Rethinking land art at the Barrick

Rethinking land art at the Barrick

Land—its substance and usage—will always be controversial, particularly in the American West. The notion of the West—and more pointedly the Mojave region of Southern Nevada as an open expanse providing substrate for any number of human endeavors—is a deeply entrenched one. In Modern Desert Markings, 10 artists explore the history of contemporary landscape marking in Southern Nevada through the lens of land art. 

In this exhibition, commentary varies. There is of course much to be said on the settler colonial history of Southern Nevada and its relationship to the blank-canvas perception of the desert by historically prominent land artists like Jean Tinguely and Michael Heizer. The exhibition is masterful in its multi-lensed approach to deconstructing the functions of art within the landscape.

“Modern Desert Markings” exhibition at the Marjorie Barrick Museum of Art, Spring 2023.

April 3, 2023
(Becca SchwartzUNLV)

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Emily Budd, “Digging Machine (for an End of the World),” 2023, photo by Becca Schwartz/UNLV Creative Services

Of the many impressive works, Emily Budd’s vision of reconstructive queer futures in the work “Digging Machine (for and End of the World)” stands out as a striking work of assemblage and a nuanced commentary on the destructive forces of our cultural engines and the need to reconstruct from the detritus viable progressions through time. Marisa J. Futernick builds tone through temporality in the form of a slide show highlighting the shifting locations and experiences through a narrated slideshow, a catalog of region and emotion.

Marisa J. Futernick, “Mirage,” 2023, image courtesy of the artist

“Modern Desert Markings” exhibition at the Marjorie Barrick Museum of Art, Spring 2023.

April 3, 2023
(Becca SchwartzUNLV)

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Jen Urso, “What the Desert Already Has,” 2023, photo by Becca Schwartz/UNLV Creative Services

Jen Urso’s “What the desert already has” provides a masterful rebuke of more extraction-based land art practices, highlighting the flora both native and invasive to Michale Heizer’s Double Negative in two grow tanks potted with the landmark’s seed and soil. Keva Lough speaks to impositions on the Landscape: “I wanted my mark making to be virtual. My way of mark making is optical rather than physical [a thread through most of her work]. The mark is not embedded, it is placed visually. I want to make the marks be the trail left behind of my thought process. But they are also physical in a way.” Through analog collage placed in digital format, Lough layers the written history over the terrain of Southern Nevada incorporating selections from scans of reports and scientific data, proposals for a monument to dissuade visitors the Yucca Mountain site. Lough is keen to show us the preconceived colonial notions that can be held in landscape.

“Modern Desert Markings” exhibition at the Marjorie Barrick Museum of Art, Spring 2023.

April 3, 2023
(Becca SchwartzUNLV)

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nicholas jacobsen, “Pioneering Terra Nulliparous,” 2023, photo by Becca Schwartz/UNLV Creative Services

Michael Dax Icovone documents his body’s relations to time and space with six miles of twine in a dialogue with De Maria’s Las Vegas Piece. He relays the act of generation work in the landscape excellently through his video. Nicholas b jacobsen highlights the West’s manufactured emptiness in the diorama forum, miniaturizing the genocidal colonial practices that made the concept of the West as vacant an acceptable conversation for land artists to engage. With three works all thougrouly conversant, Jacobsen’s poignant statement on the erasure of native cultures and communities holds a deep resonance. Adriana Chavez’s whimsical approach to the conundrum that land art presents myopic focus on broad landscapes winnowing the conversion to chosen perceptual points instead of directing greater interpretations. “Rift on Rift” by Paula Jacoby-Garrett is a leave no trace approach to land art. Using insulation material and landscape cloth, she provides a striking series of images that linger on the landscape only as long as the artist desires. Rachelle Reichert drawing the satellite image of her visit to Jean Dry Lake Bed is captivating as an act of mark making on mark making, with the incorporation of new ways to document the structure of the earth. Exceptional draftsmanship aside, “Artist at Jean Dry Lake Bed December 9, 2022,” and its companion piece “Jean Dry Lake Squared” create a subtle balancing act between lived experience, sculpture, and the land. Mark Brest van Kempen redefines “Las Vegas Piece” by documenting the botanical growth that has now completely subsumed the work, in a tribute to the land’s recovery from and indifference to human intrusion. 

Paula Jacoby-Garrett, “Riff on Rift,” 2023, image courtesy of the artist

“Modern Desert Markings” exhibition at the Marjorie Barrick Museum of Art, Spring 2023.

April 3, 2023
(Becca SchwartzUNLV)

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Mark Brest van Kempen, “Las Vegas Piece Piece, 2023,” photo by Becca Schwartz/UNLV Creative Service

In all, MDM is a thought-provoking study of land use and interpretation through truly generative dialogs about land art. Is a beautiful exercise in how we carry ideas forward and prevent them from stagnating. The collective and individual bodies of work give terrific insight into ways we can view something as majestic and abiding as the desert.

Modern Desert Markings: An Homage to Las Vegas Area Land Art closes July 8 at the Barrick Museum at UNLV.

Cover photo: Paula Jacoby-Garrett, “Riff on Rift,” 2023, image courtesy of the artist

Cheyenne River Youth Project’s RedCan 2023 begins today

Cheyenne River Youth Project’s RedCan 2023 begins today

JULY 2023:

The 9th annual RedCan invitational graffiti jam is just one week away, and CRYP staff and volunteers are preparing to welcome artists, performers and guests to the Cheyenne River Sioux Reservation for four days of art, culture and connection. The first and only event of its kind in Indian Country, the award-winning RedCan event is this week (July 5-8, 2023), and is free and open to the public.

This year’s featured artists are East, Cyfi, Hoka, Biafra, Wundr, 179, Lawst, Lucious, Rezmo, TamiJoy, Yukue, and Desi Mundo. During the four painting days, each artist will work closely with a CRYP Lakota Art Fellow or teen intern, giving the community’s young people valuable opportunities to learn new skills, practice new techniques, and connect with Native and non-Native artists from around the country.

The action begins on July 5-6, when the 12 artists will be painting large-scale murals at select sites across the city of Eagle Butte — transformative public art that will bring Lakota stories, language and values to life. While the featured artists paint in the community, volunteers from Ursuline College and the University of Missouri-St. Louis will be offering youth activities at Dairy Queen, 24325 U.S. Hwy 212, and at the apartment complex on Main Street between H and G streets, where last year’s “Mitákuye Oyás’iŋ” RedCan mural is located.

On Friday and Saturday, July 7-8, all the action will be centered in the Waniyetu Wowapi (Winter Count) Art Park. In addition to the mural painting and youth art activities, the schedule in the art park also includes traditional Lakota dancing, hoop dancing classes, games, and refreshments.

CRYP will close each of these painting days with a free community meal and special live performances. The Wake Singers, an Olgala Lakota rock band comprising cousins Douglas, Michael and Reed Two Bulls, will take the Waniyetu Wowapi stage on Friday.

Cheyenne River Lakota and Crow Creek Dakota rap artist, producer and sound designer Bazille will perform Saturday evening. Afterward, CRYP will welcome renowned Mvskoke Creek/Seneca hoop dancers The Sampson Brothers for the final performance of RedCan 2023.

RedCan 2023 Schedule:

July 5

11 a.m.: Animal magnets and take-home trivets at Mitákuye Oyás’iŋ apartments

2 p.m. Beaded bracelets and washer necklaces at Dairy Queen

July 6

11 a.m.: Watercolor silhouettes, watercolor string art, watercolor with crayon at Mitákuye Oyás’iŋ apartments

2 p.m.: Spin art and summer spinners at Dairy Queen

July 7

11 a.m.: Cloud dough and galaxy jars

11 a.m.-2 p.m.: Lakota Dance Exhibition

6 p.m.: “Build Your Own Fiesta Bowl or Burrito” — community meal hosted by USML volunteer group

7 p.m.: Live performance from the Wake Singers

July 8

11 a.m.: Design your own superhero: mask, cape, bookmark; sock animals

11 a.m.-2 p.m.: Lakota Dance Exhibition

2 p.m.: Make your own slime, “Calm Down” jars

2 p.m.: Hoop-dancing workshop

4 p.m.: Water Field Day: capture the waterfall (flag), water target practice, frozen T-shirts, water slide kickball

6 p.m.: Community meal hosted by Wokicik’u Catering, a Rosebud Indian Reservation-based business owned by Franky Young.

7 p.m.: Live performances from Bazille and the Sampson Bros.

As always, the Cheyenne River-based Wakinyan Maza drum group will open and close each day of RedCan with a prayer, smudging and drum song at CRYP’s Čhokáta Wičhóni (Center of Life) teen center for all who wish to participate.

To learn more about this year’s RedCan artists and performers, and to make a tax-deductible contribution to support RedCan 2023, visit www.lakotayouth.org/redcan.
And to learn more about the Cheyenne River Youth Project and its programs, and for information about making donations and volunteering, call (605) 964-8200 or visit www.lakotayouth.org. And, to stay up to date on the latest CRYP news and events, follow the youth project on Facebook, Twitter, Instagram, and YouTube.

MAY 29, 2023:

In less than two months, the Cheyenne River Sioux Reservation will be ground zero for the 9th annual RedCan invitational graffiti jam, the first and only event of its kind in Indian Country. RedCan is scheduled for July 5-8, 2023, and is open to the public.

The Cheyenne River Youth Project announced the names of the 12 featured artists who will paint murals around the Eagle Butte community on July 5-6 and in CRYP’s public Waniyetu Wowapi (Winter Count) Art Park on July 7-8. The grassroots, Native- and woman-led nonprofit organization also unveiled a short film about the RedCan project titled “Changing the Narrative.”

“Five of our 2022 featured artists were Native women, and all five are returning this year,” said Julie Garreau, CRYP’s executive director. “We are excited to amplify their voices, perspectives and gifts through this little film, just as we are honored to welcome them back to Cheyenne River for four more days of creation, connection, cultural exchange, and the healing, transformative power of art.”

Those artists are 179, Lucious, Rezmo, TamiJoy and Yukue. Also part of the Redcan 2023 lineup are East, Cyfi, Hoka, Biafra, Wundr, Lawst and Desi Mundo.

During the four painting days, each artist will work closely with a CRYP Lakota Art Fellow or teen intern. These young Lakota art students will be able to learn new skills and practice new techniques as they assist the artists.

“This mentorship is a vital part of RedCan,” Garreau explained. “Not only does it bring Native and non-Native artists from across the country to our homelands, giving our community members a priceless opportunity to engage with the largest art movement in the history of humankind, it also gives our young people opportunities to explore their identities, share their voices and stories, and grow as artists.”

“I’m excited that even more teens are interested in participating in RedCan this year,” said Wakinyan Chief, CRYP’s art manager. “One of our programs assistant trainees completed several teen internships with us, and he’s heading into his third RedCan. Every couple of weeks, he tells me how much he’s looking forward to this summer’s event.”

Most of the featured artists have participated in multiple RedCans, as well; in fact, some have participated since the inaugural event in 2015. According to Garreau, that has deepened the RedCan experience in ways that she and her staff couldn’t have anticipated in the beginning.

“We’ve seen lifelong friendships develop, and the artists often refer to RedCan as a family,” she said. “That is profoundly moving to all of us at CRYP, because relationships lie at the heart of everything we do. And as we strengthen the bonds between us, we also see beautiful collaborative work develop — particularly between our guest artists, local Cheyenne River artists, and our young art students. It’s such an honor to witness this unfold year after year.”

While the artists paint in the community, CRYP and its volunteers will host youth arts, crafts and recreational activities at dedicated community sites. Then, when the artists move to the art park, the action moves with them.

“In the past, our two days in the art park have included DJ music, Lakota exhibition dancing, field day games, arts activities, hoop-dancing classes, and so much more,” said Jerica Widow, CRYP’s programs director. “It’s a joy to see the kids learning and having fun while family members and guests stroll through the park, enjoy the music and dancing, and watch the artists work.”

Community members also frequently gather at the mural sites in town, and not just the new ones. Garreau noted that, last year, CRYP staff witnessed people stopping at the older murals as well and discussing the details of the artwork with their companions.

“Our community really has embraced RedCan,” she reflected. “Throughout each year, as we drive or walk around town, we see all of this art — literally hundreds of murals since RedCan began — that uplifts us and reflects who we are as Lakota people. It is really powerful.

“For me, it’s a centering point,” she continued. “That’s so important, because the work we do here can be really challenging.”

On Friday and Saturday, July 7-8, CRYP will close each painting day in the art park with a free community meal and special performance on the Waniyetu Wowapi Art Park stage. Cheyenne River Lakota and Crow Creek Dakota rap artist, producer and sound designer Bazille will perform Friday night.

The Wake Singers, an Olgala Lakota rock band comprising cousins Douglas, Michael and Reed Two Bulls, will take the stage on Saturday. And, as always, the Cheyenne River-based Wakinyan Maza drum group will open and close each day of RedCan with a prayer, smudging and drum song for all who wish to participate.

CRYP will share more specific details about this year’s youth activities, community meals, and special performances in June. In the meantime, to view the new “Changing the Narrative” short film, visit CRYP on Vimeo at vimeo.com/lakotayouth (direct link: https://vimeo.com/793015587).
To learn more about this year’s RedCan artists and performers, and to make a tax-deductible contribution to support RedCan 2023, visit www.lakotayouth.org/redcan. All proceeds will be used to purchase paint, artist supplies, food and beverages, and to help cover the artists’ travel expenses.
And to learn more about the Cheyenne River Youth Project and its programs, and for information about making donations and volunteering, call (605) 964-8200 or visit www.lakotayouth.org.

In 2022, acclaimed hoop dancers The Sampson Brothers performed on RedCan’s final evening.
Photo credit Cheyenne River Youth Project.

Featured artists paint at mural sites in the community for RedCan’s first two days, then paint in the art park during the event’s final two days.
Photo credit Cheyenne River Youth Project.

A guide to finding your photography style: Part 3

A guide to finding your photography style: Part 3

Photography is a versatile and ever-evolving art form that offers countless possibilities for creative expression. As a photographer, embracing experimentation is a vital step in discovering your style, pushing your boundaries and unlocking new artistic horizons.

In this article, we will delve into the importance of embracing experimentation, provide practical tips for trying out different techniques and approaches and inspire you to embark on a journey of creative exploration.

Step out of your comfort zone

To truly embrace experimentation, you must be willing to step out of your comfort zone and challenge your established habits and routines. Try venturing into genres or subjects that are unfamiliar to you. If you primarily shoot landscapes, why not explore portraiture or street photography? By exploring new territories, you expose yourself to fresh perspectives and unexpected discoveries that can fuel your creative growth.

I’m a big believer in this. While I don’t necessarily go way out of my comfort zone or take on projects I am not physically (or financially) able to achieve, I still believe even stepping out, even just a little bit, can take you on a journey of discovery.

Play with different techniques

Experimentation allows you to play with various techniques and tools to expand your visual language. Consider trying out techniques such as long exposure, double exposure, light painting or intentional camera movement. Each technique introduces unique motion, light and texture elements that can add depth and interest to your images.

Challenge yourself to use different lenses or focal lengths to capture scenes from alternative perspectives. Explore unconventional compositions, experiment with framing and cropping or incorporate leading lines and symmetry to create visually dynamic images. The possibilities are endless, and through experimentation, you may stumble upon techniques that resonate with your artistic vision.

Embrace unconventional perspectives

Photography often involves viewing the world from a new perspective. Don’t hesitate to experiment with alternative angles, vantage points, or unconventional viewpoints. Get down low or climb up high to capture a scene from a different angle. This fresh perspective can breathe life into your images and reveal unique details or patterns that would otherwise go unnoticed.

For instance, most people will always capture a landscape horizontally instead of vertically. Portraits are relatively close up as opposed to taking a further away approach. Shoot with a wide angle for a distorted perspective on portraits. Try capturing a portrait as a flat lay or bugs eye view.

Explore editing techniques

Experimentation isn’t limited to the capture stage; it extends to post-processing as well. Explore different editing techniques, filters, and software tools to enhance and transform your images. Try out various color grading approaches, experiment with black-and-white conversions, or play with textures and overlays to add a distinct mood or atmosphere to your photographs. Through editing experimentation, you can develop a signature style and create images that truly reflect your artistic vision.

So many different editing software available these days to help you expand your repertoire too. Try adding Analogue Camera Effects with Nik Collection, or adding texture and layers in Luminar Neo or double-exposure in Photoshop.

Collaborate and seek inspiration

Embracing experimentation becomes even more rewarding when you collaborate with other photographers or artists. Engage in photo walks, join photography clubs or participate in workshops and meetups. Take these as opportunities to exchange ideas, share techniques and gain inspiration from fellow creatives. Collaborative experiences offer a fresh perspective, stimulate your creativity and push you to try new approaches.

Additionally, seek inspiration from photographers whose work you admire. Study their techniques, compositions and editing styles. Use them as a springboard for your experimentation. By blending inspiration from various sources, you can develop a unique style that reflects your vision.

I sometimes find I am a little braver when experimenting with other photographers than I might be alone in unfamiliar surroundings. Working with others and bouncing ideas off them can take you on a whole new adventure.

Final thoughts

Embracing experimentation can be a transformative journey that enables you to unlock your creative potential and find your unique photographic style. By stepping out of your comfort zone, playing with different techniques, embracing unconventional perspectives, exploring editing possibilities, and seeking inspiration from others, you open yourself up to new possibilities and breakthroughs.

Remember, experimentation is not about striving for perfection but rather about exploration, growth, and self-discovery. Allow yourself permission to play and to fail, that’s sometimes more educational than nailing it on the first try. It is through trial and error that you will uncover techniques, approaches, and visual elements that resonate with your artistic vision. So, let go of inhibitions, take risks and allow yourself to embark on an exciting and transformative creative journey through experimentation.

Happy shooting and exploring!

In case you missed it:

 A guide to finding your photography style: Part one

A guide to finding your photography style: Part two

The Best Photography Festivals Open This July

Gibellina Photoroad Open Air & Site-specific Festival, Les Rencontres d’Arles, Noorderlicht International Photo Festival, 6th Annual Latin American Foto Festival, and Ragusa Foto Festival are among the festivals worth visiting this month.

Gibellina Photoroad Open Air & Site-specific Festival / Gibellina, Italy / 28 July – 30 September

Located in the public, open-air space of the Southern Italian town of Gibellina, the Festival yearly questions how photography can take shape in urban sites. Gibellina itself can be considered an open-air contemporary art museum, where works of art and architecture by Alberto Burri, Arnaldo Pomodoro, and Joseph Beuys among others became part of the city after a major earthquake that hit Western Sicily in 1968: Gibellina Photoroad virtuously locates itself in this context, stretching the boundaries of the interaction between public space, art, and the public.

In its third edition, titled Land of Imagination, Gibellina Photoroad points to the concept of alteration in music theory – the temporary suspension of the strict rules of the tonal system. Therefore, the more than 30 exhibited projects look at the breaking of rules as a space for freedom: works by Nicolò Degiorgis, Charles Fréger, Salvatore Di Gregorio, SMITH, Clément Lambelet, Gloria Oyarzabal, Francesco Zizola, Marta Bogdańska, Luca Massaro and Anna Merci, Kensuke Koike, Matteo De Mayda, Mishka Henner, and many more explore an array of topics that spans from migration, decolonization, the territory of Sicily and the American dream, to the lack of and longing for the stars, the figure of the savage, and speculative climate simulations. 

Check the Festival’s website to be updated on the upcoming opening events program.

Les Rencontres d’Arles / Arles, France / 3 July – 24 September

Since 1970, the Arles’ festival leads the European scene of contemporary photography exhibiting established, internationally known artists while championing new emerging work every year. This edition’s theme A State of Consciousness addresses the unignorable urgency of climate change, with an exploration of the Arlesian territory and its ecosystem being carried in industrial areas by Mathieu Asselin, along the Rhône by Tanja Engelberts, through Camargue by Sheng-Wen Lo, and exhibited at the iconic location of Monoprix. Their analysis of the French territory is accompanied by Eric Tabuchi and Nelly Monnier’s Grey Sun, moving on from their long-term work Atlas des Régions Naturelles, and Yohanne Lamoulère’s exploration of river Rhône on a boat built from salvaged materials named Anita. Looking abroad we find, among others, Gregory Crewdson’s Eveningside, exhibiting three bodies of work made between 2012 and 2022; the collective show Søsterskap, highlighting the role of photography in the Nordic countries by looking at the welfare state from an intersectional feminist perspective; and Hannah Darabi’s Soleil of Persian Square, a study of the visual identity of the Iranian diaspora in Los Angeles through the making-of of a fictional city.

As every year, a highlight of the French festival is the Louis Roederer Discovery Award exhibition, showcasing the work of the prize’s ten shortlisted emerging photographersLina Geoushy and Ibrahim Ahmed offering new iconographies of masculinity and womanhood through the archive, Philippe Calia commenting on the authority and narratives of Indian museums, Hien Hoang building a counter-image to popular tropes of Asian culture as seen by Western society, and many more. 

Check out the festival’s website to read more about the exhibition program, leading book fair, and rich events program taking place in the opening week. 

Noorderlicht International Photo Festival / Groeningen, Friesland and Drenthe, The Netherlands / 23 June – 10 December

Since 2021, the festival is a biennale for the three northern provinces of the Netherlands, carrying forward its goal of operating on the cutting edge of artistic experiment and social urgency. With this year’s theme, Regenerate, Noorderlicht Festival explores the changes society must face, aiming for reciprocal relationships between people, other living beings, and technological achievements. The main exhibition is located at Museum Belvédère, and features work that invites us to reflect on our action’s impact on the environment, and on the interconnectedness of our lives.

Misha Vallejo Prut’s Secret Sarayaku depicts the daily life of the indigenous Kichwa community, centered around the assumption that nature is a conscious entity where all elements have a spirit of their own, Angela Blazanovic’s Fragments of a River looks at discarded objects on the banks of River Thames as the starting point for an exploration of the territory and a reflection on pollution, Ole Witt’s Food Sync tackles food tech and the radical need for changing our food culture: this and much more is be at the core of the Dutch festival, also including a side programme of complementing projects issued from various collaborations.  Find out more on their website.

6th Annual Latin American Foto Festival / 13 July – 30 July

The Bronx Documentary Center (BDC) will hold its Latin American Foto Festival this year for the 6th time, displaying the works of emerging and established photographers from Bolivia, Colombia, Chile, Cuba, Mexico, Peru, and Venezuela throughout the South Bronx’s Melrose neighborhood.

Trans rights in Catatumbo, one of the areas with the greatest presence of armed groups in Colombia; a Afro-Bolivian music and dance that works as a vessel for the community’s story of travelling and suffering, a social project bringing photography and representation issues to vulnerable youth in Caracas, the Peruvian mining boom and its contribution to the melting of the Quelccaya Ice Cap, the lack of government efforts to find disappeared women in Peru, and femicides in Ciudad Juarez from 2005 to 2022 are just some of the pressing social issues raised by the long-term projects on show.

Additionally, in-person workshops, tours, discussions, and other community events will be held, comprising a public program of panel talks and screenings. More information is to be found on their website.

Ragusa Foto Festival / Ragusa, Italy / 20 July – 27 August

Attentive to the Sicilian territory and the issues affecting the Mediterranean Sea, Ragusa Foto Festival has been active since 2012. This year, the word relations is at the core of the exhibited works: what kind of relationships is photography able to establish?

Nine exhibitions have been announced so far, and more are yet to come: Davide Monteleone’s Sinomocene analyses the movement of capital as tied to geopolitical strategies, Alessandra Calò’s Herbarium stems from the archival exploration of an unknown herbarium to then develop into a collaborative project involving a group of six people, Federica Belli’s How far is too close to the heart? is a search for empathy and acceptance, Ruben Brulat’s Porosité creatively dialogues with the Etna volcano through performance, Lisa Sorgini’s Behind Glass investigates maternity within the domestic space, Carlotta Vigo’s Mare Dentro documents the relationship between Sicily and fish tradition, Andrea Camiolo’s For a possible landscape addresses the impossibility of actually represent a place, Sara Grimaldi’s Ho visto Nina volare looks at the combination of two psychological disorders, and Corazonada by Giulia Gatti relates to Mexican femininity through rituals, erotism, and magic.

Find out more on Ragusa Foto Festival’s website.

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ALSO OPEN THIS MONTH:

Backlight Photo Festival / Tampere, Finland / 3 June – 15 October

One of the oldest international photography festivals in Northern Europe, Backlight has been organised every three years since 1987 in the city of Tampere, Finland. Themed Cruel Radiance, the 2023 edition of the triennale questions the evidentiary power of photography, and the way matter can work as a record of violence: from particle pollution to legacies of nuclear weapons and residues of the mining industry, from environmental damage in Iran to image technologies looking at immigrants, this edition of Backlight is a material repository where violence can be a slow cumulative process as much as an abrupt conflict. Find out more on their website.

Rencontres De La Photographie En Gaspésie / Gaspésie-Îles-de-la-Madeleine, Canada / 15 July – 30 September

Les Rencontres de la Photographie en Gaspésie are an annual summertime event presenting exhibitions, installation and public events in the Gaspé peninsula. Themed On the moose’s potentially fatal unpredictability, this 14th edition will showcase the work of sixteen artists from Québec and abroad, presented for the most part outdoors. Among them will be Chieko Shiraishi’s work observing and following a herd of deer in between frozen lakes and dry woodlands, Sarah Boutin’s documentation of loss, Zaynê Akyol’s work on women soldiers from Kurdistan, and Roselena Ramistella’s journey on the back of a mule, potraying ancient and yet alive rural habits in Sicily. Explore the program of Les Rencontres on the festival’s website.

PHotoESPAÑA / Madrid, Santander, Cantabria and other locations, Spain / 31 May – 3 September

A rich program of exhibitions, workshops, walks, and other activities featuring artists such as Joan Fontcuberta, Bernard Plossu, Roni Horn, Rehab Eldalil, Seif Kousmate, Bleda y Rosa, Fina Miralles and many more will be spread across the Spanish capital and other key locations for the 2023 edition of this international meeting point for photography, which has been active from 1998. Find out more on their website.

Poet Laureate’s Prize winners, finalists named

Poet Laureate’s Prize winners, finalists named
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ATLANTA – Georgia high school student winners and finalists of the 10th annual Poet Laureate’s Prize were recently announced.

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Georgia’s Poet Laureate, Chelsea Rathburn, in collaboration with Georgia Council for the Arts, announced the winner and finalists of the 10th annual Poet Laureate’s Prize. The prize is awarded for an original poem written by a Georgia high school student. This annual program is designed to encourage students in grades nine through 12 to write original poems and engage in the art form of poetry.  

This year, more than 200 students submitted poems for the 2022-2023 school year, and the students’ grade levels noted below reflect that time period. 

2023 WINNER POET LAUREATE’S PRIZE 
Eniola Badejo – “Right Here” 
Grade 12, Hillgrove High School 
Powder Springs, Cobb County 

2023 FINALISTS POET LAUREATE’S PRIZE  
(listed in alphabetical order by last name) 

Isabella Fonseca – “Prism” 
Grade 12, Harrison High School 
Kennesaw, Cobb County 

Andrea Lam – “Morning Anemoia” 
Grade 12, West Forsyth High School 
Cumming, Forsyth County 

Celina Simone – “The Habits of Strawberries” 
Grade 10, Lambert High School 
Suwanee, Forsyth County 

Jeonghyeon (Erica) Yun “Music Box Ballerina” 
Grade 12, McIntosh High School 
Peachtree City, Fayette County 

“Judging the Poet Laureate’s Prize is a difficult yet rewarding task. Along with celebrating our winner and finalists, I want to recognize the talents and techniques of the fine young poets across the state,” said Georgia Poet Laureate Chelsea Rathburn. “As I read and re-read this year’s entries, I could hear so many individual voices and unique stories, reminding me once again of poetry’s power to connect people across time and space.” 

Through a partnership with Atlanta Magazine, all winning and finalist poems are featured on its website. To read the poems, click here. 

“Georgia’s Poet Laureate’s Prize has been encouraging participation in the arts for the last 10 years, and we are always amazed by the ingenuity, creativity, and talent of students across the state,” said Georgia Council for the Arts Executive Director Tina Lilly. “Art is about self-expression, and every student who participated in this year’s contest embraced the challenge of making a personal statement through poetry. We are thankful for the many teachers and schools who supported these students along the way.” 

All Georgia high school students are encouraged to participate in this annual competition. Details about the 2024 competition will be available on the Georgia Council for the Arts website in fall 2023. The annual submission deadline is at the beginning of spring. Click here to learn more about the program. 

About Georgia Council for the Arts 
Georgia Council for the Arts (GCA) is a strategic arm of the Georgia Department of Economic Development whose mission is to cultivate the growth of vibrant, thriving Georgia communities through the arts. GCA provides grant funding, programs, and services statewide that support the vital arts industry, preserve the state’s cultural heritage, increase tourism, and nurture strong communities. Funding for Georgia Council for the Arts is provided by appropriations from the Georgia General Assembly and the National Endowment for the Arts. Visit gaarts.org for more information. 

About GDEcD 
The Georgia Department of Economic Development (GDEcD) is the state’s sales and marketing arm, the lead agency for attracting new business investment, encouraging the expansion of existing industry, locating new markets for Georgia products, attracting tourists to Georgia, and promoting the state as a location for arts, film, and digital entertainment projects, as well as planning and mobilizing state resources for economic development. For additional information, visit georgia.org

Local photographer’s work showcasing life in downtown Fargo on display at Broadway Square

Local photographer’s work showcasing life in downtown Fargo on display at Broadway Square

FARGO — A local photographer’s collection of stark, black-and-white images taken here in downtown are now on display for the public in the heart of that very same subject.

W. Scott Olsen’s

photos that are intended to show what it’s like to live in Fargo are being displayed at Broadway Square before public events like Movies at the Square.

He initially proposed the idea to Broadway Square manager Ana Rusness-Petersen last summer, and she jumped at the chance to showcase art by a local talent.

Olsen provided a new collection of images this summer, and he plans to refresh the set in July and again in August.

The images depict everything from portraits to weather to architecture, Olsen said, and the majority of them were taken between Roberts Street and Fifth Street North.

Even though he’s been photographing Fargo for decades,

Olsen said he’s never short on inspiration.

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“I’ve lived here since 1987, so I have a familiarity with the town which aids in being able to anticipate where these photos will come along,” he said. “Street photography is a time-honored genre in photography that is really a blend of anthropology and ethnology. Above all, it is a real act of love and respect for the town I call home and a way to document what it is like to live here.”

Even with his familiarity, Olsen said he still finds himself surprised by certain photos.

“I didn’t get this shot, but I saw a woman caught in a wind storm and she was holding a batch of balloons; I wasn’t quick enough to get my camera out for that one,” he said. “One morning, the light was coming through a gap between buildings that illuminated them in a way I’d never seen before. It was all just light and shadows, but I was mesmerized.”

Other times, Olsen will see surprises in a photo after he’s taken it, like one in the current collection where the main subjects of the photo are a couple. However, once he snapped the image, Olsen saw that two people in the background appear to be a couple “disinterested in one another.”

Once he chatted with all the subjects, Olsen learned that the two people in the background “had nothing to do with each other.”

“The woman was waiting for her husband, and the guy was just walking through, yet there’s a story there in the image that I didn’t see when I shot it,” he said.

The collection is entirely in black and white — Olsen’s preferred style.

“It’s timeless, but not in the sense that the images are iconic, but rather that they are more generalized than color images,” he said.

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In addition to his photography work,

Olsen teaches English and multimedia journalism

at Concordia. His work is frequently showcased throughout the community by various organizations, such as a

collection he assembled last year of ghost signs in downtown.

The next opportunity to check out Olsen’s collection will be before “Movies at the Square” on Thursday, July 6.

Danielle Teigen has a bachelor’s degree in journalism and management communication as well as a master’s degree in mass communication from North Dakota State University. She has worked for Forum Communications since May 2015, first as a digital content manager before becoming the Life section editor and then deputy editor. In 2020, Danielle recently moved back to her hometown in South Dakota, where she works remotely for Forum Communications as managing editor of On the Minds of Moms as well as writes occasional news and history stories.

Sperrin Sculpture Trail a “giant” success – Highland Radio – Latest Donegal News and Sport

Sperrin Sculpture Trail a “giant” success – Highland Radio – Latest Donegal News and Sport
The Sperrins Sculpture Trail consists of a trio of giants made from European Oak and natural preservatives. Located at Cranagh, Mullaghcarn and Davagh Forest, the aim of the project is to drive local tourism and to promote the popular area. The trail was designed and constructed by Copenhagen based artist Thomas Dambo. The project will … Sperrin Sculpture Trail a “giant” success Read More »