Bally’s Chicago Casino Selects Chicago Native Shawn Michael Warren for The Medinah Temple Mural Project (Chicago, IL) — Bally’s Chicago Casino is proud to commission Chicago native visual artist Shawn Michael Warren to create a visually stunning mural that will capture the historical significance, rich history, and transitional timeline of Medinah Temple, one of Chicago’s most iconic landmarks.

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The search was initiated in early July as an RFP for artists to submit applications to Bally’s Chicago Casino for consideration. The Medinah Temple Mural Project presents a unique opportunity for local artists to showcase their talent and contribute to the city’s artistic legacy.

Shawn Michael Warren is an esteemed artist who has worked on critically acclaimed works, including the narrative painting In a Promised Land, capturing the tragic history of the Greenwood Community in the early 1920s in Tulsa, Oklahoma.

Warren has been featured in numerous articles, including The New York Times and The Los Angeles Times. His masterful creations named him a grant recipient of the Dean Collection 20—a grant established by Grammy-award-winning producer Swizz Beatz and wife, singer, and songwriter Alicia Keys in 2018. One of his latest works includes the life-size mural of media mogul Oprah Winfrey captured in the West Loop of Chicago, an area—Harpo Studios formerly called home for nearly 25 years.

Warren’s work has been showcased in exhibitions in both America and Europe and is in numerous private and institutional collections. His murals can be seen in Los Angeles, Indianapolis, and Chicago. Warren is also a member of the U.S. Department of State’s Art in Embassies program, which utilizes Art to promote diplomacy and cultural understanding between nations across the globe.

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The mural will be featured within a prominent area of Bally’s Chicago Casino, paying tribute to the phenomenal history of Medinah Temple and the people of Chicago. The targeted finish date will be the second week of September 2023.

“We are excited to have Shawn Michael Warren be a part of this amazing mural project. His extraordinary talent to capture the historical essence of Chicago’s connection to the Medinah Temple will be an eloquent and visual backdrop for guests visiting our casino,” said Mark Wong, General Manager for Bally’s Chicago Casino.

Bally’s Chicago Casino is committed to fostering local talent and supporting the vibrant arts community in Chicago. By commissioning this mural project, the casino aims to celebrate the historical significance of Medinah Temple and provide an engaging and visually captivating experience for its visitors.

Bally’s Chicago Casino Selects Chicago Native Shawn Michael Warren for The Medinah Temple Mural Project

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For experienced and new gallerygoers, the Tuscaloosa art galleries have an exciting lineup of exhibitions for everyone to enjoy this semester.  

On campus, art enthusiasts can check out the Sella-Granata Art Gallery and Sarah Moody Gallery of Art to see an assortment of exhibitions from students, faculty, local and international artists, and The University of Alabama’s permanent collection.  

 Starting Thursday, Aug. 31, until Oct. 3, SMGA presents “Tom Stanley: Painting and Drawing and Discovering a Practice,” an exhibition that chronicles 38 years of Stanley’s studio practices while examining the evolution and constants in his use of color, shapes, imagery, materials and technique.   

 “I think it’s going to be provocative for people because to see a period of an artist’s work and how it changes, but how it remains the same is quite interesting,” said Vicki Rial, SMGA’s exhibition coordinator.  

 This exhibition is one of three SMGA will display this semester. Rial said the exhibition following Stanley’s, titled “Women of Mokuhanga,” is still in development but will be a group showcase of Japanese woodblock prints from women around the country — contrasting with the art form’s male-dominated past — and will even feature some pieces from the University’s permanent collection.  

 The gallery will close the semester with the 2023 Biennial Faculty Exhibition of the Department of Art and Art History, which will be displayed from Dec. 1 until Jan. 26.  

  Along with on-campus attractions, gallerygoers also have numerous opportunities to engage with art off campus, whether at the Kentuck Art Center and Festival’s Art Nights or in Tuscaloosa’s arts and entertainment district downtown.  

 Next Friday, Sept. 2, patrons can participate in the first art walk of the semester.  

 First Friday, which began in 2013 as a collaborative promotional effort of the visual art spaces downtown, is a monthly art walk that spans the local galleries — the UA Gallery at the Dinah Washington Cultural Arts Center, Paul R. Jones Collection of American Art and Museum, Harrison Galleries, Lorrie Lane Studio and a few seasonal spaces — giving people a chance to explore downtown while enjoying the new exhibits.  

 Kevin Ledgewood, the Arts Council of Tuscaloosa’s publicity director, said he’s seen a lot of community engagement with First Friday, which is great because First Friday is for everyone.  

 “You shouldn’t think about First Friday as being just for artists or people who are educated in art or have careers in some type of fine art; it’s for everybody,” Ledgewood said. “We want the community to feel like everyone can come out and enjoy the arts on a First Friday.”  

 Daniel White, the director of the Dinah Washington Cultural Arts Center and the Paul R. Jones Museum, said his favorite part of First Fridays is presenting something impactful to the community and seeing their responses to it.  

 “To me, it’s like art museums aren’t just places to see art, but to also have conversations and talk about things and see things and spark dialogue and thought,” White said.  

 During this upcoming First Friday at 5 p.m., Paul R. Jones Museum and the Dinah Washington Cultural Arts Center will continue to spark dialogue and thought with two receptions for exhibitions that opened earlier in August.   

 Paul R. Jones will host the reception for “May 1970: The Gibbs-Green Tragedy at Jackson State College,” a documentary exhibition of photos taken by the late activist and academic Doris Derby following the death of Phillip Gibbs and James Earl Green by police on Jackson State campus on May 14, 1970, that highlights the aftermath and effects of the event.  

 Emily Bibb, the gallery’s curator and collection manager, had previously met Derby during another exhibition in 2015. She said the gallery had one photo of Derby’s in its collection when White suggested they should host the exhibition, which is organized and sponsored by the Margaret Walker Center at Jackson State University.  

 When White told her about it, she thought it would fit the museum’s goal of encouraging “the research and study of African American art within the broader American art tradition” as well.  

 White said he’s excited for this show because it’s a lesser-known part of history people need to see.  

 “If you ask someone about civil rights, they may know about Selma, they may know about Birmingham, ‘I Have a Dream’ speech, but these lesser, but just as significant, events need to be — these stories need to be told as well,” he said.  

 Robert Luckett, the Margaret Walker Center’s director, said he’s excited that the exhibition will have an audience in Tuscaloosa, and he hopes that viewers can learn about what happened and recognize that the power of history is understanding how the past repeats itself and continues to impact the present.   

 Across the street, at the Dinah Washington Cultural Arts Center, patrons can catch the reception for “Broken Bridges — Stephen Humphreys in Ukraine,” a collection of colored digital photographs capturing Humphreys’ several months while living in Ukraine after the battle of Irpin in 2022.   

 “It’s a wonderful exhibition that shows both the physical and emotional toll that this has taken,” White said. “And what’s crazy is he has thousands of photographs, but it was hard to cull it down into just a succinct show like we have. This shows both the physical and emotional weight that this is having, but it also shows human resilience.”   

 Humphreys, a Birmingham native and attorney, said selecting the images for the show evoked a lot of emotion.  

 “I remember one night I was going through photographs of Ukrainians who had been killed in the conflict, and all the emotion that I kind of ignored while I was doing the work came over me, and I just, I had to shut down my computer and stop, it was so, you know, just felt like weeping over all the lost souls,” he said.   

 He said he hopes the show brings people back to the concrete reality of what’s happening in Ukraine.  

  No matter which museum people go to, Rial said art galleries offer a chance to reflect and learn about society, aesthetics, subjects you might not learn in classes and different perspectives and how to translate them.  

 Whitley Dasinger, a Dinah Washington gallery worker and a senior majoring in marketing and international studies, said working at the gallery has been very educational.  

 “I’ve learned a lot about art,” Dasinger said. “Even just like with the Ukraine photographs, it’s very eye-opening, and it really just surrounds you. There’s more than just Alabama.”   

 She said she’d also found “May 1970” in Paul R. Jones informative because she hadn’t known about the incident. 

 “I just found that very educational, and I think that’s so important for so many people to know,” she said.  

For more information about on- and off-campus galleries, patrons can check out the monthly art roundup on the Department of Art and Art History’s website and the First Friday website.  

More than a thousand Indigenous artists from more than 200 tribes gathered at the annual Santa Fe Indian Market in New Mexico this weekend. Now in its 101st year, it’s a longstanding tradition for artisans to showcase and sell their pottery, textiles, jewelry, and more. The two-day event—organized by SWAIA—delivered both a vibrant street style scene and an innovative runway show, featuring top Native designers such as Orlando Dugi, Lauren Good Day, and Jamie Okuma (who recently became the first Native designer ever to become a member of the CFDA).

Held in and around the historic Santa Fe Plaza, attendees got to peruse the assortments of craftwork from a diverse array of artists. One could spend many hours shopping the one-of-a-kind ribbon shirts from Penny Singer; printed hoodies and skirts from Elias Jade Not Afraid; elegant earrings and rings from jewelers such as Keri Ataumbi, Maria Samora, and Robin Waynee; and striking artwork by Wakeah Jhane and Penélope Joe. Even better? The street style scene was a sight to behold in itself, as many in attendance used the opportunity to display their cultural pride. Attendees and artists showed up in their finest ensembles for the occasion. 

Well-clad guests were seen rocking their finest Native-made pieces, such as floral-beaded earrings, colorful ribbon skirts, and turquoise squash-blossom necklaces worth a small fortune. If the Indigenous community has its version of the Met Gala, this would be it. Traditional items were paired with jeans or dresses for a cool, current feel. The annual Clothing Contest held on the plaza, meanwhile, displayed the best of time-honored regalia. Men, women, and young people were judged on their traditional Indigenous attire made with raw, organic, or natural materials. The ensembles ranged from striking jingle dresses to dentalium-shell capes.