American Indian Heritage Days is underway at the University of Montana

American Indian Heritage Days is underway at the University of Montana

MISSOULA — A special week is underway at the University of Montana.

American Indian Heritage Days started Monday and runs through Friday, September 22nd, 2023.

It’s a celebration of Indigenous culture on campus that includes everything from supporting your favorite Native artist to hiking to the M in honor of missing and murdered Indigenous people.

Inside the Payne Family Native American Center at the University of Montana is the office of American Indian Student Services (AISS). It’s a place where community thrives which is why they’re putting on Heritage Days.

Tiara Walks

Emily Brown/MTN News
Tiara Walks does public relations for Kyiyo while also working for the Native American Natural Resource Program in UM’s College of Forestry.

Tiara Walks, a student who is Crow, told MTN, “I probably come over every day to the office and it just feels nice to be like around other Natives.” O’Shay Birdinground is also Crow and spends a lot of time with other Indigenous students at AISS. He shared, “There’s been a couple of students who have just come in to learn about their culture that they’ve been separated from.”

O'Shay Birdinground

Emily Brown/MTN News
O’Shay Birdinground enjoys when people come into the Payne Family Native American Center with a desire to learn about their culture.

Heritage Days is a week long celebration of Indigenous culture on campus that includes everything from supporting your favorite Native artist to hiking to the M in honor of missing and murdered Indigenous people. Aurora Liberty-Dupuis is Bitterroot Salish and grew up on the Flathead Reservation. She enjoys seeing all the unique Indigenous-made pieces people have been wearing. “People wear their stuff to classes and we have events out on the oval and where other people can see it, then people can recognize it’s honoring who we are,” said Liberty-Dupuis.

Aurora Liberty-Dupuis

Emily Brown/MTN News
Aurora Liberty-Dupuis works part time at American Indian Student Services and with the federal Gear Up program which helps 7th-12th graders with college preparation and freshman with college retention.

Since Montana is a primarily white state, it is very important to the Indigenous students and staff that their culture is visible. Birdinground explained, “We make up 7.1 percent of the overall population here at the University of Montana. We do our best to showcase who we are as a people and demonstrate the different tribal affiliations and the uniqueness to our culture.”

Director of American Indian Student Services Michelle Guzman calls this week a recognition of Indigenous people in their place. She detailed, “Especially at the university level we get a lot of students who are from out of state. Especially students from back east, they don’t even know Native Americans still exist today. So ,they always think of us in a historical context.”

Michelle Guzman

Emily Brown/MTN News
Director of American Indian Student Services Michelle Guzman wore beautiful beaded earrings for Support Native Artists Day.

Zachariah Rides At The Door, who is Blackfeet as well as Aztec, highlighted that Indigenous people and communities are alive and well. “We are a people with a past not a people lost in the past,” he stated.

The week of events boosts the visibility of Native people on campus. Liberty Dupuis shared, “It feels really good to me that we actually get to be seen.”

The students find it important to themselves to share their languages, stories, clothing, songs, and dances. “It’s healing for me.”

Rides At The Door and Birdinground will get to raise flags and sing on Friday morning as part of the Kyiyo Singers.

The Kyiyo Singers is a recently resurrected Indigenous song and dance group at the University of Montana. Rides At The Door explained that an old drum was found which then ignited the desire for students to bring the Singers back.

Zachariah Rides At The Door

Emily Brown/MTN News
Zachariah Rides At The Door is eager to sing at the Sunrise Ceremony on Friday.

“It’s healing for me,” shared Rides At The Door, who has been singing since second grade. He continued, “It grounds me… my mentality is a key part of that, to be in a good heart and good space. What I’ve been told growing up, what I give to it is what is being brought out to everyone else.”

For Dillon Pretty On Top, who is Salish and Crow, dancing and singing is “an honor.” He’s taking what he’s learned growing up around his uncle’s drum group and using that to fuel his performances with Kyiyo.

Dylan Pretty On Top

Emily Brown/MTN News
Dylan Pretty On Top grew up near his uncle’s drum circle. Getting to dance and sing at the University of Montana perpetuates that family tie to music and dance.

Michael King III, who is Nakota and Northern Cheyanne, is the President of Kyiyo. He grew up singing and dancing. Getting to singing again is filling in a missing piece in King III’s cultural life.

Michael King III

Emily Brown/MTN News
King III has been thinking about getting back into singing and dancing since he was in high school. Now, as the President of Kyiyo, he’s getting the opportunity.

Other Friday activities include craft vendors, a proclamation, ethnobotany tours, planetarium shows, and a round dance.

AIHD flyer

American Indian Student Services/Michelle Guzman
Schedule of events for American Indian Heritage Days.

Powerful images of ‘reluctant heroes’ help veterans reclaim trauma

Powerful images of ‘reluctant heroes’ help veterans reclaim trauma

In a powder-blue safari suit, rainbow bow tie and bushy handlebar moustache, Lyndsay Marriner does not fit the mould of an archetypal veteran.

“My last day in the Australian Army was May 4, 2022. On May the fourth, the force was with me, and on May the fifth, it wasn’t,” he laughs.

After four decades of service in the Royal Australian Electrical and Mechanical Engineers, Mr Marriner suffered a breakdown and was discharged with post-traumatic stress disorder.

“I was mentally beaten down quite a bit. I couldn’t shake it off in the end,” he says.

A man holds up and examines a framed photo of himself wearing Army medals

Lyndsay Marriner’s portrait helps symbolise his recovery from trauma.(ABC North Qld: Lily Nothling)

The Townsville veteran is now “rebuilding” and has vowed to live his life out of the shadows.

“Since I had my breakdown, I’m so much more open with my life … and being open about it has helped me immensely,” he says.

It led him to sit for his portrait as part of the Reluctant Heroes project.

A man leans against a bar with a large camera and photography equipment in the background

Mick Jones takes most of his portraits in a makeshift studio at his home.(Supplied: Mick Jones)

Empathising with subjects

South-east Queensland photographer Mick Jones has photographed more than 50 ex-service personnel from all walks of life in the past three years.

As a veteran himself, he knows getting in front of the camera “can be a bit intimidating”.

He gets to know his subjects over a cup of tea, a biscuit, or even a beer before picking up his camera.

A veteran with a service dog in his lap, next to an old veteran in a suit with service medals

Mick Jones began photographing fellow veterans for free more than three years ago.(Supplied: Mick Jones)

“Sometimes we sit there for 20 minutes and they’re comfortable to just start the process, or in some cases, we’ve been there for an hour and a half,” Mr Jones said.

“Sometimes it becomes almost like, I won’t say a counselling session, but a bit of an opportunity to talk about some experiences. I don’t promote that, I just sit there and listen.

“I’ve had some messages and conversations with family saying, Dad, or my husband or whatever, has never spoken to people about that sort of stuff.”

Two women wearing service medals sit in chairs while holding framed photographs

More than 50 veterans have been photographed for the project so far.(Supplied: Mick Jones)

The photos are striking, and Mr Jones said showing the veterans the final image was “the best part”.

“Veterans, we all go through different phases of mental health issues, and I think … if you get a really strong, confident portrait of someone and put it in their house, it does help,” he said.

Capturing character with a lens

Jan Scott said she burst into tears when she received a photograph of her husband Rob.

A man with glasses and a bi white beard wearing a leather motorcycle vest

Vietnam veteran Rob Scott was photographed as part of the project.(Supplied: Mick Jones)

“If we ever have a fire, and God forbid we never do, that would be one of the things I would grab  besides the dog,” she said.

As a Vietnam veteran, Mr Scott faced backlash in the aftermath of the war, and later grappled with post-traumatic stress disorder and health problems.

She said Mr Jones had managed to beautifully capture the humanity of her “very, very quiet” husband.

“That’s the Rob we see — a lot of people don’t see that — and Mick just seems to have that knack of catching the essence of that person,” she said.

“He was a man thrown into unfortunate circumstances, and he survived.

“He’s just an ordinary man that perhaps did extraordinary things in an extraordinary time.

“He doesn’t see himself as a hero.” 

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Photo Gallery: COD’s Annual Easterseals Photography Exhibition

Photo Gallery: COD’s Annual Easterseals Photography Exhibition

College of Dupage hosted the 24th annual Easterseals Photography Exhibition on Saturday, Sept. 16 in the Student Services Center atrium. The exhibition was a collaboration between Easterseals Dupage & Fox Valley, a local nonprofit that helps support disabled children and their families, and the College of Dupage’s photography students and alumni.

The photographs showcase children who receive services at Easterseals Dupage & Fox Valley. The photographers involved in the exhibition were Oleksandra Solonenko, Chris Howes, Missy Gallagher, Rebecca Morrison, Thomas Haslett, Ricardo Gallegos, Kristan Wozniak, Marita Blanken, Molly Gardner, Rich Howe, Karlynn Rich, Adriana Carbonara, Juan Rhodes, Barbara Overland, Devon’s Barnes, Jason Coury, Mary Paulius and Jack Kreger. 

For more information about Easterseal, check out their website.

Ultra-High Resolution 200MP Telephoto Cameras: The Next Big Thing in Smartphone Photography

Ultra-High Resolution 200MP Telephoto Cameras: The Next Big Thing in Smartphone Photography

ISOCELL’s ultra-high resolution 200MP sensors and remosaic technology are bridging the divide between wide and telephoto smartphone cameras

The camera is usually the main reference point for judging smartphones for two reasons: first, it is the feature most often used in everyday life, and second, assessing its performance is possible for even the untrained human eye. Smartphone cameras have improved rapidly over the last decade, but there are still obvious limitations due to the compact form factor. Each year, smartphone users expect their new devices to have better cameras in a thinner, lighter body. At the same time, more and more tech voices are commenting on the size of the camera bump and the overall thickness and weight of the device.

One of the leading solutions to this challenge is the telephoto camera, which has resulted in gradual improvements in telephoto sensor technology by the industry. With several major smartphone makers announcing the inclusion of enhanced telephoto cameras in their flagship devices, the telephoto camera is now being seen as the second main camera instead of just an extra or secondary camera. Looking to the future, the telephoto camera has emerged as a key factor driving the improvement of smartphone camera specifications.

Why Telephoto Cameras Are the Next Big Thing

Portrait photography is one of the areas in which telephoto-camera features truly shine. To shoot distant stills, many smartphone users use the high magnification mode on their telephoto camera. When it comes to portraits, however, they tend to take shots using wide mode. The issue is that the field of view distorts close objects, making it challenging to capture the subject accurately.

▲ (From left) Wide (1x) Camera, Telephoto (3x) Camera: Distortion comparison between wide and telephoto cameras

In the photo on the left above, the distortion of the subject has occurred due to taking a close-up shot with the main, wide camera, which has a focal length of 24mm and a field of view of about 84°. This distortion arises due to the wide camera’s short shooting distance for a close-up shot. Since the human face’s 3D shape is projected onto the 2D image sensor, the center of the face is extended compared to the face’s peripheral because of the relative distance from camera. This is called “extension distortion.” Shorter shooting distances increase the relative distance difference of facial 3D shapes, so the shorter the shooting distance, the greater the extension distortion. This explains why the wide camera is suitable for taking pictures of people against a landscape background (like at a tourist spot), but not for images in which people are the main subjects. On the other hand, a telephoto camera with a focal length of 85mm and a field of view of 29° is much less distorted at the most common magnification of 3-3.5x, making it more suitable for portrait photography.

Another reason telephoto cameras excel at portrait photography is the out-of-focus effect produced by the focal length. When all other variables are equal, the longer the focal length, the shallower the depth of field. In other words, the background around the subject will be blurred and out of focus, resulting in a photo that is more focused on the subject. So, while a wide camera is great for capturing both people and backgrounds in a tourist spot, a telephoto camera is much better for scenes that focus on the people themselves.

The Limitations of Telephoto Cameras Until Now

Currently, telephoto cameras are most often used in high-end smartphones. The optical format of image sensors for wide cameras in this segment ranges from 1/1.4″ to 1″, with image quality matching their size and features, such as high dynamic range (HDR) and high-speed shooting. In comparison, the optical format of telephoto image sensors is relatively small, ranging from 1/2.7″ to 1/2″ (besides a few exceptions). From a user perspective, such difference in specification means that telephoto cameras offer different image quality, color and HDR experiences than wide cameras. Telephoto cameras are often used for tracking subjects from a distance, such as in stadiums or concert halls, and users might find it difficult to capture photos and videos at the level of quality they want.

Comparison of Wide and Telephoto Sensors

  • Both ISOCELL HP2 and ISOCELL HP3 are used in wide cameras.
  • ISOCELL Product A and B are used in telephoto cameras.

Closing the gap between wide and telephoto cameras has become a key challenge for the smartphone industry, with the need for telephoto sensors to eventually reach the same level as wide sensors’ specifications and functions. Fortunately, as wide-angle sensor modules have become progressively larger and higher, the space for telephoto image sensor modules has grown correspondingly. Upgrading the size and capabilities of the telephoto image sensor not only allows users to maintain shooting scenarios close to those of wide sensors, but also has the added benefit of providing better out-focusing for portrait photography. This is because, for the same field of view, a larger image sensor will have a longer focal length, resulting in a shallower depth of field than a smaller telephoto sensor.

Ultra-High Resolution Sensors: Leading the ‘Second Main Camera’ Trend

ISOCELL’s ultra-high resolution image sensors are the appropriate solution for this trend of better telephoto cameras, allowing them to truly be seen as the second main camera. Unsurprisingly, the biggest strength of ultra-high resolution image sensors is their resolution, which has been proven by their successful implementation in various smartphones. They have also shown particular value in smartphones at a price point where adopting a separate telephoto camera is difficult or impossible. The images below show how a single 200MP sensor can fulfill both the telephoto and wide roles, with its 4x in-sensor zoom showing image quality comparable to that of a conventional telephoto sensor.

▲ Images captured by a 200MP image sensor with in-sensor zoom range of 1x to 4x

▲ Image quality comparison of conventional telephoto module and 200MP sensor with 4x in-sensor zoom

ISOCELL’s 200MP sensors offer 2x and 4x in-sensor zoom capability with no loss of resolution, thanks to the superior remosaic algorithm. The 4x zoom scene above shows image quality comparable to that of an optical 3x module, an outstanding achievement that makes separate optical zoom systems seem less necessary. The algorithm rearranges color pixels into an RGB Bayer pattern, so a 200MP sensor can maintain 12.5MP at 1x/2x/4x zoom with no loss of resolution. Since a smartphone’s main wide camera typically defaults to 12MP at 1x mode, this technology enables users to experience the same resolution at 2x/4x zoom.

In particular, the 200MP ISOCELL HP2 and ISOCELL HP3 improve zoomed shooting quality by applying a deep-learning-based remosaic algorithm that better enables the expression of scene-optimized details. Additionally, with flagship application processors (APs) like the Snapdragon® Mobile Platform, adopting internals that favor parallel computation, such as digital signal processors (DSPs) and graphics processing units (GPUs), has created synergy and significantly improved image quality.

Since these ultra-high resolution image sensors are inherently designed to be the main sensor, they feature advanced technologies to enhance image quality. The sensors make use of the Tetra²pixel function, which merges up to 16 neighboring pixels to enhance low-light image quality They also provide better performance for HDR and frames per second (FPS). Then there is the 1/1.3″ to 1/1.4″ large optical format, which can capture images with improved out-focus when compared to conventional telephoto sensors. Through these key advantages, 200MP ISOCELL image sensors are overcoming the barrier between wide and telephoto cameras, providing consistent image quality between main and sub cameras as well as innovative user experiences for flagship smartphone users.

For example, on a 3x telephoto module with a 200MP sensor, lossless zoom scenarios can be run from 3x to 6x to 12x. This impressive capability means that more diverse scenes can be captured without any loss of resolution. In everyday life, and especially at tourist spots, there are often moments when users not only want to capture the entire foreground but also zoom in on a specific area, such as the buildings in the image below. But having a subject that is farther away means that moving just a few steps results in an image that is very different from the one seen at the previous wide angle. In addition to the lack of zoom capabilities in existing smartphone cameras, the poor image quality of low resolution telephoto sensors is a major point of frustration when users get up close to their subjects. This is why ultra-high resolution image sensors in telephoto cameras are such an effective solution: users can capture more accurate, colorful memories of their environment, from the same place and at the angle of their choice.

▲ (From top) 12.5MP image captured by 200MP in-sensor zoom and some areas enlarged to show details

 

The ISOCELL Sensor Lineup Is Ready To Meet Market Needs

As the optical formats of wide cameras in premium smartphones increase in size, image sensors currently used in wide cameras (1/1.3″ to 1/1.4″) may also be incorporated into telephoto modules in the future. ISOCELL’s lineup of 200MP sensors, including the ISOCELL HP2 and ISOCELL HP3, are well-suited to that type of application. Both sensors were designed to meet the needs of premium wide sensors with regards to image quality, autofocus, HDR and FPS — and they are currently in production for use in several smartphone models. While they differ in some regards, both sensors have the same core feature: a 4×4 software deep-learning remosaic algorithm that enables 2x/4x lossless zoom and 4x on-chip crop zoom.

ISOCELL’s 200MP sensors have already demonstrated the value of ultra-high resolution by showcasing their impressive zoom capabilities in existing devices. As the competitive landscape of premium smartphones becomes increasingly focused on delivering a differentiated user experience — beyond hardware — ISOCELL’s ultra-high resolution sensors are set to prove their worth as a trendsetting solution enabling better zoom with epic details.

* All functionality, features, specifications and other product information provided in this document including, but not limited to, the benefits, components, performance, availability, and capabilities of the product are subject to change without notice or obligation.
* All images shown are provided for illustrative purposes only and may not be an exact representation of the product or images captured with the product. All images are digitally edited, modified, or enhanced.

Saranac Village at Will Rogers hosts photography slideshow Wednesday

Saranac Village at Will Rogers hosts photography slideshow Wednesday
image

SARANAC LAKE — Nature photographer Warren Greene will showcase his work at Saranac Village at Will Rogers this Wednesday at 2 p.m.

Greene will present a slideshow of his work encompassing primarily birds, a variety of other wildlife and the natural world.

Greene has been shooting photos for close to 50 years, fulfilling his lifelong love of nature and a passion for photography in which he captures wildlife in the most vivid way.

Greene is known to travel great distances and is willing to be patient for long hours to create these shots. His work has been shown in various books, magazines and calendars.

He has been recognized by the Cape May Observatory as photographer of the month, and his work can periodically be seen on naturescapes.net, an online resource for photographers.

Greene, who is retired from the Fulton County Probation Department and the Family Counseling Center, is now a Fulton County supervisor representing his hometown ward in Gloversville.

This program is free and open to the public. Refreshments will be served. For more information, call 518-891-7117.

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Children’s Home Society plans Transitional Living Youth Art Show

Children’s Home Society plans Transitional Living Youth Art Show

This piece was by Skylyn Beers in last year’s Transitional Living Youth Art Show sponsored by the Children’s Home Society. The fourth annual show this year kicks off with a reception 5-6:30 p.m. Oct. 17 at the Parkersburg Art Center. (Photo Provided)

PARKERSBURG — The fourth annual Traditional Living Youth Art Show sponsored by the Children’s Home Society will open with a reception 5-6:30 p.m. Oct. 17 at the Parkersburg Art Center.

Exhibits are from youth participating in the Transitional Living Program.

The program helps youth struggling with homelessness and staff supporting them on their way to independence and a hope-filled future. Children’s Home Society youth programs and services help youth concentrate on longer-term goals for education, employment and career planning.

The Transitional Living Art Show is in collaboration with the Parkersburg Art Center at 725 Market St.

The opening reception will include entertainment provided by Moon King, a singer and songwriter from Parkersburg. Light refreshments will be served.

The event is free, however, donations in support of youth services are welcomed and appreciated.

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bluethumb

bluethumb

bluethumb is Australia’s largest art marketplace, connecting art lovers, collectors and interior designers with emerging and established local artists.

Co-founded in 2011 by Ed Hartley and his brother George Hartley, bluethumb is now a major player in the online art space.

Recently recognised as one of Inside Small Business’s Top 50 Business Leaders, we asked Ed how long it took to get bluethumb established and the benefits of being an on-line only enterprise.

Take us back to the beginning. Where did the idea come from and what capital did you have?

When I came back from working in the Middle East I decided it was time to do something that really mattered. I’d grown up in an artistic household, seen artists struggle to make a living despite being crazy talented and realised if the rest of the world was moving online, then so too must art. We had almost no capital, and after a modest initial investment built everything ourselves with whatever income we made selling art.

How long did it take before you were confident you could make bluethumb a success?

We were bootstrapped for four years, and three-and-a-half years in I just decided to quit work and go for it. We were lucky enough to find fantastic investors quickly (this is unusual) and from there, with some capital, we grew exponentially. It was then we realised how big it could grow and the contribution we could make to the Australian art industry.