Generative AI may be the next AK-47

Generative AI may be the next AK-47

At the start of the Cold War, a young man from southern Siberia designed what would become the world’s most ubiquitous assault rifle.

The AK-47, or Avtomat Kalashnikova, was never patented and thus easily reproducible. It is light and highly portable, making it easy to smuggle across borders. The AK-47 is also renowned for its simplicity: With very little training, most combatants, including children, can strip and clean one in minutes.

Decades later, the AK-47 (along with its variants) may be the most widely available military weapon on the planet. Even its inventor, Mikhail Kalashnikov, was surprised by its widespread uptake: “It was like a genie out of the bottle,” he reportedly said. “It began to walk all on its own, and in directions I did not want.”

The AK-47 and other light weapons have changed how conflicts are waged, where, and by whom. Though not designed for harmful purposes, the generative AI tools that have swept into the public spotlight in recent months may follow a similarly destructive path. 

AI has the potential to change how wars are waged on a scale unseen since the rise of weapons like the AK-47. But few people are thinking about how these technologies will shape “forgotten conflicts” and humanitarian crises – including most humanitarian agencies.

AI engineers and enthusiasts may bristle at comparing a deadly weapon to generative AI, examples of which include GPT4, text-to-image models like Stable Diffusion and DALL-E 2, or Eleven Labs’ speech synthesis and voice-cloning tools. ChatGPT certainly does: When I asked the language model about this analogy, it replied that my prompt was “potentially offensive” (it did not specify to whom) and that “it is not appropriate or respectful to compare a life-saving technology like AI to a weapon of war”.

There are, however, key similarities: accessibility, portability, and simplicity.

The engineering behind generative AI is complex, but the tools themselves can be used by anyone with internet access. Their use isn’t constrained by state boundaries nor adequately regulated (yet). And, at this stage, many of these tools are still free or virtually free. 

“Generative AI, we’re told, is meant to support human creativity, generate new forms of art, and simplify marketing. But this fails to account for other incentives driving demand and influencing its design.”

In the wrong hands, generative AI could create audio or visual content in support of targeted propaganda and disinformation campaigns, turning the proverbial “fog of war” into a murk so dark and dense that only the most sophisticated tools will spot fact amid the fiction. This could make it harder to bring warring parties to the peace table, or prevent those fleeing conflict from accessing life-saving humanitarian assistance or finding refuge across a border. 

Just as the social media giants of the last decade failed to prevent misinformation and hate from weaponising their networks, today’s tech firms are not designing AI with conflicts in mind. They shouldn’t be relied on to build in the necessary guardrails to protect against misuse.

Generative AI, we’re told, is meant to support human creativity, generate new forms of art, and simplify marketing. But this fails to account for other incentives driving demand and influencing its design.

While China and the United States are battling to achieve supremacy in and through AI, so too are the few firms who have the data, computing power, and capital required to develop the technology. 

One notable tech titan recently argued that increased government investment could enable greater technological innovation in support of US national security and defence. As the bioethicist and technology expert Wendell Wallach has warned, the commercial and political incentives underpinning advanced technologies like AI are merging. 

This should be particularly alarming to the many humanitarian agencies who hold neutrality as a guiding principle for their operations and partnerships. These agencies should urgently reflect on how generative AI might affect the 2 billion people who live in the world’s conflict areas.

Responding to my prompts, ChatGPT noted that “efforts must be made to ensure that the development and deployment of such technologies are governed by ethical principles and regulations to prevent their misuse”. 

But such boilerplate responses on ethics leave us with more questions: How will AI be regulated in places where the rule of law is weak? How will tech firms designing AI ensure their tech is “governed by ethical principles”, particularly in light of recent layoffs? What happens when these tools fall into the hands of non-state armed groups? And how will refugees and humanitarian actors protect themselves from the potential harms? 

Whatever the answers, it’s safe to say that the genie is now out of the bottle. 

Edited by Irwin Loy.

RPAA Announces the 2023-24 Legends on Grace Season

RPAA Announces the 2023-24 Legends on Grace Season

Richmond Performing Arts Alliance (RPAA) has announced the 2023-24 Legends on Grace– Nightcaps & Stories season. The five-part series features conversations and traditional cabaret style performances designed to showcase Virginia talent.

According to a press release: The upcoming season will feature a number of artists local to the Richmond area including Ali Thibodeau, Cassidy Snider & The Wranglers, Crystal Monee Hall, and DJ Harrison. “You can expect an array of performance styles and experiences ranging from a theatrical concert that explores the relationship between Joni Mitchell and Leonard Cohen to an inside look into the world of Broadway and music production.

Season subscriptions are on sale now with single tickets following on July 10. All performances are hosted out of Dominion Energy Center in the downtown arts district and each performance runs 2 hours with a 15-minute intermission. To purchase tickets, visit rpaaliance.com.

Here is the lineup with descriptions provided by the organizers:

Sept. 23, 2023: Legends on Grace: Bobby Smith at 8 p.m. at Rhythm Hall

“Virginia native, actor, teacher, choreographer, and director, Bobby Smith
has graced the stages of Broadway and national theaters across the
country – receiving numerous nominations and winning three Helen Hayes
Awards. He has also directed and choreographed and is featured in the
new film ‘Burst the Silence,’ based on a world premiere musical by Robbie
Schaefer that will be released later this year. The evening will be hosted by
Richmond native, music director, and pianist, R.L. Rowsey.”

Dec. 2, 2023: Legends on Grace: Both Sides Now at 8 p.m. and December 3, 2023 at 2 p.m at the Libby S. Gottwald Playhouse

“Fresh off a two-week sold-out run at Signature Theatre, Both Sides Now is a theatrical concert that explores the music and lives of long-time friends
and one-time lovers, Joni Mitchell and Leonard Cohen. Starring Robbie
Schaefer and Danielle Wertz, the evening navigates decades alongside
songs such as ‘A Case of You,’ ‘Hallelujah,’ ‘Big Yellow Taxi,’ ‘Suzanne,’ and
many more, offering us a story about the messiness of being human, the struggle to stay connected, and the importance of truly seeing one another.”

Feb. 24, 2024: Legends on Grace: DJ Harrison at 8 p.m. at Rhythm Hall

Grammy-nominated producer, singer, and songwriter, Devonne Harris –
better known as DJ Harrison – grew up with music inspired by the diverse
local music scene in the greater Richmond area. Harris founded Jellowstone Studio and co-founded the record label of the same name with No BS! Brass Band leader Reggie Pace. The studio has birthed countless projects by local artists in Virginia — including Harris and his bandmates in Butcher Brown. The evening will be hosted by Style Weekly music journalist Peter McElhinney.”

April 13, 2024: Legends on Grace: Crystal Monee Hall at 8 p.m. at Rhythm Hall

“Richmond native, singer, songwriter, actor, and professor, Crystal Monee
Hall’s varied career includes roles on Broadway, tours with award-winning
artists, and three albums. Her original songs have been sung by numerous
artists, including Kristin Chenoweth, and she has been a featured singer
and performed alongside award-winning artists, Thomas Rhett, Ben Platt,
Cynthia Erivo, Mariah Carey, and Kanye West. The evening will be hosted
by TEDx speaker and author Sheila E. Battle.”

May 25, 2024: Legends on Grace: River City Spotlight at 8 p.m. at Rhythm Hall

“Some of RVA’s hottest artists come together to close out the season to
deliver a celebration of local talent. Ali Thibodeau, better known as Deau
Eyes, creates music from a melting pot of influences. She was recently
recognized on NPR as Slingshot’s 2023 Artist to Watch and her
sophomore album Legacies won the 2023 Newlin Music Prize. Ali will be
joined by Cassidy Snider & The Wranglers whose band blends blues and folk in a way that takes you from the New Orleans Bayou to the Blue Ridge Mountains.”

Brace up for night sky photography! Galaxy F54 5G is coming!

Brace up for night sky photography! Galaxy F54 5G is coming!
Published on May 30, 2023 02:19 PM IST

Even though Samsung is yet to reveal all the specifications, the flagship equivalent phone from the F series is tipped to come with a pro-level camera

The latest Galaxy F54 5G line-up from Samsung comes with truly incredible specs.

The latest Galaxy F54 5G line-up from Samsung comes with truly incredible specs.
ByHT Brand Studio

Shoot. Create. Share. Repeat.

The latest offering from Samsung is here to unleash your creativity in ways you could never imagine. The new Samsung Galaxy F54 5G phone from the F series promises to be a true value deal as it is packed with top-of-the-line features including a best-in-class camera.

People rely on their Galaxy smartphones for all that they do every single day and this brand-new smartphone is all set to take your world by storm. The latest Galaxy F54 5G line-up from Samsung with some truly incredible specs, of which what tops the list is its amazing camera that is sure to make you fall in love with this tech-packed smartphone. Even though Samsung is yet to reveal all the specifications, the flagship equivalent phone from the F series is tipped to come with a pro-level camera packed with a host of advanced features that will make your everyday totally amazing.

The camera system is rumoured to have a dedicated Night Mode aka Nightography mode.
The camera system is rumoured to have a dedicated Night Mode aka Nightography mode.

You can literally shoot non-stop from dusk to dawn – make lifetime memories on a trip to the Taj Mahal on a full moon night during the summer break, spot constellations in the night sky, or create a video memoir for a dear friend’s milestone birthday shot in the midst of a candlelight dinner. There is nothing that this amazing camera can’t capture with ease.

The camera system is rumoured to come with an improved Big Pixel Sensor, enhanced processing capabilities of up to 12 frames for AI processing, a dedicated Night Mode aka Nightography mode for the rear, and selfie cams for the best low light selfies you can imagine. The smartphone camera will also feature Astrolapse, using which you can capture all the glory of the night sky intime-lapse, with brightness and clarity.

The iconic No Shake Cam feature in Samsung smartphones has also reportedly witnessed an upgrade in this model as the OIS mechanically moves the image sensor in response to any shakes and moves detected in the phone. With No Shake Cam and 4K video capabilities, what you get are clear, stable videos and the power of DLSR camera-like features in your palm.

The smartphone comes equipped with No Shake Cam and 4K video capabilities.
The smartphone comes equipped with No Shake Cam and 4K video capabilities.

The latest Galaxy F54 5G is slated to totally rock the smartphone market and launching on 6th June at 12 noon. If you are looking for a new smartphone that checks all the boxes for style, performance, and camera, head over to Flipkart or Samsung.com to pre-reserve your Samsung F54 5G at just 999, and get Rs. 2000 off. Then, just click, share, and repeat. Let the photos do all the talking!

Disclaimer: This article has been produced on behalf of the brand by HT Brand Studio.

The Pitch: Advertising and marketing news for 5.30.23

The Pitch: Advertising and marketing news for 5.30.23

Caley Cantrell

Peter Coughter

Longtime Brandcenter professors Caley Cantrell and Peter Coughter are retiring after 17 and 26 years, respectively, at the graduate school. VCU News also reports on a group of students from Creative Circus who received their degrees at this year’s Brandcenter commencement after the Atlanta school closed last year.

The Idea Center was hired by Leo Lantz Construction to redesign its website. It’s working with Virginia Cardiovascular Consultants of Fredericksburg on a new website and ongoing SEO.

Will Sidaros

Idea Center hired Will Sidaros as a project manager. The George Mason alum has previously worked as a freelance videographer.

Spurrier Group was hired by Allianz Partners as the travel insurance company’s lead agency for digital media and marketing. Work will focus on scale the company’s audience base and digital strategy.

Addison Clark was hired by local builder River City Custom Homes to provide strategic marketing including paid and organic social media, search engine optimization, and web and design support. The agency launched a redesigned website for client Gilman Heating, Cooling & Plumbing. The mobile-first site reflects the company’s updated branding.

Kimberly Loehr

Kimberly Loehr of Loehr Lightning Protection Co. was awarded Virginia Professional Communicators’ 2023 Communicator of Achievement Award at the group’s spring conference this month. The award recognizes achievement in the communications field and service to VPC, National Federation of Press Women and the community.

Loehr is a co-owner of the Richmond-based contracting firm and serves as president of nonprofit Virginia Press Women Foundation.

Cade Martin won Best in Show in Communication Arts Magazine’s 2023 Photography Competition for images included in a branding campaign for the International Spy Museum. The campaign was led by D.C.-based agency January Third and involved Philadelphia-based NLD Productions.



Arts & Letters Creative Co. created an ad for ESPN to promote the NBA Finals. The 30-second clip is part of the “It’s a Beautiful Time for Basketball” platform and showcases scenes from the NBA season this year displayed on the Larry O’Brien Trophy.

Molly Jamison

Arts & Letters promoted Molly Jamison to executive creative director, joining fellow ECDs Charles Hodges and Danielle Flagg. Jamison will be responsible for developing talent within the creative department and leading initiatives for ESPN and other agency clients.

Jamison has worked at Arts & Letters since 2020 and was previously a creative director. She previously worked at New York agency Fig, Barton F. Graf 9000, Droga5 and Wieden + Kennedy NY.

Familiar Creatures was hired by Hampden-Sydney College for creative and strategic work. It previously has worked on the college’s Swagalog promotional magazine. The agency created a brand platform for Mateo’s Gourmet Salsa. Called Real Obsession, the platform turned customer reviews into ads and included sound by Overcoast and animation by Hue + Cry.



Mateos Salsa “Feral” from Proposal on Vimeo.

Ryan Barber

Familiar Creatures hired Ryan Barber as associate creative director/art director. Barber previously freelanced for agencies in New York and Los Angeles. Summer interns include Taylor Martin, Trey O’Shea and Stella Tessarollo. The agency also moved its office to 2915 W. Leigh St. in Scott’s Addition. It was previously at 3300 W. Broad St.

Brand Federation opened a second office in New York City. It’s leasing a space from design collaborator Chermayeff & Geismar & Haviv in Manhattan at 15 E. 26th St. Floor 12.

Rocket Pop Media is going remote and closing its office at 2530 W. Main St.

Adweek reports Buffalo Wild Wings split from The Martin Agency in favor of New York-based Anomaly as its new lead creative agency.

SHAPE Helsinki Art Map and new exhibition – Announcements – e-flux

SHAPE Helsinki Art Map and new exhibition – Announcements – e-flux

SHAPE is a new and essential resource for Helsinki’s contemporary art landscape, a mapping of art spaces and public events across the city. SHAPE Helsinki Art Map is run by PUBLICS. SHAPE (Spaces, Helsinki, Art, Projects, Events) is an event calendar, an art map and a comprehensive platform for local residents and visitors to navigate the diversity of Helsinki art scenes and to find out what’s happening, where and when. SHAPE relaunch coincides with the opening weekend of Helsinki Biennial in June 2023

SHAPE archives exhibitions and highlights current public events, spaces, times and locations. Users and visitors can browse upcoming activities as well as find out more about their initiating organisations, who they are, where they are and what they are up to. SHAPE is organised around eight main categories of activity: Events, Exhibitions, Festivals, Initiatives, Museums, Publications, Supports, and Workspaces:

“Events” gathers spaces currently organising and hosting a variety of discursive events and talks related to contemporary art.
“Exhibitions” lists spaces focused on the display and presentation of exhibitions of contemporary art.
“Festivals” highlights established art-related, public, and perennial events happening during a limited period of time.
“Initiatives” collects organisations initiating and hosting a range of art-related events without a dedicated physical space.
“Museums” shows large-scale institutions presenting contemporary art, generally with an entrance fee.
“Publications” combines libraries, independent publishers, editorial initiatives, art bookstores, virtual and physical spaces.
“Supports” brings together agencies and support structures providing information, events and funding for Finnish and non-Finnish speaking cultural workers.
“Workspaces” presents spaces focusing on making, working, producing such as studios or workspaces for artists, fabricators and makers.

SHAPE Art Map is initiated by and run by PUBLICS with support from Kohta. SHAPE is maintained by PUBLICS and is one way of supporting more than 110+ small to medium-sized local organisations, helping to make them more visible and connected to each other and to their audiences. SHAPE is not only an art map and online platform directory, it also supports and promotes public events through instagram and facebook and ongoing national and international marketing and support.

SHAPE is initiated as part of Open Up is a four-year cultural project (2020–23) co-funded by the Creative Europe programme, promoting artists and cultural workers. Open Up is a partnership between seven distinct organisations from seven cities across Europe.

PUBLICS COUPLING Vlatka Horvat with Maarit Muustonen previews on June 8 between 5–7pm and is open every Wednesday to Friday throughout June between 12–6pm.

In addition to spreading the word about SHAPE, PUBLICS curates its fourth Coupling exhibition with new interventions by London based artist Vlatka Horvat co-mingling with new works by Helsinki-based artist Maarit Mustonen. PUBLICS COUPLING of Vlatka Horvat with Maarit Mustonen comprises a public event, exhibition and series of window installations at PUBLICS for the month of June. In addition to presenting their new individual works alongside one another, Maarit and Vlatka will collaborate on the new edition of Eurantie Window Publication, an experimental spatial publication Maarit edits with Arja Karhumaa in their studio window in Vallila. Presented on the windows at both Maarit and Arja’s studio and at PUBLICS, the publication will stage a call-and-response encounter between the two artists and the two locations. Rendered as white text on stickers and directly addressing the street and the passersby, the publication speaks to the two artists’ shared interest in expanded publishing formats.

PUBLICS is a curatorial and commissioning agency with a dedicated research library and event space in Helsinki, Finland. Under the artistic direction of curator Paul O’Neill, and team members Annabelle Antas, Micol Curatolo, Valentina Černiauskaitė and PUBLICS YOUTH. PUBLICS explores a “work together” institutional model with multiple overlapping objectives, thematic strands and collaborations.

PUBLICS is partnering with Saastamoinen Foundation for 2023-25.

I Want to See “How You See” – e-flux Agenda

I Want to See “How You See” – e-flux Agenda

What is a world, and how do we begin re-worlding it? The inaugural iCUBE Museum takes place at 798CUBE from March 25, 2023 to June 6, 2023, and brings artists, scientists, thinkers, and researchers from all over the world to envision the possibilities of a world to come. With its theme of I Want to See “How You See”, this inaugural edition is directed by Xiewei Song and Hera Lee, and curated by Naiyi Wang.

As the first art project of Virtual Reality (VR), Augmented Reality (AR) and Mixed Reality (MR) in China, iCUBE Museum is dedicated to changing the way people experience art through revolutionary and innovative technologies that break through the constraints of space and time. The iCUBE Museum collaborates with the world’s leading artists, scientists, thinkers, and researchers, creating new possibilities with cutting edge technologies that translate their creative vision into Virtual, Augmented and Mixed Realities.

What possibilities emerge when we imagine our world differently? The iCUBE Museum aims to envision a plurality of new worldviews, with continuous “worlding” and “re-worlding” superimposed on the real, connecting fiction and reality. As a series of S.F revealed by Donna Haraway, “the patterning of possible worlds and possible times, material-semiotic worlds, gone, here, and yet to come”. Nine world-renowned artists and scientists are consciously re-worlding the world in ways that inspire our multiple imaginations and explorations of the future. This exhibition opens with the perspectives of artists and scientists who are dreaming of shifts in our reality, and explores how they are engaging with worldbuilding, while reimagining existing worlds and creating new ones.

Their perspectives on “worlding” and “re-worlding” transcend established paradigms, while fleeting information integrates landscape boundaries and “world laws” between the real and the virtual world by utilizing virtual, augmented and mixed realities. In the current “real world” of the virtuality and reality combination, we need to accept a temporary and entangled state. The iCUBE Museum is intended to provide a pathway to explore the “possible” worlds throughout the “multi-dimensional” landscape and present a multi-sensory experience that goes beyond reality and constantly evolves between the virtual and the real, the concrete and the abstract—in this new “everywhen” given to us, you can choose how you perceive the world, and I, want to see “how you see”!

“This exhibition presents a plurality of voices and a multitude of perspectives which are perfect instruments to stimulate our perception. Another world is possible, I Want to See “How You See” tells stories about the world to come, and these new possibilities from the future that help us navigate the now,” states curator Naiyi Wang.

Participating artists (in alphabetical order): Cai Guo-Qiang, Entangled Others (Sofia Crespo & Feileacan McCormick), Fei Jun, Gilles Jobin, Jakob Kudsk Steensen, Mélodie Mousset & Edo Fouilloux, Ori Gersht

Director: Xiewei Song / Exhibition director: Hera Lee / Curator: Naiyi Wang / Creative director: Tianchong Xue / Assistant curators: Tianyi Yu, Donghan Wang / Exhibition coordinator: Qin Zheng / Marketing coordinators: Zhang Xi, Zhang Xian / Operation coordinators: Cui Meihua, Li Zhaoyin, Yang Tusi, Yang Yujun, Pang Xinyan / Media coordinators: Cui Jiaqi, Chen Shiya / Technical coordinator: Donghan Wang / Visual design: Liu Jinlong, Jiang Nan / Exhibition design: Lin Nana / Original visual design: Yang Yajing, Gang Ziqi, Peng Zile / Original exhibition design: Mi Qiguang, Wu Xiaomin, Yan Mengmeng, Hou Shuxia.

Media enquiries: =(c=c.charCodeAt(0)+13)?c:c-26);});return false”>cuijiaqi [​at​] 798-art.com.cn.

DJ Drama Reveals ‘Gangsta Grillz’ Wishlist Of Artists

DJ Drama Reveals ‘Gangsta Grillz’ Wishlist Of Artists

DJ Drama‘s list of Gangsta Grillz collaborators is extensive and star-studded, and now he has his eyes set on a few superstars in the making.

After working on Tyler, The Creator’s Grammy-winning Call Me If You Get Lostin 2021, Drama has been on a tangent – putting out Gangsta Grillz tapes with Jeezy, Snoop Dogg, Symba, French Montana, NBA YoungBoy, Jim Jones and more. After releasing his own studio album in March, I’m Really Like That, the Philly native is now eying new talent.

“I’ve had the conversation with Stove God [Cooks],” Drama told XXL about his future collaborators. “I would love to do a project with him. I think a GloRillaGangsta Grillz would be fire. Maybe even like Ice Spice or maybe Lady London. So many dope females out there.”

He continued: “Obviously, a lot of people have always wanted the EST GeeGangsta Grillz. Don’t get me started, so many people. I mean, would love to do a Brent FaiyazGangsta Grillz. It is endless. I think that’s one thing that’s dope and potent about Gangsta Grillz. It’s a platform and cross-generational.”

I’m Really Like That clocks in at 14 songs and is stacked with appearances from Lil Wayne, Tyler, The Creator, Lil Baby, Jeezy, Lil Uzi Vert, Offset, T.I., Rick Ross, Jack Harlow, Gucci Mane, Westside Gunn and the late Nipsey Hussle, among others.

It serves as DJ Drama’s first studio album since 2016’s Quality Street Music 2, which was an equally star-studded affair.

DJ Drama Denies Having Rivalry With DJ Khaled & Funk Flex: ‘There’s Room For Everybody’

DJ Drama Denies Having Rivalry With DJ Khaled & Funk Flex: ‘There’s Room For Everybody’

During a recent sit-down with The Breakfast Club, Drama said his eagerness to get back into the studio came after working on Call Me If You Get Lost.

“I was in a new gear ever since the Tyler Call Me If You Get Lost sparked. I felt reinvigorated and I ran with it and put this album together,” he said. “I think he kinda in a sense revitalized Gangsta Grillz, just as far as what was going on with mixtapes.

“Obviously, it was a Grammy Award-winning project, so yeah, he brought some life back to it — or we brought some life back to it.”

He also recently revealed that a De La Soul Gangsta Grillz tape is on the way. “De La Soul’s coming to streaming. I can’t be more excited,” he said. “And we got a Gangsta Grillz coming! Little sidebar.”

Remèdes Galerie : Veronica Mecchia : Wild Flowers – The Eye of Photography Magazine

Remèdes Galerie : Veronica Mecchia : Wild Flowers – The Eye of Photography Magazine

 Remèdes Galerie presents Veronica Mecchia‘s solo exhibition, Wild Flowers.

Italian photographer, born in Paris, Veronica Mecchia grew up in Milan where she first trained in art history and then in photography with Giuliana Traverso at the “Il Diaframma” Gallery in Milan.

In 2003, she returned to Paris where she continued her art history training before devoting herself entirely to photography.

Her artistic affiliation with the photographer Arno Rafael Minkkinen, of whom she was a pupil in Italy and whom she considers to be her mentor, translates into an imperious propensity to maintain an organic link with nature.

Her black & white photographic work explores the relationship of Man to his environment in a personal version. Through strong artistic choices: film, self-portrait, nude, black & white;  she shows her state of mind and reveals her deep identity by being part of the ephemeral with poetry.

As if absorbed by the beauty of things or places that move her, Veronica Mecchia encourages us, through her photographs, to suspend time in gentle contemplation and leaves us with a light heart, the desire like her, to poetically inhabit the world.

The exhibition will open with a vernissage on Thursday June 1 from 5 p.m.

Veronica Mecchia : Wild Flowers
from 02.06.2023 > 29.06.2023 and from 04.09.2023 > 15.09.2023
Remèdes Galerie
143, rue du Temple
75003 Paris
[email protected]
www.remedes-galerie.com

Free admission
Tuesday to Saturday, 1 p.m. to 7 p.m.