Photography dreams become real for CNA

Photography dreams become real for CNA


Dylan Flores taking numerous photographs at the Taylor Swift concert in Denver. Courtesy photo.

TORRINGTON – Dylan Flores is a 21-year-old certified nursing assistant (CNA) who has spent a vast majority of his life right here in Goshen County.

Flores graduated from Torrington High School in 2019, and after recently being accepted into nursing school plans on becoming a fully registered nurse sometime in the very near future.

As Flores sat down with the Telegram to discuss other creative ventures, one could certainly see a future in health care for the young man. Still wearing his scrubs and yawning after a long night shift, Flores spoke with a tired, but positive and humorous tone that one would expect from a young, future nurse.

One would also guess while wearing a vibrant shirt, along with unique and intricate arm tattoos, this young CNA would perhaps have a creative, artistic side.

They would certainly be correct.

Although Flores is passionate and ambitious about healthcare yes, he in fact happens to be an aspiring photographer who is skilled at portraits, and has a deep interest in concerts in particular.  

Flores works as a freelance photographer for a publishing company in Denver by the name of Music Marauders, and has already been able to add several high-profile concert shows to his resume. The most recent of these shows happened to be Taylor Swift this last week.

“Concert photography is something I’ve wanted to get into, and it’s not that easy considering the area we are in,” Flores said. “I photograph concerts as much as I can because this isn’t the first [time]. I take as many opportunities to photograph as many concerts as I can. I love concerts as a whole, as well as photography. Putting those two aspects together just makes it very fun for me and just peaks my interest. I love being able to capture the best moments in a photo that are hard to explain in words. Photography is such a different form of art, and it is fun for me to be able to tell a part of a story for the artist by capturing that through a camera.”

Flores noted although getting to professionally photograph a Taylor Swift concert was quite the achievement, the process in doing so started off slow.

“We had reached out to her team in April and hadn’t heard anything back until the tenth,” Flores said. “When they had responded, they originally asked what our publication does, and if it just for reviewers or photographers. We told them that we do everything essentially, and it took them a few days to respond. But then they emailed me a whole itinerary of where to go to get my photo pass and all this jazz, so obviously I took that as a yes.”

It should be noted that the list of itineraries, credentials and other items sent to Flores from Swift’s management is not given to just anyone.

“It usually isn’t that easy getting a photo pass,” Flores stated. “It just sounds easy when that’s how it went, but a photo pass is where we were able to take pictures up close near the barricade, really close to the stage. It was only for the first three songs which was around 15 minutes. They also allowed me to photograph the opening acts. I got to photograph the show the first night, and then the second and final night I got to sit in row two behind the stage with some of my best friends.”

Flores obviously wasn’t the only photographer in attendance at the concert. Although he already has extensive knowledge and experience with concert photography, Flores took the opportunity to learn from other professional photographers in stride.

“One of the best things was being able to see the other photographers and their kind of style,” Flores said. “Just how they were photographing her and the opening acts, I think that was pretty cool. We only got a certain length from the stage that we could shoot from. Her stage was huge, and we could only shoot from the back from such a small space that 10 or 15 of us could work with. It was fun seeing how everyone’s photos were going to come out considering the length of space we had.”

Although one would argue Flores has endless potential as far as creating a successful career in concert photography, he is well aware that such a venture is challenging, and nothing is going to come easy.

“It’s not something that can just be handed to you. I have tried to work my butt off to shoot a show this big before, and it’s just something that you have to work hard for. I know it’s cliché, but if there’s one thing to get out of this is you can do anything you put your mind to. I was just looking at my Facebook from five years ago, and I saw a post where I was being talked down to about my photography. It’s just a cool thing to look back, and now photograph one of the biggest stars in the world.”

But just like with any endeavor, goal or dream, Flores made sure to point out that any success doesn’t come without help. Most of the time it involves a large amount of support and sacrifice from those closest to us.

“It helps to chase your dreams when you have such a loving and caring group of family and friends, who are always encouraging you to do what you love and to not stop doing it. Specifically, my mom, dad, grandma and best friends. Anyone who has always believed in me ever since I’ve started photography.”

F5: Steve Hoedemaker Shares His Most Treasured Possessions

F5: Steve Hoedemaker Shares His Most Treasured Possessions

Steve Hoedemaker, partner, AIA at Hoedemaker Pfeiffer, is a third-generation Seattle native whose life always brings him back to the region and his family farm located in the San Juan Islands. “Together with my brother and sister, I share a farm in the San Juan Islands that was purchased by our parents when I was two years old. I have lived many places, but this will always be home in its most profound sense,” he said of his most treasured possession. “It’s where the family has been married and buried, where we celebrate and escape. The farm is a gift my parents could barely afford when they bought it, and it has become a place that has value beyond all comparison.”

People and place play important rolls within Steve’s work. His practice weaves together architecture, interiors, and landscape to tell the layered stories of both through contemporary design and timeless traditions that are meant to last for generations.

In fact, if he were to try another creative field, Steve may pivot to writing. He shared that to him the practice runs somewhat parallel to architecture. “To me, writing and architecture are very similar; they use different mediums to create a journey, a specific sense of time and place. I like to ask my clients: What story do you want to tell yourself when you walk through the door of your house? What story do you want to tell your friends when they walk through the door? Using earth, stone, concrete, steel, wood, and glass, architecture is able to take a visitor on a narrative journey. It’s an absolute joy and privilege to help families tell their story, and to be able to go into detail with beautiful interiors and furnishings from Housewright, our shop that’s attached to our offices.”

Steve Hoedemaker

Steve got his start in the industry as an intern to Tom Bosworth while he finished writing his thesis. “I thought it would be a good idea to get some experience before moving on to one of the serious Seattle firms known for modern design. Tom enabled me to work with incredible families to create elegant, restrained retreats; I quickly felt his practice was a place I could stay and grow,” he said of his mentor.

“A few years later, Tom suggested I take over the practice; he hoped to create a platform on which I could build my career and for me to offer him a veil behind which he could back away without ever having to say that he was retiring. This agreement allowed both of us to become the beneficiaries of what he called “outrageous good fortune,” Steve divulged. “At 93 years old today, Tom continues to be an important voice in my life. He is a man of such elegance and wisdom, it would be hard to overstate his value.”

Now, Steve Hoedemaker joins us for this week’s Friday Five!

desk with notebook and small lamp overlooks a green hill through a window

Photo courtesy Wick

My hyperkinetic and incredibly creative friend Seth at Graypants has developed a light that is modern while referencing the past. It’s light that you can hold. It’s light that flatters faces while leaning into mystery. It’s ready to go camping or boating or to run down the middle of an elegant table. Fully portable and rechargeable, it makes good on Ingo Maurer My New Flame’s promise of a truly digital candle, while keeping the romance of warm, dimmable light alive.

abstract pottery

Photo: Andrew Giammarco

I am obsessed with Elias Scalise’s brutalist ceramic pieces. His wheel-thrown work shows a capacity for delicate touch, and his hand-built pieces have a propensity for muscular, irregular shapes. Both iterations benefit from his firing in an anagama wood-fired kiln and wood and ash glazing techniques.

styled wood covered bath with wood soaking tub

Photo: Ian Eland

3. Ofuro Soaking Tub

In my parents’ house, our bathtub was not deep enough to cover my whole body. Since being a grownup is, in part, about reminding ourselves that our childhood need not be how we live as adults, I have this fabulous cedar ofuro tub in my bathroom. It flows right over the top as you lower yourself in, keeping me immersed all the way up to the neck – perfection.

white and wood sailboat anchored in misty waters

Photo: Steve Hoedemaker

4. Sailing

With some friends, I share Norwester, a 1963 50-foot Kettenburg. I’ve always enjoyed how the water changes our perspective, allowing us to look back at the land from a new viewpoint. Sailing teaches you how to listen with your body, to understand what the wind and boat are communicating. It’s a unique kind of quiet, and has become the place I go to recharge and find inspiration. I can’t recommend it enough.

light-skinned man wearing a silver watch and wedding ring

Photo: Andrew Giammarco

5. My Grandfather’s Watch

Accessories become treasured design items, in part, when they carry a story. For example, I wear my grandfather’s Rolex. He bought it in the late ’60s shortly before his death, and as the youngest of his grandchildren, I am the only one who has no memory of him. When I was 18, my uncle gave me his watch. I have now worn it much longer than he ever did, but it has always felt like a pertinent and personal reminder of him, and it has become a piece I love.

Work by Steve Hoedemaker:

the facade of a home built into a hillside at dusk with lights lit within

Decatur Island Residence Inspired by its site in the San Juan Islands, the team conceived of the new home as a series of simple stone volumes growing naturally from their surroundings. The steep slope and a road directly behind it suggested a stone plinth and stone wall form the base and rear of the house. A pair of massive stone fireplaces rising together within the home’s interior enhanced the concept, separating the main level into public and private realms flanking a central stone staircase. The extended plinth, finally, allowed the interior spaces to flow beyond the building envelope into a seamless outdoor living area with spectacular views. A simple shed roof covering this humble pavilion tips low in front to protect it from the southern summer sun while offering prime real estate to a photovoltaic array above. This window system, while offering sweeping views of Puget Sound and opportunities for passive solar heat, also hides the building’s most complex structural feature – a full-height steel moment frame stretching more than 55 feet across the entire façade. Now described as a personal sanctuary, it invites nature inward without sacrificing privacy. Photo: Kevin Scott

home kitchen with wall of paned windows and island

Decatur Island Residence Photo: Kevin Scott

exterior of spanish-inspired home

Rudolph Project This house was initially designed and built by Lionel Pries in 1930. Our clients came to us with a desire to improve the inherent qualities of the house while also imparting a modern aesthetic. Additionally, the house was in significant need of floorplan rework to improve circulation and spatial connections for modern living. Hoedemaker Pfeiffer drew from our favorite elements of Spanish and European design to create a unique aesthetic that felt true to the original house. A significant addition was added at the back of the structure to make space for a larger kitchen, new sunroom, butler’s pantry, and an additional bedroom suite on the second floor. New materials such as steel windows, brick, and clay roof tile were carefully selected to blend in with the existing materials of the house. Sitting among colorful artworks from a variety of periods and genres, the vibe of the home is far from conventional. Photo: Haris Kenjar

looking into a dining room from a dark butler's pantry

Rudolph Project Photo: Haris Kenjar

styled open living space with sofa, armchairs, and tables

Rudolph Project Photo: Haris Kenjar

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Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

Three to See Friday: Busyrawk’s tribute art, Public Night Market and Secret Invasion

Three to See Friday: Busyrawk’s tribute art, Public Night Market and Secret Invasion

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Jina Mahsa Amini mural: The city’s last-standing legal Free Wall along the 95 Street and 105 Avenue LRT exit portal is a place where aspiring street artists can hone their aerosol skills without worrying about a lookout. Exceptional tributes sometimes pop up here, as local activist-artist AJA Louden has shown us with his portraits of Worf and the late Joey Moss. Currently, the glowing nucleus of beauty is self-taught South Korean artist Busyrawk’s glorious tribute to Jina Mahsa Amini, who died post police brutality for refusing to wear a government-ordered hijab in Tehran. These walls are always impermanent, so make your way while it’s still around. See more of Busyrawk’s tremendous work on the nearby Bissell Centre and at Baiju.

Busyrawk art
Detail of Busyrawk’s Bissell Centre’s Dearly Missed mural at 10530 96 St. Photo by Fish Griwkowsky /Postmedia

Details: any time west of 95 Street between 105 Avenue and 106 Avenue, no charge

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Public Night Market: The 124 Grand Market and The Public Food Hub are staging the second edition of this popular bazaar on Friday. With a carefully selected lineup of quality vendors, captivating live busking performances, DJ sets, games and a summer block party atmosphere, it’s the perfect place to bring family, friends and — you got it — friendly doggos. Next one’s Aug. 25.

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The Public Night Market is happening Friday at High Street and Glenora Place. jpg

Details: 5 p.m.–11 p.m. Friday at High Street and Glenora Place (124 Street and 102 Avenue), no charge

Secret Invasion: Uneven like any Marvel offering, sure — yet the tense TV series surrounding a decades-long incursion of Earth by shapeshifting Skrulls is wickedly timed for both the rebooted Cold War and a reality where the truth is a plaything for the powerful. Samuel L. Jackson is at his peak here as a broken Nick Fury, and the show’s stakes are somehow more terrifying than Thanos’ glove. Last episode is this Wednesday, jump in!

UAE Architectural Photography Studio Deed Takes Us Through the Abrahamic Family House in Abu Dhabi

UAE Architectural Photography Studio Deed Takes Us Through the Abrahamic Family House in Abu Dhabi

Project of the Week

Today the highly lauded team at the UAE based architectural photography group Deed Studio will be showing us around a gorgeous and massive project – The Abrahamic Family House. The two principle photographers on this shoot were Deed’s Masih Mostajera & Naghmeh Olfat.

The Abrahamic Family House is a grouping of three religious houses of worship: a mosque, a synagogue and a church, as well as a fourth space which is not affiliated with any specific religion and “[serves] as a center for all people of goodwill to come together as one.”

Throughout this project, you’ll find that Masih and Naghmeh have taken care to show the relationship of the seperate structures, the interplay of light and shadow, the structures’ grand scale, and in almost every frame add a well placed human element. Let’s check it out

The Abrahamic Family House is the creation of Adjaye Associates and has been created to “serve as a community for inter-religious dialogue and exchange, nurturing the values of peaceful co-existence and acceptance among different beliefs, nationalities and cultures.”

I appreciate how the Deed team conveys the shapes and textures found throughout this project. The bold lines mixed with the deep blue sky create a graphic series of images.

The folks at Deed share a bit about the shoot ady and the challenges at hand by saying “On the shoot day at the Abrahamic Family House in Abu Dhabi, several positive aspects contributed to the experience. Fortunately, the sky was exceptionally clear and blue without any haze, providing an ideal backdrop for the project. Moreover, the security personnel present during the shoot were incredibly nice and accommodating, making the process smoother.”

They go on, “However, there were some significant challenges that we had to overcome. The primary hurdle was that we had not seen the project location beforehand, so we had to rely on studying the light direction from Google Maps and the map available on the Abrahamic Family House website. This lack of prior familiarization made it essential for us to be well-prepared to capture all angles effectively. Another challenging aspect was the presence of three identical buildings, each with four facades and interior spaces, representing a church, synagogue, and mosque. Given that we only had one-day permission for shooting the complex, it was crucial not to miss any angles throughout the day. Regrettably, we did miss the best lighting conditions at the mosque, which was a missed opportunity.”

While they may have missed their ideal lighting scenario, I would venture to say that the time that they made these photographs actually works really well for this project. Consider this next shot for example; the crisp, hard shadows stream across the facade of one of the buildings, implying the shapes and presence of a second structure. I love a sneakily informative frame like this!

The interplay of light and shadow throughout this project hints at the shady relief that the Abrahamic Family House provides from the elements. Deed’s uses of figures in the frames add humanity, purpose, and show off the enormity of the structures.

The Deed team explains “Additionally, the weather presented another difficulty as it was extremely hot, likely impacting the overall shooting experience and comfort of the crew. Despite these challenges, the unique opportunity to capture the diversity and harmony of the Abrahamic Family House made the experience rewarding for our team. We were able to showcase the architectural brilliance and the spirit of unity embodied in the project.”

The streaming light here gives an ethereal quality to the scene and adds plenty of visual interest.

Throughout this whole series, the photographers have hinted at the enormity of this set of structures. This next image perfectly conveys the massive scale and intricate qualities of the Abrahamic Family House.

A hearty thank you to the team at Deed Studio for submitting this project to us for another great Project of the Week! You can find more of their work at deedstudio.com and on Instagram @deedstudio.uae.

If you have a project you’d like to be considered for Project of the Week, you can submit it here.

Through the lens of legends: celebrating the enduring influence of society photographers

Through the lens of legends: celebrating the enduring influence of society photographers

No one could sum up the work of Slim Aarons better than the man himself, who described it as ‘attractive people doing attractive things in attractive places’. From the French Riviera to Mustique, Aarons offered a rare view inside the homes and haunts of celebrities, socialites and the aristocracy. Despite his impressive network, Aarons remained a detached observer, avoiding personal involvement with his subjects. ‘He had absolutely no desire to hang out with his subjects at the end of the day and he did not expect invitations to the yacht or the exclusive club,’ Aarons’ former assistant Laura Hawk told The Guardian in 2016. This approach allowed him to develop a distinctive style which presented an impossibly perfect version of the world, characterised by vibrant colours and romanticised settings. A pioneer of environmental photography, his enduring influence can also be seen in modern travel photography.

Madame Yevonde

In her famous 1935 ‘Goddesses series Yevonde cast society beauties as figures of ancient Greek myth. Here Lady Alexandra...

In her famous 1935 ‘Goddesses’ series, Yevonde cast society beauties as figures of ancient Greek myth. Here, Lady Alexandra Haig is styled as the sorceress Circe; The Hon Delphi Primrose recreates Yevonde’s portrait of Lady Alexandra

left: © National Portrait Gallery, London; right: Luc Braquet for Tatler

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The modern goddesses: Tatler heralds a new generation of muses

The National Portrait Gallery reopens this month with an exhibition of trailblazing photography by Madame Yevonde, whose 1935 ‘Goddesses and others’ series dreamily depicted the day’s society swans. In Tatler’s July issue, which features a specially-commissioned portrait cover of King Charles III, their modern counterparts recreate her pictures in modern, mythical style

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Yevonde Middleton, the British photographer known as Madame Yevonde, stands as one of the most influential society photographers of all time thanks to her pioneering work in colour portraiture. Fearlessly embracing the then new medium, she utilised the ground-breaking Vivex colour process to create vivid and imaginative portraits of notable figures during the 1930s. Drawing inspiration from classical literature and art, the pictures featured dramatic lighting, elaborate costumes, and mythical themes. Her landmark series ‘Goddesses’, in which society swans were portrayed as mythical goddesses was reimagined by Tatler with some of today’s most impressive and influential young women. Yevonde, a successful female studio photographer in a predominantly male-dominated field, broke gender barriers and inspired future generations. Her timeless influence continues to be recognised and celebrated, most recently in the National Portrait Gallery exhibition ‘Yevonde: Life and Colour’, which runs until 15 October.

Richard Avedon

Sunny Harnett and Alla evening dresses by Balmain casino Le Touquet August 1954

Sunny Harnett and Alla, evening dresses by Balmain, casino, Le Touquet, August 1954

Richard Avedon/Hamiltons

Richard Avedon’s legacy as one of the most influential society photographers is marked by his iconic images that redefined the genre. With striking simplicity and raw intensity, he captured the essence of his subjects against stark backgrounds and within minimalistic settings in order to focus on their expressions and emotions. Avedon’s groundbreaking approach to fashion photography elevated it to an art form, evoking deep emotion and revealing the humanity of his subjects. From the Kennedys to the Vanderbilts, a who’s who of the day’s grandest families agreed to pose for Avedon. His transformative impact on the industry continues to be celebrated, as seen in exhibitions like ‘Avendon: Glamorous’, open at Hamiltons Gallery until 11 August.

Norman Parkinson

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What is ISO in photography? A quick guide

What is ISO in photography? A quick guide

In photography, an ISO setting on a camera is an indication of its relative sensitivity to light: ISO 200 indicating twice the sensitivity of ISO 100 and so on.

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Whereas the ISO for a roll of film is fixed, a digital camera allows the ISO value to be varied, apparently changing the camera’s sensitivity to light.

We say “apparently” because nothing actually happens to the sensor itself – its sensitivity remains the same whatever ISO value is selected.

For more advice, read our guides on how to use a DSLR camera and DSLR astrophotography.

camera iso setting

Using and changing a camera’s ISO setting

What does change with ISO is the amplification or gain of the camera.

As data is read off the chip it is electronically multiplied by a factor used to simulate the ISO change.

The downside of using this technique is that the signal-to-noise ratio (SNR) is lowered with amplification, so noise becomes more obvious at higher ISO values.

This can be somewhat offset by using image stacking techniques.

In addition, the dynamic range of a high ISO image will also be less than that taken on a low ISO setting. Lower ISO gives you better tonal quality.

A DSLR settings screen will include: 1) ISO; 2) Aperture/f-stop number; 3) Exposure; and 4) White balance (here on auto, ‘AWB’)

A DSLR settings screen will include: 1) ISO; 2) Aperture/f-stop number; 3) Exposure; and 4) White balance (here on auto, ‘AWB’)

Think of it this way

The three main variables in taking a photograph are:

  • Shutter speed
  • Aperture
  • Film/sensor sensitivity.

Imagine a film frame or CCD as a bucket to be filled with water (light). In this analogy:

  • Aperture is represented by the diameter of a hose used to fill the bucket
  • Shutter speed is the time the hose is running
  • ISO is the water pressure

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Double the pressure and the bucket will fill in half the time.