Mangrove forests: Steely gaze of young tigress wins photo awards

Mangrove forests: Steely gaze of young tigress wins photo awards

Soham Bhattacharyya has been named overall winner of this year’s Mangrove Photography Awards, for his image of an endangered tigress in the Sundarbans Biosphere Reserve, India.

A young Royal Bengal tigress stands among mangrove bushes in the Sundarbans Biosphere Reserve, India

Soham Bhattacharyya

Run by the Mangrove Action Project, the competition – now in its ninth year – aims to show the relationships between wildlife, coastal communities and mangrove forests, as well as the fragility of these unique ecosystems, both above and below the waterline.

Mr Bhattacharyya’s winning image, called The Finest Flower of the Mangroves, shows a young Royal Bengal tigress in its natural mangrove habitat, peering at the photographer.

“The solitary figure of the tiger, standing amidst the lush green mangrove forest vegetation, poignantly underscores the isolation it must endure in an ever-shrinking habitat,” said competition judge Daisy Gilardini.

In 2021, West Bengal Forest Department estimated there were only 96 Royal Bengal tigers in the region.

Mangroves are an important protection against climate change, with one acre (4,000sq m) of mangrove forest absorbing nearly the same amount of carbon dioxide as an acre of Amazon rainforest.

The forests also protect coastlines from eroding, as intense storms grow more frequent.

“Photographs of mangroves play a multifaceted role in advocating for the conservation and protection of these critical coastal forests,” said another of the judges, Fulvio Eccardi.

Fellow judge Octavio Aburto added: “The images from this year captivated our imagination… giving us hope and illuminating a positive future for mangrove ecosystems.”

Here are a selection of winning images from seven competition categories, with descriptions by the photographers.

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Mangroves & Landscape winner: Emerging Roots, by Cristiano Martins Xavier, Brazil

A mangrove forest in Brazil

Cristiano Martins Xavier

As the low tide allowed me to walk through the trees, I saw this scene where the mangrove roots were partially submerged.

I decided to use a long-exposure technique to soften the surface of the water, and transform the photo into black and white to give the scene a sinister look.

Brazil is home to extensive mangrove ecosystems along its coastline, totalling approximately 7% of the world’s mangrove area.

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Mangroves & Landscape highly commended: Between Ancient and Modern Lights, by Aaron Ruy G Musa, Philippines

Lights from Bais City, the Milky Way and the Lyrid meteor shower next to mangrove trees in the Philippines

Aaron Ruy G Musa

Lights from Bais City, the Milky Way and the Lyrid meteor shower [are seen alongside] the mangrove’s trees during darkness and low tide.

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Mangroves & Wildlife winner: Hiding in Plain Sight, by Chien Lee, Colombia

A common potoo bird is camouflaged as it perches motionless on a branch in Colombia

Chien C. Lee

In the mangrove forest of Colombia’s Utría National Park, a common potoo (Nyctibius griseus) is nearly indistinguishable from the surrounding branches while it perches motionless on its nest.

During the day, the potoo perches on tree branches, remaining perfectly still, with its cryptic plumage resembling a broken tree branch or stump.

As I didn’t want to risk disturbing the potoo into flight, I photographed it with a long telephoto lens.

It was only after looking through the lens that I realised there was actually a single egg.

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Mangroves & Wildlife runner-up: Mating Nurse Sharks, by Mark Ian Cook, US

Two large nurse sharks display mating behaviour in the shallow waters off the mangrove-lined Shark Point in the Everglades National Park, Florida, US

Mark Ian Cook

In an image taken from a helicopter, two large nurse sharks display mating behaviour in the shallow waters off the mangrove-lined Shark Point in the Everglades National Park, Florida, US.

Sheltered mangrove habitats that are largely free of human disturbance are critical mating and nursery habitats for a number of shark species – protecting these areas is essential to sustaining shark populations.

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Mangroves & Threats winner: The Theatre of Plastic, by Emanuele Biggi, Malaysia

A land hermit crab wanders close to the beach of Pom Pom island, Sabah, using a plastic deodorant plug instead of a shell

Emanuele Biggi

A land hermit crab wanders around at night, close to the beach of Pom Pom Island, Sabah, using a plastic deodorant cap instead of a shell.

Hermit crabs rely on empty shells for shelter and protection. Plastic debris can sometimes resemble shells.

These unnatural “shells” do not provide the necessary protection and can hinder their growth and survival.

Discarded fishing nets, lines, and other plastic debris can entangle and trap marine animals, leading to injury, drowning, or suffocation.

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Mangroves & Threats highly commended: Wild & Free, by Yordanis Méndez Segura, Cuba

An American saltwater crocodile is seen with its mouth entangled in nylon rope in the Gulf of Ana María, Cuba

Yordanis Méndez Segura

In the Gulf of Ana María, Cuba, this mangrove-dwelling American saltwater crocodile was spotted with its mouth tangled in nylon rope.

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Mangroves & Underwater winner: A Lemon’s Life, by Anita Kainrath, Bahamas

A juvenile lemon shark swims in shallow mangrove forests in the Bahamas

Anita Kainrath

A juvenile lemon shark swims in shallow mangrove forests in the Bahamas.

Lemon sharks spend their first four to six years in shallow waters, where mangrove forests protect them from bigger predators.

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Mangroves & Underwater runner-up: Forest Meets Reef, by Brooke Pyke, Indonesia

A mangrove forest grows atop a vibrant coral reef on Raja Ampat's Gam island, Indonesia

Brooke Pyke

A lush and thriving mangrove forest grows atop a vibrant coral reef on Raja Ampat’s Gam island, Indonesia.

Mangroves provide many benefits to coral reefs, including protection from sedimentation, filtering nutrients from land and rivers, and a nursery habitat for many species of juvenile fish.

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Mangroves & People winner: Séphora the Clam Diver, by Kris Pannecoucke, Democratic Republic of the Congo

Séphora dives for clams in the Mangrove Marine Park, a fragile nature reserve in Bas-Congo, Democratic Republic of the Congo

Kris Pannecoucke

Since the dawn of time, people have been diving in the mangroves in search of clams.

Women like Séphora (above) dive up to four metres for clams in the Mangroves National Park, a fragile nature reserve in Bas-Congo, Democratic Republic of the Congo.

They sell skewers with clam meat in the cities of Muanda and Boma.

Entire islands, like Kimwabi where Séphora lives, are built on empty shells.

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Mangroves & People runner-up: In the Forest, by Phan Thi Khanh, Vietnam

A fisherman navigates the waters in the Ru Cha mangrove forest near Hue, Vietnam

Phan Thi Khanh

A fisherman navigates the waters in the Ru Cha mangrove forest near Hue, Vietnam.

In winter, the mangroves shed all their leaves, leaving thin white trunks, like a giant spider web.

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Mangroves & Conservation Stories winner: The Blue Fig, by Mohammad Rakibul Hasan, Bangladesh

A woman stands in the Sundarbans in Bangladesh

Mohammad Rakibul Hasan

The Sundarbans, which means “beautiful forest”, is one of the most vulnerable areas in Bangladesh to the impacts of climate change.

As the mangrove area is damaged by sea-level rise and extreme weather events, people will be affected by food and water insecurity and the loss of their homes and livelihoods.

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Mangroves & Conservation Stories runner-up: Stewards of the Mangroves, by Jason Florio, Gambia

Women harvest oysters beside mangroves on the Gambia River in Gambia

Jason Florio

The Gambia River’s mangroves are crucial to its ecosystem, and benefit the local women who collect oysters.

The TRY Oyster Women’s Association encourages women to consider themselves stewards of the mangroves, by educating them to preserve the mangroves and harvest sustainably, as well as engaging in reforestation.

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Young Mangrove Photographer of the Year (under the age of 24) winner: Eye Contact, by Katanyou Wuttichaitanakorn, Thailand

A baby golden-spotted mudskipper snapped on the edge of a mangrove in Samut Sakhon province, Thailand

Katanyou Wuttichaitanakorn,

A baby golden-spotted mudskipper snapped on the edge of a mangrove in Samut Sakhon province, Thailand.

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All photos subject to copyright.

New mural in Montpelier celebrates Abenaki culture

New mural in Montpelier celebrates Abenaki culture

MONTPELIER, Vt. (WCAX) – Abenaki artist Abena Songbird has always been proud of her heritage. But at the same time, she felt the celebration and representation of her culture as one of only four state-recognized native American groups was lacking. So, when she received a grant from Vermont Arts Council and the Public Arts Commission to paint an Abenaki-inspired mural at the Montpelier transit center she knew it was an opportunity she couldn’t pass up.

“I created this gathering event to collimate and celebrate ‘d le musina’ we continue to live, the mural,” said Abena Songbird.

It took 5 years to get the project out of the planning stages, but now it’s finally complete. And on Saturday, people gathered to take in the sight. The mural is 17 feet tall and 27 feet wide with valuable symbols in Abenaki culture. Songbird says it represents all four seasons in Vermont. There were eight artists involved with painting the mural and they say it took eight days to complete

“When Abena first spoke with me about it, I was a little bit taken aback, I never done a project of this magnitude before. And so, we talked about it, I gave her some ideas then my ideas went down on paper then I designed some and then it came to fruition,” said Co-Art Director and Co-Designer Lucy Cannon-Neel.

“This experience has been amazing, it’s great to celebrate the hard work of a lot of us artists and also in the middle of Montpelier to have an Abenaki mural that people can feel pride and representation,” said Songbird.

Artist Erik Gillard described his time working on the mural as rewarding.

“It was really fun, it was totally an honor to help Abena get her vision painted up there, big and bold. Real collaborative work to just paint it together,” said Gillard.

Alburgh resident Sage Gould says it was an honor to be at the celebration.

“As long as the sun rises, the water flows, the grass is green — that’s what the Abenaki flag means and knowing that we’ll have this here, knowing that we’re going to have that still, as a reminder for people…We’re still here so that was pretty cool,” said Sag Gould.

The artists say they’re happy the work is getting to be displayed at such a public and high-traffic location. And hope it inspires people to appreciate and learn about the Abenaki culture.

“It feels really powerful to help uplift this Abenaki imagery and celebrate the indigenous people in this place of meeting at the bus station seem like a really nice place by people coming through,” said Gillard.

How Can You Enter Photography’s Circle of Success? Here Are Seven

How Can You Enter Photography’s Circle of Success? Here Are Seven

Getting to grips with the fundamentals of photography, such as camera and exposure control, composition, and relating a story, is essential. Sadly, there are other factors that get in that cause you to fail. Here’s why it is important to break free of those and become a successful photographer.

Identifying the Barriers to Successful Photography 

Before considering what a successful photographer is, it’s useful to look at what they are not.

There is a man with a camera who I know who is very well-balanced; he has a chip on both shoulders. He’s always raging at photographers, denigrating them, and criticizing their photography. Others tell me that he is always slating both my photography and articles behind my back.

Instead of putting in the effort to improve his work, he spends his time trying to pull others down to his level. However, the truth is that he is unhappy, and he believes that the only way to improve his lot is to attack others. That doesn’t work, and so, he becomes more miserable as a result.

In the years I have known him, he has been stuck in that vicious circle of failure resulting from his attitude. Meanwhile, many others have gone on to much greater success than he will ever achieve. As time passes, he becomes more bitter and belligerent as a consequence. He cannot see that it is his mindset that causes him to fail. That attitude also alienates him from others as he inevitably gets back what he gives and is unlikely to get support.

It’s not an uncommon story; we’ve all come across lots of people like that. Many take that lazy path of attempting to undermine others without seeing that it just leaves themselves with a bad name. I haven’t yet met anyone who is full of vitriol and has an ounce of talent.

How to Be a Photographic Success

Conversely, I haven’t come across any successful or skilled photographers or artists who are full of bile. There’s an inspirational and successful photographer I occasionally meet who is always encouraging me, and I, her. There’s always an unspoken race between us to see which of us can say something complimentary about the other’s work first. She’s always helping others and praising their work. Similarly, every good artist, musician, and photographer I’ve ever met has treated those who are working their way up the never-ending ladder of success with friendliness and support.

If I had the opportunity to promote the work of either of those two people, which would I choose? I am sure you can work out which.

Surrounding yourself and interacting with positively motivated people will rub off on you, as will mixing with people who support your ambitions. Actively being positive about other people’s art will reflect on your work too.

Should You Sit Back and Take the Malicious Venom That’s Aimed at You?

The answer to that question is no. Avoiding negativity doesn’t mean not challenging those who spread it. The temptation is to say “Yeah, whatever!” and walk away is always there, and many advise us to rise above it. However, those who post snarky comments are bullies, and I believe we should stand up for ourselves as it makes them less likely to attack other photographers.   

You’ve Abandoned Negativity, So How Do You Join the Circle of Success?

Success is a multifaceted thing that may mean financial reward to some and emotional satisfaction to others. I’ve met those who think that success in photography is having thousands of followers on social media, while others are more satisfied with a slap on the back from an established professional. Maybe, it is just being able to produce photos you are proud of or perhaps winning a prize at your camera club. It’s all about achieving your aspirations.

1. Set a Photographic Goal

Of course, to reach your goals in photography, you must first have some to aim for. I have a dislike of modern acronyms used in business, but there is one that works, and that is SMART. It stands for Specific, Measurable, Achievable, Relevant, and Time-bound. I won’t go into the full details of those because those titles are self-explanatory, and there are dozens of psychology websites with pages dedicated to those if you want to learn more.

2. Embrace Positivity in Your Photography

Being positive about your life, including your photography, is transformative and will lead you towards success.

We all have our ups and downs, but being positive means looking for solutions to problems and anticipating that you will find them. You will expect things to work out well. This isn’t just a magic wand you wave and sitting there waiting for it to happen, nor is it an airy-fairy idea. Positivity is being optimistic, and that means that you must believe it’s worth making the effort to work towards those SMART goals.

3. Using Personal Growth for Success

Writing for a respected photography publication was a goal of mine. The only way to get good enough was to practice. So, I started writing photography articles for a local paper. I wasn’t paid for it, but it raised my profile; I got a lot of clients because of it. Also, my writing improved. When I look back at some of my early articles, I can see how much my skills have got better. As a result of that work, and the work I did improving my photography, I was offered a writer’s position at Fstoppers. Now, I get offered other writing work. If hadn’t put in that hard graft, it wouldn’t have happened.

I’ve had some other photographic successes recently that didn’t occur by my sitting back and assuming they will happen. It meant going out and experimenting with different techniques, investing in training and the relevant equipment, and believing I could do it. I’ve had similar experiences throughout my life. Things haven’t always gone as planned, and the reality hasn’t matched my expectations. However, treating them as life experiences instead of failures helps me to move on to the next adventure.

4. Find Fulfillment

Fulfillment is very much tied to positivity and happiness and is very much a measure of success for many.

I often hear that fulfillment is tied to working hard. I think that is balderdash. It isn’t just about working hard, it is achieved by working hard at something you love and surrounding yourself with like-minded people.

I’ve worked hard for a dreadful employer in a toxic environment, and it brought neither happiness nor fulfillment. My back-stabbing boss didn’t acknowledge my successes but lied about me behind my back and set me up to fail. I still hear stories from the same organization of others experiencing the same.

I escaped that and instead surrounded myself with positively motivated people who also wanted to succeed.

Even more fulfillment comes when I share what I have learned with others. If I run workshops and at the end, the participants can take better photos, or if I reply to a client’s email question about how to achieve a certain effect, then it feels good.

5. Experimenting to Become Successful

For me, one of the best bits of being a photographer is being out at dawn with my camera and capturing a seascape with the sunrise, or an eider stretching its wings. It helps boost my mood and makes me feel more positive. That positivity gives me the courage to try something different. If it doesn’t work, I learn from that and try again until I succeed. That success leads to more positivity, and that encourages me to go out and take more photos.

6. Practice Photography to Get Better Physical and Mental Health

I am lucky to be alive and have had some close shaves with the Grim Reaper a few times throughout my life. Fortunately, I am still here and relatively fit, if a little worn and scarred around the edges.

The great thing about photography is that it helps to keep us healthy by continuously moving. Furthermore, it is a mindful exercise, distracting us from the woes of everyday life. Creativity has been shown to reduce stress and improve mental health. Likewise, getting outdoors into nature does so too. This is also a feedback loop in that improving our mental health drives creativity.

I use photography as an excuse to go for a walk or a bike ride.

7. Get the Big Bad Stuff Out of the Way First

Most commentators on success talk about eating a frog. That means putting the unpleasant and challenging tasks behind you before moving on to the more positive things. Once you’ve got that horrible thing out of the way, you will see it as a big success and the smaller, more enjoyable jobs are how you spend the rest of the day.

Having said that, I really love getting up early and being out at dawn with my camera. For me, that’s definitely not eating a frog.

Are You a Successful Photographer?

Are you a successful photographer? Do you find yourself attracted to negativity and failure? Do you practice, put in hard work, and support others, or are you sniping at those who see more success than you do? Do you get widely praised for your photography by respected photographers or just by your mom? It would be great to hear your thoughts in the comments.

Opinion | Why Scorsese’s epic “Killers of the Flower Moon” is a missed opportunity

Opinion | Why Scorsese’s epic “Killers of the Flower Moon” is a missed opportunity
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“Killers of the Flower Moon,” Martin Scorsese’s new big-screen epic starring Leonardo DiCaprio, premiered in theaters just over a week after Americans marked Indigenous People’s Day. Based on David Grann’s bestselling book, the story depicts the brutal serial murders of members of the oil-wealthy Osage Nation in 1920s Oklahoma. Given the inherent drama of the narrative and the buzzy casting, the film seems destined for critical success. But will it usher in a new era for Hollywood’s Native Americans?

The film seems destined for critical success. But will it usher in a new era for Hollywood’s Native Americans?

Thirty-three years ago, Kevin Costner’s “Dances with Wolves” delivered a watershed moment. After decades of cowboy-and-Indian Westerns, the movie cast Native actors in prominent roles and showed a human dimension to its Native characters.

Costner’s epic earned seven Academy Awards, including best picture, and a nomination for Native Canadian actor Graham Greene in a supporting role. The movie also brought in over $400 million worldwide and sparked a mini surge of Native-themed stories, like “The Last of the Mohicans” (1992) and “Geronimo: An American Legend (1993).” Television mini-series like “Son of the Morning Star” (1991) and “DreamKeeper” (2003) followed the same pattern. Even Disney jumped on the bandwagon with its animated hit “Pocahontas” (1995).

Many Native actors, including Wes Studi, enjoyed a boost in their careers because of “Dances with Wolves.” But for all its hype, Costner’s epic did not employ Natives Americans in prominent creative roles behind the scenes.

Change in the ensuing decades has been incremental. Television has arguably worked the hardest to increase representation, beginning with the 1990 TNT series “The Native Americans. Behind the Legends. Beyond the Myths.” featuring Hanay Geiogamah (Kiowa) as a producer. That same decade brought “Smoke Signals” (1998), the theatrical debut of the Cheyenne and Arapaho filmmaker Chris Eyre.

Recently, the streaming series “Rutherford Falls” and “Reservation Dogs” have employed Native artists in front of and behind the camera, including showrunners Sierra Teller Ornelas (Navajo) and Sterlin Harjo (Seminole).

Sadly, “Rutherford Falls” was cancelled and “Reservation Dogs” will end after its third season.

Now a major motion picture has its chance. “Killers of the Flower Moon” has proudly touted Scorsese’s collaboration with Osage Principal Chief Geoffrey Standing Bear. To the studio’s credit, local Osage talent was hired in various production roles such as the costuming and art departments.

But no Native American is credited as being involved in the movie’s screenwriting, production or directing creative processes. This is an ongoing problem. Back in 2020, the Native American & Indigenous Writers Committee of the Writers Guild of America West addressed this same issue In an open letter advising the industry that merely using Natives as cultural consultants was severely limiting. They need to be hired as writers, directors and producers, too. 

This makes “Killers of the Flower Moon” both an interesting case study and ultimately a missed opportunity. The movie has tried to incorporate some Osage input, but it still is telling this story primarily through the lens of the white main character, played by Leonardo DiCaprio. As Variety has pointed out, DiCaprio grabs the lion’s share of the screen time. And the camera often lingers on his face, even when other characters are speaking.

Perhaps one bright spot is the movie’s female lead.

Lily Gladstone, an actress of Blackfeet and Nimíipuu heritage, plays the Osage wife of her slippery husband (DiCaprio) and is already garnering some Oscar buzz.

“If you’re wondering if you should go see this film, at least go see it for Gladstone’s performance,” advised Osage News editor Shannon Shaw Duty in her review.

With her powerful performance, Gladstone joined a small but important club of Native female actors.

With her powerful performance, Gladstone joined a small but important club of Native female actors. Elaine Miles stole countless scenes as the unflappable Alaska Native receptionist in 1990s gem “Northern Exposure.” Jana Schmieding of “Rutherford Falls,” Devery Jacobs and Paulina Alexis of “Reservation Dogs,” Sheila Tousey in “Thunderheart” (1992), Irene Bedard in “Lakota Woman: Siege at Wounded Knee” (TV 1994), and the late Misty Upham in “Frozen River” (2008) all won accolades for their portrayals of strong, independent Native women. And Amber Midthunder’s starring role as a young Comanche warrior in Hulu’s release of “Prey” (2022), a prequel to the “Predator” series, proved that Native women can carry blockbusters. “Prey” was produced by Jhane Myers of the Comanche Nation; she was nominated for a Producers Guild Award and a Primetime Emmy Award.

Gladstone’s presence and strength may very well continue to open doors for Hollywood’s Native women. But without Native American artists behind the camera in prominent positions, as well as in front of it, Hollywood will struggle to tell Native stories authentically — or without centering and privileging whiteness. Lily Gladstone deserves better, just like the real Osage victims of this white supremacist reign of terror did all those decades ago.