Artists remember retired USC Aiken professor Al Beyer for ‘bringing out the very best’

Artists remember retired USC Aiken professor Al Beyer for ‘bringing out the very best’

Artists are remembering a “monumental” educator this week, recalling Al Beyer for his decades of influence at USC Aiken and beyond, following the native New Yorker’s death of a heart attack Saturday in Florida.

“Al will always be the teacher and I will always be the student,” said professional artist Robert Campbell, who recalled getting tips and lessons, until about a week ago, from the longtime educator who had moved to Jacksonville to live with one of his daughters in recent years.  

“I met Al when I was 18 years old. He was the most influential person in my life,” said Campbell, who chose the word “monumental” in describing his mentor. Campbell now teaches at the Aiken Center for the Arts, among other locales. 

Another of Beyer’s USCA students, writing anonymously, noted, “Great guy! Taught me how to see things differently.” 

The word “encourager” came to mind for artist and former Aiken resident Deb Holtzscheiter, who now lives in St. Augustine, Florida. “It didn’t matter how good … or maybe how not-so-good you were. He would work with you just the same, and he just really encouraged people and helped them to enjoy art, for art’s sake,” she said. 

Professional artist Sally Donovan expressed particular gratitude for Beyer’s ability to work with “his senior population” — students with several decades of life behind them — and his encouragement for them to “explore, expand and love the world of art.”

She added, “I have never produced such terrific work as I have under this person who guided me, and I have won many prizes and curated shows, and it was just because of his strong belief and also his teaching ability. I mean, he was so skilled in bringing out the very best in me.”

Campbell recalled having Beyer as a professor prior to the existence of the Etherredge Center, which now plays host to offices and other facilities in USCA’s fine and performing arts program. 

“Before the Etherredge Center, we had classes at Rose Hill. … He was the only art professor at the University of South Carolina at Aiken at that time.” 

“I was going to be an accountant,” Campbell said, with a laugh and the acknowledgment that his math skills are not particularly strong. Beyer, who wound up with 37 years at USCA, was Campbell’s advisor and stirred his consideration of exploring the arts.
A few decades later, “I have been a professional artist all my life, meaning I have used my talent to keep a roof over my head all my adult life, and it hasn’t been a bad life.” 
Those years included time with “Papa Beyer” in Aiken’s sister city, Orvieto, in central Italy, and a visit to a world-class museum in Florence, Italy, where a particular marble Michelangelo creation is the star of the show, standing 17 feet tall. 
“We were sitting in front of ‘the David,’ drawing together, with an Italian class of art students behind us. That’s just a memory that you’re never going to forget,” Campbell said. 

Artist Drew Murphy, known for both sculpting and painting, also recalled strong influence from Beyer decades ago, with regard to serious exploration of art. “He convinced me to give it a whirl. … I painted with him for 10 years, and after a couple of years, I started winning ribbons, and I always said they are his ribbons, and all he had to say was, ‘You need to paint bigger.’ He always challenged me. He was just a wonderful teacher.” 

Murphy confirmed having Beyer in his personal pantheon of top-notch educators. “I had two good professors in my life. One of them was at Aiken High, and the other was Al. Some people leave an impression on you for life. What a wonderful person.” 

.ctct-form-embed.form_7 .ctct-form-defaults {background-color: #f2f2f2;}
div.ctct-form-embed div.ctct-form-defaults {font: 14px ‘adelle-sans’, sans-serif; padding: 10px 20px; margin-bottom: 10px; border-radius:0px;}
div.ctct-form-embed div.ctct-form-defaults h2.ctct-form-header {font: 18px ‘adelle-sans’; border-bottom: solid 1px #cccccc; padding-bottom: 8px;}
div.ctct-form-embed div.ctct-form-defaults p.ctct-form-text {font: 14px ‘adelle-sans’, sans-serif ;}
div.ctct-form-embed form.ctct-form-custom div.ctct-form-field {margin: 0 0 12px 0;}
div.ctct-form-embed form.ctct-form-custom label.ctct-form-label {margin-bottom: 5px;}
div.ctct-form-embed form.ctct-form-custom input.ctct-form-element {height:30px;}
div.ctct-form-embed form.ctct-form-custom button.ctct-form-button {padding: 8px;}
.g-recaptcha {display:none;}

.asset-tags {display:none !important;}

Artists remember Al Beyer for ‘bringing out the very best’

Artists remember Al Beyer for ‘bringing out the very best’
image

Local artists are remembering a “monumental” educator this week, recalling Al Beyer for his decades of influence at USC Aiken and beyond, following the native New Yorker’s death of a heart attack Saturday in Florida.

“Al will always be the teacher and I will always be the student,” said professional artist Robert Campbell, who recalled getting tips and lessons, until about a week ago, from the longtime educator who had moved to Jacksonville to live with one of his daughters in recent years.  

“I met Al when I was 18 years old. He was the most influential person in my life,” said Campbell, who chose the word “monumental” in describing his mentor. Campbell now teaches at the Aiken Center for the Arts, among other locales. 

Another of Beyer’s USCA students, writing anonymously, noted, “Great guy! Taught me how to see things differently.” 


Ginny Southworth: Photographer loves teaching and teaches what she loves

The word “encourager” came to mind for artist and former Aiken resident Deb Holtzscheiter, who now lives in St. Augustine, Florida. “It didn’t matter how good … or maybe how not-so-good you were. He would work with you just the same, and he just really encouraged people and helped them to enjoy art, for art’s sake,” she said. 

Professional artist Sally Donovan expressed particular gratitude for Beyer’s ability to work with “his senior population” — students with several decades of life behind them – and his encouragement for them to “explore, expand and love the world of art.”

She added, “I have never produced such terrific work as I have under this person who guided me, and I have won many prizes and curated shows, and it was just because of his strong belief and also his teaching ability. I mean, he was so skilled in bringing out the very best in me.”


Office clutter serves as inspiration for award-winning art

Campbell recalled having Beyer as a professor prior to the existence of the Etherredge Center, which now plays host to offices and other facilities in USCA’s fine and performing arts program. 

“Before the Etherredge Center, we had classes at Rose Hill … He was the only art professor at the University of South Carolina at Aiken at that time.” 


Traveling artist returns

“I was going to be an accountant,” Campbell said, with a laugh and the acknowledgement that his math skills are not particularly strong. Beyer, who wound up with 37 years at USCA, was Campbell’s advisor and stirred his consideration of exploring the arts.
A few decades later, “I have been a professional artist all my life, meaning I have used my talent to keep a roof over my head all my adult life, and it hasn’t been a bad life.” 
Those years included time with “Papa Beyer” in Aiken’s sister city, Orvieto, in central Italy, and a visit to a world-class museum in Florence, Italy, where a particular marble Michelangelo creation is the star of the show, standing 17 feet tall. 
“We were sitting in front of ‘the David,’ drawing together, with an Italian class of art students behind us. That’s just a memory that you’re never going to forget,” Campbell said. 

Artist Drew Murphy, known for both sculpting and painting, also recalled strong influence from Beyer decades ago, with regard to serious exploration of art. “He convinced me to give it a whirl … I painted with him for 10 years, and after a couple of years, I started winning ribbons, and I always said they are his ribbons, and all he had to say was, ‘You need to paint bigger.’ He always challenged me. He was just a wonderful teacher.” 

Murphy confirmed having Beyer in his personal pantheon of top-notch educators. “I had two good professors in my life. One of them was at Aiken High, and the other was Al. Some people leave an impression on you for life. What a wonderful person.” 

.ctct-form-embed.form_7 .ctct-form-defaults {background-color: #f2f2f2;}
div.ctct-form-embed div.ctct-form-defaults {font: 14px ‘adelle-sans’, sans-serif; padding: 10px 20px; margin-bottom: 10px; border-radius:0px;}
div.ctct-form-embed div.ctct-form-defaults h2.ctct-form-header {font: 18px ‘adelle-sans’; border-bottom: solid 1px #cccccc; padding-bottom: 8px;}
div.ctct-form-embed div.ctct-form-defaults p.ctct-form-text {font: 14px ‘adelle-sans’, sans-serif ;}
div.ctct-form-embed form.ctct-form-custom div.ctct-form-field {margin: 0 0 12px 0;}
div.ctct-form-embed form.ctct-form-custom label.ctct-form-label {margin-bottom: 5px;}
div.ctct-form-embed form.ctct-form-custom input.ctct-form-element {height:30px;}
div.ctct-form-embed form.ctct-form-custom button.ctct-form-button {padding: 8px;}
.g-recaptcha {display:none;}

.asset-tags {display:none !important;}

News: Generative AI, DEI, Modern Marketing & CTV: Babs Rangaiah’s Takeaways from Cannes

News: Generative AI, DEI, Modern Marketing & CTV: Babs Rangaiah’s Takeaways from Cannes

For those of us in marketing, there’s really nothing quite like Cannes. Beyond the great food, rosé and sheer beauty of the South of France, there is no other event that brings together as many of the world’s top marketers as Cannes Lions. This year, Brand Innovators along with Influential, took over the beach that Twitter had occupied for years. Additionally, Brand Innovators announced that they would be merging with what was formerly called the CMO Club. which only extends and elevates what was already a huge marketing community. With that as the backdrop, we heard from CMO’s from some of the top brands in the world, including Raja Rajamannar from Mastercard, Mark Pritchard from P&G, and of course my old peeps from IBM and Unilever.

As always, the festival provided an opportunity for industry talent to showcase their creativity, share insights, forge partnerships and hear about the emerging trends that will shape the future of this business. This year’s key themes were personalization, DE&I, CTV, Immersive technologies, Data & Purpose. But the talk of the town, up and down La Croisette this year, was Generative AI. It came up in about 90% of the sessions I attended. There were hundreds of sessions on these key topics, many of them great, but the following highlights a few of what I thought were the most interesting and unique, along with my take on the subjects: 

Babs Rangaiah at The Armani Cafe

Generative Artificial Intelligence

It seemed as if everyone thought AI was a new thing. It is not. When I was at IBM several years ago, we worked on and created some incredible AI programs years before this, using Watson technology. For example, we created 1) sizzle reels for Wimbledon by having Watson create highlights by recognizing when players pumped their fists 2) a dress for the Met Gala by having Watson gauge fashion trends and 3) even here in Cannes, way back in 2016, we had Watson scrape people’s social media feeds to hand them their favorite drink as they walked in. And broadly, while people may not even realize it, Watson has been enhancing our experiences in the background for years. 

With that in mind, I went to an IBM session at BI’s Armani Café to listen to IBM chief creative officer, Billy Seabrook and IBM CMO Karen Feldman talk about what IBM is doing now in the AI space. Billy spoke of how they’ve advanced their use of AI by “using Watson for content generation. And then, once the content is created, using it to automate and personalize customer experiences.” He also spoke of using analytics platforms to monitor performance, and then turning the insights into creative briefs”.  

But now, with the hype cycle and fear around ChatGPT, it seems that everyone is trying to figure out how to work with OpenAI, or whatever new start-up in the field to get engaged in generative AI for marketing. But in my view, with all the experience Watson has and their long-held approach to data protection and security, IBM would be the place I’d go to first… and I’m saying this, even though I’ve long since left Big Blue!:-) 

DEI 

It’s clear marketers are now on the front lines of dealing with the politicization of seemingly everything. Grappling with tough questions around a slew of DE&I related cultural issues highlighted by the recent bud light/transgender campaign. Brands know that diversity, equity, and inclusion initiatives can drive success, but implementing those strategies can be tricky. We saw a number of solid campaigns, but I thought one stood out as particularly creative and unique.  

Denise Vitola, vice president of brand integration, social/influencer, Bayer, showcased a diversity program for the allergy brand Claritin. A program that won a Cannes Lion for what they called the Claritin “Diversitree.” The premise of this campaign was based on the insight that trees have genders (who knew??). There are far more male trees than female trees, and apparently male trees give off tons of pollen (female trees don’t give off any), which of course cause allergies. So Claritin proclaimed, “we have to stop this tree inequality” and started an influencer campaign where they had influencers plant female trees in different places, starting in Richmond Virginia, which is one of the worst US cities for allergies, with the goal being to reduce pollen levels. Their influencers talked about how more female trees make a better outside for all. 

This is a great combination of experiential, influencer marketing, gender equality, and of course has a direct link to the brand. Win, win!

Ann Mukherjee, CEO Pernod Ricard chats with DirecTV’s Drew Groner at Brand Innovators Beach

Modern Marketing

There were a lot of conversations around today’s best practices in marketing, especially in lieu of the cookie deprecation and IDFA issues. Many discussions and questions related to the need for first party data, performance vs. brand, customer experiences, martech stacks, etc… There were far too many discussions on these subjects to summarize here, but I thought Ann Mukherjee, CEO Pernod Ricard and former marketing executive at PepsiCo, did a great job of simplifying their approach. Here is what she shared…

“We as brands are too worried about trying to do everything and developing “cool creative” on the newest channels and technologies.” She made the case that trying to do that makes it difficult to achieve the ROI you’ll need. She said, “you need to recognize that science should drive art. We have so much data today and predictive human behavior is how you do great marketing. So you need to understand the customer journey and path to purchase for your brand, and recognize that every brand has a different path. For us in the alcohol industry for example, 65% of all shopping decisions are pre planned. That fact alone starts the marketing journey earlier than some other categories.

Then when you create plans for each brand in the portfolio, you need to understand that they all address different occasions. For example, when you want to celebrate you look for  champagne, when you want to impress you get a high end whiskey, when you want to party you go for beer, etc.. Every brand has a purpose in people’s life and as a result purchase decisions are based on those specific paths. Then when you recognize the consumer journey, you start making choices on how best to interact with them. This way you are addressing your consumers’ needs through science to create that incredible art of receptivity.”

Essentially, my take on this is that you need to capture data to understand key insights about your brand, then carefully understand the consumer journey, and build a martech stack that harnesses the data in a way that allows you to intercept people with creative, personalized messages at key points on their path to purchase (or whatever the key proxy metrics are). 

On a more personal “cool Cannes story” note, Ann and I spoke together here at Cannes almost 20 years ago as we collected awards for the first ever consumer generated campaigns. She was working on Doritos at that time and I was on Dove. The industry has come so far in innovations since then, but it was almost surreal for me to see her on stage once again talking about another modern and innovative way to market. Just as all those years ago when we spoke on stage together, I couldn’t agree more with her approach. 

Telly CEO Ilya Pozin talks with Kara Swisher

CTV

New media channels such as TikTok and retail media networks came up quite a bit, but the bulk of the discussions were around streaming video. There was lots of talk from and about Netflix, Roku, Hulu, etc..but there was one conversation I found fascinating. Kara Swisher interviewed Telly CEO Ilya Pozin at Brand Innovators beach. 

Telly is a free 4K television that’s “free” because of a secondary bottom display that will constantly rotate content such as news and sports scores, and advertising. Consumers answer some surveys and let Telly share your viewing habits with advertisers, and in exchange, you pay nothing for a 55-inch 4K TV that’s supposed to be the “smartest” tv on the market. 

Historically, most of these type businesses have failed, but Ilya was the founder and CEO of Pluto TV as well, so has been successful in launching free ad-supported new models in the past. His belief here is that TV’s have been commoditized and you can’t make money on the hardware anymore, but you can from highly targeted advertising on a high quality, big screen. The TV is worth more than $1,000 and allows consumers to do more than just watch. 

They can run a slew of apps, play music on Spotify, do Zoom calls and watch with friends and family who are elsewhere. While you’re watching TV, sports scores, news, weather, things that are really useful that people are typically distracted by on their phone, they’ll have right on their TV along with ads. You will be able to take action on the ads through voice activation. So for example, you can buy a pizza from Pizza Hut while watching a football game. 

Conceptually it seemed great. It’s a captive audience, with targeted ads, the ability to buy, the smartest tv, doesn’t disrupt the content, it’s free, and has apps like Zoom built in so you can watch with friends. They are currently in 250k homes and it’s probably a long shot, but at the very least, it seems like something to keep an eye on…Stay tuned…

Overall, while not all the way back from pre-Covid, Cannes Lions 2023 got close. It continues to embody the spirit of creativity and innovation that the industry is known for. The festival highlighted how the marketing industry continues to drive positive change, foster inclusivity, and embrace emerging technologies. As the industry continues to evolve, Cannes Lions serves as an essential event for showcasing the most creative ideas and inspiring the next generation of creative leaders.  Hope to see it come all the way back in 2024. Au revoir till next year…

Reichenau boss Johannes Bliestle and Minister Peter Hauk launch new campaign

Reichenau boss Johannes Bliestle and Minister Peter Hauk launch new campaign

At the invitation of Nese Erikli, Member of the Baden-Württemberg Parliament, the Federal Minister of Food and Agriculture of the Federal Republic of Germany, Cem Özdemir, visited Reichenau-Gemüse eG, Germany’s southernmost vegetable growing region. During a tour of the state-of-the-art marketing facility, the minister was first able to get an idea of the high quality and the current, very broad range of vegetables grown by the Reichenau market gardeners. Around 14,000 tons of fresh vegetables leave the marketing facility every year. 50 % of the turnover and 35 % of the quantity are already in organic quality according to the specifications of the associations Naturland and Bioland.

However, all those involved in vegetable production are concerned about the current market conditions. For 30 years, there has been a common economic area in the EU without tariffs and other residual regulations. However, vegetables are produced in the other member states at significantly lower costs than in Germany. Due to these distortions of competition, German fruit and vegetable production suffers greatly, said Johannes Bliestle, managing director of the cooperative, who is also chairman of the Federal Association of Producer Organizations. In this context, the topic of minimum wages was also raised. Here, Germany is the front-runner after Luxembourg. According to Bliestle, the farms will not be able to cope economically with another short-term increase.

Afterwards, the minister visited a typical family farm to get an idea of the organic production there. He was very impressed by the high professionalism of the young farm manager Manuel Uricher.

Minister Peter Hauk launches the ministry’s new regional campaign on the island of Reichenau
Together with the managing director of Reichenau-Gemüse eG, Johannes Bliestle, the Minister of Food, Rural Areas and Consumer Protection Baden-Württemberg, Peter Hauk, opened the new campaign of the state of Baden-Württemberg “Natürlich. VON DAHEIM.” The campaign’s motto, “We do it,” focuses on people, products, and other participants in the value chain. Transparency, trust, enjoyment – Baden-Württemberg offers all this with its many different producers and skilled workers in the food trade.

And so it is not surprising that at the campaign launch, a large number of Reichenau gardeners also listened intently to the words of the Minister of Agriculture. For it is precisely these growers who give the campaign a face. Directly from the field, or from the greenhouse, to the consumer’s plate. Producers, marketers, processors, they are the central cornerstones of our regional food, said the Minister. And that is exactly what Reichenau-Gemüse eG and its nearly 50 producers stand for regionality, transparency, enjoyment, trust, and sustainability.

For more information:
www.von-daheim.de
www.reichenaugemuese.de

Canadian mint celebrates Indigenous Peoples Day with $2 commemorative coin

Canadian mint celebrates Indigenous Peoples Day with $2 commemorative coin
image

The Royal Canadian Mint is honouring National Indigenous People’s Day with a $2 commemorative circulation coin.

For the first time on a Canadian circulation coin, three different artists have collaborated on a single reverse design. Together, they have fused personal visions of their respective cultures to create a unique perspective of First Nations, Inuit and Métis heritage that all people living in Canada can honour and celebrate on National Indigenous Peoples Day.

This inspiring coin will entered circulation on June 21.

“Since 1996, National Indigenous Peoples Day has been an opportunity to celebrate First Nations, Inuit, and Métis people,” said Honourable Chrystia Freeland, deputy prime minister and minister of finance. “Our government is proud to honour the history, art, traditions, and cultures of Indigenous Peoples as we continue walking the path of reconciliation together.”

“Creating coins that tell diverse and inclusive stories is a priority for the Royal Canadian Mint the sharing of Indigenous stories is key to that effort,” said Marie Lemay, President and CEO of the Royal Canadian Mint. “We are delighted that we could collaborate with First Nations, Inuit and Métis artists on a single circulation coin that will inspire millions to discover the wonderful knowledge and experiences that National Indigenous Peoples Day is meant to celebrate.”

The artwork appearing on the coin’s reverse is the creation of three women artists, each one representing the First Nations, Inuit and Métis communities residing in Canada.

They are Megan Currie, English River First Nation, Myrna Pokiak (Agnaviak), Inuvialuit Settlement Region and Jennine Krauchi, Red River Métis. It is the first time that multiple artists have collaborated on the design of a single Canadian coin. The creative intent behind each artist’s personal choice of symbolism is explained in their own words at www.mint.ca/nipd.

“Though each two-dollar coin is only 28 millimetres in diameter, this coin will have an immeasurable impact on Indigenous Peoples and other Canadians today and beyond. Congratulations to Myrna, Megan, and Jennine on making their indelible marks on Canadian history,” said Natan Obed, president of Inuit Tapiriit Kanatami. “At Inuit Tapiriit Kanatami, unity is the foundation of our work, and we hope that all Canadians can feel united with us on National Indigenous Peoples Day in celebrating these artists, our distinct cultures and histories, and our efforts in building better futures for our children.”

Limited to a mintage of three million coins, of which two million will be coloured.

The coloured and uncoloured circulation coins are also available as collectibles in a six-piece collector keepsake coin set.

Hulasol Is the First Outdoor Umbrella/Lighting Solution of Its Kind

Hulasol Is the First Outdoor Umbrella/Lighting Solution of Its Kind

I’d love to have the minimal Hulasol, a combination outdoor sun umbrella and lighting solution, in my backyard this summer. In fact, it’s the first product to combine both functions in such a way, transforming the surrounding outdoor environment as a result. By day, Hulasol is a haven from the sun, protecting you from UV rays as you relax. By night, its illumination sets the mood for cozy time spent outdoors.

Hulasol’s design makes it suitable for long-term outdoor use, while its aerodynamic qualities provide substantial resistance against extreme weather. Its materials have been treated accordingly, making the combination umbrella and lighting water-repellent and low maintenance, while also providing UV protection. Hulasol’s aluminum, steel, and stainless steel components are powder coated to last and are resistant to corrosion. This innovative outdoor product is ready to take on both the residential and commercial sectors.

A smartphone app gives you complete control over Hulasol’s dimmable lighting. The lamp is equipped with a battery or cable pack, allowing it to be used in spaces where there’s no electricity available.

A patented folding mechanism challenges the way we view traditional umbrella design, while simultaneously providing a strong visual statement. Simply fold Hulasol up into its organic pod-like shape and tuck away, taking up minimal storage space.

Design, development, production, assembly, and packaging for Hulasol are all made in-house or in collaboration with local Belgian partners. This results in flexibility, short lead times, and endless customization possibilities.

styled outdoor patio with a woman relaxing in a lounge chair and an umbrella

overhead view of a styled outdoor patio

outdoor umbrella with built-in light next to a pool

white outdoor umbrella with built-in light on white background

white outdoor umbrella with built-in light illuminated on black background

overhead view of a white outdoor umbrella with built-in light on white background

overhead view of a white outdoor umbrella with built-in light illuminated on black background

white outdoor umbrella with built-in light in the closed position on white background

detail of outdoor umbrella with built-in light

detail of outdoor umbrella with built-in light

detail of outdoor umbrella with built-in light

To learn more about the Hulasol, visit hulasol.com.

Kelly Beall is senior editor at Design Milk. The Pittsburgh-based graphic designer and writer has had a deep love of art and design for as long as she can remember, and enjoys sharing her finds with others. When undistracted by great art and design, she can be found making a mess in the kitchen, consuming as much information as possible, or on the couch with her three pets. Find her @designcrush on social.

Mystery VHS Night at Arkadin Cinema Is Gen X Paradise

Mystery VHS Night at Arkadin Cinema Is Gen X Paradise
Fans enjoy a rare film at Arkadin Cinema.  
Photo courtesy of St. Louis’
Don’t Push Pause Podcast” class=”uk-display-block uk-position-relative uk-visible-toggle”> click to enlarge Fans enjoy a rare film at Arkadin Cinema. - Photo courtesy of St. Louis' Don't Push Pause Podcast

Fans enjoy a rare film at Arkadin Cinema.

If you’re down to roll the dice on your evening entertainment, drop into Mystery VHS Night at Arkadin Cinema & Bar (5228 Gravois Avenue, 314-221-2173) this Thursday, June 29.

Here’s how it works: You bring any random VHS tape, and it gets you in for free. That tape could contain your home movies, a quality classic film, a bargain-bin horror flick, whatever.

Then the organizers play a bit of the tapes that everybody brought in for the crowd and they choose which VHS tape gets picked to be the entertainment that night. Best of all, if your tape is the chosen one, you get free drinks and concessions all night.

The show starts at 7:15 p.m., and they collect tapes right up until 7 p.m., so stop in after work for some (likely hilarious but also possibly terrifying) weeknight fun. Visit arkadincinema.com for more information.

Subscribe to Riverfront Times newsletters.

Follow us: Apple News | Google News | NewsBreak | Reddit | Instagram | Facebook | Twitter | Or sign up for our RSS Feed

Successful Customer Journeys Are Customer-First, Not Channel-First

Successful Customer Journeys Are Customer-First, Not Channel-First

The Gist

  • Customer-centricity. Focus on customer needs before choosing marketing channels.
  • Value statements. Develop a customer-centric value statement for guided decisions.
  • Smart channels. Use tools like AR to personalize customer experiences.

In today’s current environment, marketing feels more about cost and efficiency than about creativity — the balance between art and science is askew. The relentless pressure to achieve more with fewer resources, amid stagnant budgets and the ongoing need to demonstrate their value to leadership, coupled with looming market challenges, has left marketing leaders besieged by both internal and external forces. 

One of the barriers, which is partially self-inflicted, is that marketers have been all about the customer, but not in the way that they should. They have been adding more to the experience, more channels acquiring more data, but to no avail. A mere 5% of customers recalled a memorable and valuable digital interaction with a brand.

Instead of focusing directly on customer needs, marketing leaders often focus on a channel-first customer experience (CX), which is putting the proverbial cart before the horse. Marketers must build their CX by identifying the customer needs first before focusing on channels. While it may seem straightforward, it’s surprisingly common for marketing leaders not to adopt this approach, whether due to technological debt or other internal factors.

Ultimately, this approach fosters stronger, more sustainable customer relationships, resulting in customers who are more likely to make a purchase, demonstrate brand loyalty and be willing to pay a premium. 

With such positive outcomes, the question then becomes — how exactly do we achieve a customer-focused customer journey?

A map with a compass on the left and a series of straight pins with blue and yellow heads mapping out a journey.
Tryfonov on Adobe Stock Photo

Focus on Customers’ Standards for Success

Many brands leapfrog to a channel as the solution, missing a critical step: to create a clear, customer-centric value statement that will serve as the compass for the project. This is otherwise known as the experience thesis statement. Doing this ensures that each decision regarding CX ties back to the thesis so as not to succumb to opinion (shiny-object syndrome) or common biases.

The thesis statement reflects the goal that target customers (the personas who are of strategic importance for the brand) expect the brand to deliver. It includes the indicators that signal whether those goals have been met.

Marketing leaders should look to achieve two goals when developing a thesis statement. First, ensure that the experience is helping customers accomplish something from which they’ll derive value. Second, it should help align all stakeholders on what specific business target this experience will help their companies achieve.

Related Article: Content for Every Stage: Maximizing Engagement in the Modern Customer Journey

Highlight Personal Benefits for Customer-Centricity

What should the customer-centric value statement focus on? While societal and functional benefits positively impact brand commitment, Gartner research has found that personal benefits have an outsized impact on brand commitment — more than societal and functional combined.

Personal benefits have three important characteristics:

  1. Focus on the customer, not the company.
  2. Emphasize the outcome the customer will receive.
  3. Fulfill a psychological need for the customer.

In fact, the more customer-centric the brand promise is, the more impactful the potential brand experiences will be. Consumers are 1.73 times more likely to buy more when they realize something new about their own needs or goals.

Related Article: Augmented Reality, Experimentation, Ecommerce and Your Customer Base

Channels Are Stepping Stones to Better Customer Experience

Customers do not think or assign value based on channels; they do so based on the experiences a brand delivers. More specifically, they want to be clear on their next steps and feel confident in their decisions.

With this in mind, consider augmented reality (AR) tools. While they are often viewed as more of a luxury, they can be essential to CX if value is outlined first. AR tools are often used on product pages to aid shoppers’ decisions for product sizing. But leaders who recognize the importance of creating value statements first to highlight products in a new way through AR can be more purposeful in helping customers better understand and learn about their requirements through visualization. In this way, AR is less “fun” and more so furthers “self-learning.”

For example, clothing brands can ask customers to take a quiz to discover their personal style and ask questions focused on personal traits, preferred style and habits in order to recommend products that match their responses. Only then does a customer work with an AR tool to find clothing specifically tailored toward them.

If this is married with the ability to allow users to add products to their carts directly from guided selling pages, a brand can differentiate themselves from peers and meet consumer needs that they just outlined. This customer-first mindset not only helps to close a sale, but also leads to more loyal customers and less returns, ultimately impacting the bottom line in multiple ways.

If marketing leaders begin by identifying and aligning around the objectives of their target customers, they will be able to deliver results in line with the outcomes the brand is aiming to achieve. Remember, when a brand focuses on understanding how to help a customer feel good about themselves and their decisions, they are less likely to return products and more likely to return as loyal customers.

fa-solid fa-hand-paper Learn how you can join our contributor community.