How To Become A Graphic Designer: A Step-By-Step Guide

How To Become A Graphic Designer: A Step-By-Step Guide

Graphic designers use their creativity, technical skills and knowledge of design theory to communicate messages and stories visually. They help organizations raise brand awareness by designing the visual layout and look of brochures, magazines, products and websites. Graphic design specializations include illustration, packaging design, game design and animation.

Graphic designers understand how to choose the right colors, fonts, and graphics to convey messages to audiences. They use graphic design theory, practices, tools and skills to develop portfolios of work to show potential employers. Most graphic designers hold bachelor’s degrees in graphic design or a related field.

Learn more about what graphic designers do and how to become a graphic designer below.

Degree Finder

What Is a Graphic Designer?

Graphic designers, sometimes called communication designers or graphic artists, tell stories and communicate information visually using their knowledge of images, text, color and layout. These skilled professionals work by hand and use various computer software and hardware to create the layout and look of reports, advertisements and logos.

Role and Responsibilities

On a typical day on the job, a graphic designer may meet with clients to discuss or present a project, use software to design a layout, create original illustrations, and choose specific fonts and colors for a project. Graphic designers need creativity and artistic talent, as well as computer, communication and time management skills. They use tools like Adobe Photoshop, Adobe Illustrator and Adobe InDesign.

Work Environment

Many graphic designers work independently as freelancers. Others work for agencies or in-house in the specialized design services, advertising and public relations, printing and publishing industries. Graphic designers often collaborate on projects within larger design teams and may interact with art directors, writers, marketing professionals and computer programmers.

Types of Graphic Designer

Graphic design is a diverse field with many focus areas and specializations available, depending on your interests, talents and experience. Learn about some of the most popular graphic design specializations below.

  • Packaging design: These professionals design packaging for all kinds of products, from cereal boxes to shampoo bottles and smartphone boxes.
  • Web design: Graphic designers who specialize in web design use their technical skills and design knowledge to make websites visually pleasing with intuitive layouts.
  • Animation: This specialization gives you the chance to animate visual media, bringing it to life.
  • Game design: Game designers use technical and creative skills to create games.
  • Publication design: Graphic designers who specialize in publication design work on printed visual media like books, magazines and newspapers. They focus on layout and typography.
  • User experience (UX) or user interface (UI) design: Graphic designers who specialize in UX/UI design use design principles to improve the user (or customer) experience.
  • Illustration: Graphic designers use their drawing skills to create images for advertisements, logos, book covers and products.
  • Experiential: Experiential designers help create experiences between people and built environments using advertising campaigns or art installations.

Graphic Designer Salary and Job Outlook

Your salary as a graphic designer varies depending on factors like position, employer, education and experience. The U.S. Bureau of Labor Statistics (BLS) reports that graphic designers earn a median salary of $57,990 annually.

Prepare to do what you can to stand out in this competitive field. The BLS projects graphic design jobs will grow at a slower-than-average rate between 2021 and 2031, with employment increasing by only 3% during that time frame.

How Long Does It Take to Become a Graphic Designer?

For most people, it takes at least four years—the time it takes to earn a bachelor’s degree—to launch a graphic design career. Learn more about the steps required to become a professional graphic designer below.

Earn a Bachelor’s Degree (or Complete Alternative Education)

Most graphic designers earn a bachelor’s degree in graphic design or a related field. A typical curriculum covers the history of graphic design, graphic design software, visual storytelling and typography.

Some of the best graphic design bachelor’s programs are accredited by the National Association of Schools of Art and Design (NASAD). Find out if your graphic design program is accredited by searching for it in NASAD’s directory of accredited institutions.

A typical bachelor’s program in graphic design takes four years of full-time study to complete. It may be possible to earn an accelerated online graphic design degree in less than four years. Part-time graphic design majors usually take longer than four years to graduate.

Some people decide to pursue a graphic design career after earning a bachelor’s degree in an unrelated field. These aspiring graphic designers can usually meet hiring requirements by completing technical training through a postgraduate graphic design certificate program or graphic design bootcamp. These intensive programs take less time to complete than a traditional bachelor’s degree.

Create a Graphic Design Portfolio

Putting together a graphic design portfolio that shows off your creative prowess and vision may be the most important thing you can do to get work as a professional graphic designer. Employers want to see what you can do, and a portfolio is the industry standard providing a window into your skills and your approach to visual storytelling.

Most graphic design bachelor’s programs include a portfolio course that helps students compile their best work in preparation for job interviews after graduation. A portfolio should include visual samples from your best projects.

Complete a Graphic Design Internship

Many graphic design programs offer internships as part of the curriculum. An internship completing graphic design projects for real companies gives students hands-on experience that they can use to apply for entry-level positions. In some cases, a graphic design internship can lead to a job offer after graduation, or at least a letter of recommendation for other roles.

Consider Professional Graphic Design Certifications

Though the graphic design industry does not require any particular certification, earning a relevant credential can demonstrate to prospective employers that you take your career seriously. A certification may also help you stand out from other job applicants by showcasing your expertise in a specific area of graphic design.

You can choose from many graphic design credentials depending on your education, experience and specialization. For example, you can earn an Adobe Certified Professional (ACP) certification in areas like Visual Design Using Photoshop, Graphic Design and Illustration Using Adobe Illustrator, and Visual Effects and Motion Graphics Using Adobe After Effects.

Pursue Continuing Education

The technical skills needed to thrive in the graphic design industry are constantly changing. If you want to stay relevant in the field, it’s important to continue learning to stay current on industry trends. You can do this by completing continuing education courses, training and workshops through professional organizations for graphic designers, which we explore in more detail below.

Professional Organizations for Graphic Designers

  • American Institute of Graphic Arts: A professional organization for design professionals founded in 1914, AIGA boasts more than 70 chapters and over 15,000 members. Joining gives you access to networking with the AIGA community, leadership opportunities, professional development and job postings.
  • Graphic Artists Guild: The Guild represents creative professionals like graphic designers, illustrators, animators and web developers. It advocates for quality working conditions, hosts educational and social events, and offers business resources for members.
  • International Council of Design: Originally founded as the International Council of Graphic Design Associations in 1963, ICoD is the largest organization for professional design entities in the world. The group offers professional educational resources, networking and events.

Featured Online Schools

Learn about start dates, transferring credits, availability of financial credit and much more by clicking ‘Visit Site’

Frequently Asked Questions (FAQs) About Becoming a Graphic Designer

What qualifications do I need to be a graphic designer?

Most graphic designers earn a bachelor’s degree in graphic design, fine arts or a related field. Another common requirement to work in this field is a portfolio of work demonstrating your graphic design skills and creativity. Some graphic designers with bachelor’s degrees in unrelated fields complete postgraduate technical training in graphic design.

Do graphic designers make a lot of money?

The BLS reports that graphic designers earn a median annual salary of $57,990. Pay for graphic designers can vary significantly by industry and location. Those who work in motion picture and video industries earned $101,470 a year on average, while New York, the District of Columbia and California all offer above-average salaries for graphic designers.

How long will it take you to become a graphic designer?

It takes most people at least four years to complete their bachelor’s degrees and become graphic designers. If you go to school part time or earn a different degree and complete graphic design training after that, your career path may take longer than four years.

Claudia Bueno Transforms the Hermitage Museum Into an Electrifying, Interactive Heart

Claudia Bueno Transforms the Hermitage Museum Into an Electrifying, Interactive Heart

Claudia Bueno, “Metaphors of the Heart” (2023). All photos by Lindsay Collette unless otherwise specified

Claudia Bueno’s new exhibition spills from the façade of the Hermitage Museum & Gardens in Norfolk, Virginia. “Metaphors of the Heart,” a massive sculpture of wire mesh and colorful light, appears to effortlessly take over the mansion in a whirlwind of arteries, tentacles, twisting vines, and blooms. It is the dynamic showpiece of Claudia Bueno: Echoes of the Heart, which guests first encounter as they walk up the driveway of the 1908 estate.

Bueno’s first museum exhibition explores the heart-brain connection to promote togetherness and a sense of belonging. The artist’s commitment to healing and inner growth is reflected in her mystical, immersive environments and in her collaboration with world music healer and musician Poranguí, who helped to create original soundscapes for each space.

 

A vibrant multi-color installation that appears to glow in the dark

Claudia Bueno, “The Mother Heart” (2023)

Visitors continue their journey into Bueno’s “heart” by entering “Snake Tunnel,” a covered ramp of glowing sculptural scales that Bueno likens to an artery, where they metaphorically shed and prepare for the transition into the museum’s interior. As viewers step inside, “The Mother Heart” appears with its suspended, undulating arms that colorfully alight in choreography to one of Poranguí’s sonic, ancestral tracks.

Upstairs, guests are invited to participate in an intimate, sacred experience as they explore “The Heart Temple,” a collection of eight handmade altars inspired by interviews with 50 volunteers ranging from ages five to 80. Each altar contains a dreamlike, storybook diorama sparked by these discussions and devoted to themes of opening, closing, longing, belonging, innocence, challenges, seasons, and the somatic.

 

A detail image of an intricate white and gold work with various motifs

Claudia Bueno, “Pulsating Heart Portal” (detail) (2023). Photo by Adolfo Bueno

In a second gallery, “Pulsating Heart Portal” builds on the artist’s Meow Wolf Omega Mart series with a new portal created for the Hermitage. The piece features 10 layers of intricate line drawings on glass that appear to contract and expand in concert with exhilarating sound and light. Rooted by the heart at its center, the design recalls symbols found throughout the exhibition including blooms, snakes, and arteries.

In the final space, guests are invited to pause for reflection and connect with their own hearts. A letter-writing station invites them to freely compose and add their offering to a “collective heart” on the gallery walls. The result of this unexpected journey is a much-needed pause from the noise of the outside world and a return to our most essential, emotional selves.

Claudia Bueno: Echoes of the Heart runs through October 8 at the Hermitage Museum & Gardens in Norfolk, Virginia, and is free to the public.

Exhibition collaborators include Natalie Connell, Ben Timby, Mads Christensen, Adolfo Bueno, Patricia Bueno, Brittany Mattrella, Celia Lopez, Porangui, Beau Turner, Cristina Fletcher, Jon Brashears, and Tabatha Anger.

For more information, visit thehermitagemuseum.org.

Find more of Bueno’s work on her website and Instagram.

 

A vibrant multi-color installation that appears to glow in the dark

Claudia Bueno, “Metaphors of the Heart” (2023)

A vibrant multi-color installation that appears to glow in the dark

Claudia Bueno, “The Mother Heart” (2023)

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Claudia Bueno Transforms the Hermitage Museum Into an Electrifying, Interactive Heart appeared first on Colossal.

The Tomma Bloom x LiLi Tile Collection Is a Real Treat

The Tomma Bloom x LiLi Tile Collection Is a Real Treat

Bold patterns and color pairings make the Tomma Bloom x LiLi Tile Collection utterly irresistible. The series is an expansion of Tom Lerental’s Meta Ornament Collection and the newest line in LiLi Tile’s Designer Series. Meta Ornament studied the role of embellishment in design, while the new collection reflects on that thought, acknowledging that ornamentation is meant to delight the viewer and be completely free of function. Both brands are centered around expressive, joyful design, making them the perfect match to bring the Tomma Bloom x LiLi Tile Collection to fruition.

Candy

The Tomma Bloom x LiLi Tile Collection includes six fresh patterns – Bubbly, Candy, Chime, Flirt, Preppy, and Zipper – with one color variation for each. But also know that all patterns can be customized and made to order, unlocking endless creative possibilities. Designed using Lerental’s multidisciplinary approach and influenced by early 20th century art, the series radiates energy while stimulating your imagination. The Tomma Bloom x LiLi Tile Collection is perfect for flooring, backsplashes, shower, and even outdoor patios, in both residential and commercial applications.

kitchen with a black, white, and orange patterned tiled floor

Candy

The manufacturing of cement tile combines age-old techniques with modern ways to bring you a beautiful offering of playful, bold designs. All of LiLi Tile’s cement tiles are handmade, with each crafted individually. A cookie cutter-like mold is created, then placed in an outer frame and filled with colorful cement before being topped off with Portland cement, sand, and marble powder for strength. Each unique tile is then pressed with 2,000 psi of pressure and placed on a rack to cure for 11 days.

The tile-making process hasn’t changed much since the 1850s, and the production remains energy-free, meaning these cement tiles are environmentally sustainable. They’re also non-flammable and entirely recyclable.

black, white, and orange patterned tile

Candy

Candy plays off the classic wrapped confection, ready to be opened and enjoyed.

overhead view of outdoor patio featuring green and white patterned tiles

Bubbly

Bubbly’s bright pattern showcases layers of shapes, including two hearts close to meeting in the middle.

outdoor patio featuring green and white patterned tiles

Bubbly

green and white patterned tile

Bubbly

living space featuring pink, light blue, and burnt orange patterned floor tiling

Chime

The Chime pattern interprets a structured, yet free and breezy day.

living space featuring pink, light blue, and burnt orange patterned floor tiling

Chime

pink, light blue, and burnt orange patterned tile

Chime

overhead view of a living space with white furniture featuring a pink and maroon tiled floor

Flirt

The Flirt pattern combines rows of adjoining hearts for a playful spark.

overhead view of a living space with white furniture featuring a pink and maroon tiled floor

Flirt

pink and maroon tile

Flirt

bath with a large tub featuring two-tone green tile flooring

Preppy

Preppy features green “stems” crossing between adjoining tiles to create a playful, organic look.

bath with a walk-in shower featuring two-tone green tile flooring

Preppy

two-tone green tile

Preppy

walk-in shower featuring navy and light blue patterned tiling on the walls

Zipper

Paying homage to its namesake, the Zipper pattern features interlocking bars that can be laid horizontally or vertically.

bath with walk-in shower featuring navy and light blue patterned tiling on the walls

Zipper

navy and light blue patterned tile

Zipper

To learn more about the Tomma Bloom x LiLi Tile Collection, visit lilitile.com.

Kelly Beall is senior editor at Design Milk. The Pittsburgh-based graphic designer and writer has had a deep love of art and design for as long as she can remember, and enjoys sharing her finds with others. When undistracted by great art and design, she can be found making a mess in the kitchen, consuming as much information as possible, or on the couch with her three pets. Find her @designcrush on social.

St. Tammany’s first all-kids market does more than sell

St. Tammany’s first all-kids market does more than sell

Before St. Tammany’s first all-kids market even opened its doors on June 17 in a Madisonville park, Market Munchkins was a success story. Just think of the lessons learned: the ABCs of running a small business; selecting stock; pricing; creating a company name; and making marketing decisions. Then, once the customers came and the sun rose higher over the market, there was learning to handle money; learning to handle customers (even the picky ones); executing or tweaking the sales plan; persevering against the heat; and continuing to put a best foot forward — even when both feet were tired and ready to quit.

Although no total sales amount was available for the 75 or so kid-operated booths (each with adult oversight), there was lots of shopping and plenty of product: a bounty of handcrafted jewelry and art from multiple young artisans; decorative goat milk soaps and beeswax lip balm; popsicles and lemonade stands; hand-harvested sunflower seeds, veggies, fruits and flowers from backyard gardens; fresh eggs from guaranteed-happy chickens; mouthwatering pastries and desserts from home kitchens; homemade slime in a rainbow of colors; decorated stones; handmade Father’s Day gifts; bubbles and face painting; a curated collection or two of toys, action figures and games; a food truck and more.

Even the four-hour market’s entertainment came from young artists singing, blowing horns and playing strings and keyboards. The School of Rock Northshore was on hand to show what they can do, as were members of Northshore Robotics. In fact, check out all the day’s young artists, entrepreneurs and creators in photos posted to the Market Munchkins Facebook page. There is already early talk about planning the next all-kids market, and any preparation will likely include a collaborative feedback session to examine “lessons learned” during the first one.

Summer or not, the lessons continue.

Artwork that inspired Berkeley’s logo is on view at BAMPFA

Artwork that inspired Berkeley’s logo is on view at BAMPFA
imageRomare Bearden: ‘Final Study for Berkeley – The City and Its People, 1973’; collage on board; University of California, Berkeley Art Museum and Pacific Film Archive; Gift of Dr. and Mrs. David Dragutsky © 2023 Romare Bearden Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY
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Romare Bearden: ‘Final Study for Berkeley – The City and Its People, 1973’; collage on board; University of California, Berkeley Art Museum and Pacific Film Archive; Gift of Dr. and Mrs. David Dragutsky © 2023 Romare Bearden Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY

If you head over to BAMPFA’s new collection show, “What Has Been and What Could Be,” you’ll find 107 works on display — from 17th-century Japanese scrolls to mid-century abstract painting, feminist art and quilts. 

Take a close look at a chaotic, colorful collage made by the New York-based artist Romare Bearden and you’ll likely recognize an iconic civic symbol emblazoned on everything from trash cans to city notices: four overlapping faces in profile. 

Together, the faces inspired the city of Berkeley’s logo. They represent, Bearden said, the four races of man and are “set over a blueprint for a better world, which the students and people of Berkeley will augment.”

The 21-by-32-inch collage on view at BAMPFA was a study for a larger, 10.5-by-16-foot mural titled “Berkeley — The City and Its People,” which was commissioned by the city for $16,000 in 1971 to redecorate the drab-looking City Council chamber. Bearden was selected at the recommendation of Peter Selz, the Berkeley Art Museum’s founding director.

imageThe city plans to hangs its Romare Bearden mural up in its new chambers on University. Image: City of Berkeley
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The city mural, currently in storage in Oakland, is nearly identical to the final study on view at BAMPFA. Credit: City of Berkeley

Bearden came of age during the Harlem Renaissance and later became one of the most acclaimed American artists of the 20th century for his narrative collages that depict the Black experience. In 1963, along with a group of fellow artists, Bearden founded an African American artist collective born out of the Civil Rights Movement. He was awarded the National Medal of the Arts in 1987 by President Ronald Reagan.

Romare Bearden. Credit: Carl Van Vechten. Courtesy: Library of Congress

While much of his work centered Black life and culture, according to his New York Times obituary, Bearden (who had Cherokee, Italian, and African ancestry) argued for a multicultural understanding of what it meant to be American, rejecting the notion that his work was “black art.” “Except for the American Indian, everybody who came here or was brought here becomes, starting with the second generation, four things: Part Anglo-Saxon, part Indian, part frontiersman and part black,” Bearden said. “These are the roots that form American culture.”

Bearden’s selection for the mural project received pushback from some conservative Berkeleyans, as Lauren Kroiz, an art history professor at Cal, has written

The Berkeley Citizens United newsletter took issue with the time he spent in racially diverse flatland neighborhoods (he conducted research throughout the city) and, in articles rife with racism and stereotypes, asked readers to imagine “filth” and “degradation” — “a collage of Black Panthers waving clenched fists, filthy tent hovels at People’s Park, street revolutionaries tearing down the fence [at People’s Park], drug addicts lying stoned on Telegraph Avenue, Berkeley Communists waving the Viet Cong flag, Berkeley barbarians rampaging through the streets, looting, smashing, burning.” 

That was far from what Bearden had in mind. 

“Rather than foreground the contemporary sites and symbols of dissent registered in Black Power, counterculture, and Third World liberation as BCU worried,” Kroiz wrote. “Bearden represented Berkeley to its citizens by layering representations of people and landmarks, past and present, in photography, paint and colored papers.”

Read more about the creation of Bearden’s mural and its continued resonance

Included in the mural are Native Californians, early settlers, miners, the Campanile, the Berkeley Marina and more. In it, Berkeley’s civic strife, iconic symbols, messy diversity and striving for harmony are placed in dynamic tension. 

Bearden wrote in his description that it “symbolizes the past, the present, and the future possibilities of the city.”

What Has Been and What Could Be, BAMPFA. On view through July 2024.

Gantri’s Independent Creator Release Glows With Optimism

Gantri’s Independent Creator Release Glows With Optimism

Gantri, the 3D-printed on-demand lighting brand, welcomes the summer season with a quartet of whimsically imagined lamps for their third edition of the Independent Creator Release. (See first edition here) The playfully vibrant 2023 Summer collection glows with optimism inspired by the colors of summer and the season’s sociable warm evenings, represented by five new lights designed by four emerging, international designers.

Field Trip Table Light by Joey Zeledón: A portable task light incorporating a sleek caddy in its base to transform any corner of the home into a space for learning. Zeledón designed the light in response to the difficulties many encountered during the pandemic in attempting to establish a working space in any available corner of their homes. The empathetic spirit of the design should be no surprise considering the designer is also the author of Touchy/Feely, a book about emotional ergonomics.

Fieldtrip lamp in green with caddy base and white cord.

Field Trip Table Light is available in three vibrant colorways: Sunrise (yellow), Sage (green), and Blossom (pink). It retails for $248.

Close-up of Fieldtrip lamp's caddy base.

Figra wall lamp glowing softly over a grey sofa.

Figra Table and Wall Lights by Simon Schmitz: Figra presents a juxtaposition of forms, a sculptural balance act between a cylindrical shade intersecting with a sizable block base. The unconventional geometry lends both a visual heft and a literal stable base.

Grey Figra table lamp from side view

The Figra Table Light (top) and Figra Wall Light (bottom) are both available in three colorways: Fog (light gray), Canyon (burnt red), and Midnight (deep blue); the Wall Light retails for $248 and Table Light retails for $198.

Dark blue Figra wall lamp from side view

Yellow macaron shaped table lamp set on orange-red circular side table next to off white sofa.

Macaron Table Light by Romulo Temigue: Taking its form from that most beloved of Parisian treats, Brazilian designer Romulo Temigue’s Macaron looks every bit its tasty namesake. The sandwiched 360º diffuser glows with an ambient luminescence that we imagine would work its glowing best set upon a side table or bedside as the last light you turn off before inviting sleep.

Side view of yellow Macaron table light.

Macaron Table Light is available in three colorways Sunset (yellow), Forest (dark green), and Stone (light gray). It retails for $248.

Top angled view of white Macaron table light.

Large light bulb shaped table lamp set in bedroom corner glowing softly as mood light.

Squish Table Light by BEBOP: Just as it may take a village to raise a child, so too did the collective talents of designers spanning Seoul and San Francisco come together to develop the softly tactile reinterpretation of the light as an amorphous silhouette – a primordial oversized light bulb imagined to glow warmly in a corner of a nightstand or small apartment home office.

Top angle view of Squish table light

Squish Table Light is available in one classic colorway, Sand (white), and retails for $198.

Side front view of Squish table light

Gantri Founder & CEO, Ian Yang describes the whimsical collection as lights imagined to illuminate spirits as effectively as the spaces in which they’ll eventually come to occupy. “These designs [are] about brightening lives, sparking conversations, and encouraging a more thoughtful way of living.”

For more on the Summer 2023 Independent Creator Release collection, head to gantri.com.

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Gregory Han is the Managing Editor of Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Cullum’s Notebook: Four artists reflect on America’s rapidly changing culture

Cullum’s Notebook: Four artists reflect on America’s rapidly changing culture

Four Atlanta-based artists, all in their early 30s, are currently having shows that offer unusually revealing reflections on the range of today’s American cultural styles in a city and region that’s changing faster than many feel they can keep up with.

If it weren’t for the portentous title written on hand-lettered signs in Evan Jones’ Destruction Derby Dreamland, at Thomas Deans Fine Art through July 12, and the fact that the show opens with a triptych titled The USA on Fire, it would be easy to assume that this is a straightforward celebration of a particular strain of American culture. Tightly rendered paintings of stock cars and loosely rendered portraits of NASCAR race drivers abound.

Jones’ “An Appeal to Heaven” features tree-shaped air fresheners.

But before visitors reach the gallery containing these artworks, they are confronted with I Never Paid a Dime and I Got My Money’s Worth. Here an iconic Elvis is posed against the clouds of the Challenger shuttle explosion, his image flanked at the margins by the word that forms the title of one of his movies, Girls! Girls! Girls!

This theme of unrestrained self-destruction is echoed in a painting that repeats the exhibition title. In Destruction Derby Dreamland, a provocatively dressed young woman is shown against the backdrop of the carnival-poster flames first seen in The USA on Fire, with the words “THRILL RIDE!” and aggressive American eagles as additional decorations.

The paintings’ apparent braggadocio is tinged with subtle ambiguity. For example, a Revolutionary War flag’s pine tree emblem is replaced with tree-shaped air fresheners in An Appeal to Heaven. Those are the words written above the tree on the original flag and above the heroically posed car that is the central feature of the painting.

Jones’ “Sunset in the West”

The most conceptually challenging painting in the show is Sunset in the West, in which Caravaggio’s half-clad Bacchus dominates the foreground, framed in grape leaves against a luridly tinted sunset.

Above him are two iconic bull-riding cowboys facing one another. The cowboy mounted on the white bull wears a black hat, and the one on the black bull wears a white hat.

Thanks to a succession of differently portentous paintings featuring contested aspects of present-day American culture, the show turns into a Rorschach test: What the viewer reads into it says more about the viewer than about the artist’s intent.

At Whitespace Gallery through August 5, Charlie Watts’ Entangled presents large-scale photographs of people of various ethnicities (alone or in pairs) nestled in nonsexual nakedness in the greenery of metro Atlanta’s Weelaunee Forest – or in a body of water in the same location.

The lushly inviting woodland is the hotly contested site of what’s now known as Cop City, Atlanta’s projected police training site. That goes unmentioned, however, in this gentle evocation of human beings finding a form of renewed harmony with the natural world that still surrounds them. Watts describes her rapidly changing native city as “a fragile, interdependent, entangled world.”

Also through August 5, Whitespace’s Whitespec project room is filled with the paintings in Aineki Traverso’s No te elcanzon los ojos. Translated as “your eyes are not sufficient,” the title denotes what Traverso describes as “a beauty that transcends sight.”

Aineki Traverso
“This Will Happen” by Aineki Traverso (courtesy of Whitespace Gallery)

The works are sources of mystery, paintings of her own eyes, traced with her eyes closed, and other fragmentary glimpses of an interior vision that she calls “a world too overwhelming to experience.” They are apt symbols for the complexity of her origin as the daughter of an Argentinian mother and an American father of Chinese and Japanese descent. She is increasingly recognized in this city of entangled ethnicities, being the 2024 winner of Forward Arts Foundation’s Edge Award.

Hannah Adair’s Chapel in the free-standing Shedspace in the garden adjacent to Whitespace Gallery, both questions and honors the ubiquitous small religious spaces of the rural Southern environment. Most of these tiny, unobtrusive buildings represent various Christian denominations with small congregations, but the landscape also holds similarly structured chapels, nondenominational but available for prayer, wedding ceremonies and other moments of ritual.

Hannah Adair
An image from Adair’s exhibit “Chapel”

Fascinated by the forms of arched windows and church bells, Adair has transformed the Shed with ceramic representations of both, but adorned with images from nature instead of religious symbolism.

Do these forms seem to create a contemplative mood because of past experience of such spaces, or do they induce contemplation in and of themselves?

Whatever the answer, Adair has evoked a quiet spiritual dimension that is as much a part of the Southern environment as the demonstrative brand of display that is all over Jones’ exhibition. And both exist amid the increasingly complicated interplay of nature and culture that is an intrinsic part of Watts’ and Traverso’s work.

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Dr. Jerry Cullum’s reviews and essays have appeared in Art Papers magazine, Raw VisionArt in AmericaARTnewsInternational Review of African American Art and many other popular and scholarly journals. In 2020, he was awarded the Rabkin Prize for his outstanding contribution to arts journalism. 

More headshot sessions available with the Office of University Relations Photography Studio

More headshot sessions available with the Office of University Relations Photography Studio

The Office of University Relations Photography Studio invites faculty and staff to schedule a free session to update your professional headshot. New sessions have been added on: 

  • Tuesday, July 11 
  • Thursday, July 20 
  • Monday, July 24 
  • Tuesday, Aug. 1 
  • Tuesday, Aug. 8 

Marquette University uses professional staff and faculty headshots in various vehicles, including Marquette Today, Marquette Magazine, news releases and social media, among other outlets. It’s helpful to keep these photos up-to-date, high-quality and standardized across the institution.  

After your headshot session, participants will receive a copy of their chosen photo for their own use as well. OUR recommends sharing your photo with your department for website updates and updating your LinkedIn profile. Photos will also be available to the college’s respective communication specialists.

Use the online scheduling tool to schedule your appointment. Begin by identifying which service you are scheduling to see available time slots. Once you have selected a day and time, scroll down on the screen to add your name, email and Marquette department or organization. Click “Book” to secure your day and time. More dates and times will be added throughout the academic year. 

Headshot sessions are held in the OUR Photography Studio in Zilber Hall. Your session will be 20 minutes in duration and will include time for you to be photographed and to view and select your final image for further editing. After creating an appointment, you will receive a confirmation email with a calendar invitation, both of which include helpful details to prepare you for your session. A reminder notification will also be sent.  

If you have any questions, please email OUR.

Green River native claims ‘Best in Show’ at Sweetwater Plein Air Competition

Green River native claims ‘Best in Show’ at Sweetwater Plein Air Competition
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ROCK SPRINGS – Bright and early on Saturday, June 24, downtown Rock Springs was the location that many local artists drew inspiration from concerning their pieces for the second annual Sweetwater Plein Air Competition.

The artists participating in the competition were tasked with creating a painting of a location within downtown Rock Springs. They were also tasked with a time constraint of completing the paintings by 2 p.m.