In the Digital Age, Wedding Film Photography Has a Resurgence

In the Digital Age, Wedding Film Photography Has a Resurgence
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Across the country, more couples are seeking out film photographers to shoot their weddings.

Taylor Dafoe and Alex Schulte’s relationship has always included film photography. It was the catalyst for their relationship: after leaving his rangefinder film camera at Ms. Schulte’s house during a party in 2015, Mr. Dafoe went back a few days later to pick it up. They ended up going on a first date that weekend.

It was also part of how they got engaged. In June 2022, Mr. Dafoe, now 32, who works as a news and features writer at the art marketing website Artnet, decorated the back yard of their home outside Troy, N.Y., with film photos he had taken during their relationship. He proposed by handing Ms. Schulte, now 32, who works in marketing at Donut, a workplace software company, the same film camera he had left at her house when they first met. The engagement ring came months later.

So when it came time for them to choose a photographer for their September 2023 wedding at June Farms in West Sand Lake, N.Y., it was no surprise that they opted for Autumn Jordan, who is based in Athens, N.Y., and often shoots weddings on film. “That was part of the appeal, for sure,” Mr. Dafoe said.

In recent years, more and more couples are seeking out photographers who can shoot film photos for their weddings. The look of the photos, often a bit softer and grainier than digital ones, and the slower, more analog process are appealing to many couples who are craving a nostalgic medium. This means that photographers and couples can’t look at the photos until they’ve been developed days or weeks after the wedding.

Ms. Schulte and Mr. Dafoe welcome the limitations of shooting a wedding on film. They shared that the process has even begun to influence how they think about their wedding day in general.

Anna Urban, a wedding photographer based in Edinburgh, Scotland, photographed a couple on a hill in Edinburgh using a Nikon F80 camera and Kodak Ultramax 400 film.Anna Urban Wedding Photography

“We were thinking about trying to do away with some of the preciousness that comes with weddings,” Mr. Dafoe said. Because of the restrictions of film, they would get fewer photographs in the end and have fewer opportunities to reshoot moments. “We want the event to kind of revel in its own ephemerality,” he said. “And choosing to shoot on film, that’s like a big part of that thinking — because of the material and financial limitations of film.”

Anna Urban, a wedding photographer based in Edinburgh, Scotland, has noticed an increase in couples seeking out film photographers over the past year. Though she still primarily uses digital cameras, in September 2022 she started offering film photography to her clients because of the rise in demand. She charges about 100 pounds per film roll, or around $125. About 5 percent of her wedding clients are choosing to add film to their wedding packages, she said.

“People are looking for something different,” Ms. Urban said.“The whole process is different. You don’t see the effect until you have them scanned, developed. It’s like part of the magic, waiting for the photos.”

Ms. Hampson shot this photo with a Pentax KM camera and Kodak Portra 400 film.Kate Hampson
Ms. Hampson caught a couple having an intimate moment under an arch using an Olympus Mju camera and Kodak Portra 400 film.Kate Hampson

Kate Hampson, a photographer based in London, began shooting entire weddings on film in May 2022 because it aligned more closely with her personal interests. Although she would typically bring her film camera to weddings, she spent the first few years of her wedding photography career shooting primarily in digital.

However, she was never completely happy with the results.

“I wasn’t getting inspired by digital,” Ms. Hampson said. “So eventually I started saying, Would you mind if I shoot maybe half film, half digital?” Before long, she made the jump to shooting exclusively with film. She typically brings a digital camera to weddings as a backup, but rarely uses it. One of the last times she shot a wedding with a digital camera, in June 2022, it happened to be 118 degrees outside and the camera shut off because of the heat, she said.

“Thank God for film,” Ms. Hampson said with a laugh.

Jen Huang Bogan, a wedding photographer in Montecito, Calif., shot this couple in St. Barts using a Contax 645 medium format camera and FUJICOLOR PRO 400H film.Jen Huang Bogan

Jen Huang Bogan, a wedding photographer in Montecito, Calif., said that the more weddings she shot, the more she began to realize that film was the medium she wanted to work in.

“It wasn’t until shooting weddings where I was like, OK, there’s a striking difference between digital and film,” Ms. Bogan said.“The look of film just vastly outperformed digital.”

Couples are typically drawn to her work, Ms. Bogan said, because they are looking for classic, timeless photos, which she feels film is best suited for because it tends to not look tied to a specific time period. She compares shooting in film to painting with oil: It’s the medium that she believes produces the best artistic photographs and gives couples the opportunity to slow down.

“It really works for weddings and portraiture because it is so natural and also so flattering,” she said.

“It’s very rare for me to see a digital image that moves me in the way that film does,” said Jillian Mitchell, a wedding photographer in San Francisco, Mexico. She photographed this couple using a modified Panoramic Holga camera and Kodak Tri-X film.Jillian Mitchell

Jillian Mitchell, a wedding photographer in San Francisco, Mexico, who works mainly in New York and Los Angeles, shoots a majority of her weddings on film. She started working as a wedding photographer in 2009, shooting entirely on digital cameras. She had used film in her personal work, though, and quickly found herself gravitating back toward the medium as she became more involved in wedding photography.

Although she now shoots primarily film photos, she doesn’t restrict herself. “I do think that digital has a place,” Ms. Mitchell said. She tends to pull out her digital camera when shooting in low-lit areas, like when she’s capturing candid moments on the dance floor. Even so, she said, “it’s very rare for me to see a digital image that moves me in the way that film does.”

There are some photographers who want to recreate the look of film photos in a digital format. One of them is Jose Villa, a wedding photographer in Solvang, Calif., who has shot exclusively on film for most of his 20-year career.

“Weddings are a living, breathing thing,” he said. He aims to capture photographs without interrupting the cadence of a wedding, which often means that he is photographing moments where he has less control than if he were photographing in a studio.

“We adjust to those situations, and also still keep our cool, and use the equipment that makes it so that we can do that,” he said. “Film can be a lot more forgiving.”

Jose Villa photographed Samira Wiley and Lauren Morelli using a Contax 645 film camera and Fuji 400H film.Jose Villa
“Weddings are a living, breathing thing,” said Mr. Villa, who shot this image on a Contax 645 camera and Ilford DELTA 3200 film.Jose Villa

Although he still loves shooting in film, over the past few years Mr. Villa has begun taking photos with digital cameras, especially as he works with celebrity clients who post pictures on social media just hours after a wedding.

“Film was really popular, you know, 20 years ago, and then it went away,” Mr. Villa said. “People were talking about it less when digital started becoming better.” Although he believes that some digital photos can be edited to recreate the look of film photos, he also welcomes the resurgence of film photography at weddings.

“I think that it is amazing for these photographers to continue to shoot with film,” he said, “and continue to keep it alive.”

A Blue Modern Cabin in the Mountains of the Czech Republic

A Blue Modern Cabin in the Mountains of the Czech Republic

The Wooden Cabin might resemble a traditional cottage form, but Markéta Cajthamlová designed this cabin with a modern aesthetic. Located on sloped land in the Jizera Mountains, the modern cabin with its unexpected blue exterior is surrounded by meadows and forests making for a perfect retreat all year long.

The rectangular structure is clad in dark blue clapboard and finished with a gabled roof and corner windows. The house is built with natural materials found locally, including wood, stone, and glass.

elevated view of modern blue cabin with hill behind

exterior of modern blue cabin

end view of exterior of modern blue cabin

The horizontal corner windows pop against the blue cladding with their white finish.

elevated corner exterior of modern blue cabin

corner view of exterior of modern blue cabin

A small outbuilding pops on the front of the house acting as the entryway and a place for storage.

closeup exterior of modern blue cabin

corner of exterior of modern blue cabin

end view of exterior of modern blue cabin

interior shot of room with pitched wood roof ceiling

Wood panels cover the walls and ceilings inside for an immediately cozy look. The expanses of wood are broken up by the windows which keep sight lines focused on the nature outside.

interior shot of room with pitched wood roof ceiling and bed

interior shot of room with pitched wood roof ceiling

interior view of modern wood hallway with green dresser and door

The interior layout is separated into thirds. The public living space includes the kitchen, dining room, and living room; the opposite side houses the bedroom which can accommodate up to four people; and the central space features the sauna and bathroom. The center part of the house allowed for a multipurpose attic space accessed via a staircase in the living room.

interior shot of modern living space with wooden pitched roof and modern furnishings

corner interior view of modern living space with pitched roof

corner interior view of modern living space with pitched roof

interior view of modern living space with pitched roof and staircase

closeup interior view of entrance to upstairs at top of staircase

interior angled view of modern space with slanted wood wall

person meditating in center of modern room with slanted wall with windows

end interior view of modern room with slanted walls

interior view down hallway looking into modern spa

modern bathroom interior

modern bathroom interior

Photography by Petr Polák.

Caroline Williamson is Editor-in-Chief of Design Milk. She has a BFA in photography from SCAD and can usually be found searching for vintage wares, doing New York Times crossword puzzles in pen, or reworking playlists on Spotify.

Africa Wildlife Photography Competition Winners On View In Palm Beach, FL

Africa Wildlife Photography Competition Winners On View In Palm Beach, FL

Images from the 2022 Benjamin Mkapa Wildlife Photography Awards plainly reveal animals’ extraordinary humanity. A gorilla’s wisdom. The gentleness of an elephant. The community of wildebeest.

That’s easy to see.

Beneath the surface of each picture, no less clear when looking close, man’s inhumanity reveals itself.

Wantonness. Cruelty. Exploitation.

All of these animals are in danger from the most reckless predator the planet has ever known: man.

Be it poaching, habitat destruction or a dozen other extractive and exploitative behaviors which have caused wildlife populations to collapse around the globe, it increasingly feels like a miracle any of these wonderous creatures remain. Enjoy the miraculous while you can in Africa and through the winning entries of the 2nd Annual Benjamin Mkapa African Wildlife Photography Awards which can be seen at The Society of the Four Arts in Palm Beach through June 4, 2023.

“When you look into the eyes of this beautiful silverback, you see a lot of yourself looking back,” Africa Wildlife Federation Senior Vice President Craig Sholley told Forbes.com of the grand prize-winning image (pictured below). “It represents an endangered species and a conservation success story. Mountain gorillas are the only great ape in the world whose population is increasing. This success story is a result of a four-decades effort orchestrated by non-governmental organizations like AWF in direct collaboration with the Rwandan government. The product of this work is one that benefits both wildlife and people.”

People and wildlife, connection, our shared fate comes through in another crowd pleaser from the competition, an animal keeper being caressed by an elephant’s trunk in an orphanage.

“This image portrays the importance of the work of Africans who have devoted their lives to the future of threatened wildlife,” Sholley said. “These are individuals who are passionate about conservation and in many cases put their lives on the line–protecting species from poachers and the illegal wildlife trade.”

The picture recalls one of the most famous and heartbreaking wildlife-human photographs ever taken, that of the last male white rhino with his keeper in 2018 moments before the animal died. An image not simply of death, but extinction. Forever death. They both know.

Africa comes to Palm Beach

Credit for bringing the exhibition from Nairobi, Kenya to Palm Beach goes to Wilber James, Trustee Emeritus of AWF and board member of The Society of the Four Arts, along with fellow AWF Trustee Payson Coleman. They approached Director of Programs at Four Arts Sofia Maduro about showing the photographs.

“Payson and I have been involved in African wildlife conservation for over 50 years and knew that a number of our friends in Palm Beach shared our enthusiasm for the preservation of the animals and habitat in Africa as well as the well-being of the people,” James told Forbes.com. “We felt that an exhibition of the Mkapa Awards at the Four Arts would be a powerful way to highlight the majesty of Africa’s animals and also educate the public about the challenges they face. Sofia was in complete agreement about the importance of the exhibition and felt that the Four Arts could also reach out to the schools in Palm Beach and West Palm Beach to invite students to tour the exhibition for a powerful learning experience.”

The competition was co-created by AWF and Nature’s Best Photography to celebrate AWF’s 60-year anniversary as the only African global conservation organization protecting wildlife and its ecosystems as an essential part of a modern and prosperous Africa.

“Craig Sholley and I are equally passionate about African wildlife and the creative skills our Mkapa Awards entrants have shared since its launch in 2021,” Steve Freligh, President and CEO of Nature’s Best Photography Fund, told Forbes.com. “These talented photographers, of all ages and backgrounds, are as interesting and diverse as the photographs they submit, delivering immediate and long-lasting impact that will motivate change.”

Forty-eight award-winning prints from the competition are on view.

“There are those photographs that immediately stop you in your tracks, but also ones where new perspectives are revealed as you examine their details,” Freligh said. “Each image shares an extraordinary moment in Africa, a single experience that may be enjoyed personally as well as collectively.”

The winning images were selected from over 9,500 entries representing 57 countries, chosen by a panel of judges including accomplished wildlife photographers, leading conservation professionals, highly regarded safari guides, and youth conservation activists.

“Through the art of photography and video, the primary goal was to attract, inspire, and involve photographers from Africa and around the world at all levels of camera experience so that they may share stories from the field and encourage new advocates for conservation change,” Sholley said. “Effectively, AWF wanted to ‘Bring Africa to the World, and the World to Africa.’”

Benjamin Mkapa

H.E. Benjamin Mkapa (1938–2020) was president of Tanzania in east Africa, south of Kenya bordering the Indian Ocean, from 1995 to 2005. The astounding “Great Migration” begins in Tanzania.

More than a million wildebeest along with hundreds of thousands of zebra, topi and other gazelle start their annual journey in the Serengeti National Park creating the largest herd movement of animals on the planet. Over the course of the year, the animals move north and clockwise, up into Kenya and the Masai Mara National Reserve, back down through the Serengeti and then to Ngorongoro Conservation Area, famed for the Ngorongoro Crater.

“Mkapa began his career as a journalist, understanding the importance of educating the public on important conservation topics,” Sholly explains. “Today, Mkapa’s name remains widely respected for his legacy of principled leadership and protecting Africa’s wild heritage.”

As one example, during his time on AWF’s Board of Trustees, Mkapa played a critical role in the establishment of Manyara Ranch Conservancy in northern Tanzania, an important 45,000-acre wildlife corridor connecting several of the country’s national parks.

Throughout much of the 20th century, visitors to Africa went primarily to shoot animals, not pictures. Limited legal hunting on the continent persists, in part due to the United States’ continued allowance of trophy hunters to import animals killed in Africa.

Fortunately, photographic safaris have mostly replaced their bloodthirsty predecessors.

“During the launch of the Four Arts exhibition, attendees posed many questions about ‘organizing their first or next safari’ and how to get involved in helping to secure the future of the wildlife and wilderness areas they saw represented in the photos of the competition,” Sholley said. “My greatest thrill has been watching people’s reactions as they view the exhibition images for the first time. When the subject matter revolves around Africa’s iconic wildlife and remote wilderness areas, the impact is clear and visible.”

Africa: Closer than you Think

Americans, by and large, are daunted by the idea of travel to Africa. Many even frequent, life-long, world travelers from the States have never seen southern Africa with their own eyes. Never spent a morning game drive 10-feet from a feeding pride of lions. Never stared eye-to-eye with a cape buffalo.

Too far. Too expensive.

Once in a lifetime.

That needn’t be the case.

While there are undeniably super-expensive and difficult to reach locales and experiences such as the water safaris around the Okavango Delta in Botswana or gorilla trekking in Rwanda or Uganda, visiting Kruger National Park or Greater Kruger in South Africa via flight to Johannesburg and car or bus to the wildlife can accommodate many non-luxe budgets.

Kenya safaris and Tanzania safaris are good middle-ground choices with a non-stop flight from JFK airport in New York direct to Nairobi now an option, shortening travel time to east Africa dramatically.

Africa, particularly when traveling from the eastern half of the U.S., proves no more arduous to reach or expensive to enjoy than Hawai’i, Australia, Asia or India–oftentimes less so. And the rewards are unmatched.

As wonderful as the pictures are, they don’t compare to real thing.

The Eames x Gelato Pique 2023 Collection Embodies Soft Modernism

The Eames x Gelato Pique 2023 Collection Embodies Soft Modernism

Charles and Ray Eames lived by the belief a designer’s most vital function was identifying then solving the needs of others. This ethos was evident throughout their creative lives, most notable in the creation of affordable, yet high-quality designs for the average consumer that live on today as the pinnacle of “good design.” While fashion was not a category of design the Eames were typically associated with, their own choice in relaxed and comfortable clothing should be considered a carefully considered aesthetic. Taking this aspect of their lives into consideration, it may explain why the Eames Office, a foundation charged with the legacy of the legendary design partnership, has permitted Japanese label Gelato Pique to unveil a limited-edition collection of sumptuously soft loungewear adorned with its namesake.

Composed of a colorful and patterned 19-piece collection directly pulled from the Eames’ treasure trove of design, the Japanese fashion brand’s approach was to realize the Eames’ ethos that the best design “should take their pleasure seriously.” And Gelato Pique has done so with an almost unbelievably airy and downy collection of graphical loungewear tops and bottoms made from a fluffy-knit recycled polyester fabric known as Airy Moco.

girl sitting slouched in black chair in pale grey lounge suit with eames written on it

man standing with hand on chair in a checkered lounge suit on orange background

The 2023 collection is actually the third in a series of collaborations between the Eames legacy and Japanese brand, this latest drawing heavily upon the iconic pair’s House of Cards toy and the mid-century defining Dot Pattern graphic.

man sitting slouched on a white chair with an eames tshirt on with checkered pants on green background

person standing with checkered lounge suit on green backgroun

woman standing with hand in hair wearing white sweater with eames and checkers

person sitting looking to side with white eames shirt on

Ray Eames once noted, “What works is better than what looks good. The looks good can change, but what works, works.” Fortunately for the Eames x Pique Gelato collection, looks and comfort do indeed work.

The Eames Meets Gelato Pique collection ranges from $62-$183, available at gelatopique.us.

This post contains affiliate links, so if you make a purchase from an affiliate link, we earn a commission. Thanks for supporting Design Milk!

Gregory Han is the Managing Editor of Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Check out all these amazing events happening at the Crazy Horse Memorial this summer

Check out all these amazing events happening at the Crazy Horse Memorial this summer
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The first Artist in Residence of the 2023 summer Cultural Programs season at Crazy Horse Memorial® began work on May 1. The May Artist in Residence, Iris Sully, a Sicangu Lakota wood carver and bead worker, is the first culture bearer in a line-up of over 100 artists scheduled to be at the Memorial from May until October. There will be five artists in residence during the summer, one during each month. Weekly Artist’s Talks will take place most Wednesday’s at 12:30.

Daily Performances at the Memorial will begin on May 25 and continue until September 30 with performances each day at 11:30, 1:30, and 4:30 on the Veranda Stage. Special evening performances will take place on select dates that include June 26 and September 6.

Living Treasures, a program that has culture bearers teach an art form to visitors, will take place during select weeks throughout the summer and will begin on May 29 with Métis Finger Weaving. Living Treasures takes place from 10:00-6:00 each day of the select week and reservations are not required. 

Mahkoche Kin, a program in which visitors walk through the woods surrounding the Crazy Horse Memorial® visitor center, will take place on the second and fourth Friday of May, June, July, August, and September. Walks will take place at 10:00 and 2:00 but day-of pre-registration is required and takes place within the Welcome Center. 

The 33rd Annual Gift From Mother Earth Art Show and Sale will take place on Father’s Day weekend in which there will be over 20 Native and non-Native artists exhibiting and selling their artwork within the galleries of The Indian Museum of North America®.

Finally, the Talking Circle Speaker Series will host 4 different presenters who specialize on a variety of topics at 6:30 on select Thursdays in June and July.

A full list of Cultural Programs and other special events can be found at

https://crazyhorsememorial.org/visit/special-events/.

‘A World History of Women Photographers’ Unearths Hundreds of Images that Enrich the Canon

‘A World History of Women Photographers’ Unearths Hundreds of Images that Enrich the Canon

Graciela Iturbide, Our Lady of the Iguanas, Juchitán de Zaragoza, Oaxaca, Mexico, 1979. Image © Graciela Iturbide. All images courtesy of Thames & Hudson, shared with permission

Photography is often touted as one of the most accessible and democratic mediums, making it a prime choice for those with little institutional support or access to funding. A new book edited by Luce Lebart and Marie Robert and published by Thames & Hudson explores the work of more than 300 women, many of whom were underrecognized during their lifetimes, and all of whose practices centered around the camera.

Recently translated from French by Ruth Taylor and Bethany Wright, the hefty A World History of Women Photographers is a corrective encyclopedia highlighting those with outsized impacts on the medium. The 504-page book pairs hundreds of images with text by an international roster of 160 women writers, granting similar space to each photographer and unearthing a chronically undervalued group. “With this collection of artists, it is not so much a matter of producing a counter-narrative or of deconstructing histories that already exist but of completing them. We have no desire to burn idols or topple statues, only to erect new ones, and to create a narrative that is richer and more fair,” the editors write in the introduction. “In other words, there is an urgent need to write another history, and to write it differently.”

 

A woman and two dogs stand at the top of a pink outdoor staircase

Pamela Singh, Tantric Self-Portrait in Jaipur #18, c. 2000–2001. Image © Pamela Singh, courtesy of the artist and sepiaEYE, New York

Included in the chronologically organized text that spans from 1850 to today are luminaries like Carrie Mae Weems and Zanelle Muholi (previously), in addition to those who have only recently come into public view. The Argentine photographer Josefina Oliver (b. 1875) was largely unknown until her great-niece unearthed her archives in 2006, for example, and that same year, Karimeh Abbud (b. 1863), the first woman to establish a studio in Palestine in the early 20th century, was recognized for her distinct portraiture style in the first major exhibition of her work. “This ‘world tour’ enables us to re-evaluate some women who were celebrated and acknowledged in their own time, to remember others now unjustly forgotten, and to discover others whose work was never exhibited or discussed during their lifetime,” the editors say.

A World History of Women Photographers, created as part of the Rencontres d’Arles and Kering’s Women in Motion project, is currently available on Bookshop. (via Hyperallergic)

 

A leaf sprouts form a spindly root with several offshoots

Anna Atkins, Alaria esculenta, from Photographs of British Algae: Cyanotype Impressions, 1849–1850. Image © The New York Public Library 

A shirtless man and a woman embrace

Sandra Eleta, Putulungo and Alma, Portobelo couple, 1977. Image © Sandra Eleta. Courtesy Galerie Rouge, Paris

three women on the bank of a body of water, one seated and two standing

Sigriður Zoëga, Women on the Banks of the Lake, 1915. Image © The National Museum of Iceland, Reykjavik

A woman stands in front of the remaining rubble of a building, her dress blowing in the wind

Isabel Muñoz, Untitled, from the series ‘Bam,’ 2005. Image © Isabel Muñoz

A man and son sit at a dining table filled with empty plates and two serving dishes

Rita Ostrovska, My husband Alik with our son Sasha, Bila Tserkva, Ukraine, 1988. Image © Rita Ostrovska

A person glowing with light walks across rubble

Victoria Ivleva, Dosimetrist Yuri Kobsar climbs radioactive debris inside the fourth reactor at the Chernobyl nuclear power plant, 1991. Image © Victoria Ivleva

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article ‘A World History of Women Photographers’ Unearths Hundreds of Images that Enrich the Canon appeared first on Colossal.

Get Cooking With Molly Baz for Crate & Barrel’s Kitchen Collection

Get Cooking With Molly Baz for Crate & Barrel’s Kitchen Collection

The latest collaboration to slide across our screens is this bright and bold 61-piece kitchen collection from chef and cookbook author Molly Baz and Crate & Barrel. The Molly Baz for Crate & Barrel collection features lots of curves, color (“Molly Baz blue!”), and considerate touches that only a cook like her might dream up. And dreamed she did. The overarching concept is that these pieces can live as easily on kitchen countertops during dinner prep as they can on your dining table during a meal. There are pieces for cooking, storing, and serving – all of Molly’s most-used kitchen tools – designed to her specifications using FSC®-certified materials.

“This collection was created and designed with the home cook in mind. I felt very strongly about that – it can and should serve any and all types of home cooks,” Molly shared with us. “The line features a whole range that makes stepping into the kitchen a joy rather than a chore. I wanted to bring good design, and a bit of playfulness and color, to all elements of the cooking, wine-ing, and dining processes, with the ultimate goal of making every bit of it just a little less stressful, and a lot more fun.”

kitchen cabinet fill with a stack of off-white plates and bowls

two level fruit basket tower overflowing with citrus fruit

The Molly Baz for Crate & Barrel collection features sleek and bright designs, including bowls, glassware, serving trays, cutting boards, and kitchen tools – and even Molly’s signature crossback apron. All of the pieces follow her relaxed approach to entertaining, highlighting pieces that are modern, versatile, and meant to be used every day.

yellow and orange wine glasses

person wearing an off-white apron prepares greens in a blue bowl

“Molly brought her fresh and bold perspective to the design process, creating an inspired kitchen and entertaining collection for our brand,” Sebastian Brauer, Senior Vice President of Product Design, Crate & Barrel commented. “Her passion to help people love their time in the kitchen drove us to look at kitchen tools and entertaining items through a different lens, which made for an open collaboration process. We also both love Italian and American design, and referenced different iconic periods like the 50s and 70s for inspiration.”

an outdoor wood table decorated with colorful kitchenwares and food

an outdoor wood table decorated with colorful kitchenwares and food

To begin, Molly worked closely with her designer husband, Ben, to create the initial voice and vision for the collection. “We started by sitting around a table with a couple of friends, scribbling down all of our hopes and dreams for the line. There were no limitations in our first round of ideating – I’m a big proponent of both “dream big” and “no bad ideas” philosophies. We then took that list to Crate & Barrel to see what was feasible.”

table set with filled wooden snack trays

an outdoor wood table decorated with colorful kitchenwares and food

“They were super open to our ideas, and very supportive of the direction we chose to go in,” she said. “Once we had established a color palette and materials (warm woods, primary colors, colored glass, silicone) we got to work, iterating over and over and over again, reviewing samples, tweaking and changing, until the collection felt unified, polished, and complete.”

an outdoor wood table decorated with colorful kitchenwares and food

round wood cutting board with steak

The brand was open to some of the more outlandish pieces as well. “I mean, let’s be honest, nobody needs an ice bucket or a seafood tower,” Molly quipped. “But the team saw the value in including some more eccentric pieces to make sure the collection really captured my spirit and personality with an eye towards keeping things fun and whimsical and unexpected.”

colorful glassware and an off-white ice bucket

While the collection as a whole is show-stopping, it’s the thoughtful touches in each piece that standout. The measuring spoon set includes an uncommon ¾ teaspoon measure, and the glassware was designed for the drinks Molly and Ben make most – wine, martinis, and spritzes.

woman with long blonde hair stands behind a white counter covered in colorful kitchenwares

Molly Baz

Then there’s the infamous seafood tower, which is the chef’s go-to order at restaurants. It was the first product Molly designed for the collection, a design that’s versatile with a removable top tier for easy storage. “I knew I wanted to include a seafood tower (as ridiculous as it sounds), so it was one of the first things we tackled. It was one of the many items on my “dream big” list, and surprisingly the team at Crate & Barrel was super gung-ho about designing one,” she surprisingly shared. “There’s something so fun and celebratory to me about the idea of bringing the culture of raw bars and seafood towers – something you really only expect to partake in at a restaurant – into the home. Of course, the tower can actually be used for so much more than just seafood – at the end of the day, it’s just three really freaking cute stacked shallow bowls.”

four nested colorful kitchen bowls

blue kitchen utensils on a white background

Molly and the team at Crate & Barrel created an entire design language and made it through creating 59 more pieces before coming to the last one: the snack tray. “We were deep in a martini phase at the time, and had just been to Bemelmans Bar in NYC for one of the city’s most iconic martinis. With any cocktail you order at Bemelmans, a trifecta of snacks is always served,” she shared about its inception.

kitchen cooking tools holder with wooden spoons and spatula

“We love that ritual and decided that we should find a way to bring intentional snacking into the home kitchen. We made two of them. Both take the form of concentric circles, one with two cavities and the other with three.” One of her favorite ways to use the piece? “I love to put a big dollop of aioli in the Big Snack Tray and then fill all the remaining moats with little dippers to create a grand aioli of sorts. The smaller one is great for popcorn, chips, and nuts, and can just as easily sit on your lap while watching a movie as it can be the centerpiece to your coffee table.”

white butter dish on white background

an outdoor wood table decorated with colorful kitchenwares and food

Brauer called out his favorite piece as the Cae Salad Bowl for its versatility and oversized nature. “It’s perfect for composed salads, grains, and even linguine vongole to go from kitchen to table. I also love the earthy, neutral glaze and modern sculptural shape – perfect for indoor/outdoor dining and super California cool. It’s simple and elegant for entertaining, but also a functional piece that can stay out on the table to hold everyday items like fruit. This piece was inspired by Molly’s iconic Cae Sal recipe, which our customers love.”

the back of a person wearing a bright yellow kitchen apron and holding a whisk

geometric colorful salt and pepper grinders

“My eyes are dazzled every time I see the collection all together as a whole,” Molly said of her work with the brand. When pressed she added, “I think one of my favorite pieces are the salt and pepper grinders. They’re nesting, and they look like little people to me. They’re so stunning on a beautifully set table, and also look phenomenal next to your condiment caddy in your kitchen. Also, I love salt. I think most people know that but…”

six colorful geometric dish towels on a white background

curvaceous red trivet on white background

colorful measuring spoons on a white background

Be sure to check out the entire Molly Baz for Crate & Barrel collection. You can also pick up the chef’s cookbook Cook This Book: Techniques That Teach and Recipes to Repeat: A Cookbook and pre-order the latest one, More Is More: Get Loose in the Kitchen: A Cookbook.

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Kelly Beall is senior editor at Design Milk. The Pittsburgh-based graphic designer and writer has had a deep love of art and design for as long as she can remember, and enjoys sharing her finds with others. When undistracted by great art and design, she can be found making a mess in the kitchen, consuming as much information as possible, or on the couch with her three pets. Find her @designcrush on social.