.
” data-image-caption=”

Vivien and Merlin

” data-medium-file=”https://townlift.com/wp-content/uploads/2023/04/DP158292-500×500.jpg” data-large-file=”https://townlift.com/wp-content/uploads/2023/04/DP158292-771×1024.jpg” decoding=”async” alt=”Vivien and Merlin.” width=”1928″ height=”2560″ srcset=”https://townlift.com/wp-content/uploads/2023/04/DP158292-scaled.jpg 1928w, https://townlift.com/wp-content/uploads/2023/04/DP158292-771×1024.jpg 771w, https://townlift.com/wp-content/uploads/2023/04/DP158292-768×1020.jpg 768w, https://townlift.com/wp-content/uploads/2023/04/DP158292-1157×1536.jpg 1157w, https://townlift.com/wp-content/uploads/2023/04/DP158292-1542×2048.jpg 1542w” data-sizes=”(max-width: 1928px) 100vw, 1928px” class=”size-full wp-image-73171 lazyload” src=”https://townlift.com/wp-content/uploads/2023/04/DP158292-scaled.jpg”>

Vivien and Merlin

“I longed to arrest all beauty that came before me & at length the longing has been satisfied. Its difficulty enhanced the Value of the pursuit. I began with no knowledge of the Art. I did not know where to place my dark box how to focus my sitter & my first picture I effaced to my consternation by rubbing my hand over the filmy side of the glass,” Cameron wrote in Annals of my Glass House.

While Cameron did not have formal “artistic” training, it is fair to say that didn’t matter. Her impact was still profound as her images had elements that were not present in other photographs created at the time. The images have a sense of feeling and spiritual quality that is unique. To some, her work was full of shortcomings, but to others, it challenged the status quote and opened doors for future exploration in the medium.

In Art New York, Angelica Aranda ’23 finds a niche in book art

In Art New York, Angelica Aranda ’23 finds a niche in book art


April 7, 2023

“Artists are historians and community builders,” says Angelica Aranda ‘23, who became fascinated with the book art form during her Art New York experience. (University of Rochester photo / J. Adam Fenster)

A program for University of Rochester students inspires the Queens native to build community through art.

“It was all gas and no breaks,” says Angelica Aranda ’23 of her frame of mind when she decided not to pursue law school. She was going to pursue art—even while realizing that “funding yourself as an artist is not easy.”

But that didn’t stop Aranda from figuring out how to push forward.

At first, politics and law seemed like a natural progression for someone conscious about the world around her. As a high school student, Aranda witnessed the turbulent politics of the Trump era, the effects of the COVID-19 pandemic, and the repercussions of the January 6 Capitol attack. As a result, she became motivated to think she should pursue a career in law.

But Aranda also recalled a time in grade school when she was asked what she wanted to be when she grew up, and her answer would always be “an artist or an inventor.” Luckily for Aranda, she was able to take advantage of the open curriculum at the University of Rochester, exploring her art interests while also pursuing studies in the Department of Political Science.

And it was after a study abroad program, where she studied terrorism and counterterrorism, that she decided for her career path to look instead for artistic ways to serve the world. During her junior year, the Queens native entered Rochester’s Art New York program, interning at a nonprofit gallery in Manhattan’s Chelsea neighborhood called Field Projects.

Art New York student Angelica Aranda holds up two hands stained with ink while smiling in New York City.

Angelica Aranda in New York for her Art New York internship. The program is set up to fully engage students in the workings of the art world in a city rich with galleries and artists. (Photo by Heather Layton)

Art New York is set up to fully engage students in the workings of the art world in a city rich with galleries and artists. Once students are admitted to the program, they list their top 10 choices of internship sites and start to reach out to those places.

“The students do a tremendous amount of work up front,” says Heather Layton, an associate professor of art who recently served as the program director and its resident faculty member in New York. Layton says that fewer than half of the students accepted are studio art majors, but they are nonetheless looking to explore opportunities in the art world. “It can be difficult to get an internship in New York City,” says Layton. “We step in to assist with a match, if we need to.”

Finding herself, helping others with book art

Hand holding open a map book.

Angelica Aranda’s artist’s book inspired by her neighborhood in Queens and created as part of her Art New York Field Studio course. (Photo provided)

“I was fully submerged,” says Aranda, when she began Art New York.

As an Art New York student, Aranda became fascinated with the book art form. “Book art can be any kind of documentation or art form encased in a book,” she says. “It can be difficult to define an artist’s book because it’s not what you would think of as a novel or a picture book. It could be anything.”

She began an opus of handmade books, specifically zines. Historically, zines have been voices for marginalized communities, from the punk zines of the 1970s to the 1990s riot grrrl movement of women’s self-publication. Layton says of zines: “They can carry huge ideas in small and portable forms. They’re intimate, easily shared, and inexpensively reproduced. It’s a truly democratic art form in the sense that anyone can make or distribute them. Authors bypass publishing companies completely. Zines are the original social media.”

What drew Aranda to zines was how inventive she could be in their design. “I like knowing that book art lets you practice any kind of medium, while still being consistent in the final product,” says Aranda. “It’s nonconformist.”

Aranda saw in book art an opportunity to self-reflect and share the beauty of her childhood community. When students were assigned a mapping project of their first experiences living in New York for the Art New York Field Studio course, she made an artist’s book of her neighborhood in Queens. “My neighborhood is where I see myself having grown up. It wasn’t just in my house,” she says. Adds Layton: “As you flip through this gorgeous book made on semi-transparent paper and see the overlapping imagery and text, Angelica’s hometown neighborhood comes to life. Every single one of the things that Angelica does is well done.”

Internship, entrepreneurship, leadership

During her internship, Aranda also started her first commercial venture. She set up a booth at a festival to support her home community and its businesses, and she sold her first books there. Her next step was to apply for the highly competitive Creatives Build New York (CRNY) program. Funded by the Mellon, Ford, and Stavros Niarchos foundations, CRNY recognizes the critical role of artists by providing guaranteed income and employment to 2,700 artists living New York State.

Artists are historians and community builders, and it wouldn’t feel right to take a grant like that and not do something for the community that helped me become who I am.”

She was among the winners. “I was blessed that I got it,” says Aranda, who will receive an income of $1,000 for 18 consecutive months with no strings attached.

“Artists are historians and community builders, and it wouldn’t feel right to take a grant like that and not do something for the community that helped me become who I am,” Aranda says. So she decided to help build up the University’s Sage Art Center community through a project called Mart Crew.

She began by setting up a drop box at Sage and inviting students and alumni to submit original works of art on a 4-inch x 5-inch piece of paper.

“She relentlessly recruited for that,” says Layton.

Then, she scanned the submitted works and presented them in a small artist’s book, which she sent to each participant. Included in each book was also an original work of art made by another participant.

Angelica Aranda surrounded by students and art supplies leading a zine-making workshop on campus.

Angelica Aranda (center, gesturing) leads a zine-making workshop at the Art and Music Library in Rush Rhees Library. (University of Rochester photo / J. Adam Fenster)

Layton, impressed by Aranda, recruited her as a teaching assistant for her performance art course. At the start of the 2023 spring semester, Aranda also taught a zine workshop to her peers, hosted in conjunction with the undergraduate Creative Arts Club and the Art and Music Library, where she’s currently cataloging and archiving the entire collection of artists’ books under the direction of the art librarian Stephanie Frontz.

Aranda plans to pursue graduate study in library science, looking forward to a career, perhaps, in an artist’s book library. Still, ideally, she wants to continue the book art form. “I always want to find a way to give back to the community,” she says. “And hopefully, wherever I’ll be, I’ll find a way to share what I do with the people I’m around.”


Read more

Tags: , , , , ,

Category: Featured

Triad Photographer’s helpful tips for picture perfect graduation photos

Triad Photographer’s helpful tips for picture perfect graduation photos

Triad Photographer’s helpful tips for picture perfect graduation photos



SO LET’S CHECK IN WITH HER NOW. LET’S CHECK IT OUT IN JUST A FEW SHORT WEEKS. GRADUATION SEASON WILL STILL BE OR WILL BE HERE. IT’S HARD TO BELIEVE GRAD PHOTOSHOOTS TO COMMEMORATE THE ACCOMPLISHMENTS ARE BECOMING QUITE POPULAR. THAT’S TRUE. SO SOME PEOPLE MAY BE WONDERING WHAT ARE SOME WAYS TO LOOK AND FEEL YOUR BEST AND MAKE SURE YOUR GRADUATE AND SHOOT WILL GO SMOOTHLY. FOR OUR LIVE GUEST, ASHLEY CRAWLEY CAN ANSWER THAT. SHE IS THE OWNER OF GREENSBORO BASED STILL SHOTS PHOTOGRAPHY. THANKS FOR BEING WITH US. THANK YOU FOR HAVING ME. OH, YOU’RE WELCOME. NICE TO SEE YOU AGAIN, TOO. HERE ON OUR SHOW. SO LET’S FIRST TALK ABOUT WHY IS PLANNING AHEAD SO IMPORTANT FOR THIS TYPE OF PHOTO SHOOT? WELL, CLEARLY ON TODAY, IT’S RAINING, SO YOU WANT TO BE SURE TO PREPARE FOR THE WEATHER AND CHOOSE A SEASON THAT IS COMFORTABLE FOR THAT. SO DON’T WAIT TILL THE LAST MINUTE TO HAVE YOUR THINK YOUR PICTURES TAKEN. MAYBE CONSIDER TAKING YOUR FINGER PICTURES IN THE SPRING EXCUSE ME IN THE SUMMER AND THE SPRING OR YOUR FAVORITE SEASON. HONESTLY, I HAVE SEVERAL FINGERS WHO ENJOY SKIING AND SO MAYBE WAITING TILL THE WINTER. TIME TO TAKE YOUR PICTURES IN THE MOUNTAINS WILL BE AN AWESOME IDEA. ALSO, LOCATIONS. THERE ARE SEVERAL TRENDY LOCATIONS HERE IN GREENSBORO AND IN THE NORTH CAROLINA AREA, SO YOU DON’T WANT TO VISIT THOSE LOCATIONS DURING THEIR PEAK TIMES AS WELL. PLANNING FOR YOUR OUTFIT, KNOWING EXACTLY WHEN YOUR SCHOOL PLANS TO RELEASE THE CAP AND GOWN, IF THAT’S SOMETHING THAT YOU GUYS WANT TO USE DURING YOUR PHOTO SHOOT, FIND OUT THE RELEASE DATES FOR THAT. SO THAT WAY YOU HAVE ALL OF THOSE TEES CROSS AND THAT ARE AS THAT. AND SO THAT’S THE VERY MOST IMPORTANT THING WHEN YOU’RE PLANNING AHEAD FOR YOUR SENIOR YOUR PICTURES. OKAY, VERY GOOD TIPS THERE. LET’S GET BACK TO THE LOCATION A LITTLE BIT. I’M SURE THAT’S REALLY IMPORTANT CONSIDERATION TO MAKE AND NOT NECESSARILY JUST BECAUSE OF THE TIME OF YEAR AND THE WEATHER THAT’S RELATED. ARE THERE SOME IMPORTANT TIPS THAT YOU HAVE FOR PICKING A GOOD LOCATION THAT WILL END UP MAKING A REALLY FOR A FOR A REALLY GOOD SHOOT? YES. SELECT THE LOCATION THAT YOU VISIT FREQUENTLY OR THAT YOUR FAMILY MAY ENJOY BEING AT. SO, AGAIN, A FAMILY FARM USING OPEN FIELD OR SOME USE A LOCATION THAT SHOWS YOUR INTERESTS. SO IF YOU ARE AT IT BOWLER OR IF YOU LIKE TO ROLLER SKATE GOING TO THOSE LOCATIONS ALSO MAKE FOR GREAT PHOTOS A ROOFTOP. I HAVE A RECENTLY PHOTOGRAPHED A SENIOR WHO SPENT A LOT OF TIME RESTORING A VINTAGE CAR AND HE WANTED TO SHOW THAT OFF. SO WE WENT TO A ROOFTOP ON A PARKING DECK AND GOT SOME AMAZING SHOTS THERE TOO. HAVE THE CITYSCAPE IN THE BACKGROUND. SO JUST A FEW LOCATIONS. YOUR HIGH SCHOOL OR EVEN YOUR COLLEGE TAKING PICTURES THERE AS WELL. YEAH, WE ARE SHOWING THOSE PICTURES THAT YOU JUST MENTIONED ON THE SCREEN. NOW. THIS IS A FANTASTIC PHOTO. LOOKS LIKE A FAKE BACKGROUND THAT HE’S IN FRONT OF WITH THE CAR. THAT’S PRETTY. YEAH. THANK YOU SO MUCH. WHEN YOU’RE TALKING ABOUT REPRESENTING, LIKE, PASSION AND INTERESTS AND WHATNOT, DO YOU LEAVE THAT UP TO THE SENIOR OR YOU KIND OF THINKING LIKE IT’S A FAMILY DECISION? I WAS JUST DRIVING BY MY NEIGHBORHOOD AT HOME AND THERE WAS A SIGN OF WHERE THE CHILD WAS GOING TO SCHOOL, YOU KNOW, HIS COLLEGE CHOICE. AND IT WAS THE CUTEST THING TO WITNESS. LIKE THE WHOLE FAMILY WAS IN FRONT OF THE SIGN TAKING PICTURES OF EACH OTHER. AND THE SENIOR. AND THAT WAS JUST A STATE YARD SIGN IN FRONT OF THEIR HOME. BUT THEY WERE THEY WERE OBVIOUSLY WANTING TO REPRESENT HIS COLLEGE OF CHOICE. SO DO YOU RECOMMEND THAT KIND OF THING TO. ABSOLUTELY. A LOT OF SINGERS ARE WAITING TO DO A HUGE REVEAL TO ANNOUNCE THEIR COLLEGE SELECTIONS. SO PUTTING ON YOUR OTHER PARAPHERNALIA TO REALLY SHOW OFF THE COLLEGE THAT YOU’RE CHOOSING TO ATTEND IS A GREAT WAY TO KIND OF MAKE AN ANNOUNCEMENT OF YOUR NEXT MOVES IN YOUR COLLEGE CAREER. ADDING YOUR FAMILY OR FRIENDS IS DEFINITE. LEE PERFECT. THIS IS A HUGE MILESTONE AND FOR MOST FAMILY FINGERS, THEIR FAMILY HAVE BEEN HAVE HAVE BEEN A VITAL PART IN HELPING THEM DURING THIS PROCESS. SO INCORPORATING YOUR FAVORITE, YOU KNOW, FRIENDS AND YOUR FAMILY. SO ONE OF YOUR SPORTS INTERESTS, YOU KNOW, NORTH CAROLINA, WE’RE HUGE DUKE AND CAROLINA RIVALS THEY RIVALS SO YOU KNOW SHOWING OFF YOUR FAVORITE TEAMS THAT WAY YOUR HOBBIES AND YOUR INTERESTS ARE ALWAYS GREAT AND REFLECTING YOUR PASSIONS AND THE MILESTONE THAT YOU JUST COMPLETED AND THE ONE THAT YOU’RE GETTING READY TO GO INTO. SO ONCE YOU HAVE THE PHOTOS, THEN HOW DO YOU RECOMMEND PEOPLE SHARING THEM? MAYBE LIKE BEYOND JUST WITH OUR FRIENDS? YEAH. SO WHEN YOU’RE TAKING YOUR THINGS, YOUR PICTURES MAYBE CAN MAYBE CONSIDER PROMOTING YOUR NEXT CAREER INTERESTS. SO IF YOU’RE PLANNING ON GOING INTO JOURNALISM OR IF YOU’RE WANTING TO DO NURSING OR YOU HAVE HOBBIES AS PODCASTS, TAKE SOME OF THOSE PICTURES WHILE YOU’RE DOING YOUR SENIOR PORTRAIT AND USE PROPS TO HELP REFLECT AND SHOW THOSE INTERESTS SO THAT YOU CAN USE THEM FOR YOUR SOCIAL MEDIA OR FUTURE WEBSITES, OR APPLYING FOR INTERNSHIPS, OR EVEN MAYBE USING THEM FOR JOB SOURCING SITES LIKE LINKEDIN AND THINGS OF THAT NATURE. OKAY. THESE ARE REALLY HELPFUL TIPS. I LIKE THESE. YEAH. AND HOPEFULLY FAMILIES TOO, WITH THOSE GRADS CAN ALSO FIND SOME HELP TOO. FROM YOU. ASHLEY. AND WE WILL HAVE THIS SEGMENT IF YOU’D LIKE TO SHARE IT, POST IT ON TRIAD CW DOT COM TOO FOR FOLKS AND BE SURE TO FOLLOW ALONG. STILL SHOTS PHOTOGRAPH

Advertisement

Triad Photographer’s helpful tips for picture perfect graduation photos

Advertisement

The Altar I Keyboard Types Out a Future for Sustainable Electronics

The Altar I Keyboard Types Out a Future for Sustainable Electronics

Electronic Materials Office is a new London startup inspired by the tactile-detailed consumer electronic designs of the likes of Teenage Engineering, Frog Design’s Hartmut Esslinger, and industrial design icon, Richard Sapper. Think “timeless functional simplicity” with a few subtle eye-catching details. The sum of those inspirations are to coalesce in the form of the startup’s first release, the Altar I, a minimalist, ultra-low profile mechanical keyboard sharing many of the same holistic hallmarks of design engineered to engage the senses.

Black minimalist ultra-low profile keyboard keys floating in midair.

Detail of numeric keys with indent design and large thin typographic numerals in black.

German-born industrial designer Richard Sapper’s black and boxy aesthetic so closely associated with the IBM Thinkpad is very apparent in the Altar I’s mildly Sith Lord impression, right down to the deliberate striking em-dash of orange-red. But a closer look reveals an additional layer of playfulness, including a large typographic treatment across the span of the keyboard’s numeric keys, concave chiclet keys, and a boldly-hued rotary encoder knob that seems to beckon the fingertips for a turn.

Back of black minimalist ultra-low profile keyboard shown from top view showing keys against black background.

Flip over the keyboard and the Altar I’s commitment to subtle minimalism theme is revealed.

The aforementioned work Sapper created for IBM has often been described as the yin to Apple’s yang, dark and boxy, and the Altar I could similarly be compared to Apple’s own Apple Magic Keyboard in their differing approach to creating similarly sleek wireless peripherals. But imagining the colors inversed, and it’s equally easy to envision the keyboard as a descendent of Hartmut Esslinger’s work for Frog Design and their prognostications of portable computing for Apple decades ago.

Black minimalist ultra-low profile keyboard shown from top view showing keys against black background.

Black minimalist ultra-low profile keyboard shown from side view showing keys against black background.

A USB-C charging cable delivers power to a 200mAh cell battery for wireless use via Bluetooth.

Black minimalist ultra-low profile keyboard shown from top view showing keys against black background.

Side image of Altar 1 mechanical keyboard in black against black background showing slim profile.

Black minimalist ultra-low profile keyboard black dial with red-orange detailing.

Each of the Altar I’s plastic pieces are made from post-consumer waste, an extension of Electronic Materials Office’s “sustainability is luxury” ethos, and one more directly communicated by the brand’s boldly direct mission statement: “The world is fucked unless we, collectively, do something about it.”

Altar I is estimated to begin shipping in autumn 2023, with pre-orders for both 77-key US and 78-key UK English layouts arriving before E.U. and World iterations are made available.

Gregory Han is Tech Editor of Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Mural honors ‘Ancestors Buried Below Us’

Mural honors ‘Ancestors Buried Below Us’
Ancestors Mural
UW-Stevens Point Chancellor Tom Gibson, Governor Tony Evers and artist, Chris Sweet, were onsite for the installation. Katelyn Voorhies photo

By Kris Leonhardt

Editor-in-chief

STEVENS POINT – On March 28, a year of work culminated in the installation of a free-standing wooden canvas near the Communication Arts Center and south of Dreyfus University Center on the University of Wisconsin-Stevens Point campus.

The mural was created to honor the members of the indigenous tribes buried on the university grounds.

In February 2021, UW-Stevens Point Chancellor Tom Gibson created a commission — including individuals representing the campus, local nations and community — to work together to acknowledge and honor the native burial grounds located on the campus.

Many of those interred there were victims of the 1860s scarlet fever epidemic.

UW-Stevens Point began seeking proposals in January 2022 for a mural to commemorate the site, and Chris Sweet, a member of the Ho-Chunk Nation, was chosen.

“Sweet was selected from 11 submissions by a committee that included the Natives representing the Ho-Chunk, Menominee and Potawatomi tribes. Native artists were given preference, as supported by the Federal Indian Art and Craft Act,” an early UW-Stevens Point release stated.

The 24- by 32-foot outdoor mural features words and images that represent Ho-Chunk, Potawatomi, Ojibwe and Menominee tribes honored through the campus’ “Ancestors Buried Below Us” memorial.

Sweet began working on the mural in a Baraboo studio in July.

“My mentor, Melanie Tallmadge Sainz, she is with the Little Eagles Arts Foundation [a non-profit organization dedicated to preserving and promoting American Indian art] and she has a studio outside of Baraboo called Maa Wakacak Art Studio. That is where I created it, at that studio. It’s on the old Badger Ammunition facility outside of Baraboo. Ho-Chunk has land out there,” Sweet explained.

“Each day that I went into the studio (and) before I did any kind of work, I would light some sage, burn some sage and pray to the creator and talk to the ancestors, and I would ask them to help guide my hands in creating this imagery. And I felt like a lot of it was created by their presence; so, they kind of guided me through what you’re seeing now.”

The mural was created in a monochromatic color scheme, as Sweet worked to capture the essence of the native ancestors with raised hands to symbolize lifting up future generations.

Sweet added that he was really happy to see it come to fruition and be a part of telling the story of his ancestors.

“It’s exciting, as this is the first time I’ve actually seen it all together on the wall,” he stated during the installation.

“It’s kind of just been a real honor for me to honor our ancestors, our native ancestors, so I hope I did my ancestors proud and all my relatives.”