Sam Altman Is The Unofficial #1 On Forbes’ 2023 World’s Most Influential CMOs List

Sam Altman Is The Unofficial #1 On Forbes’ 2023 World’s Most Influential CMOs List

If AI doesn’t cause human extinction over the next few years, and, these days, who knows, it seems fair to posit that its influence on marketing and marketers will be massive, even if exactly how remains unknown. I recognize this isn’t news in and of itself.

But the November 2022 release of ChatGPT has provoked a speed and scale of conversation, experimentation, and adoption—of generative AI in particular—unlike anything this industry has witnessed before. For this reason, for the influence generative AI has, may, and will have on the art, science, and fundamental structure of marketing, for its influence on how the character and destiny of brands will be shaped, Sam Altman, CEO of OpenAI, is the Unofficial Number One on the 2023 Forbes World’s Most Influential CMOs list.

The release of his ChatGPT has done more to accelerate utilization, advances, collaboration, conversation, and a collective what-if-ing of the technology’s cultural and marketing applications at scale than anything preceding it.

Precisely how generative AI will revolutionize marketing and/or replace marketers is a tale still to be written, and there are more than a few marketers who think all this is just another distraction from the important work of today. That, yet again, and with empirical evidence, the marketing community confuses noise with signal, and is akin to a cat chasing a light bouncing across a room. I have thought this about more than a few “next big things” more than a few times over time. But this is different, and this is not yesteryear’s Metaverse or NFT conversation. To the contrary, today’s generative AI and its offspring seem certain to irrevocably change the inputs, outputs, and exercise of the CMO’s influence.

While acknowledging that the broader potential impacts of this technology would, should they come to pass, render questions of marketing (or anything else presupposing the continuance of the human race) irrelevant — for the purpose of this piece (and, optimism), we’ll stay in our lane.

And in this lane, we find that the alphabet soup of AI (GPT, LLM, ML, NLP, etcetera) will evolve how and with—or without—whom CMOs will decide to reach and influence audiences. Search and SEO are but two parts of the marketing mix being dramatically altered in real time, both raising new and fundamental questions about where and how marketers will reach audiences, only months since ChatGPT’s release and perhaps sooner than anyone expected. While humanity may be safe, for marketers this might be an existential threat of its own.

Among other things now known and not, the technology’s ability to “optimize” and create content en masse and in a moment, in text, image, video, iambic pentameter, haiku, or in a voice similar to David Ogilvy’s, is part of the great (r)evolution, and is not without its threats to and influences on CMOs, the internal and external teams that support them, and the work they put in the world.

What happens if, at scale, marketers start defaulting to the that offered by the machines? Will the promise of hyper-personalization at scale actually look more like hyper-commodification at scale?

Will we become so hyper-focused on “efficiency” that we continue ignoring “effectiveness”? And if all marketers find themselves relying on essentially the same inputs and data corpuses (and the last decade of data mining and application suggests that more or less we are and do), how will brand X and business Y differentiate from others? How will they matter more than others? The golden road to profitability is not paved with parity.

Perhaps the greatest irony and threat of AI’s rapidly evolving place in the marketing firmament, is that the best marketing has always appealed to our humanity, individually and/or collectively. It makes us feel something that either defies or reinforces reason. And it seems that unless (or until) the machines do become sentient, the empathy that has always been at the heart of the best and most influential marketing, is equally threatened. Because while AI may be able to “learn” from trillions of data points about human belonging, identity, need and want, can it ever do more than approximate them?

In 1978, British journalist Bernard Levin said of the silicon chip that it “will transform everything, except everything that matters. The rest will be up to us.” And so it is again, and the question then is what will we do? Time and technology will tell. But for this year, Sam Altman’s influence on marketers and marketing (to say nothing of humanity), makes him the unofficial number one on this year’s list.

MORE FROM FORBES

The 2023 Forbes CMO Hall Of Fame

The 2023 Forbes CMO Hall Of Fame

By Seth Matlins Managing Director, Forbes CMO Network


One year ago, and to mark the 10th Anniversary of the Forbes World’s Most Influential CMOs list, we created The Forbes CMO Hall of Fame, recognizing those chief marketers who have appeared, or would have, on the list at least five times since its inception. Each subsequent year, on what would be the fifth year of a CMO’s inclusion on the list, they too, will become part of The Forbes CMO Hall of Fame.

In 2022, the inaugural year, we inducted 17 CMOs, all titans of this community whose influence is measured in terms both qualitative and quantitative.

Induction recognizes a chief-marketer’s enduring influence and impact on the brands and businesses they steward, on our industry and, often, the cultural landscape itself.

In 2023, only one CMO was eligible for induction, having appeared previously 4 times. While past performance is no guarantee of present or future performance, we are honored to recognize and induct Morgan Flatley, EVP, Global Chief Marketing Officer, and Head of New Business Ventures at McDonald’s, into the Forbes CMO Hall of Fame 2023 Class.

For more on this year’s inductee and all of last year’s, please read on. We are grateful for their innumerable contributions to our community and the art and science of marketing.

Forbes CMO Hall of Fame: Class of 2023

Morgan Flatley

EVP, Global Chief Marketing Officer & New Business Ventures: McDonald’s

Since joining McDonald’s in 2017, Flatley has been the driving force behind some of the company’s most inspired marketing campaigns. In 2020, as U.S. Chief Marketing & Digital Customer Experience Officer, she led initiatives including the company’s “Fan Truths” strategy and its record-breaking “Famous Orders” collaborations, which resulted in dozens of creative excellence awards. Shortly before this story went to press, and for the second consecutive year, McDonald’s was recognized as one of the top 3 most effective marketers worldwide by the Effies, the industry’s standard for same.

Today, Flatley oversees McDonald’s marketing efforts globally, as well as new business ventures designed to extend the reach of the McDonald’s brand. Her tenure at McDonald’s followed nearly 13 years at PepsiCo, where her time included stints as both Gatorade’s CMO and CMO of the company’s Global Nutrition group. 2023 marks what would have been Flatley’s fifth year on the Forbes World’ Most Influential CMOs list, and thus her induction into the Forbes CMO Hall of Fame class of 2023. She is this year’s only inductee.

Forbes CMO Hall of Fame: Class of 2022

Leslie Berland

CMO: Peloton Interactive

Named CMO of Peloton in January, after six years as he CMO of Twitter, Berland first appeared on the Forbes World’ Most Influential CMOs list in 2017 and did each year following until her induction into the CMO Hall of Fame in 2022. Prior to her tenure as Twitter’s CMO she was EVP of global advertising, marketing, and digital partnerships at American Express.


Linda Boff

Global Chief Marketing and Communications Officer: GE

At GE for over 20 years, Boff has served as the company’s Chief Marketing and Communications Officer since 2015, with oversight over the GE’s global marketing, brand, content, digital and sponsorships, during a time of historic transformation for the company. Boff also serves as President of the GE foundation, manages GE’s global learning, and co-leads the GE Women’s Network. She first appeared on the Forbes World’ Most Influential CMOs list in 2017.


Chris Capossela

CMO: Microsoft

At Microsoft for over 30 years, Capossela has been CMO of both the consumer and commercial sides of the nearly $200 billion annual revenue business for the past 9 years. His oversight and influence extend across all Microsoft services and products, business planning, brand, advertising, events, communications, research, ad sales and Microsoft stores. He first appeared on this Forbes list in 2017.


Olivier Francois

Global CMO, Stellantis & Brand CEO: Fiat

For the past 15 years, Francois has been Global CMO of Stellantis across its brand portfolio, which includes, among others, Dodge, Fiat and Maserati and has been the Global President of the Fiat Group since 2011. The longtime automotive marketer first appeared on this list in 2014.


Julia Goldin

Global Chief Product & Marketing Officer: The Lego Group

The Global Chief Product and Marketing Officer for The Lego Group since 2015, this former Coca-Cola marketer and Revlon CMO is responsible for the Group’s product development, marketing, research and insights, licensing, partnerships, and the brand’s in-house creative agency. She first appeared on this list in 2018.


Kristin Lemkau

Chief Executive Officer: J.P. Morgan Wealth Management

Lemkau first appeared on the Forbes World’ Most Influential CMOs list in 2014, when she was CMO of JPMorgan. She held this title until 2019, where she led a global marketing team responsible for brand, media, analytics, and consumer communications. One of few CMOs to become chief executive, she has been CEO of J.P. Morgan Wealth Management for the past 3 1/2 years.


Ann Lewnes

(Retired) Formerly CMO and EVP, Corporate Strategy & Development: Adobe

For over a decade, Lewnes was Adobe’s CMO, driving the brand’s ties to creativity and the creative community, and its digital marketing and design. Joining from Intel in 2006, she pioneered the company’s digital shift and spearheaded its growth. She first appeared on this list in 2017 and retired in February 2023.


Antonio Lucio

Principal & Founder: 5S Diversity

The principal and founder of 5S Diversity, Lucio held Global CMO roles for Facebook, HP Inc., and Visa, as well as the role of Chief Innovation and Portfolio Transformation Officer for PepsiCo Inc. He first appeared on Forbes World’ Most Influential CMOs list in 2012, when he was CMO of Visa. He has appeared on the list as the CMO of each of three different companies.


Michelle Peluso

EVP & Chief Customer Officer, CVS Health & Co-President: CVS Pharmacy

Peluso joined CVS in 2021 and has been responsible for transforming CVS Health’s consumer experience across multiple touchpoints. She first appeared on Forbes’ World’ Most Influential CMOs list in 2012, when she was CMO for Citigroup. While there she oversaw all global marketing and brand experiences, digital sales, and the commercial business. She has appeared on this list as the CMO of both Citi and IBM.


Marc Pritchard

Chief Brand Officer: Procter & Gamble

Pritchard has been with Procter & Gamble for over 40 years, serving across the company. He has been P&G’s Chief Brand Officer since 2014, responsible for the company’s brand-building disciplines and marketing innovations worldwide. He first appeared on the Forbes World’ Most Influential CMOs list in 2013.


Raja Rajamannar

Chief Marketing & Communication’s Officer: MasterCard

Since 2013, Rajamannar has been MasterCard’s Chief Marketing and Communications Officer, and President of its Healthcare business. In this role he is responsible for all aspects of the brand’s marketing and has been a leader of its transformation. Rajamannar previously had stints at Citi, Diner’s Club and Unilever. He first appeared on Forbes World’ Most Influential CMOs list in 2015.


Phil Schiller

Apple Fellow: Apple

At Apple for over 30 years, Schiller was the company’s long-time SVP of Marketing, where he led the introduction of a portfolio of products that have since become cultural touchstones. He currently serves as an Apple Fellow, where he has responsibility for the App store and Apple Events. When the first Forbes World’s Most Influential CMOs List debuted in 2012, Schiller ranked No. 1.


Diego Scotti

Formerly EVP & CMO: Verizon

Recently announcing his departure from the company, the former EVP and CMO, Scotti had been with Verizon since 2014, overseeing all aspects of the brand’s marketing, experience design and communications. He joined Verizon from J. Crew, where he’d also served as CMO. He first appeared on this list in 2017.


Marisa Thalberg

Chief Marketing and Communications Officer: SeaWorld Parks & Entertainment

Joining SeaWorld in April 2023, Thalberg is responsible for brand and marketing strategies that increase visitation, drive revenue, and elevate the company’s conservation mission. Before SeaWorld, Thalberg was EVP, Chief Brand Marketing Officer for Lowe’s from 2020. She also served as Global Chief Brand Officer for Taco Bell, for almost five years. She has been recognized on this list for her work as CMO at both Lowe’s and Taco Bell, first appearing on it in 2017.


Lorraine Twohill

CMO: Google

Recently celebrating her 19th year with the company, Twohill has been Google’s CMO since 2009, and came to the position after six years as the company’s head of EMEA marketing. She currently manages a global team responsible for telling the evolving story of Google’s brand, driving revenue growth, and helping billions of users discover and make the most of Google’s products. She first appeared on Forbes World’s Most Influential CMOs list in 2014.


Deborah Wahl

(Retired) Formerly Global CMO: General Motors

Wahl stepped down from her tenure as General Motors’ Global CMO, in March 2023, a position she held since 2019. Prior to GM where her focus included driving transformation and growth as GM embraced the possibilities of an all-electric future. She had previously served as Cadillac’s Global CMO, joining the automotive company from McDonald’s, where she had been its CMO. She first appeared on Forbes’ World’s Most Influential CMOs list in 2018, as CMO of Cadillac.


Keith Weed

Independent Director

Weed was Chief Marketing and Communications Officer for Unilever from 2010-19, where he was responsible for Marketing, Communications and Sustainable Business functions across the company’s purpose-driven brand portfolio. He first appeared on the Forbes World’s Most Influential CMOs list in 2013, its second year.


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Native Hawaiians weigh in on federal funds, protections

Native Hawaiians weigh in on federal funds, protections

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Las Vegas >> Bipartisan staff of the U.S. Senate Committee on Indian Affairs were at the first Western Regional Native Hawaiian Convention held in Las Vegas to highlight that Congress has secured hundreds of millions of dollars in dedicated federal funding, the most ever, for Native Hawaiians and to seek input on amending legislation to extend protection to Native Hawaiian art and artists for the first time.

U.S. Sen. Brian Schatz of Hawaii, chairperson of the Senate Committee on Indian Affairs, was not at the convention but addressed attendees in a video Wednesday and told the Honolulu Star-Advertiser in an email, “Over the last few years, we delivered the largest amount of dedicated funding to the Native Hawaiian community ever.”

“In the Senate Committee on Indian Affairs, we’ve made historic, bipartisan progress to gain broad support for Native communities. And we’ve worked hard to make sure Native Hawaiians are heard and included in any bill that impacts their community,” Schatz said.

Schatz thanked colleagues in the Senate Appropriations Committee for helping to secure the historic funding, adding that it’s “a unique moment in history.”

“The way I look at the work we’re doing is to try to understand all the injustices that have occurred, and then to try to reverse them in a systematic way,” he said. “We have a president, the first-ever Native Interior Secretary, and the public recognizing the need to right historical injustices.”

The decision from the Council for Native Hawaiian Advancement, or CNHA, to hold the conference on the mainland also provided an opportunity for committee staff to meet with Native Hawaiian attendees and provide updates on Native Hawaiian equities in the 118th Congress, while garnering feedback on legislative efforts.

CNHA President and CEO Kuhio Lewis said the decision to host a mainland conference came because there are now more Native Hawaiians living outside of Hawaii and it’s important to unite the community for myriad reasons, including advocacy.

“There is strength in numbers,” Lewis said. “There are Native Hawaiians living in all 50 states. That’s a powerful tool; rather than just two senators, you now have 100.”

The conference drew about 2,000 attendees, some 65% from states outside of Hawaii, he said.

Schatz said, “Native Hawaiian issues are national issues. Our committee is at the convention this year to hear directly from the Native Hawaiian community and help us shape a number of bills this Congress, including 2023 Farm Bill reauthorization, the draft ARTIST Act and the Truth and Healing Commission on Indian Boarding Schools Act.”

Committee staff hosted a formal listening session Wednesday to get feedback from Native Hawaiians on the latest amendments to the Respect Traditional Indigenous Skill and Talent (ARTIST) Act of 2023, which if passed, would update the Indian Arts and Crafts Act.

IACA was first passed in 1935 as a “truth in advertising” federal law to protect Native American arts and crafts from counterfeit sales in the United States. IACA has been amended three times since its passage, and over the past four years the Senate Committee on Indian Affairs received testimony calling for reforms.

“The ARTIST Act is about protecting Native artists and their works against counterfeits and strengthening existing law to enforce these protections. Native Hawaiians aren’t currently covered by the Indian Arts and Crafts Act, which provides these protections to other Native artists,” Schatz said. “Hearing directly from the Native Hawaiian community on issues that directly impact them is critical, and that’s why our committee is at the convention this week. Comments we receive from the listening session will help us shape legislation and serve as a resource for future discussions.”

If ARTIST passes, the new amendments are expected to:

>> Add protection for Native Hawaiian-produced arts and crafts.

>> Expand enforcement and improve the ability of federal officers to arrest and prosecute violations.

>> Create a grant program to fund arts programs in schools.

Preliminary feedback during the session was favorable, although some testifiers said adequate enforcement would be critical, and that language in the bill must clearly define Native Hawaiian in a way that offers adequate protection, while not making ancestry impossible to prove.

Makalika Naholowa‘a, executive director of the Native Hawaiian Legal Corp. and president of the National Native American Bar Association, also noted a lack of legal resources with only about 20 Native attorneys nationwide practicing intellectual property law.

Kaleiheana Stormcrow, a Native Hawaiian artist, cultural practitioner and scientist, testified, “I think it’s super important that Native Hawaiians are included in this act. Our cultural and intellectual property has not been protected for far too long. It really hurts my heart to see non-Hawaiians benefiting from our cultural practices while many of us are unable to survive here on the islands.”

State Rep. Daniel Holt, co-chair of the state legislative Hawaiian caucus, said Native Hawaiian products must have the same protections afforded to Native Americans.

“Aloha is not for sale. Aloha is our way of life. I ask that you please show our lahui aloha by passing the ARTIST Act and giving Native Hawaiian-made products the protections that they deserve,” Holt said.

The conference follows several other recent Hawaiian equities actions taken by the Senate Committee on Indian Affairs. Last month, Schatz held a virtual meeting with Native Hawaiian farmers and producers from across the state to discuss the needs and priorities of the Native Hawaiian community in the 2023 reauthorization of the Farm Bill, which first passed in 1933 and only meaningfully addressed the unique needs of the Native producers for the first time in 2018.

Key Farm Bill priorities for Native Hawaiian producers, include:

>> Equity for Native Hawaiians in program access.

>> Grant navigation assistance.

>> Recognize traditional ecological knowledge.

>> Defray high shipping costs.

>> Cost share and match waivers.

>> Productive repurposing of unused agricultural lands.

Schatz and U.S. Sen. Lisa Murkowski, R-Alaska, vice chairman of the committee, earlier this month also led committee passage of S.1723, a bill to establish the Truth and Healing Commission on Indian Boarding School Policies in the United States, and for other purposes.

“The impacts of federal Indian boarding school policies led to some of the same outcomes for Native Hawaiians as for other Native communities, including the loss of language and culture. It’s important that the federal government continues to enact laws — like the Native American Language Resource Center Act and Durbin Feeling Native American Languages Act — to help right these historical wrongs,” Schatz said.

FEDERAL FUNDING

Federal funding for the Native Hawaiian community:

>> $200 million+: Native Hawaiian education, including $170 million for Native Hawaiian education program.

>> $69 million: Native Hawaiian health care.

>> $54 million: Native Hawaiian housing, including $5 million for emergency rental assistance and access to new programs at Treasury, including for homeowner assistance.

>> $2 million+: Federal funding to support Native Hawaiian cultural tourism opportunities.

Also includes new funding and programs for the Native Hawaiian community:

>> $90 million: New funding for broadband deployment on Hawaiian Home Lands.

>> $25 million: New Native Hawaiian climate resiliency and adaptation funds.

>> New public safety resources, including $3 million to establish a new Native Hawaiian Resource Center on domestic violence.

>> Technical fix to clarify that Native Hawaiian organizations have access to federal grants to serve survivors in their own communities.

>> New landmark Native language laws.

>> New behavioral health resources for Native committees.

Source: U.S. Senate Committee on Indian Affairs, bipartisan staff presentation

Vanessa Barragão’s Sprawling Biomorphic Textiles Evoke the Remarkable Textures of the Sea Floor

Vanessa Barragão’s Sprawling Biomorphic Textiles Evoke the Remarkable Textures of the Sea Floor

All images © Vanessa Barragão, shared with permission

Sprawling tufts of looped, wound, and crocheted yarn sprawl across walls and floors in Vanessa Barragão’s elaborate, nature-inspired textiles. The Portuguese artist (previously) draws inspiration from the textures of coral, rock pools, botanicals, and the cosmos to compose expansive fiber pieces.

Each piece can take upwards of three weeks to complete, as Barragão and a team of six studio assistants—including her mother, sister, with additional crocheted contributions from her grandmothers—collaboratively knot the yarn through every single hole in the jute canvas to create lush, biomorphic forms.

If you’re near Lisbon, you can find Barragão’s work in Morphosis at the Museu das Artes de Sintra, Portugal, alongside ceramicist Catarina Nunes, which opens June 29 and runs through October 1. Find more on the artist’s website and Instagram.

 

A large-scale tufted textile piece that abstractly resembles coral.

A large-scale tufted textile piece that abstractly resembles coral.

A large-scale tufted textile piece that abstractly resembles coral.

A large-scale tufted textile piece that abstractly resembles coral.

A large-scale tufted textile piece that abstractly resembles coral.

A large-scale tufted textile piece that abstractly resembles coral.

The artist working on a large-scale tufted textile piece that abstractly resembles coral.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Vanessa Barragão’s Sprawling Biomorphic Textiles Evoke the Remarkable Textures of the Sea Floor appeared first on Colossal.

High art becomes body art as visitors to Amsterdam’s Rembrandt House Museum get inked

High art becomes body art as visitors to Amsterdam’s Rembrandt House Museum get inked


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Victoria Hospital looking for Indigenous artists to decorate new Children’s Hospital rooms

Victoria Hospital looking for Indigenous artists to decorate new Children’s Hospital rooms

Children’s Hospital has put out a call for First Nations, Inuit and Métis artists to submit their work and ideas to decorate new rooms being built for Indigenous patients.

“Wellness is about the whole child and we really want to create spaces that are familiar to Indigenous people,” said Nicole Yawney, the Youth Indigenous Wellness Consultant for Children’s Hospital at Victoria Hospital.

The goal is to design and shape the new rooms to be more welcoming to Indigenous patients through art, especially since the Children’s Hospital already offers specialized care to many Indigenous children from across the country — including those from remote northern communities, she said. 

“So many folks are just transplanted and they experience culture shock,” said Yawney. It can also be difficult for family members who are trying to process whatever illness their children are experiencing.

nicole yawney
Nicole Yawney is the Youth Indigenous Wellness Consultant for the LHSC. (Submitted by the LHSC)

‘Where are we in our spaces?’

One of the barriers that impacts Indigenous children is the lack of support for cultural healing processes because of how the hospital is currently built, according to Yawney.

“If kids can’t leave their rooms, if they’re hooked up to machines and they want specific ceremonies and teachings by their elders and knowledge keepers, we need to have these spaces created for them,” said Yawney.

Hospitals aren’t always welcoming to Indigenous people and displaying the artwork will be empowering for kids and families who need to use and stay in those spaces, she said.

“I’ve had some kids who are just being really on guard and as soon as they hear I’m Indigenous, they’re like ‘Oh, you’re Native!’ and immediately their guards are let down and I’m able to kind of be that bridge.”

“It really does make a difference to see a space that kids can identify with and I’ve heard that time and time again. It’s like ‘Where are we in our spaces?’ This area is unique and specific to the local First Nations,” said Yawney, who added she is hoping to see art submitted from many Indigenous traditions from all over Canada.

“We’re really wanting to create these spaces that tell the story from each population.”

Proposals can be sent to nicole.yawney@lhsc.on.ca with the subject line being “Attention: Youth Indigenous Wellness Program.” The deadline for artists is July 15.

Josiah Moktar is a photographer who is all about “playful and elegiac” portraiture

Josiah Moktar is a photographer who is all about “playful and elegiac” portraiture

London-based photographer Josiah Moktar brings a gentle energy to everything they capture with their lens. “I don’t see style as separate from content but as a way to manipulate or arouse feelings in the viewer,” Josiah tells us. That isn’t to say Josiah’s work is not beautifully stylish (it is), but there is something emotionally stirring in each photo that prioritises its subject over strict adherence to form or composition. “Research and interview techniques are at the heart of my process,” Josiah adds. “I try to understand the history of the person I’m making a portrait of, or the history and context of the ideas or emotions I’m trying to communicate.”

As such, a lot of Josiah’s work feels documentarian, like a visual diary of sorts. Some photos of theirs may be cleverly staged or shot-listed, yet it never differs from that personal and somewhat candid style we so love about Josiah’s eye. Subjects covered by Josiah often include the dialogue, history and solidarity between LGBTQIA+ communities. “I‘m starting to see a lot of my work as more generally about feelings of belonging and displacement,” Josiah adds. They’re all, in one way or another, “playful and elegiac” photos. “Lived experience is a phrase that gets thrown around a lot, and I’m just trying to make sense of my life.”

Most excitingly, we can expect to see Josiah’s work in Oestrogenerations first print issue out on the 2 June and in the Camp Trans group show and fundraiser from the 17 to 18 of June at Ugly Duck in London.