Specialized’s 3D-Printed Matrix Mirror Saddle Is Designed to Go With the Flow

Specialized’s 3D-Printed Matrix Mirror Saddle Is Designed to Go With the Flow

Even if you only harbor a passing interest in bicycles recreationally, there’s a good chance the name Specialized rings a bell. The brand’s range of mountain bikes (and other cycles) are coveted for their combination of cutting edge technologies and performance. Specialized is equally popular with seasoned riders who grew up riding hardtails as they are with the new generation accustomed to technologies that allow riders today to carve trails faster, farther, and more comfortably than ever before.

Specialized recently approached us to demo one of their more capable electric mountain bike models. But during this test period we became immediately enamored by the bike’s most intricate and ergonomic component: its saddle.

The brand’s catalog of seat accessories varies across size, application, and materials, with many identifiable to the everyday rider as something like a typical bike seat. But four of their highest grade models – Power Pro with Mirror, S-Works Power with Mirror, S-Works Romin EVO with Mirror, and Power Expert with Mirror – exhibit a curiously complex perforated pattern that stands out.

The four Mirror technology seats are expressed in ornate detail, especially the most intricate model. But the saddle designs are not intended to be merely an aesthetic nor even a weight-saving solution as one might guess, but the outcome of Specialized’s design team chasing improved ergonomics.

The physical stresses related to riding any bicycle are cumulative, small incremental pressures that in sum take their toll upon the body one bump, rock, and revolution at a time. Using high resolution pressure map, Specialized’s design team was able to identify the specific points where saddles produce the greatest stress upon the body and then optimize their novel design in relation to our body’s geometry – seating you might describe as designed from the bottom up.

The Mirror-equipped saddles are identifiable by their intricate formed network of 22,200 struts and 10,700 nodes stretched across lightweight carbon rails. Interlinked into a 3D-printed matrix made from EPU, a rubber-like polyurethane elastomer capable of impressive feats of elasticity, the material’s characteristics impart the saddles the ability to “rebound” to effectively reduce stress upon a rider’s body while riding across uneven surfaces while seated, an effect similar to adidas’s efforts with 3D-printing to lessen stressors attributed to the constant pounding with every foot strike.

But in this instance, the lattice woven pad is designed to alleviate the constant barrage of pressure applied to a region of the body not evolved for such excessive force. In our limited span riding upon a Mirror equipped seat, we noted a comparable difference to the traditionally foam padded seat we’re accustomed to riding upon. The saddle’s feel is firm, but not hard, when pedaling normally across smooth surfaces. But when we hit more hairy sections of our local mountainside trails, the seat took on a more noticeably forgiving and responsive personality that left the backside (mostly) unscathed despite the uneven percussive force.

Specialized claims their Mirror equipped Saddle’s channeled design reduces pressure by 26% compared to traditional foam saddle, an improvement in ride comfort compounded over hours of riding trails or roads. Additionally, to ensure the best fit, the range is available in varying widths, with the Power Expert with Mirror offering the widest options. Ideally, riders are paired with the right saddle size using a Retül Digital Sit bone Device, but Specialized hosts an easy, and somewhat amusing, DIY option to identify where your sit bones correlate to the widths of their saddles (aka, a “butt print,” as remarked by my spouse) using nothing more than a few pieces of cardboard, a ruler, and a marker or pen.

Specialized Levo electric mountain bike leaning against a wood paneled wall.

Specialized loaned us one of their most capable Levo electric mountain bikes equipped with a Mirror saddle to invite us to hit our local trails and feel the Mirror technology’s effects firsthand. While our arms felt a bit like wet noodles after climbing and riding back down across a local rock-laden trail a few outings, the saddle delivered a comfortable and supportive ride the entire way down.

Specialized Mirror saddles are today’s cutting edge, and priced accordingly. But in time it’s inevitable the 3D-printed, ergonomics-optimized approach will trickle down to become rule rather than the exceptional exception for riders everywhere.

Gregory Han is the Managing Editor of Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Bride Wants a Refund After Photographer Slept With the Groom

Bride Wants a Refund After Photographer Slept With the Groom
Bride and photographer.
Stock photo.

A wedding photographer has taken to Reddit to share a shocking dilemma — Should they refund the bride after their second shooter allegedly slept with the groom?

In the eye-popping post, u/Wedding_dude says that earlier this summer they had a wedding booked but their regular second shooter couldn’t make it so they hired someone else.

“Her and I did the wedding, and everything seemed business as usual. Photos were edited, delivered to client, all was good,” writes the photographer.

“Then this morning I got an email from the bride. She was wanting a refund because the lady I had hired as a second shooter for the day ended up sleeping with her husband at some point after the wedding, and she also included photos from his phone to prove it.”

The photographer posted to r/WeddingPhotography and asks the forum what the best course of action is.

“She hired me for a job and the job was completed and product was delivered,” explains Wedding_dude.

“But I also feel like this would be as if I were a professional dog walker who walked a client’s dog, then came back and shot it later.”

They also add that the second shooter was a private contractor and not an employee.

“I really feel for this lady, but that’s also a lot of money to have to give back for work that was done,” they add.

In further posts, Wedding_dude explains that they found the second shooter through a friend of someone they had worked with previously and she had studied photography and also had a “decent portfolio.”

Response

The top comment underneath the post seemingly gives sage advice.

“Tell them you are sorry to hear that but there isn’t a way for you to refund for a service that has been completed per your contract,” writes u/austinolet.

“The second shooter is a contractor who I will not work with again but she is not directly involved with my business. I can not refund you because something unfortunate happened that I had no control over.”

It appears to be a reasonable response and the original poster (OP) seemingly agrees, adding “This seems like a good path forward.”

As of publication, there are no further updates on the photographer resolving this issue.


Image credits: Header photo licensed via Depositphotos.

National-level printmaking workshop commences in Chandigarh

National-level printmaking workshop commences in Chandigarh
A national printmaking workshop has begun in Chandigarh with 75 participants. The event is part of Azadi Ka Amrit Mahotsav celebrations and aims to celebrate India’s rich cultural heritage. Renowned printmakers and faculty members are taking part in the workshop, which will continue until August 12. Visitors are welcome to attend the workshop between 10am and 6pm at the Government College of Art and the CLKA Open Hand Art Studios. The workshop will conclude with a closing ceremony at the Government Museum and Art Gallery on August 12.

Meet the man who created ‘probably the largest pinhole camera in the world’ in Yorkshire

Meet the man who created ‘probably the largest pinhole camera in the world’ in Yorkshire

Pontefract may be the home of liquorice but it is also the lesser known home of “probably the world’s largest pinhole camera,” according to a Yorkshire artist.

Bob Clayden – aka the Pinhole Wizard – stumbled across Pinhole Photography when he was trying to capture the minute’s silence which was held in memory of Princess Diana’s death.

He said: “I was trying to work out a way to capture the whole minute in a photo and that’s when I discovered pinhole photography and I’ve been hooked on it ever since.”

Bob has since experimented with pinhole photography all over Yorkshire as well creating a suitcase into a pinhole camera.

Pinhole Wizard Bob Clayden with CoActive charity who modelled for the photos
Pinhole Wizard Bob Clayden with CoActive charity who modelled for the photos

He said: “The results are much more satisfying than a normal photo, as they capture a moment in time rather than just a snapshot.”

Pinhole Photography is a basic form of photography using a lightbox, pinhole or aperture instead of a lens. Light passes through the pinhole to project an inverted image. It is often used at home in scientific experiments or to capture the eclipse of the sun.

After discovering pinhole photography around 25 years ago, Bob has now transformed a Victorian summer house in the Friarwood Valley Gardens park in Pontefract into a giant pinhole camera.

He said: “It’s probably the biggest pinhole camera in the world.”

Based inside the Valley Gardens, which is now a park, its land is steeped in history – much like pinhole photography.

The park has been built on top of the land which used to have a friary on the site until the dissolution of the monasteries in the mid-16th century. Prior to that the area was renowned for cultivating liquorice and rhubarb.

Now Bob, alongside local artist Rose Knight, is bringing a bit of heritage alive by using the pinhole camera to create life size full length portrait negatives on two metre long silver based photographic paper.

Bob said: “We worked with members of CoActive Arts charity who had the challenge of sitting on a bench to pose for a photo for 15 to 20 minutes.

“We then exhibited the photographs at Portobello Gala (Wakefield) with funding from Wakefield Council’s Culture Grant, as well as making them into a book.”

Bob added that pinhole photography is becoming increasingly popular as people are getting bored of the excessive amount of meaningless social media photos.

ORIXE Modular Outdoor Collection Pays Tribute to Tree Stumps

ORIXE Modular Outdoor Collection Pays Tribute to Tree Stumps

Modular furniture is as useful outside as it is indoors – maybe even more so. ORIXE is a new industrialized range of commercial modular outdoor furniture designed by Spanish brands Savia by Finsa and Stone Designs. The collection’s name is derived from the Galician word for “origin” and pays homage to the brands’ focus on materials that come from the earth. The collection, made using concrete mixed with recycled aggregate, wood, and metal, is inspired by the stumps of trees. Particularly the ones felled in forests, as it’s the only proof of their existence.

ORIXE includes tables of various shapes and heights, benches, seats, umbrellas, planters, bins, and screens. All components can be used together in a nearly unlimited range of combinations and formations. The collection’s flexible design is ideal for outdoor spaces: terraces, co-working spaces, hotels, and more. Assembling the ORIXE system is fast and easy, giving you the ability to rearrange elements as many times and as often as you’d like.

modular outdoor furniture in a styled space

modular outdoor furniture in many configurations

modular outdoor furniture in many configurations

modular outdoor furniture configured as bistro tables and chairs

modular outdoor furniture configured as dining table and stools

modular outdoor furniture configured as bistro tables and stools

modular outdoor furniture in many configurations

modular outdoor furniture in many configurations

detail of modular outdoor furniture

detail of modular outdoor furniture

To learn more about the ORIXE collection, visit finsa.com.

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

‘Going to the washroom just got more beautiful’: New art washroom opens at The Forks Market

‘Going to the washroom just got more beautiful’: New art washroom opens at The Forks Market

The Forks Market is home to some new art, but its location is a bit unusual.

With the addition of a new washroom at the Forks Market, a decision was made to feature the artwork of local artists in the space.

Beautiful, accessible spaces are key to the success of any gathering place, and nothing brings a space to life more than the work of artists,” said Sara Stasiuk, Chief Executive Officer, The Forks North Portage. “We needed more functional washrooms on the second floor of The Market and saw this as an opportunity to bring more public art to The Forks in a surprising way. It’s an honour to house the work of local talent in our new accessible art washrooms.”

Five local artists were chosen to share their work, including Erin Ahl, whose work is featured as wallpaper in the stalls. Jazz Aline, a multidisciplinary artist, has her work featured in the new family washroom. Lyrics from two local musicians and songwriters, Adrina Turenne and Alpha Toshineza, are on the walls in the open public space by the sinks. Meanwhile, Kiana Jade created a custom wallpaper for the space.  

The new washrooms, located on the second floor of The Forks Market, feature four enclosed universal stalls, a common sink area and a family washroom. 

Delphine Diallo Crafts Divinely Elegant Portraits of Black Women in ‘Highness’

Delphine Diallo Crafts Divinely Elegant Portraits of Black Women in ‘Highness’

All images © Delphine Diallo, shared with permission

In her series Highness, Delphine Diallo’s regal subjects don elaborate masks, headdresses, and jewelry. Captured in both color and black-and-white, the women are portrayed as timeless and noble, wearing body paint, jewelry, and attire that draw on mythology and spiritual symbols to explore what the photographer calls the “divine female body.”

Highness developed from an earlier project focused on presenting family members and friends as goddesses. As the series expanded, Diallo recognized the importance of connecting to her subjects and empowering them in the process, emphasizing deep conversations and building long-term relationships with her sitters.

In a practice spanning sculpture, design, photography, collages, and music, Diallo finds inspiration in collaboration and learning from others. Highness features intricate hair pieces made by Joanne Petit-Frère, including a towering form evocative of Nefertiti’s tapered blue headdress. Composed of numerous braids, Petit-Frère’s creations envelop the face or curl around beads, complemented by metalwork by L’Enchanteur.

Diallo recently released a new book titled Divine, published by Hat and Beard Press, and if you’re in London, you can see her work at Somerset House through September 24 as part of the group exhibition Black Venus. Find more work on the artist’s website and Instagram.

 

A portrait of a Black woman wearing an elaborately braided wig.

Two portraits of Black women wearing elaborately braided wigs.

A portrait of a Black woman wearing an elaborately braided wig.

Two black-and-white portraits of Black women. On the left, the woman wears white body paint on half of her face. On the left, the woman wears a face covering of cascading beads.  A portrait of a Black woman wearing an elaborately braided mask.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Delphine Diallo Crafts Divinely Elegant Portraits of Black Women in ‘Highness’ appeared first on Colossal.

On the art scene: Second Saturday and new exhibits

On the art scene: Second Saturday and new exhibits

To paraphrase Neil Young, art never sleeps. It’s August, it’s hot and humid and sleepy, but St. Petersburg’s artist community has not, will not, set down its collective brush.

First and foremost, Saturday (Aug. 12) brings this month’s edition of the St. Petersburg Arts Alliance’s Second Saturday ArtWalk, during which some 40 studios and galleries leave their doors wide for a strolling, chatting and perusing city-wide open house.

It’s a self-guided tour, which can be navigated from the top, bottom or middle of this handy map. Some locations have refreshments and/or live music. All have fine art, with every description (and medium) available. (There are, sadly, no trolleys this month.)

Meet the artists, talk about art, have a cool one, take a few photos. Maybe buy something. Keep searchin’ for that heart of gold. ArtWalk hours are 5-9 p.m.

Robert Simone.

Friday exhibit openings

Work by Terry Brett as part of “Glyph,” at Leslie Curran Gallery.

Jabari Reed-Diop’s Ghetto Gods opens with a reception Friday at thestudio@620. The 23-year-old painter is one of the area’s most consistently watchable artists; this new show, which he discusses in this story, represents a subtle shift into new territory (it’s different from his previous work). Ghetto Gods is one of the stops on the Second Saturday ArtWalk.

New at the Leslie Curran Gallery is Glyph, an exhibition of paintings by Terry Brett and ceramic sculptures by Jan Richardson. At the 5-8 p.m. reception Friday, Brett will talk about his large, tactile monochrome paintings using deep relief, plaster or burlap. Richardson, who teaches at the Morean Center For Clay, produces functional, figurative and abstract work. This is also is one of the stops on the Second Saturday ArtWalk.   

There’s a reception from 5 to 9 p.m. Friday at Woodfield Gallery for Paradise Found – the Art of Robert Simone. The Petersburg artist is known for his dramatic oil paintings of outdoor scenes.

Other new exhibits

In “HAPPY! Art That Makes You Smile,” “Psst,” photography by Tracy Kennard.

HAPPY! Art That Makes You Smile is the new show at Five Deuces Galleria, with work from more than 100 guest artists. There are seven resident artists at Five Deuces, and they’ll be happy to show you around during the Saturday ArtWalk.

St. Pete Artworks’ August Artist of the Month is Laura Brigman, whose mixed media show Pixel Perfect will be feted during the ArtWalk. This art is inspired by the works of Salvador Dali, who used distance to change the perspective of images. Refreshments and live music are part of the plan for Saturday’s reception.

New stuff on the ArtsXChange campus (Warehouse Arts District): In the Burka Member Lounge, Summer Heat is a members show focusing on, well, themes of summer and heat. In the Tully-Levine Gallery, Made Here is a diverse collection with works by resident ArtsXChange artists.

Saturday’s ArtWalk will see the debut of two new shows at Soft Water Gallery, also part of the Warehouse Arts District’s ArtsXChange campus: Selected Smalls: Graphically Inclined features small-scale works by Lynn Foskett, Anna Rac and Diana Tonnessen – respectively collage and frottage, monochrome ink drawings and linoleum block prints. Then there’s Alternate Realms: Selected Works by Candace Knapp, an exhibition of paintings and sculptural works in acrylic, clay and wood.

Opening Saturday at the Museum of Fine Arts St. Petersburg, Explore the Vaults: Water & Color exhibits paintings and drawings made using water-based media, including ink, gouache and watercolor. Because works on paper are sensitive to light, these pieces – from the permanent collection – are rarely displayed. Water & Color runs through Jan. 7.

Art news

The application deadline is Aug. 15 at midnight for artists interested in working on Creative Pinellas’ South Pasadena Florida Mural Project, a city beautification (artification) initiative. Find details here.

In Tampa: University of South Florida Professor Emeritus Bruce Marsh, who taught art for 37 years, will be honored with a solo exhibition Aug. 21-Sept. 7 at The School of Art & Art History in the USF College of The Arts. There will be a reception for Bruce Marsh – A Six Decade Survey Aug. 25. The exhibition will feature  more than four dozen oil paintings and watercolors.

In Tampa: At the USF Contemporary Art Museum, Native America: In Translation (Aug. 25-Dec. 1) is an exhibition of fine art photography by nine Indigenous artists “offering new perspectives on Indigenous identity by reimagining what it means to be a citizen in North America today.” It’s curated by Apsáalooke artist Wendy Red Star and organized by Aperture.

From “Native America: In Translation,” Martine Gutierrez, Queer Rage, Dear Diary, No Signal During VH1’s Fiercest Divas, 2018.

The fine print

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You can also submit your events to the Catalyst calendar, by clicking here.