Young artists display their ‘Circular Stories’ in art exhibit

Young artists display their ‘Circular Stories’ in art exhibit

Get Benitolink directly in your inbox! Sign up for our weekly newsletters.

After participating in a three-weekend art workshop, young artists in San Benito County presented their completed pieces at a student art exhibit titled “Circular Stories” on June 9 at the Leslie Garratt Veterans of Foreign Wars Post 6359 in San Juan Bautista. 

Local artist Graciela Serna Nutter instructed the workshop series, which was offered to youth ages seven to 15 for three consecutive Saturdays in May at El Teatro Campesino in San Juan. 

“It turned out to be a lot more amazing than I anticipated,” Nutter said of the exhibit. “This is the very first time I put this on.”

Nutter, who has also taught art at Calaveras and Spring Grove schools, said her approach to teaching art shifted post-pandemic. 

“There is a distinct change and difference—it almost breaks my heart—to enter into the classroom,” she said. “What worked prior isn’t working today. They’re coming from a deeper place now. There’s a lot more they’re carrying.” 

She said students did a lot of structured “ice-breaker stuff” on the first day of the workshop. 

“It was structured in a particular way to open that door, like ‘Ahh, this is a safe space,’ and those are exactly the words I used with them,” she said. “I said, ‘I’m going to let you know that as artists, this is your space. I was very fluid to allow them to go, ‘Oh wow, this feels good.’ It truly made a difference.”  

Nutter grew up in San Juan Bautista and has been active with El Teatro Campesino for many years, holding the title of playwright, director and producer with the company. However, she said she has only recently begun putting her own art on canvas, which also led to her opening her own art company, Desert Seed Custom Canvas.  

“I called it ‘Desert Seed’ because like the desert seed, it can stay dormant for 50 years and then bloom,” she said. “And like the desert seed, I began to do canvas art at a later stage of life. So I bloomed after 50 years.”

Nutter used supplies from her business and home studios for the workshop, which was made possible from a grant she received through the San Benito County Arts Council.

“She’s one of our Arts Express grantees,” Arts Council Director of Marketing & Outreach Heidi Jumper said. “It’s a call for artists and community organizations to apply for funding for arts projects that serve San Benito County residents. She had applied for that specific project last cycle and then was awarded the grant.”

Just like the exhibit, the workshop was titled “Circular Stories.” Students were guided in creating multimedia art that was divided into four sections, reflecting their family, selves, friends and community. 

“My family and friends really inspired me,” said student artist Julia Navarro Ruiz, who was explaining the written names of her best friends in one section on her canvas. 

She then pointed to another section with a small building in between a row of big buildings. 

“And that represents my small house full of big love, compared to a big city,” Ruiz said. “The buildings really aren’t that high, it’s just Hollister, but I just love the expression.” 

We need your help. Support local, nonprofit news! BenitoLink is a nonprofit news website that reports on San Benito County. Our team is committed to this community and providing essential, accurate information to our fellow residents. It is expensive to produce local news and community support is what keeps the news flowing. Please consider supporting BenitoLink, San Benito County’s public service, nonprofit news.

Major Morris Photography Opening Reception

Major Morris Photography Opening Reception

Major Morris

Anne-Grethe Morris

Major Morris

Saturday, June 17, 2023 at 2 PM

Mission Valley Branch Library

N/A

Free

As a photographer in the 1960s, Major Morris (1921-2016) captured scenes of inner-city life and protest marches. After the Civil Rights era, he earned a master’s degree from Harvard University and became an educator, training teachers in diversity and cultural sensitivity and working as a university affirmative action officer.

Audience: This event is recommended for adults. Children are welcome!

Event Supported By

Mission Valley Branch Library

858-573-5008

Pojoaque Farmers’ Market showcases Native performers

Pojoaque Farmers’ Market showcases Native performers
image

On a recent, breezy Wednesday at Poeh Cultural Center in Pojoaque Pueblo, guitarist and songwriter Ailani played music while people sold tomato plants and Frito pies.

It’s part of a weekly farmers market that has taken place for several years. Since last year it has also hosted performances by Native musicians and dancers.

Museum specialist Jazlyn Sanchez started inviting Native artists and dancers to play at the Wednesday market after the center, which showcases Indigenous history and art, received a grant.

“They love to be in our market, they love to perform, they love to just be around the Poeh Cultural Center,” she said.

Sanchez said lots of people hear something they haven’t before.

“I think the people that come here definitely don’t know the majority of the artists that we have and the performers that we have, but now they do,” she said.

She said as the center showcases Native art and history, it makes sense to expand its scope to the performing arts at the weekly event.

MCA Denver’s summer exhibitions investigate the histories of Black and

MCA Denver’s summer exhibitions investigate the histories of Black and

Large collages of layered red paint, diagonal lines and faint silkscreen images stick out from the walls as a video of two people reenacting stress positions on street pavement plays. It’s difficult for the eyes to reconcile the images within these collages, but the longer one looks, the clearer the layered histories become.

The Museum of Contemporary Art (MCA) is now hosting two summer exhibitions featuring the works of Tomashi Jackson and Boulder-based artist Anna Tsouhlarakis.

The exhibitions will be on display until Sept. 10 and visitors can also plan to attend talks with Jackson on Aug. 1 and Tsouhlarakis on June 27 at MCA’s Holiday Theater.

Kevin J. Beaty/Denverite

Tomashi Jackson specializes in creating research driven work using paintings, printmaking, video, photography, fiber and sculpture. Titled, “Across The Universe,” the exhibition both celebrates and investigates the experiences of American communities of color as they pertain to issues of voting rights, housing, redlining, access of transportation and police brutality.

“What makes this show special is that she’s done these projects and investigations in Texas, Ohio, Georgia, the Hamptons. But this is the first show to bring the projects together,” said museum curator Miranda Lash.

Kevin J. Beaty/Denverite

In her silkscreen print, titled “Make Two Black Property Owners Look Like One,” Jackson plays with color to bring together two histories of Black property ownership in New York.

On the left is an image of Albro Lyons, a nineteenth-century abolitionist and resident of Seneca Village. The Lyons family owned property in one of the first free Black communities in New York before residents were displaced for the construction of Central Park.

On the right is an image of McConnell Dorce, a Brooklyn man who lost his property to New York’s Third Party Transfer program in 2018, which can declare buildings derelict, seize the building and hand it to developers for a nominal fee or, in some case, for free.

“When you look at these histories in juxtaposition, they become almost indistinguishable,” Lash said. “These are actually two different reds. [One] is more orange and [the other] is more purple. Something that she’s really great at is applying color theory to social history.”

Kevin J. Beaty/Denverite

Jackson’s work is heavily informed by Josef Albers’ theory of Color Relativity, which is based on how colors are seen relative to its surroundings.

“When you see two colors in juxtaposition in a painting, the colors inform each other.” Lash explained. “If you see orange next to black, it looks lighter or brighter next to white.”

This idea has then been incorporated in Jackson’s work over the years by layering and collaging images of landmark court cases, such as 1965’s Brown v. Board of Education, which questioned society’s perception of skin color with contemporary examples of police brutality.

Jackson will often use colors in high contrast that are opposite on the color wheel to intentionally make it difficult for the eyes to translate what they are seeing.

“These are intertwined legacies. They are not separate. It applies to how we operate in society too. When you have ideas in high contrast, that’s where the tension is,” Lash said.

Kevin J. Beaty/Denverite

The artist also uses materials in places she’s investigating, such as soil from Texas and election ephemera from Georgia, as backings for paintings. She most recently employed marble dust as part of her most recent work on Colorado.

The exhibit features 9 years of work by Jackson and begins in the upper level. It concludes with her most recent work in the lower level, featuring a video she recently filmed in Colorado’s Great Sand Dunes.

Kevin J. Beaty/Denverite

The first level will also feature an exhibition by Boulder-based artist, Anna Tsouhlarakis, who uses minimal text, color and humor to subvert non-Native expectations of what Native art should or shouldn’t be.

Titled “Indigenous Absurdities,” the Navajo, Creek and Greek artist gives the viewer an inside look into her own identity.

“Humor is kind of an inroad into looking at community, it’s a way of marking that you’re part of a group, when you have a joke that you understand,” said museum curator Leilani Lynch.

Kevin J. Beaty/Denverite

In her sculpture titled, “She Must Be A Matriarch,” the artist plays off of a 1918 sculpture by James Earle Fraser that depicts a slumped over Native man on horseback. Fraser’s piece has become an iconic symbol of Native identity since it debuted. Tsouhlarakis turns this image on its head and presents a female-forward piece that depicts women’s hands pointing forward.

Kevin J. Beaty/Denverite

Works in the exhibition often use prototypically Native materials, such as binding leather, bead work and tobacco lids, which are traditionally used for Native jingle dresses. But there are also many instances of contemporary materials, such as blown up condoms, a metal wrench, beer kegs and Ikea furniture.

Each work is titled with a joke, pulling from modern sources like billboards or social media memes.

“In her perception of what is expected of Native artists today is a lot of traditional, craft based work. She’s pushing against that with a more minimal aesthetic, as well as humor too,” Lynch said.

Kevin J. Beaty/Denverite

Tsouhlarakis’ exhibition is different from Jackson’s in that color is mostly absent, but it similarly attempts to investigate the ongoing narrative of community groups by challenging or resurfacing the histories that have shaped today’s experience.

“When we were thinking about how these exhibitions would fit together, we wanted to work with artists that had through lines and complemented each other,” Lynch said. “They both look at histories and communities in a deep way, just through their own approaches.”

Paul McCartney and Stanley Tucci in Conversation to Mark Photography

Paul McCartney and Stanley Tucci in Conversation to Mark Photography

This livestreamed special event which sees Paul McCartney discuss his photography and memories of a unique time in history is one not to be missed, and you can watch online globally.

As part of its First Look Festival, Paul McCartney will be joined by Academy Award winning actor, Stanley Tucci, at his headlining in-conversation event. Together, the pair will discuss McCartney’s upcoming exhibition, staged to mark the reopening of the National Portrait Gallery this summer, as well as his new book, 1964: Eyes of the Storm, the art of photography and his experience of “Beatlemania.”

This unprecedented display that will share, for the first time, an extraordinary archive of rediscovered and never- before-seen photographs taken by Paul McCartney. Supported by Bloomberg Philanthropies, this exhibition will focus on the portraits captured by McCartney using his own camera between December 1963 and February 1964, the period in which John Lennon, Paul McCartney, George Harrison, and Ringo Starr were propelled from being the most popular band in Britain to an international cultural phenomenon. Drawn from McCartney’s own archive, this exhibition provides a uniquely personal and never-before-seen perspective on what it was like to be a Beatle at the start of “Beatlemania” – from gigs in Liverpool and London to performing on The Ed Sullivan Show in New York to an unparalleled television audience of 73 million people. At a time when so many camera lenses were on the band, these photographs will share fresh insight into their experiences, their fans, and the early 1960s, all through the eyes of Paul McCartney.

As part of the in-conversation, McCartney and Tucci will explore their shared interest in the creative arts and photography, drawing on experiences behind and in front of the camera.  McCartney’s photographs from the 1963-64 period will form the focus of the discussion, as the pair share stories and select their favorites from the 250 photographs exhibited as part of the exhibition.  Drawing on reflections made from the accompanying book of photographs, 1964: Eyes of the Storm, McCartney will also discuss his photographic influences.

Of the exhibition and in-conversation event, McCartney remarked”

Looking at these photos now, decades after they were taken, I find there’s a sort of innocence about them.  Everything was new to us at this point. But I like to think I wouldn’t take them any differently today. They now bring back so many stories, a flood of special memories, which is one of the many reasons I love them all, and know that they will always fire my imagination.  The fact that these photographs have been taken by the National Portrait Gallery for their reopening after a lengthy renovation is humbling yet also astonishing – I’m looking forward to seeing them on the walls, 60 years on, and reminiscing about those times with the wonderful Stanley Tucci.

Stanley Tucci also commented: “I am honored and thrilled to interview Paul McCartney about these photos and that time in his extraordinary life, A life that has changed all of ours for the better.

This online event will be streamed live from the new National Portrait Gallery on Thursday, June 29th, at 14:00 BST.  Tickets for the livestream are £10. Concessionary rate tickets are available, including a new discounted £5 ticket for people aged 30 and under.  All ticket holders will have access to a recording of the conversation for a limited time after the live event.

The second major photography exhibition to run after the reopening of the National Portrait Gallery, Paul McCartney Photographs 1963-64: Eyes of the Storm runs from June 28 until October 1, 2023.

Lead Images left to right: Paul McCartney ©Mary McCartney; Stanley Tucci © Gerhard Jassner

All images in the article supplied with permission ©Paul McCartney

Sculptors Sought for 37th Annual Sculpture Celebration in Lenoir

Sculptors Sought for 37th Annual Sculpture Celebration in Lenoir
The Caldwell Arts Council is looking for sculptors to participate in its 37th Annual Sculpture Celebration scheduled for Saturday, September 9, at the Broyhill Walking Park in Lenoir. Sculptors are invited to enter up to three works in the competition, which will be judged by renowned sculptor Kyle Van Lusk of Brevard with $11,000 in…

Spring Into Art: Camera Group Photography Show on Display Through June

Spring Into Art: Camera Group Photography Show on Display Through June

The Camera Group, an activity group within the Gold Country Welcome Club, took a creative leap recently by presenting its first photography show. Five photographers from the Camera Group submitted some of their best works, and eighteen photographs were chosen to be displayed in the upstairs foyer at the Eric Rood Administration Center.

Nevada County employee Carla Boone, who helped coordinate the exhibit, said: “It is wonderful to have such beautiful images in the middle of our busy work environment. I can rest my eyes and mind on a picture and be transported there.”

The free exhibit will be on view for the public during regular business hours, Monday through Friday from 8:00 am to 5:00 pm through June 30th.

The Camera Group of the Gold County Welcome Club is one of several activity groups within the Club. Established in 1989 as a non-profit, the Welcome Club is open to all adults. Its mission is to enable everyone in Nevada County to meet, make friends, and engage in common interests through activity groups.

The Camera Group was established several years ago to enable photographers to meet, share, and discuss photography. Currently, the group meets once a month over Zoom, usually on the third Tuesday at 2:30 pm.  Attendees not only present their work, but can use photo processing tools to adjust and enhance their images during the meeting. 

Learn more about the Gold Country Welcome Club and the Camera Group online at www.gcwelcome.com or contact Jim Bair by email or by phone at 510-910-2300.

Details

What: Spring into Art: Camera Group Photography Show by Branstrom, Finney, Goodman, Ososki, and Bair
When: June 1st through 30th, Monday through Friday, 8:00 am to 5:00 pm.  
Where: Eric Rood Administrative Center, 950 Maidu Avenue, Nevada City, CA 95959, 2nd Floor Foyer
Who: Gold Country Welcome Club Camera Group
Admission: Free

“Slow Girl Summer” A. Danette Photography Explains Why You Should Use This Time For Some Self-Care

“Slow Girl Summer” A. Danette Photography Explains Why You Should Use This Time For Some Self-Care
image
...EXCESSIVE HEAT WARNING REMAINS IN EFFECT UNTIL 7 PM CDT THIS
EVENING...
...EXCESSIVE HEAT WARNING REMAINS IN EFFECT FROM 11 AM TO 7 PM
CDT SATURDAY...

* WHAT...For the first Excessive Heat Warning, dangerously hot
conditions with heat index values up to 113 expected. For the
second Excessive Heat Warning, dangerously hot conditions with
heat index values up to 115 expected.

* WHERE...Portions of central, southwest and west central
Louisiana and southeast Texas.

* WHEN...For the first Excessive Heat Warning, from 11 AM this
morning to 7 PM CDT this evening. For the second Excessive
Heat Warning, from 11 AM to 7 PM CDT Saturday.

* IMPACTS...Extreme heat and humidity will significantly
increase the potential for heat related illnesses,
particularly for those working or participating in outdoor
activities.

PRECAUTIONARY/PREPAREDNESS ACTIONS...

Drink plenty of fluids, stay in an air-conditioned room, stay out
of the sun, and check up on relatives and neighbors. Young
children and pets should never be left unattended in vehicles
under any circumstances.

Take extra precautions if you work or spend time outside. When
possible reschedule strenuous activities to early morning or
evening. Know the signs and symptoms of heat exhaustion and heat
stroke. Wear lightweight and loose fitting clothing when
possible. To reduce risk during outdoor work, the Occupational
Safety and Health Administration recommends scheduling frequent
rest breaks in shaded or air conditioned environments. Anyone
overcome by heat should be moved to a cool and shaded location.
Heat stroke is an emergency! Call 9 1 1.

&&

...EXCESSIVE HEAT WARNING REMAINS IN EFFECT UNTIL 7 PM CDT THIS
EVENING...
...EXCESSIVE HEAT WARNING REMAINS IN EFFECT FROM 11 AM TO 7 PM
CDT SATURDAY...

* WHAT...For the first Excessive Heat Warning, dangerously hot
conditions with heat index values up to 113 expected. For the
second Excessive Heat Warning, dangerously hot conditions with
heat index values up to 115 expected.

* WHERE...Portions of central, southwest and west central
Louisiana and southeast Texas.

* WHEN...For the first Excessive Heat Warning, from 11 AM this
morning to 7 PM CDT this evening. For the second Excessive
Heat Warning, from 11 AM to 7 PM CDT Saturday.

* IMPACTS...Extreme heat and humidity will significantly
increase the potential for heat related illnesses,
particularly for those working or participating in outdoor
activities.

PRECAUTIONARY/PREPAREDNESS ACTIONS...

Drink plenty of fluids, stay in an air-conditioned room, stay out
of the sun, and check up on relatives and neighbors. Young
children and pets should never be left unattended in vehicles
under any circumstances.

Take extra precautions if you work or spend time outside. When
possible reschedule strenuous activities to early morning or
evening. Know the signs and symptoms of heat exhaustion and heat
stroke. Wear lightweight and loose fitting clothing when
possible. To reduce risk during outdoor work, the Occupational
Safety and Health Administration recommends scheduling frequent
rest breaks in shaded or air conditioned environments. Anyone
overcome by heat should be moved to a cool and shaded location.
Heat stroke is an emergency! Call 9 1 1.

&&