Art at the Market winners announced

Art at the Market winners announced
image

On Saturday, July 15, Downtown Blacksburg, Inc. presented the annual Art at the Market event. This popular annual Art show and sidewalk exposition of unique works featured abstract acrylics, collage, flowers, wood, still life, photography, and metal work. Mimosas and breakfast plates were available from downtown business Champs Sports Bar. Children’s activities were provided by The Art Factory. Live music was provided by Fats Holler and MA’AM.

Brian Holcombe and Laura Higgins from the Moss Arts served as the judges for the show this year. Brian Holcombe is curator for the Moss Arts Center. With visual arts experience spanning nearly two decades, curator, artist, and educator Brian Holcombe joined the Moss Arts Center as its curator in 2021, leading the center’s year-round program of art exhibitions and related educational and engagement activities in its galleries and public spaces.

Laura Higgins is the exhibitions program manager for the Moss center.

People are also reading…

Working in Atlanta, then New York, manager Laura brings over 20 years of creativity and skill to the galleries at the Moss. Laura joined the team in 2022 and works to bring the community together through the arts.

Art at the Market was presented by Downtown Blacksburg, Inc. with sponsoring support from New River Art and Fiber, Moss Arts Center, Matrix Gallery, New River Osteopathy, and Steve Jacobs.

Prizes were awarded in two categories as follows- two dimensional and three dimensional works.

2-D category:

1st: LAC Studio—Lisa Acciai

2nd: Blake Gore Miniature Art

3rd: Douglas Cave

Honorable Mention: Kelsie Brumet

3-D category:

1st: Charity Hall Designs

2nd: DSF Ceramics

3rd: Anvil Fire and Time

Honorable Mention: Jack of All Creative

Winners received ribbons and checks: first place $100, second place $50 and third place $25.

The Roanoke Times

Todd Jackson (540) 381-1678

todd.jackson@roanoke.com

Nashville Black Art Market gives a platform to diverse artists

Nashville Black Art Market gives a platform to diverse artists

It can be difficult to make it in the art world, which is why one Nashville woman set out to create an art show and market featuring diverse local artists.

The Nashville Black Art marketwas founded last year with the goal of giving new artists a platform to sell their work.

Co-founder, Britney Drake, said the first market featured only a handful of artists and over the months the event has kept growing. The market is now held quarterly and features about 30 artists each time.

She said it’s all about empowering people to believe in their talents.

“Starting off as an artist I wasn’t super confident that I could even sell my work. So, giving other people the space to sell their work, especially for the first time, it just feels amazing,” she said.

The next market will be held September 2nd.


Get NewsChannel 5 Now, wherever, whenever, always free.

Watch the live stream below, and download our apps on Roku, Apple TV, Amazon Fire TV and more. Click here to learn more.

Creators of Camera+ have a new pro photography app for the iPhone

Creators of Camera+ have a new pro photography app for the iPhone
If you’re a long- time iPhone user, you might remember the Camera+ app. Users would install the app and use it instead of the native iOS photo app when taking photos. It featured basic and advanced editing tools, special effects, lighting filters, and the ability to integrate with social media platforms such as Twitter, Facebook, and Flickr. In March 2012, the app received a major update.
Now here we are in 2023 and the same developer behind Camera+, LateNiteSoft, has a new camera app called Photon. The website says that Photon will give you “all the control you need to create powerful professional photos.” Before snapping away with your iPhone’s camera, Photon will allow you to adjust the focus, shutter speeds, ISO settings, and white balance.

Advanced settings like Focus Peaking show you exactly where the lens is focusing. Different formats are supported including HEIF, JPEG, ProRAW, and RAW. With the iPhone 14 Pro and iPhone 14 Pro Max, Proton will allow users to choose between 12MP and 48MP shots when using the primary Wide lens. With Session Preview, users can get a look at the photos they just took and quickly delete the ones they don’t like and share the images they do all without leaving the app.

LateNiteSoft’s Product Manager Noël Rosenthal spoke with TechCrunch and said “Photon is the product of our more than 10 years of experience in the photography business, without all the baggage. We took the time to rethink every aspect of the shooting experience, considering all of the feedback we’ve received and the impacts of all of our choices in the past. What we have produced is, in our eyes, simply the best, most intuitive, accessible, but powerful way to shoot photos on the iPhone.”
Users can employ Photon’s auto mode for free but if they want to use the pro features it will cost them $3.99 per month or $19.99 per year. For a limited time, the developer is offering a lifetime subscription for $39.99. There is a seven-day trial for the app. If you want to install Photon Camera on your iPhone, click on this link to download the app from the App Store.

Market blends art and produce

Market  blends  art and produce

AUSTINTOWN — People found countless ways to deal with the upheaval and high stress and anxiety associated with the COVID-19 pandemic, but Linda O’Neill found a diamond in the rough — or, more precisely, many of them.

“I’ve been doing this since the pandemic hit. I’ve done 240, and I take orders,” O’Neill, of Liberty, said.

The 240 she referred to denotes the number of diamond-based paintings she has carefully created during the health crisis. She had a few dozen of the artwork pieces for sale during Saturday’s artisan farmers market in Austintown Township Park, 6000 Kirk Road.

Typically, the biweekly gatherings draw 24 to 30 vendors, and they will continue for several more Saturdays in August and September, Stacey Willis, event coordinator, noted.

For her works, O’Neill, who named her business Just Shenanigans, establishes numbered color codes and works row by row. Then she uses a dough cutter to run down the lines of diamonds to ensure they’re straight before adding a specialized glue to give the crystals an added glittery look then adding the frame for them to be hung.

O’Neill has crafted such works to represent all of the NFL teams, with her favorite being the Green Bay Packers. On the more sobering side, she made a piece depicting the World Trade Center with an American flag wrapped around the north and south towers. She also has made many to honor veterans and those currently serving in the military.

“All of my Cleveland Browns are gone,” O’Neill said, adding that the Ohio State Buckeyes is the only college football team for which she’s designed and framed a diamond-filled piece.

O’Neill, who works at Walmart in Liberty, also has spent about 20 years creating sports- and holiday-themed wreaths, some of which she was selling Saturday. In addition, she spent the pandemic making an estimated 400 masks.

Crafting rocks was more the calling for many children that included siblings Ryland and Reghan Koch, 10 and 13, respectively, as well as Bryce Clay, 10, and Liam Hoover, 12, all of Austintown.

They and others painted the rocks as part of an ongoing project to build a snake figure from the rocks “to see how long we can make it grow,” said Willis, who also thanked the Austintown Home Depot store for donating 12 bags of rocks.

Of course, offering healthful food choices was part and parcel of Saturday’s farmers market, and that included a tent under which Tim and Julie Klaus of Austintown were selling varieties of microgreens.

“They’re basically your pre-vegetable of a full-grown vegetable,” Tim Klaus said. He, along with his wife, runs Wholly Organic Microgreens.

An inherent value of the greens is that their small size contains a high density of nutrients — considerably greater than those found in mature vegetables such as broccoli, where nutrients are more spread out and can be somewhat depleted, Tim Klaus explained.

The couple, who are local growers, harvests the microgreens once per week. At the farmers market, they had for sale small sunflower, pea, beet and broccoli varieties, as well as a crunchy mix.

Health benefits of microgreens include boosting one’s immune system, reducing inflammation, contributing to weight loss, reducing the risk of chronic diseases and improving one’s gut health, he continued.

The husband and wife team began growing their product in March. They also use organic dirt, fertilizer and seeds with water, Tim Klaus said.

“I’m eating a lot more veggies and beans. Moderation is the key,” said Cindy Evans of Austintown, who stopped by the Klaus’ tent.

Other vendors at the farmers market included Saltlick Flower Farm in Salem, Tammy Hill Designs LLC and Fudge Jubilee.

If you go …

WHAT: Artisan farmers markets

WHERE: Austintown Township Park’s Pogany Pavilion, 6000 Kirk Road, Austintown

WHEN: 9 a.m. to 2 p.m. Aug. 5 and 19 as well as Sept. 9, 16 and 23

ADMISSION: Free

Today’s breaking news and more in your inbox

Africa unmasked at the Tate: The continent through its own lens

Africa unmasked at the Tate: The continent through its own lens
Aïda Muluneh's Star Shine, Moon GlowAïda Muluneh

A remarkable new exhibition showcasing contemporary African photography – looking at Africa’s past, present and future through the lenses of artists from the continent – has opened in London.

One of the largest exhibitions of its kind ever staged, this thrilling new collection at the Tate Modern features beautifully powerful photographs, videos and installations that capture the essence of the realities of the fastest-growing continent in the world.

It eschews a view of Africa that has historically been defined by Western images.

Mozambican Mário Macilau's Breaking News

Mário Macilau

British-Ghanaian curator Osei Bonsu has taken a thematic approach to explore the complex diversity of the vast continent through the eyes of 36 artists from Africa and its diaspora.

These include legendary artists such as Malawi’s Samson Kambalu and Ghanaian James Barnor, and new talents like Aïda Muluneh from Ethiopia, whose work Star Shine is above, and Ruth Ossai, who grew up in Nigeria and Yorkshire, in northern England.

Installation view, A World In Common: Contemporary African Photography at the Tate Modern 2023

Tate/Lucy Green

Bonsu has divided the more than 150 works on show into three “chapters”: identity and tradition, counter histories and imagined futures, taking the viewer on a thrilling journey from Kinshasa’s bustling streets to the deserts of Mauritania.

The show uses photography, video and installation to map out the possibilities of Africa in exquisite, complex, revealing ways.

Kudzanai Chiurai's We Live in Silence IV

Kudzanai Chiurai

1px transparent line

The task of distilling the complexity and diversity of this expansive continent is no small feat. But through his deft curation, Osei has pulled off a visual feast, creating a vivid tapestry that thrusts contemporary African art firmly into the global centre.

Speaking to the BBC, he explained how his thematic approach allows examination of how the continent’s “shared histories” – from its colonial experience to post-independence revolutionary movements and its urban future – had “shaped and reshaped” how people in Africa see themselves and their place in the world.

Photo from Wura-Natasha Ogunji's Will I still carry water when I am a dead woman

Wura-Natasha Ogunji/Ema Edosio

The exhibition’s title, A World in Common, is inspired by the work of the pioneering Cameroonian historian and intellectual Achille Mbembe, who argued that we must think of the world from an African perspective. His ideas provide the intellectual thread that runs through the exhibition, offering a bold invitation to reconsider how we view the place of Africa in the world.

Installation view of Nigerian photographer Andrew Esiebo's Mutations (2015-2022) at the Tate Modern

Tate/Lucy Green

By featuring many artists for the first time internationally, the Tate Modern puts emerging African talent centre stage in a museum so crucial in setting the world’s artistic agenda.

One artist featured is the British-Nigerian, Zina Saro-Wiwa. Her work, The Invisible Man Series, 2015, explores the tradition of mask-wearing among the Ogoni, her ancestral ethnic group in the Niger Delta of Nigeria.

Zina Saro-Wiwa's The Invisible Man Series

Zina Saro-Wiwa

Her work unpacks the role masks traditionally play in Ogoni culture and is also an ode to a more personal and emotional journey. “I made this work to help me heal myself,” she told the BBC.

Her intimate, mournful and beautiful images demonstrate the power of art to bridge the past and the present, the group and the individual.

Another artist shown is the Angolan artist Kiluanji Kia Henda, whose work titled Rusty Mirage (The City Skyline), 2013, is a series of photographs of sculptures he created in the Jordanian desert.

Kiluanji Kia Henda's Rusty Mirage (The City Skyline, 2013) at the Tate Modern

Kiluanji Kia Henda/Mark Heathcote

These sculptures look like the outlines of cities emerging from barren desert lands. Inspired by the cityscapes of Dubai and Luanda, the capital of Angola and the city of his birth, Kiluanji told the BBC that he was interested in exploring the “idea of emptiness”.

He explains how Luanda, wrecked by one of Africa’s longest civil wars, from 1975 to 2002, was reimagined as a city of glistening towers.

He says many buildings have gone up unfinished, infamously including the town of Kilamba Kiaxi, but these buildings are “monuments to greed and corruption”.

Another featured artist is Eritrean-Canadian Dawit L Petros, whose work speaks powerfully of the perilous migration journeys taken by many young people across Africa.

Dawit L Petros's Untitled (Prologue II), Nouakchott, Mauritania

Dawit L Petros

His images highlight the contrast between Mauritania and the Italian island of Sicily, shedding light on the intricate realities of migration.

Dawit L Petros's Untitled (Epilogue III), Catania, Italy

Dawit L Petros

This is just the beginning for Osei, who hopes someday that an exhibition like this could travel to Africa and beyond.

For now, he wants this dazzling show to “inspire” those on the continent and elsewhere to look with African eyes.

Installation view of Angolan photographer Edson Chagas's Tipo Passe (2014) at the Tate Modern

Tate/Lucy Green

Ismail Einashe is a freelance journalist based in London and Nairobi and the author of Look Again: Strangers, a book exploring migration through the lens of art.

Images subject to copyright

More Letters from Africa:

Follow us on Twitter @BBCAfrica, on Facebook at BBC Africa or on Instagram at bbcafrica

A composite image showing the BBC Africa logo and a man reading on his smartphone.

Related Topics

Around the BBC

Related Internet Links

The BBC is not responsible for the content of external sites.

Anonymous Sydney photographer captures Iceland’s erupting volcano

Anonymous Sydney photographer captures Iceland’s erupting volcano
An anonymous Sydney photographer found himself with a front-row seat to one of nature’s most jaw-dropping natural spectacles on the other side of the world, and his photos are now receiving international acclaim.
The photographer, known only by his social media handle Lost Mtns, is based in the Blue Mountains, west of Sydney.
But this week he found himself photographing a different landmark when a volcano erupted in Iceland, south of the capital, Reykjavik.
Lost Mtns, from Sydney, had a front row seat to the eruption - and his work is receiving international acclaim.
Lost Mtns, from Sydney, had a front row seat to the eruption – and his work is receiving international acclaim. (Lost Mtns)

Lost Mtns told 9news.com.au it was a happy coincidence the volcano erupted when he had leave booked, but getting to the molten mountain was a journey in its own right.

“When I first landed I was stuffed,” he said, with a laugh.

“But I have learned my lesson in the Blue Mountains, if you wait, if you’re tired, nature changes.

“I had just been in a family’s kitchen in Abu Dhabi in the desert, then I was in Paris, and then I landed, but tired I decided to go straight to the volcano”.

With it's red hot volcanoes and soaring glaciers, Iceland is often refered to as the land of ice and fire.
With it’s red hot volcanoes and soaring glaciers, Iceland is often refered to as the land of ice and fire. (Lost Mtns )

Jetlagged, he made his way to the car park closest to the volcano and met two locals who insisted they knew where the crater was.

“Worst mistake of my life, we got lost,” Lost Mtns said.

“At the end of the day I did 52 kilometres, carrying gear at least 20 kilos.

“I had everything.”

But the sight he was met with was “absolutely phenomenal”. 

Lost Mnts managed to capture incredible footage of the eruption, including a birds-eye view of bubbling lava.
Lost Mnts managed to capture incredible footage of the eruption, including a birds-eye view of bubbling lava. (Lost Mtns)
“The emotions were really raw and powerful,” Lost Mtns said.

“To fly over it and feel the force of it was just absolutely incredible.

“Words just don’t do it justice. There’s nothing man-made that could contain it, nothing man can do could stop lava.”

The very next day, the car park closest to the volcano closed due to the threat of poisonous gases.

Tonga volcanic eruption

Largest volcanic eruptions in the world

The recognition

After trekking to the volcano by foot, and flying over it on a helicopter days later, Lost Mtns decided to enter photos in a competition held by two renowned photographers: Chris Burkard, from the US, and Benjamin Hardman, from Australia.

Burkard, has had his work showcased in National Geographic, and together with Hardman, decided to select a limited number of community-sourced photos of the eruption to hang in a gallery they co-own together in Reykjavik.

Lost Mtns' close-up of bubbling lava will be hung in a gallery co-owned by two renowned photographers; Chris Burkard and Benjamin Hardman
Lost Mtns’ close-up of bubbling lava will be hung in a gallery co-owned by two renowned photographers; Chris Burkard and Benjamin Hardman. (Lost Mtns)

The funds raised will be donated to the Icelandic Association of Search and Rescue (ICE-SAR).

One of Lost Mtns’ photos has made the cut.

“I met Lost Mtns a few days ago at the gallery and really admired his work and approach to photography and travel in the Blue Mountains,” Hardman, who is from Perth, told 9news.com.au.

“His close-up image of the lava really struck my attention, the contrast of blue against the explosion of lava was the perfect abstract image to add into the exhibition collection.

“We have work from 25 photographers after an overwhelming volume of submissions. It’s incredible how much variety in artistic expression and composition can come out of three days of an erupting volcano.”

Lost Mtns' photo is currently hanging in an Icelandic gallery co-owned by two renowned photographers; Chris Burkard and Benjamin Hardman.
Lost Mtns’ photo is currently hanging in an Icelandic gallery co-owned by two renowned photographers; Chris Burkard and Benjamin Hardman. (Supplied)

Lost Mtns is still pinching himself, as he describes the pair as his heroes.

“Meeting them was huge,” he said.

“The top 25 photos will be printed and hung in the gallery for a few months.

“And this has ignited a volcano-chasing itch for sure.”

Sign up here to receive our daily newsletters and breaking news alerts, sent straight to your inbox.

Indigenous artists share their cultural traditions

Indigenous artists share their cultural traditions
image

The Red Wing community showed up to support Indigenous artists in Central Park.

Several Indigenous artists and business owners lined up their booths in the park for the Honoring Dakota project’s Indigenous Art Market. 

The event is a part of several community events this month to continue advancing the representation of Dakota people in Red Wing. 

Artists shared their skills in bead work, quill work, wall art, natural products and more. The artists and vendors took the time to talk with visitors about their processes and answer questions. 

The art market provided a great opportunity for the public to become educated on Indigenous cultures. 

Several of the products are made by hand and some of the artists were demonstrating their work throughout the day. It can take hours to complete the intricate details in some of the pieces. 

Each artist brought something different to art market. 

Dakota and Ghanaian sisters Rubia and Demetria Buck brough their intricate beadwork accessories to the Indigenous Art Market. Their line Sota Scowi Designs features modern Native beadwork styles with Ghanaian elements to bring forth both parts of their identities. 

Work from Sota Scowi Designs even made an appearance at the Met Gala this spring, worn by Indigenous model Quannah Chasignhorse. 

“I’ve been selling jewelry since 2020 when the pandemic happened, but I had been beading long before that,” Rubia Buck said. “It’s just taken over my life… I’m not sure how I got here, but I’m really grateful.”

Powwow dancer, moccasin maker, beadwork and quillwork artist Jasmine Fiddler set up a booth as the Indigenous art market to share her work with the community. 

Fiddler hand-makes a majority of the products at Tipi Waste Win, known as Tipi Designs. 

“Art is a part of who we are as First Nation people,” Fiddler said. 

With encouragement from her community, friends and family, Fiddler began her business around three years ago with hopes to share the art, culture and history of her people.

Plant & People Relations– Nicky Buck

Plant & People Relations owner Nicky Buck started her company to teach others of the healing properties of traditional Dakota plant medicine and Indigenous food sovereignty. 80% of the plants were grown and harvested on Dakota land by Anpetu Wiohiyanpata, meaning Eastern Day Women.

“What I do is teach self sovereignty– so that’s food sovereignty and medical sovereignty,” Buck said. “I times my medicine cabinet by three in order to provide these products. All of these products were inspired because I needed them at one point.”

Indigenous artist Denis Gilbert Jr. is based in Minneapolis, he creates affordable beaded earrings and jewelry. 

“I like to have small, cheaper pieces so that people can afford to wear bead work,” he said.

Aside from his beaded studs, he also makes custom orders and pieces. His art is like a second nature to him. 

“I have been beading since I was a little kid. Over 20 years of beading, crafting and creating cultural items,” he said. “I made pieces for a lot of different people. I’m making one for Tribal Councilmen. I like to make things for people.”

Gilbert is Lac Du Flambeau Ojibwe and he enjoys sharing his culture through this form of art. 

Afton Josette Delgado is Oglala Santee and Sisseton-Wahpeton, and she is a digital artist that incorporates cultural design in her work. 

“I take inspiration from traditional designs and I combine that with a contemporary element,” she said. “I feature some unusual colors, a lot of what we traditionally see in art, as well as contemporary Dakota, is formed by what materials we have available, going along the same main as that is taking advantage of pallets that we have on creator, illustrator, pro-create and whatever I’m working with.” 

Delgado started her digital art when she was working from home during the beginning of the COVID-19 pandemic. Like Gilbert, she wanted to find a way to make her art affordable. 

“I started making prints when I started working remotely, I worked to find a middle ground for people to afford different prints and art,” she said.

Mat Pendleton is from the Lower Sioux Indian Community, he specializes in quill work.

He learned his craft through a master class, and now teaches youth the art of quill work. 

“I have been doing this almost 10 years now. There is a non-profit in Morton, Minnesota, and they brought in a master quill worker and taught me how to do it in eight months,” he said. “Then I went through three more classes as a student teacher with him and now I teach.”

Pendleton will be returning to the culture camp and will be doing quill work with the kids. 

He shared his process, the quill work can take several hours for one pair of earrings.

“You get the quills and you clean them, which takes a couple of hours. Then you wash them and dye each color from five to 30 minutes, then you sort them which can take a while,” he said. “Once you cut the rawhide out, then you wrap them and each one of the earrings can take anywhere from 10 to 30 minutes. It is a long process.”

The process he uses and the resources used can be reflected back to what his ancestors originally used. 

“Porcupines are what we decorated our clothes and our ceremonial items with before there were beads and now we use them to make jewelry,” he said. 

This Kinetic Sculpture Provides an Elegant Metaphorical Reflection on Environmental Impact through Dots

This Kinetic Sculpture Provides an Elegant Metaphorical Reflection on Environmental Impact through Dots
https://vimeo.com/838294799 Our contemporary lifestyles have undeniably left a negative mark on the environment. Despite the ongoing discussions and awareness campaigns, it seems that these efforts have failed to significantly influence the lifestyle choices of the masses. “The Dots,” an interactive installation by Jack Lee, serves as a metaphorical representation, showcasing the undeniable impact of human

Youth ‘artrepreneurs’ showcase talent at Albany Museum of Art pop-up market

Youth ‘artrepreneurs’ showcase talent at Albany Museum of Art pop-up market
image

ALBANY — Stephen Etherton said he likes to take inspiration from his surroundings when creating art. He often incorporates random objects he sees into his masterpieces.

The 12-year-old’s booth at the Albany Museum of Art’s Friday pop-up market was cluttered with canvases depicting tearful eyes or utilizing “danger zone” tape, a pencil sketch of a cat and a butterfly and colorful beaded magnets.

This page requires Javascript.

Javascript is required for you to be able to read premium content. Please enable it in your browser settings.

Recommended for you