XGIMI’s HORIZON Ultra May Be the Most Decor-Friendly Home Theater Upgrade

XGIMI’s HORIZON Ultra May Be the Most Decor-Friendly Home Theater Upgrade

Most homes are not optimally set up for a projection system. They require a large blank wall and/or screen, ambient natural light control, a sufficient distance between seating and the screen, and a place to situate the unit. It’s understandable why most people tend to rule out a projector despite the immersive cinematic pictures they produce. Even so, we believe the category merits a revisit. With new developments in laser, optical, and software technology, there are a multitude of portable projectors, unique designs, and ultra-short throw models addressing the limitations of previously bulky and dim consumer models. The new XGIMI HORIZON Ultra is one of the more handsomely designed projectors that makes a compelling argument to go big(ger) when planning a home theater upgrade.

The XGIMI HORIZON Ultra arrives as the successor to the XGIMI Horizon Pro 4K Projector, bringing with it a slew of upgrades nearly across the board, yet sold at the same price as its predecessor. The improvements include a newly redesigned modern decor-friendly form – a minimalist cube wrapped in a sedately sophisticated “Misty Gold” fabric and vegan leather. Alongside its compact 8.8 x 6.7 x 10.4-inch dimensions, the projector makes it a lot easier to place and integrate the projector in a living room than any other long-throw projector we’ve tested.

Front and back of the XGIMI HORIZON Ultra hybrid light home projector, showing its fabric covered front cover and perforated speaker grill, alongside all of the input ports and back vents.

When turned off, the XGIMI HORIZON Ultra could easily be mistaken as a wireless speaker. That’s in no small part attributed to the HORIZON Ultra’s hidden lens. Only when powered on by remote does the front door slide down to reveal its a 4K projector. It’s a minor feature, but the movement creates an extra sense of the theatrical, akin to movie screen curtains opening at the cinema.

Darkened living room with XGIMI HORIZON Ultra hybrid light home projector displaying Android TV 11 interface, with Google apps and content available in grid form.

Android TV 11.0 powers the XGIMI HORIZON Ultra, offering a straightforward experience in navigation. If you’ve got an Android device additional streaming/Chromecast features are available, alongside a simplified process while logging into services.

Young white woman in white dress standing the left of the XGIMI HORIZON Ultra hybrid light home projector set upon a white pedestal. A window is in the background with a simulated gradient blue sky.

Staking the claim as the world’s first Dolby Vision equipped long-throw 4K home projector, XGIMI hopes to appeal to a certain segment of cinephiles with an appreciation for an optimally enhanced higher contrast and punched up colors, but who don’t want to break the bank, nor introduce an eyesore into their home.

The HORIZON Ultra’s high dynamic range and wide color gamut produces a picture closer to cinematic intent of filmmakers when the projector is paired with Dolby Vision content and viewed at night (a select amount of streaming content is hosted by Netflix, Disney+, and Apple TV+; we previewed the projector streaming Foundation on Apple TV+). The 3840 x 2160 pixels picture out the box should appease most viewers, but a little additional manual adjustment is recommended to experience the projector’s full potential.

But even with non-Dolby Vision content – the bulk of what you’ll probably watch on this device – the projector’s hybrid laser + LED light source combo produces a sufficiently dynamic 2,300 lumens, more than sufficient when tested viewing from a distance of 10-feet from the projector to the wall. That does come up short compared to the 3,700 lumens output of the LG CineBeam, but the XGIMI also doesn’t exhibit the color fringing that sometimes makes itself known with a tri-laser projector. So while the XGIMI is a little less bright, it also didn’t strain nor distract the eyes, especially during extended scenes of quick movement that can occasionally spoil the CineBeam’s output. And most importantly, the HORIZON Ultra is capable of transporting viewers from a sense of merely watching into the realm of experiencing a film or series with a sense of cinematic grandeur.

Contemporary living room with low side chair and sofa in off-white and XGIMI HORIZON Ultra protector placed on a low pedestal coffee table. A large projection screen shows a red haired woman from side profile singing into a microphone. Sheer ceiling to floor curtains on the right.

The big “gotcha” surrounding projectors is they generally perform poorly during daytime unless you’ve got a dedicated home theater room without windows or blackout shades with a special coated reflective screen. While the HORIZON Ultra will not come anywhere close to putting out the brightness of a light emitting display like your average LED, LCD, or OLED television, XGIMI has equipped the HORIZON Ultra with a keen feature called Intelligent Screen Adaption technology 3.0 (ISA 3.0). The system uses a combination of adaptive software and optic hardware previously only found in movie theater grade or prohibitively expensive top tier projectors. The HORIZON Ultra factors in everything from a room’s ambient lighting, nearby walls and curtains, and the placement of the projector before dynamically adjusting brightness and output for an improved viewing experience. In use it’s not “night and day” difference, but it allows for acceptable viewing even with indirect sunlight present.

Side by side comparison of a simulated sky as output by two projectors, one without wall color adaption technology – dull and pink tinged – and a second with wall color adaption turned on, resulting in a more accurate blue sky with white clouds.

XGIMI has also considered the possibility your walls aren’t painted a pure reflective white. Equipped with ISA 3.0-Wall color adaption, the HORIZON Ultra can tweak colors to account for your off-white proclivities and improve color accuracy. Even so, we would recommend investing in a screen if your walls veer anywhere outside the bounds of a hint of color.

A family of four viewed from behind – two adults and young girl and boy – all seated on outdoor beanbags placed in the backyard lawn watching The Lion King with the XGIMI HORIZON Ultra projector positioned in the center.

Par for the course, the unit also handles focus and keystone correction automatically, a feature that still impresses with its expediency and accuracy when adjusting after repositioning the unit. Parents and pet owners will also breathe a sigh of relief with the inclusion of enhanced eye protection; the HORIZON Ultra automatically and immediately turns off its light output when a moving object is detected in front of the projector, then turns back on when it senses an obstruction has passed.

A family of four viewed from the angled front – two adults and young girl and boy – all seated on outdoor beanbags watching a movie in their backyard lawn with the XGIMI HORIZON Ultra projector in the middle.

In the audio department a pair of built-in 12-watt Harman Kardon speakers do a serviceable job when seated nearby, opening the option to use this as a portable movies in the backyard experience. But you’ll really want to connect the HORIZON Ultra to external speakers or a soundbar for the immersive effect best suited to a picture that can bathe an entire living wall in light.

Despite a surprisingly modest price tag of $1,699, XGIMI is positioning the HORIZON Ultra as the brand’s flagship model. The same amount would only afford you a brand name television sized anywhere between 55-inches to 77-inches in size. Compare that to the maximum 200-inches output of the HORIZON Ultra and there’s little argument that the term “home theater” better applies to one than the other.

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Gregory Han is a Senior Editor at Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Jeffersonville library exhibit features work of local photographer

Jeffersonville library exhibit features work of local photographer

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JEFFERSONVILLE – Thursday evening at the Jeffersonville Township Public Library, an art reception was held for local photographer and artist, Larry J. Basham, displaying items from his Momenti exhibition.

His work will be featured in the upper-level art gallery space until Nov. 12. Despite the rising popularity of AI techniques, Basham does little artificial processing and manipulation on his photos. They are mostly natural, biographical portraits of the life and scenes he captures.

Unexpectedly, Basham is currently in the hospital, was able to talk via Facetime, and he described part of his artistic journey.

His wife, Arlene Basham, was in attendance at the reception. 

“Larry has always loved art. He started his current method of photography in 2018,” she said of her husband’s work. “He began taking art courses at Ivy Tech in Sellersburg, and that is where the whole thing got started.”

Those courses helped Basham rekindle his love for photography, and he hasn’t looked back.

Larry began his love of photography decades ago, and he mentioned how he got back into doing what he loves.

“Upon my semi-retirement, I wanted to do something artistic. I wanted to do a dual approach of poetry and photography,” he said.

Basham already had his degree in general studies from Indiana University Southeast and wanted to try something different.

“I also thought I would return to journalism, like I did when I was in the Navy. At least, that was the original plan,” he said. 

Basham had exhibits at the New Albany Library and at IU Southeast.

“I started doing art exhibits so I could get word about my work out there, and those exhibits turned out to be very successful,” he said. “I was glad I listened to the advice of my family and friends who encouraged me to expand on my horizons.”

Basham then talked about his experience with the Louisville Photo Biannual Exhibit and how pleased he was to be a part of it. Those who attended the reception could pick up a program of the Louisville Photo Biennial featuring gallery events at several locations in the Kenuckiana area through Nov. 12.

Because of his love of poetry, Basham has published his first book of poems, “The Journeyman Verses,” which is currently available on Amazon and other online retailers. He’s also done documentaries for his church, Second Baptist Church, in New Albany.

“As far as a second book is concerned, I am getting my ideas together as we speak,” he said.

He then talked briefly about his hospitalization for infection, as well as what it means to be an artist.

“I am very lucky to be alive. My family has been around to support me, as well as some of my friends. As artists, we need to support each other so we can spread awareness about each other’s work,” he said. 

For those who would like to know more about the local artist, or view some of his photographs and documentaries, please visit his Bēhance page at: https://www.behance.net/LarryJBasham?locale=en_US.

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F5: Tamara Honey Loves Maximalism, Vintage Cars + More

F5: Tamara Honey Loves Maximalism, Vintage Cars + More

Over a decade ago, Tamara Honey founded her eponymous interiors firm, House of Honey, a female collective of interior designers who want to create meaningful experiences through their work. Currently, she collaborates with the collective on private residential properties, restaurants, and hotels, with design studios in both Montecito and Pasadena, California.

A self-described maximalist, Tamara truly excels at creating bespoke environments that reflect her clients and their unique surroundings. “I have been collecting vintage furniture, lighting, and art for over a decade, and sold on 1st dibs for many years. I love the mix of old and new for all of our interiors,” she added. Through Tamara’s projects, she celebrates life out loud by creating moments of escape through cultivation and curation. What remains is a sense of joy, confidence, and a “well-textured life.”

Today, Tamara Honey joins us for Friday Five!

light-skinned woman with blonde hair wearing a patterned knee-length dress leans against a wood credenza

Tamara Honey

1. Flowers

Flowers are an all-day favorite! Every great story begins with sensory experience. We are developing two interior scents that tap into our love for the two places where our design studios are located. Ortega is born out of the desire to recall and capture driving the winding tree-lined ridge in Montecito. Bellefontaine is inspired by the rose-lined streets and lush gardens of Pasadena.

2. Disco Ball

Our obsession with the disco ball as a symbol of freedom and fun is real. The spaces we design inspire connection and living life out loud. Home should be a place where you laugh, love, dance, and play. We definitely follow the call of the disco ball at House of Honey!

3. Montecito

Montecito, where I have both a house and a design studio, holds a special place in my heart. When I first visited, it reminded me of my childhood growing up in Halifax, Canada. My home there is placed in a forest setting, but minutes from the beach. It’s my very happy place!

styled living space with a colorful mural on the wall

Photo: Abel Macias

4. Color

Infusing color into interiors is instinctual for me, and I never shy away from it. I think that our design is courageous and narrative-shifting as a result. We are committed to delighting and surprising our clients through color choices, but most importantly, encouraging them to live boldly with a boundless enjoyment of the every day.

a vintage white convertible driven between two large flowering bushes

Photo: Dima Konjaria

5. Vintage Cars

At an early age, I developed a love of vintage cars (my obsession grew to include vintage furniture and art, but that’s another story!). I still love to stroll around a vintage car show, and love riding in a convertible with a sense of freedom and abandon.

Work by House of Honey:

styled living space with lots of natural light

Photo: Manolo Langis

styled living space with central fireplace and matching white sofas

Photo: Victoria Pearson

open concept living and kitchen space

Photo: Victoria Pearson

styled living space with lots of natural light

Photo: Jason Rick

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

F5: Tamara Honey Loves Maximalism, Vintage Cars + More

F5: Tamara Honey Loves Maximalism, Vintage Cars + More

Over a decade ago, Tamara Honey founded her eponymous interiors firm, House of Honey, a female collective of interior designers who want to create meaningful experiences through their work. Currently, she collaborates with the collective on private residential properties, restaurants, and hotels, with design studios in both Montecito and Pasadena, California.

A self-described maximalist, Tamara truly excels at creating bespoke environments that reflect her clients and their unique surroundings. “I have been collecting vintage furniture, lighting, and art for over a decade, and sold on 1st dibs for many years. I love the mix of old and new for all of our interiors,” she added. Through Tamara’s projects, she celebrates life out loud by creating moments of escape through cultivation and curation. What remains is a sense of joy, confidence, and a “well-textured life.”

Today, Tamara Honey joins us for Friday Five!

Tamara Honey

1. Flowers

Flowers are an all-day favorite! Every great story begins with sensory experience. We are developing two interior scents that tap into our love for the two places where our design studios are located. Ortega is born out of the desire to recall and capture driving the winding tree-lined ridge in Montecito. Bellefontaine is inspired by the rose-lined streets and lush gardens of Pasadena.

2. Disco Ball

Our obsession with the disco ball as a symbol of freedom and fun is real. The spaces we design inspire connection and living life out loud. Home should be a place where you laugh, love, dance, and play. We definitely follow the call of the disco ball at House of Honey!

3. Montecito

Montecito, where I have both a house and a design studio, holds a special place in my heart. When I first visited, it reminded me of my childhood growing up in Halifax, Canada. My home there is placed in a forest setting, but minutes from the beach. It’s my very happy place!

styled living space with a colorful mural on the wall

Photo: Abel Macias

4. Color

Infusing color into interiors is instinctual for me, and I never shy away from it. I think that our design is courageous and narrative-shifting as a result. We are committed to delighting and surprising our clients through color choices, but most importantly, encouraging them to live boldly with a boundless enjoyment of the every day.

a vintage white convertible driven between two large flowering bushes

Photo: Dima Konjaria

5. Vintage Cars

At an early age, I developed a love of vintage cars (my obsession grew to include vintage furniture and art, but that’s another story!). I still love to stroll around a vintage car show, and love riding in a convertible with a sense of freedom and abandon.

Work by House of Honey:

styled living space with lots of natural light

Photo: Manolo Langis

styled living space with central fireplace and matching white sofas

Photo: Victoria Pearson

open concept living and kitchen space

Photo: Victoria Pearson

styled living space with lots of natural light

Photo: Jason Rick

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

Vibrant Lines of Paper Twist and Surge Through Ilhwa Kim’s Dynamic Landscapes

Vibrant Lines of Paper Twist and Surge Through Ilhwa Kim’s Dynamic Landscapes

“Atomic Wind” (2023), hand-dyed Hanji paper, 184 x 152 x 13 centimeters. All images © Ilhwa Kim, courtesy of HOFA Gallery, shared with permission

Meandering rows of flat paper seeds flow through Ilhwa Kim’s landscapes, creating densely lined paths among the abstract expanses. The South Korean artist (previously) rolls tight wads of Hanji paper, which she’s dyed primarily in greens and blues with occasional pinks and yellows, and binds the individual components in a rectangular form. Variances between the slim, tall seeds and the short, wider pieces add texture and depth to the aerial-inspired works that appear to look down at a settlement or pastoral scene from above.

The sculptures shown here are part of Kim’s forthcoming solo show at London’s HOFA Gallery titled Tacticle Hands. Referring to the pieces as “living architecture,” the artist gravitates toward movement, conveying heaving breaths or the way a breeze can make a field of grass seem as if it’s dancing. “I create artworks that combine sculpture and painting in order to explore the richness, dynamism, and depth of sensory experience on canvas,” she says. “These layered, entangled, and ever-evolving sensory experiences, happening in a world defined by nature’s infinite possibilities, are what I strive to capture in my works.”

Tactile Hands is on view from September 29 to October 11. You can find more of Kim’s sculptures on Instagram.

 

a colorful patch is nestled in a blue and green landscape

“Developer” (2023), hand-dyed Hanji paper, 119 x 93 x 13 centimeters

a close up image of colorful rolled paper tightly packed together

colorful papers seeds make pathways through an expanse of white

“Archaeological White” (2023), hand-dyed Hanji paper, 132 x 164 x 13 centimeters

a colorful patch is nestled in a blue and green landscape

“Private Walk” (2023), hand-dyed Hanji paper, 119 x 93 x 13 inches

a colorful patch is nestled in a blue and green landscape

“Rocket’s High” (2023), hand-dyed Hanji paper, 119 x 93 x 13

a colorful patch is nestled in a blue and green landscape

“Low Altitude Flight” (2023), hand-dyed Hanji paper, 192 x 224 x 13 centimeters

a colorful patch shaped like an animal or murmuration in an expanse of white

“Tender Strokes” (2023), hand-dyed Hanji paper, 132 x 164 x 13 centimeters

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Vibrant Lines of Paper Twist and Surge Through Ilhwa Kim’s Dynamic Landscapes appeared first on Colossal.

The Life of a Creative Photographer

The Life of a Creative Photographer

The life of a photographer, professional or hobbyist, has a lot of ups and downs. The creative process is a complicated thing that draws on experience, technique, intuition, and more, and understanding its ebbs and flows can be beneficial not only in maximizing your output but weathering the lulls. This fantastic video interview features a pair of experienced landscape photographers discussing a wide range of meaningful wisdom and advice sure to make you a better creative.

Coming to you from Alister Benn of Expressive Photography and William Neill, this excellent video interview discusses a huge range of topics, including the creative process, confidence as a photographer, and much more. I think Benn and Neill have some particularly good experience with regards to how the life of a photographer has evolved as our relationship with the internet has continued to change, and it is well worth listening to. Finding personal meaning in your photographs instead of relying too heavily on external validation is tremendously important. After all, at the end of the day, you picked up a camera because you enjoyed the creative process, so do not fall into the trap of seeking out those dopamine hits from social media and the like. Check out the video above for the full rundown. 

Anonymous Iranian Photographers Have Their Work Exhibited

Anonymous Iranian Photographers Have Their Work Exhibited
Iran uprising
Iranian protestors on the Keshavrz Boulvard, September 2022. | Darafsh

When 22-year-old Iranian woman Mahsa Amini died at the hands of mortality police who deemed she was wearing her head covering improperly, it sparked a wave of unrest in the country — A country that is difficult to document.

Journalists had to decide the best way to publish imagery from inside a country that is goverened by a regime that is hostile to foreign press. At the recent Visa Pour l’Image photojournalism festival in France, there was the first-ever anonymous photographer exhibit.

Two journalists from the prestigious Le Monde curated the anonymous exhibit, as they painstakingly authenticated each image for the exhibition Uprising in Iran.

“From September 16 2022, the day Mahsa Amini died, the reality of what was happening in the streets was visible on social networks,” Marie Sumalla, a Le Monde journalist, tells RFI.

“It was important to think about how we were going to collect these images in order to verify them, publish them, and give them to our readers.”

The French journalist brought in Iranian experts to confirm the images by geolocating them, checking sources, and verifying dates.

“From then on, the videos and photos began to appear on social networks, but with great difficulty,” adds Le Monde journalist Ghazal Golshiri.

“In Iran, WhatsApp and Instagram have been blocked since September 2022. Facebook and Twitter have been blocked since 2009, and Telegram since 2019. So the Iranians need anti-filtering software.”

Award-Winning Photography Alongside Citizen Journalism

Uprising in Iran also includes a powerful photo by Ahmad Halabisaz of a young Iranian woman sitting in a busy square in the Iranian capital Tehran with her hair uncovered, defying the mandatory hijab law in the strict Islamic country. The photo has received multiple awards, including an honorable mention at the World Press Photo awards.

“We felt it was important to show Ahmad Halabisaz’s photograph. Ahmad is someone we have worked with on several occasions,” says Sumalla.

“The fact that this photograph won a World Press award was an important sign for the journalism community.”

For more, head to the Visa Pour l’Image website.


Image credits: Photographs by Darafsh