Sculptor Misha Kahn Ties Together His Experimentations in Staged

Sculptor Misha Kahn Ties Together His Experimentations in Staged

Sculptor Misha Kahn is endlessly inventive, currently appearing in the television show, “The Exhibit: Finding the Next Great Artist” by the Smithsonian and MTV, while simultaneously exhibiting a new show – Staged – at Friedman Benda Los Angeles. Running through June 2nd, the show is set in the gallery’s new 2,800+ sq. ft home, adding an interesting domestic dynamic to the pieces on display. Themes of personal acceptance and loving your own chaos run throughout, including pieces such as the Ammonoid Delta chair, Pig of the Earth sofa, and Hold the Line lamp.

Kahn explained: “Friedman Benda’s new LA space provided the opportunity to show in a more domestic space, loosely suggesting how these disparate suspects might temporarily live together before something goes awry. The works’ internal tensions come to light on their surfaces.”

And the Phone Call Dragged On and On

“These past few years have been about accepting the way I work, learning to love my chaos rather than trying to escape it… and instead welcoming you into my vortex,” shared Kahn. “Some pieces in the show are such an invitation; however, by limiting the result to a particular material, such as in the handwoven mohair of Stephens Tapestry, the resulting piece Swatching Space Time creates a complete bacchanal of media and imaginary digital weaving. Bits of string and crumpled paper mix with VR brushstrokes. A scanned piece of gum clings to a loose thread. This swatch – an expansive carpet by human standards – is but a tiny sample of infinite possibility.”

silver abstract side table

Aura Stool

“After a decade with Friedman Benda, and a few previous outings in LA (at Dries van Noten’s The Little House in 2021 and M+B in 2019), I’ve murdered quite a few things. It felt like it was now time to take a string and carefully tie together all these creative explorations I’d left behind with the goal of hopefully arriving at some kind of closure – which is taking place, a little ‘too conveniently,’ in a house.”

rectangular wall mirror with layered color frame

Azimuth Mirror

red and pink amalgamous chair

Ammonoid Delta

table resembling an inflated mylar balloon

Cloud Flavor

colorful figure-like sculpture with natural materials

Dusk’s Raveled Whisps

colorful, abstract side table

Extremophile Folly

dark blue and purple symmetrical wall art

Filler Queen

colorful, amalgamas sofa

Bois Brule

colorful modern abstract sculpture

Hold the Line

gold chalice studded with colorful gems

Larvae Chalice

translucent light blue and red wall art resembling a face

Limax Cinereoniger’s House Not Yours

colorful, abstract side table

Hellenistic Vector

silver chair with bone-like back

Miss Fishy

pastel purple, pink, and blue abstract sculpture

Oneiromantic Tendencies

dark metallic abstract sculptural lamp

Shell Lamp

dark berry colored symmetrical wall art

Raspberry

tapestry that appears covered in different colors of paint

Swatching Space Time

dark, modern, abstract watch

Time Tracers

To learn more about Misha Kahn’s Staged, visit friedmanbenda.com.

Kelly Beall is senior editor at Design Milk. The Pittsburgh-based graphic designer and writer has had a deep love of art and design for as long as she can remember, and enjoys sharing her finds with others. When undistracted by great art and design, she can be found making a mess in the kitchen, consuming as much information as possible, or on the couch with her three pets. Find her @designcrush on social.

A guide to navigating First Friday art evenings

A guide to navigating First Friday art evenings

On the first Friday evening of April, a hint of spring was in the air as city galleries filled with people perusing the latest batch of exhibits and catching up over plastic cups of wine and cans of sparkling water.

“I had this on my calendar all week,” said a young man inside Intersection Cafe (100 Elmwood Ave.), while looking at a local artist’s multimedia art exhibition on the wall. Nearby on Allen Street, young women in leather jackets and Doc Martens flipped through a rack of vintage tees outside Timeless Babez (87 Allen St.).

The first Friday evening of every month, year-round, is a time for artists to show the public their work. Galleries throughout Buffalo are open for extended hours, allowing people to tour several in one night. The galleries serve as a third space, a free gathering point for people in the community to hang out, meet new people and, hopefully, see something interesting along the way.

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Pine Apple Company (copy)

Co-owner Mickey Harmon peruses some of the quirky and creative items and art available at Pine Apple Co. in Allentown.




Allentown is the epicenter of the event, with its dense art scene and engaged businesses, though galleries in other neighborhoods, such as downtown and North Buffalo, also participate. Boutiques and small businesses in the Allentown neighborhood stay open later than normal to take advantage of – and add to – the foot traffic.

Mickey Harmon, an artist known for his colorful, architectural illustrations, co-owns Pine Apple Co. (65 Allen St.), an art gallery and store. He’s also the Allentown Association’s First Friday Gallery Walk chair.

From May through October, Harmon organizes a block party during First Fridays. Allen Street, from Delaware Avenue to Franklin Street, is cut off to traffic and lined with local vendors peddling wares like crocheted accessories, paintings and stained glass, while musicians set the evening’s soundtrack and people of all ages mingle during sunset.



90 minutes on Hertel Avenue (copy) (copy)

In North Buffalo, the First Friday event will include Revolution Gallery on Hertel Avenue.




The event’s diversity is its strength and each gallery has its own angle. At K Art (808 Main St.), you’ll find work by emerging Native American artists; at Revolution Gallery (1419 Hertel Ave.), there will always be some eerie pop-surrealist pieces.

“When you come down here, you’re seeing the real Buffalo. There’s an intersection of communities here,” Harmon said. “First Friday is a representation of the creative community in Buffalo.”

Where to park

To see the most art in the smallest radius, park on or around Allen Street. Street parking is abundant on Friday evenings (and free after 5 p.m.) on Main Street, North Pearl Street, Franklin Street and Delaware Avenue. Or take the Metro Rail down to the Allen-Medical Campus station.

“For a first-timer for First Friday, I would start at Main Street and I would just walk straight through the street fest and just continue all the way down Allen Street,” Harmon said.

A designated driver – free or cheap wine and beer flows freely at the galleries – can drive your party around the city to find more art.

First Friday runs from 5 to 9 p.m., though some galleries stay open later.

Where to see art

The Allentown Association posts a list of participating galleries monthly on its Facebook page, Allentown First Friday Gallery Walk. At least seven galleries on or just off Allen Street are slated to participate in May’s event. Contemporary gallery Rivalry Projects (106 College St.) features a group show of more than 40 international artists on view through June 16. El Museo (91 Allen St.) highlights work from underserved communities within the city, morphing into a new space with each exhibit. You’ll find digital art one month, paintings on another visit and sculptures during the next. Harmon’s Pine Apple Co. will feature drawings that explore the effects of nature exploitation on imagination by Buffalo artist Jacob Carroll in May.



FITZ Books and Waffles (copy)

At Fitz Books and Waffles, owner Aaron Bartley will help you find a great book and serve you a fresh-cooked liege waffle during First Friday events.



Robert Kirkham



Downtown, swing by the gallery at Fitz Books (431 Ellicott St.) to browse local art and a curated selection of used books (and eat a sugary liege waffle while you’re there). BOX Gallery at Hostel Buffalo (667 Main St.) is a popular spot toward the end of the night since it remains open long past 9 p.m. and offers a space for people to dance to thumping DJ sets.

Head North to Buffalo Art Movement (255 Great Arrow Ave.), located within the Pierce-Arrow Factory Complex for contemporary art by Western New York artists. End up at Revolution Gallery to see its current exhibition, “The Forest Below” by Katie Gamb and Molly Devlin, on view through May 20, a collection of haunting (yet adorable) pop-surrealist paintings.

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The Air Light Was Born From The Theme of Sustainability

The Air Light Was Born From The Theme of Sustainability

Italian brand Contardi Lighting recently collaborated with designer Adam Tihany to tackle the question of “What is green lighting?” From this exploration of design and ecological values, they designed Air, a new suspension lamp that’s as decorative as it is functional and, even better, 100% recyclable. Featuring a dual lampshade design, Air creates a warm, enveloping ambience while casting plays of light and shadow through its engraved laser cuts.

laser cut beige suspension light in living room

From production to packaging, all considerations were made to reduce Air’s impact on the planet. The body of the light is made from Green Cast, an acrylic material that not only recycles industrial waste and end-of-life products, but can be 100% recycled rather than tossed into a landfill. Even after an infinite number of cycles, Green Cast retains its aesthetic, mechanical, and thermal qualities. To further reduce Air’s footprint, Contardi Lighting applies the cream-colored finish during the creation of the light, skipping the lacquering phase and lessening the environment impact.

Beyond Air’s sustainability appeal, the light’s laser-cut design beckons a closer look. The double lampshades evoke the perception that the lamp is floating both upwards and downwards. Upper and lower LED lights cast a full glow around the room, creating a warm and cozy ambience.

laser cut beige suspension light in store

laser cut beige suspension light in living room

dimensions of suspension light

laser cut beige suspension light

dimensions of suspension light

laser cut beige suspension light

To learn more about Air, visit contardi-usa.com.

As the Lifestyle editor, Vy Yang is obsessed with discovering ways to live well + with intention through design. She’s probably sharing what she finds over on Instagram stories. You can also find her at vytranyang.com.

The SEYUN Furniture Collaboration Has Been Galvanized

The SEYUN Furniture Collaboration Has Been Galvanized

In 2021, we announced a conceptual collection – SEYUN – designed and manufactured by Zaha Hadid Design and Karimoku Furniture. Today, we’re happy to share that it’s left the proverbial nest behind and exists as a chair, an armchair, and a table in different dimensions. Introduced at Milan Design Week 2023, the SEYUN collection echoes Hadid’s design language and is crafted in oak using a combination of machine-made and hand-finished processes.

A story of the hardness of the wood meeting the lightness of the design makes these furniture pieces unique, as does the series of conjoined asymmetrical surfaces that reference Hadid’s aesthetic. Natural elegance is conveyed through the blending of traditional Japanese woodworking techniques with contemporary design. SEYUN is available in a selection of finishes: Pure Oak, Smoked Oak, Grain Matte Black, Metallic Blue, Metallic Black, and Silver.

SEYUN Chair Photo: Masaki Ogawa

“We are delighted to see our collaboration with Karimoku Furniture continuing so fruitfully, each piece of the SEYUN collection is the result of the truly osmotic process between designers and manufacturers. Our teams worked together at every stage of the project, mutually exchanging skills and expertise, discussing ideas and finding solutions, both formally and technically,” says Woody Yao, director of Zaha Hadid Design.

dining chair with metallic black finish

SEYUN Chair Photo: Masaki Ogawa

The planar asymmetrical surfaces that make up the SEYUN Chair are unmistakably a hallmark of Hadid. Oak wood lays out the chair’s smooth curves, highlighting the natural wood grain and construction.

dining chair with oak finish

SEYUN Chair Photo: Masaki Ogawa

dining chair with oak finish

SEYUN Chair Photo: Masaki Ogawa

dining chair with oak finish

SEYUN Chair Photo: Masaki Ogawa

dining chair with metallic silver finish

SEYUN Chair Photo: Masaki Ogawa

dining chair and armchair in black finish

SEYUN Chair + SEYUN Armchair Photo: Masaki Ogawa

black armchair

SEYUN Armchair Photo: Masaki Ogawa

Meanwhile, the SEYUN Armchair follows form, a balanced example of beauty and comfort coexisting with one another. From the sculptural armrests to the curved seat and backrest, every design aspect has been considered with ergonomics and aesthetics in mind.

metallic finish armchair

SEYUN Armchair Photo: Masaki Ogawa

oak finish armchair

SEYUN Armchair Photo: Masaki Ogawa

oak finish armchair

SEYUN Armchair Photo: Masaki Ogawa

oak finish armchair

SEYUN Armchair Photo: Masaki Ogawa

detail of black armchair

SEYUN Armchair Photo: Masaki Ogawa

detail of black armchair

SEYUN Armchair Photo: Masaki Ogawa

oak finish table, dining chair, and armchair

SEYUN Collection Photo: Masaaki Inoue

The versatile SEYUN Table ties the collection together with a bow. Designed to allow endless configurations and available in different sizes, it makes a great addition to any living space. Visually striking and functional, you might call it unostentatiously elegant.

oak finish table

SEYUN Table Photo: Masaaki Inoue

Hiroshi Kato, Vice President of Karimoku Furniture Inc. commented: “Collaborating with Zaha Hadid Design, a world leader in architecture and design and a brand with a pioneering and innovative philosophy, is truly inspiring. We are particularly proud to translate Zaha Hadid’s visionary design language into a complex and tactile piece of wooden furniture, proving our knowledge and skills acquired throughout Karimoku Furniture’s history in craftsmanship.”

oak finish table

SEYUN Table Photo: Masaaki Inoue

oak finish table and chair

SEYUM Table + SEYUN Chair Photo: Masaaki Inoue

To learn more about the SEYUN Collection, visit karimoku.com.

Kelly Beall is senior editor at Design Milk. The Pittsburgh-based graphic designer and writer has had a deep love of art and design for as long as she can remember, and enjoys sharing her finds with others. When undistracted by great art and design, she can be found making a mess in the kitchen, consuming as much information as possible, or on the couch with her three pets. Find her @designcrush on social.

Stagwell (STGW)’s 2022 Annual Report: Digital Acceleration, Global Expansion, and Product Innovation Behind Breakout Year

Stagwell (STGW)’s 2022 Annual Report: Digital Acceleration, Global Expansion, and Product Innovation Behind Breakout Year

NEW YORK, May 2, 2023 /PRNewswire/ — Stagwell (NASDAQ: STGW), the challenger network built to transform marketing, released its 2022 Annual Report, highlighting six consecutive quarters of double-digit growth powered by digital acceleration across core segments of Stagwell’s business, and a record year of net new business and account expansions with blue-chip global clients in every sector. Download the report here.

“Our growth is a reflection of our guiding thesis that every company needs to be a digital marketing company, or risk getting left behind, and nearly two years after our inception, we’re leading the world’s most notable brands through the global transition into the digital economy,” said Stagwell Chairman and CEO Mark Penn. “This forward-looking approach has allowed us to innovate for the future with game-changing augmented reality (AR) and artificial intelligence (AI) products. We continue to grow and transform our business and the industry; looking ahead, we expect more growth, innovation, and an expanded market share.” 

Drivers of Growth in 2022

Penn’s annual CEO letter discusses Stagwell’s 2022 financial performance driven by:

  • Digital acceleration: Stagwell is the only global marketing network with a majority-digital revenue services mix, with 57% of FY22 revenue hailing from “high-growth digital services” including digital transformation (up 33% in 2022), performance media and data (up 18% in 2022), and consumer insights and strategy (up 32%).
  • Maturing into a truly global network: With expansion through strategic acquisitions, the opening of regional hubs and offices in Asia-Pacific and Latin America, and partnerships with affiliates to fill regional gaps, Stagwell’s scaled operations resulted in FY22 international revenue that grew twice as fast as domestic revenue. 
  • Full-network integrated services: Further alignment of Stagwell’s core integrated services networks – the Anomaly Alliance, Brand Performance Network, Constellation, Code and Theory Network, and the Doner Partners Network – enabled collaboration between agencies, each leveraging complementary capabilities to win larger pieces of business and service more complex accounts.
  • Prudent financial management: Controlled labor costs, the benefits of the even-year advocacy cycle, and a reduced comp-to-net revenue ratio resulted in $270M of free cash flow, driving Stagwell’s debt ratio down significantly below the previous target of 2.5x to 2.17x Adjusted EBITDA.  

Looking Ahead

Penn also discusses advancements in the Stagwell Marketing Cloud (SMC), the company’s proprietary suite of SaaS solutions powering research, communications, and media activation for in-house marketers. With investments in the frontiers of marketing technology, including the development of original products fueling augmented reality and artificial intelligence, Stagwell sees SMC as a key part of the company’s future strategy.

To read the full report, please visit Stagwell’s website. Viewers can use QR codes throughout the document to explore referenced case studies.

About Stagwell

Stagwell is the challenger network built to transform marketing. We deliver scaled creative performance for the world’s most ambitious brands, connecting culture-moving creativity with leading-edge technology to harmonize the art and science of marketing. Led by entrepreneurs, our 13,000+ specialists in 34+ countries are unified under a single purpose: to drive effectiveness and improve business results for their clients. Join us at www.stagwellglobal.com.

Contact:
Sarah Arvizo
[email protected]

SOURCE Stagwell Inc.

ArtDependence | The Art of Dutch Printmaking: Art Institute of Chicago’s Acquisition of 1,440 Dutch Mannerist Prints

ArtDependence | The Art of Dutch Printmaking: Art Institute of Chicago’s Acquisition of 1,440 Dutch Mannerist Prints
The Art Institute of Chicago acquired 1,440 Dutch Mannerist prints from the Hearn Family Foundation and Charles Hack collection. Ranging chronologically from the 1530s to about 1650, these prints chart the history of Dutch printmaking at the period of its greatest technical and artistic sophistication. The incomparable collection, assembled over three decades, reveals all the complexity and sophistication of Mannerist art, including a virtuosic command of printmaking, unusual perspectives and proportions, and eroticism coupled with a delight in allegory and humanism.

Three-Dimensional Narratives Spring from Antique Books in Emma Taylor’s Meticulous Paper Sculptures

Three-Dimensional Narratives Spring from Antique Books in Emma Taylor’s Meticulous Paper Sculptures

“Sailing the Seven Seas.” All images © Emma Taylor, shared with permission

From the pages of history books, novels, and atlases, Cambridgeshire-based artist Emma Taylor (previously) unfurls the written word into three-dimensional narratives. In one work titled “Sailing the Seven Seas,” a wooden ship glides over rippling pages. Others feature a woodpecker knocking at the side of Bird Life and Bird Lore or a tiny mouse curling up for a nap with Beatrix Potter. Using materials from vintage world maps to The Lore of the Falcon, the artist constructs paper sculptures in painstaking detail, which appear to surface organically from the contents.

During the past few years, Taylor has experimented with different ways to position each copy, focusing on a variety of arrangements and expanding her earlier emphasis on building upward from an open spread. More valuable titles with colorful cloth covers form the basis for pieces, while others are deconstructed, reassembled, and given a new chapter. “I spend hours scouring antique shops, market stalls, and online bookstores in order to source topical books, typically dating to the first half of the 20th century,” she says. “I instantly know the right book, as I can picture the sculpture as if it has been laying dormant, just waiting to be given form.”

Taylor recently showed some of the work you see here at Byard Art in Cambridge, and you can find more on her website or Instagram, where she shares updates and insights into her process.

 

A sculpture of a woodpecker on the side of books about birds.

“Drumming of the Woodpecker”

A book sculpture of a tree.

“From Little Acorns”

A book sculpture of insects on a stack of books about insects.

“The Fascination of Insects”

A book sculpture of a robin and a nest of eggs.

“The Robin’s Nest”

Detail of a book sculpture of a robin and a nest of eggs.

Detail of “The Robin’s Nest”

A book sculpture of St. Paul's Cathedral.

“The Architect of St. Paul’s”

A book sculpture of a mouse curled up in a nest.

“Mouse Tales”

A book sculpture of two birds.

“Water Music (Great Crested Grebes)”

A book sculpture of a bird of prey landing on a stack of books.

“The Art of Falconry”

A book sculpture of a lion leaping out of an open book.

“Hear Their Roar”

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Three-Dimensional Narratives Spring from Antique Books in Emma Taylor’s Meticulous Paper Sculptures appeared first on Colossal.

The best of student art, photography, graphic design, and extended reality to be on display at Husson University’s Artwalk

The best of student art, photography, graphic design, and extended reality to be on display at Husson University’s Artwalk

Multimedia creations and paintings by professional artists will also be among the various Artwalk exhibits

BANGOR – Husson University announced that it will be showcasing the creative talents of students and professional artists on Tuesday, May 2 from 12:30 to 5 p.m. on their Bangor campus as part of their end-of-semester Artwalk. All of the exhibitions, located in various campus locations, are free and open to the public.

One of the exhibition spaces participating in this semester’s Artwalk is the Hart Studio. This creative space in the basement of Hart Hall will feature a variety of student artistic expressions. Student artwork on display will include photography, drawings, paintings and photography.

Graphic design, animation, motion design and agency materials will all be on display in the Wildey Communications Center, home of the New England School of Communications.

Individuals with a passion for art created by seniors should make it a point to stop by the Sawyer Library. This location will feature works developed by the elderly, with the assistance of Husson University students, as part of the class “BR 121 Co-creating Across Generations”.

Those who prefer artistic expressions that embrace new technology will find a variety of cutting-edge artistic developments at the iEX Center in Harold Alfond Hall, home of Husson University’s College of Business. At this location, Artwalk participants can see the creativity students have brought to extended reality presentations. Innovative expressions developed in the university’s two-dimensional (2-D) and three dimensional (3-D) drafting design class as well as “GV 145 Design Thinking & Innovation” will also be on display.

The Darling Atrium in the Beardsley Meeting House, (also known as the lobby of the Gracie Theatre), will be featuring artwork developed by students who are at the beginning of their creative journey. The public will be able to see artwork created in two classes, “FA 101 Art and Human Experience” as well as “FA 202 Art History II.” After taking in this exhibit, Artwalk participants should check out “Landscape Language – A Retrospective” by professional artist David Haskins in the Gracie Theatre’s WBRC Gallery. Located at the far end of the atrium, the gallery’s exhibit is a retrospective of Haskins’ landscape paintings through the years.

Another exhibition by a professional artist that is on display as part of Artwalk is located in the Robert E. White Gallery. The gallery, adjacent to the Campus Center in Peabody Hall, features an art installation by Amber Walter. This exhibition, called “in her world,” consists of mixed media art that combines paintings on panels or canvas, print text, photographs, string, illustrations and everyday objects. The artist will be at the gallery to meet and greet the public from 12:30–2:30 p.m. Visitors can also participate in an artmaking activity at this location. 

All Artwalk visitors are welcome to stop by Husson University’s One Circle Agency in the Wildey Communications Center. This student-run marketing agency recently opened a new space on campus. Visitors can tour the facility and learn more about how the agency provides students interested in marketing with hands-on experience during this open house.

Kathi J. Smith, the Robert E. White Gallery coordinator and an associate professor of art at Husson University, organized Artwalk. “The selected creative expressions demonstrate the technical quality and creative excellence our students bring to their assignments and projects,” she said. “Helping our students feel confident in their abilities to express themselves is enormously beneficial, regardless of the career fields they choose to pursue after graduation. In addition, the Artwalk offers a visual opportunity to highlight the diversity of our student body in an inclusive way across campus.”

The exemplary student artwork featured in this show was created in courses offered by Husson University’s College of Science and Humanities and Husson’s College of Business including the School of Technology and Innovation and the New England School of Communications.

For nearly 125 years, Husson University has prepared future leaders to handle the challenges of tomorrow through innovative undergraduate and graduate degrees. With a commitment to delivering affordable classroom, online and experiential learning opportunities, Husson University has come to represent superior value in higher education. Our Bangor campus and off-campus satellite education centers in Southern Maine, Wells, and Northern Maine provide advanced knowledge in business; health and education; pharmacy studies; science and humanities; as well as communication. In addition, Husson University has a robust adult learning program. According to a tuition and fee analysis by U.S. News & World Report, Husson University is one of the most affordable private colleges in New England. For more information about educational opportunities that can lead to personal and professional success, visit Husson.edu.