Discover the eight best photo-ops in New York City

Discover the eight best photo-ops in New York City
From Instagram favourites to hidden gems, professional photographer Kate Schoenbach offers her expert tips on how to shoot the most photographed city on Earth.

From its famous skyline to its bustling streets, New York City is a visual medley that has captivated photographers for decades. Continually ranked as the most photographed city on the planet, you could spend a lifetime documenting the cultural capital of the US’ endlessly inspiring sights.

Exploring New York with a camera gives us agency to frame the city in a unique way that makes us feel as though we are experiencing it for the first time. Whether you are exploring New York with a DSLR, mirrorless camera or your iPhone, capturing meaningful photographs is about presence rather than equipment. As photography teacher, Charlie Naebeck, once told me, “the best camera is the one you have on you.”

Sharing insight from my eight years as a professional New York City photographer, I’ve narrowed down the city’s myriad photo-ops to eight locations and am sharing tips on how to capture unique images in well-trodden places. So, whether you are a born-and-bred New Yorker or a first-time visitor, follow this guide to capture the city in a fresh way.

The Brooklyn Bridge spans New York's East River and is the subject of enchanting photographs from both near and far (Credit: Kate Schoenbach)

The Brooklyn Bridge spans New York’s East River and is the subject of enchanting photographs from both near and far (Credit: Kate Schoenbach)

1. Brooklyn Bridge

Unquestionably one of New York City’s most iconic landmarks, the Brooklyn Bridge is one of the most filmed bridges in the world and has inspired countless artists, from Georgia O’Keefe to The Strokes. Completed in 1883 to connect Lower Manhattan with Brooklyn (which until 1898 was its own city), the bridge spans New York’s East River and is the subject of enchanting photographs from both near and far.

The SpeciaList

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Kate Schoenbach is a New York-born photographer, video journalist, writer and documentarian who studied photography at New York City’s School of Visual Arts.

To capture the striking contrast between the bridge’s neo-Gothic towers and Lower Manhattan’s luminous skyline, head to the centre of the bridge’s walkway and face Manhattan. Get low to the ground and tilt your camera up to fill the frame with the bridge’s cables – and the occasional pedestrian, which adds intrigue to your image. To avoid the crowds, shoot at dawn or at night (my favourite), and don’t let the elements stop you. I find some of the best images are taken after sundown in the rain and fog, a combination which texturises images with a hazy glow, setting your photographs apart from the rest.

For an unobstructed view of the bridge spanning the East River, head to the nearby Pebble Beach. To create a dynamic photograph, add detail to the foreground by standing behind one of the waterfront’s bushes. If you’re shooting at night and have a tripod, hold steady and increase your camera’s exposure time (shutter speed) to a few seconds to capture the movement of the bushes against the stillness of the city (this same trick can be done on your iPhone by converting a live photo to a long exposure photo in the Photos App).

Tip: If you’re in town on 11 September, join the crowds of photographers who gather along the Brooklyn waterfront with their tripods to capture the 9/11 Memorial lights soaring into the night-time sky.

Website: www.nyc.gov/html/dot/html/infrastructure/brooklyn-bridge.shtml

One of Schoenbach's favourite perspectives is from the waterfront facing east, as the bridge appears to rise out of the industrial landscape (Credit: Michael Boegl)

One of Schoenbach’s favourite perspectives is from the waterfront facing east, as the bridge appears to rise out of the industrial landscape (Credit: Michael Boegl)

2. Manhattan Bridge

Built in 1909 to relieve traffic on the neighbouring Brooklyn Bridge, the Manhattan Bridge is the youngest of three East River bridges connecting Lower Manhattan with Brooklyn. The westbound entrance is located in Brooklyn’s Dumbo neighbourhood – a district whose acronymic name comes from bridge itself: “Down Under the Brooklyn Bridge Overpass” – and offers a plethora of photo ops.

A quintessential New York shot – and Instagram favourite – can be made at the end of Washington Street facing the bridge (watch out for cars!). Focusing on the bridge, use a deep depth of field and, on a clear day, you can see the Empire State Building between the bridge’s base. To set your image apart, get here at dawn to avoid the crowds and catch a dreamy shot of the sun illuminating the bridge’s steel blue beams, which provides a striking contrast against Dumbo’s red-brick buildings and cobblestone streets.

For an abstract perspective, head over to Brooklyn Bridge Park (a waterfront park that spans the bases of both the Manhattan and Brooklyn bridges). One of my favourite perspectives is from the waterfront facing east, as the bridge appears to rise out of the industrial landscape. Get low enough to the ground to capture the park’s rolling hill and tilt your camera slightly upwards. If you are shooting at night, make sure to hold the camera steady as the lack of light requires longer exposure time. If you have a DSLR or mirrorless camera, bring a tripod, close the aperture, and lengthen the exposure time to get the starburst effect, and ­– voila! What New York lacks in star cover it makes up for in its vibrant display of twinkling lights.

Website: www.nyc.gov/html/dot/html/infrastructure/manhattan-bridge.shtml

The Oculus opened as a major transportation hub in February 2016 (Credit: Kate Schoenbach)

The Oculus opened as a major transportation hub in February 2016 (Credit: Kate Schoenbach)

3. The Oculus at World Trade Center

Rising out of Lower Manhattan like a winged dinosaur, The Oculus at World Trade Center‘s bleached steel frame is a striking contrast against the rectangular buildings of its environs. Conceptualised by architect Santiago Calatrava in remembrance of the 9/11 victims, the Oculus opened as a major transportation hub in February 2016 and has since been an Instagram favourite.

To capture the essence of this otherworldly building, I recommend leaning into the crowds and making them part of your photograph. As Brooklyn-based photographer Brit Worgan says, “let the scene unravel in front of you”.

One way to create a unique image is to use one of my favourite techniques – long exposure, which, if there is sufficient movement, allows you to capture both the dynamism of the ground floor and the stillness of the cathedral-like ceilings. From the mezzanine, rest your camera (or iPhone) along the banister to simultaneously frame and steady your device (while cameras are permitted in the Oculus, tripods are not). If you have an iPhone, take a live photo, and change your live photo to a long exposure photograph in the Photos App. For those with DSLRs or mirrorless cameras, close the aperture and lengthen the exposure time to a few seconds. (To do this, you may need to throw on a neutral density (ND) filter, which allows you to extend your exposure time in bright conditions).

Website: https://www.officialworldtradecenter.com/en/local/learn-about-wtc/oculus-transportation-hub.html
Address:
285 Fulton St, New York, NY 10007
Phone: 1-844-696-1776

The best views of Lower Manhattan and the Statue of Liberty are found along the western edge of the 2.2-mile promenade that loops Governors Island (Credit: Kate Schoenbach)

The best views of Lower Manhattan and the Statue of Liberty are found along the western edge of the 2.2-mile promenade that loops Governors Island (Credit: Kate Schoenbach)

4. Governors Island

To capture the Manhattan skyline from an unusually open perspective, hop on a ferry from Battery Park and in 10 minutes you will be transported to this maritime gem. Situated between Lower Manhattan and Brooklyn, Governors Island is a 172-acre leafy oasis and artistic hub offering year-round activities, sprawling fields and unobstructed views of New York Harbor. Serving as a military base for more than 200 years, the island opened to the public in 2005 and (save for a brief time during the pandemic) has served as a cultural centre offering photographers the chance to capture Manhattan from a unique angle ever since.

The best views of Lower Manhattan and the Statue of Liberty are found along the western edge of the 2.2-mile promenade that loops the island. For an expansive shot, climb the Hills at the edge of Picnic Point. Facing Manhattan, position yourself atop the second crest, behind the grass, to capture an unusual juxtaposition of one of the world’s most famous skylines set against blue waters and verdant fields.

The park abounds with an array of open spaces, historic buildings and quirky features, including Hammock Grove, Outlook Hill and New York City’s longest slide. Head to Nolan Park in the north to check out 19th-Century military homes that, in the summertime, are converted to art exhibition spaces.

Website: www.govisland.com
Instagram: @governorsisland

The Enid A Haupt Conservatory houses a year-round array of tropical plants and is famous for its annual springtime orchid show (Credit: Kate Schoenbach)

The Enid A Haupt Conservatory houses a year-round array of tropical plants and is famous for its annual springtime orchid show (Credit: Kate Schoenbach)

5. New York Botanical Garden

As you enter the Bronx’s New York Botanical Garden, the din of the bustling streets gives way to the mellifluous sound of chirping robins and fragrant smells of abundant flora, betraying the notion that you’re in America’s largest city. Extending 250 acres, this urban oasis is home to more than 12,000 species of plants and countless photo-ops.

Rising elegantly amidst the garden’s myriad foliage, the Enid A Haupt Conservatory houses a year-round array of tropical plants and is famous for its annual springtime orchid show. In the summer, its courtyard pools give birth to aquatic plants, whose beauty is worth capturing. Make a water lily your focal point by getting close with your camera and adding a bokeh effect (on your camera, open the aperture; on your iPhone, select portrait mode and tap the screen to focus on the flower). Create a one-of-a-kind photograph by zooming in and waiting for nature come to you – if you’re still, you may see a dragonfly.

Beyond the Victorian-style glasshouse lies numerous other photo-ops, from the Rock Garden’s tranquil waterfall to the Rose Garden’s 650 varietals. For those wishing to explore beyond the garden’s gates, the neighbouring Arthur Avenue neighbourhood offers vibrant street photography and some of the best Italian food in New York.

Website: www.nybg.org
Address: 2900 Southern Blvd, Bronx, NY 10458
Phone: 1-718-817-8700
Instagram: @nybg

One of the best ways to capture the ethos of this museum is from the top floor looking down through the sweeping marble staircase (Credit: Kate Schoenbach)

One of the best ways to capture the ethos of this museum is from the top floor looking down through the sweeping marble staircase (Credit: Kate Schoenbach)

6. Rubin Museum of Art

For colder days when you don’t feel like braving the elements, the Rubin Museum of Art (open Thursday to Sunday) serves as a creative sanctuary. Founded in 2004, the Rubin is a hidden gem nestled in Manhattan’s Chelsea neighbourhood featuring more than 3,400 sculptures, paintings and other objects from the Himalayas and surrounding regions. From the soothing bells of the Tibetan Buddhist Shrine to the interactive Mandala Lab, exhibitions are immersive and allow visitors to photograph Asian art without leaving New York. (While flash is not allowed, photography is generally allowed but be mindful of signage to the contrary.)

One of the best ways to capture the ethos of this museum is from the top floor looking down through the sweeping marble staircase. Spiralling from the first to the sixth floor, the circumference is flanked by quadrants, a shape echoing the museum’s East Asian mandalas (geometric configurations representing one’s spiritual journey). With your camera pointed down, frame your shot with the banister anchored in the corner to draw your eyes to the centre along the stairs’ concentric circles. Using a deep depth of field allows the scene on each floor to unfold before you, while waiting patiently for intriguing subjects allows you to capture fleeting moments.

Make sure to hold your camera (or phone) steady to avoid camera shake as the museum’s dim lighting will require longer exposure times. (Unless a slightly blurred image is what you’re going for – the sky is the limit with creativity!)

Website: www.rubinmuseum.org
Address: 150 W 17th St, New York, NY 10011
Phone: 1-212-620-5000
Instagram: @rubinmuseum

Predictably, Cental Park can get crowded, so look for off-the-beaten-path locations (Credit: Kate Schoenbach)

Predictably, Cental Park can get crowded, so look for off-the-beaten-path locations (Credit: Kate Schoenbach)

7. Central Park

At 843 acres, Central Park is more than 50% larger than the country of Monaco and is the most-filmed location on Earth. From sprawling Sheep Meadow to the tranquil waters of the Reservoir, this quintessential New York landmark offers photographers myriad opportunities to capture stunning images.

Predictably, the park can get crowded, so look for off-the-beaten-path locations. A favourite of mine is the relatively hidden Inscope Arch along the park’s southern edge. To capture unique shots, Worgan says the best thing to do is integrate yourself and observe. “You don’t know where your next shot will come from, so don’t just focus on getting the ‘right’ shot. Be present and observe.”

To capture both the stillness and dynamism of this area, I lengthen the shutter speed to a couple seconds and steady my Sony a7C mirrorless camera on a lightweight tripod. (If using an iPhone, steady your device and convert a live photo to a long exposure photograph in the Photos App.)

Exploring the park’s environs, like Belvedere Castle, Bethesda Terrace and the forest along the park’s north edge, is a must. Come here early in the morning or at night to beat the crowds.

Website: www.centralparknyc.org
Phone: 1-212-310-6600
Instagram: @centralparknyc

There is no shortage of unique sites at the Whitney (Credit: Kate Schoenbach)

There is no shortage of unique sites at the Whitney (Credit: Kate Schoenbach)

8. Whitney Museum of American Art

Located along the Hudson River in Manhattan’s Meatpacking District, the Whitney is home to more than 26,000 works by more than 3,700 American artists, from the 20th Century to present day. Its modern glass and raked-steel design conceptualised by architect Renzo Piano sprouts organically from the industrial neighbourhood and makes for great photo-ops.

Head to the sixth-floor outdoor terrace to capture views of the Hudson River and the Manhattan skyline – especially if you’re willing to get creative with your perspective. Shooting towards the outdoor stairwell at sunset creates silhouettes of museum-goers, adding an evocative element to an otherwise typical cityscape image. The warm tones of the sun’s rays in the background contrast against the cooler shades of the metal staircase, making the photo pop (to take twilight images, come on Friday evenings when the museum is open until 22:00). Integrate installation pieces in your image (like the current Rose B. Simpson exhibition to add an artistic element to your image.

There is no shortage of unique sites at the Whitney. For daytime visits, large floor-to-ceiling windows and a whitewashed interior allow (non-commercial) photographers to capture minimalist images of iconic art, from paintings by Edward Hopper to sculptures by Andrew Calder (non-flash photography is generally allowed but be mindful for signage noting otherwise). When you leave the museum, head out to the nearby High Line or the newly opened Little Island for a whimsical escape to New York’s verdant sanctuaries.

Website: www.whitney.org
Address: 99 Gansevoort St, New York, NY 10014
Phone: 1-212-570-3600
Instagram: @whitneymuseum

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See rare images of Salvador Dalí’s home and studio, courtesy of Apartamento and Coco Capitán

See rare images of Salvador Dalí’s home and studio, courtesy of Apartamento and Coco Capitán

Apartamento has published a new book on Salvador Dalí. Casa Dalí unveils exclusive images of the artist’s home in the seaside village of Portlligat, Spain, which has been preserved by Fundació Gala-Salvador Dalí (the Dalí Foundation). Seville-born artist Coco Capitán has travelled to the house – originally a fisherman’s hut that Dalí and his partner Gala spent years renovating – to capture its architecture and ephemera.

This was Dalí’s workspace until the last decade of his life. In Portlligat, he created not only his best-known works, but perhaps the most famous work of the surrealist movement, The Persistence of Memory.

According to the Fundació Gala-Salvador Dalí site, Dalí defined his house “like a real biological structure”. Many of the windows frame Portlligat bay, a recurring reference for the artist. The photographs also show the enormous egg atop a dovecote, that makes the structure recognisable from a distance – the egg being another hugely important symbol in his work.

Celebrating creativity: Murray State’s senior art exhibits

Celebrating creativity: Murray State’s senior art exhibits
For students in the department of art and design, the senior exhibition is an opportunity for seniors to leave their final mark and host their last exhibition in the Clara M. Eagle Gallery.  This semester’s senior practicum exhibitions feature artwork from four graduating seniors pursuing their Bachelor of Fine Arts degrees. The opening reception will…

Poetry in Denver: A list of Denver’s recurring open mics where you can

Poetry in Denver: A list of Denver’s recurring open mics where you can
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A panel of former poet laureates, national slam poetry champions and Slam Nuba alumni recently spoke to Denverite about their formative years in Denver’s creative scene.

After that story published, a few local poets reached out and what they had to say got us thinking about the city’s current poetry scene. Namely we thought, “Where is it and how can someone get plugged in?” So we looked around and made a few calls…

As colder weather stifles the joy and frequency of outdoor extracurriculars, you might consider attending a local open mic as a way to find community, share art and convene in the company of Denver’s creative historians.

Here is a list of recurring open mics around the city.

Did I miss any? Email me at [email protected] with details. 

Final Fridays with Slam Nuba at Redline Contemporary Art Center

Date: Last Friday of each month

Address: 2350 Arapahoe St.

Aerik “Phaentompoet” Francis with Slam Nuba hosts an open-mic and slam every final Friday of the month at Redline Contemporary Art Center in Denver. Doors and signups open 7:30 p.m. Show starts around 8:00 p.m.

General admission is $10; $5 for students.

Sacred Voices at Lighthouse Writers Workshop

Date: First Friday of each month

Address: 3844 York St.

Sacred Voices partners with Lighthouse Writers Workshop to host an open mic on the first Friday of each month. Sign ups open at 6 p.m. Show starts at 6:30 p.m. This is an all ages event. Events are free and open to the public, donations are appreciated.

Sacred Voices at Denver Community Media

Date: Second Friday of each month

Address: 2101 Arapahoe St.

Sacred Voices an open mic on the second Friday of each month at Denver Community Media. Sign ups begin at 6 p.m. Show starts at 6:30 p.m. Performances are limited to 10 minutes. Events are free and open to the public, donations are appreciated.

Bodies of Culture BIPOC Open Mic at Mercury Cafe 

Date: Second Thursday of each month

Address: 2199 California St.

Bodies of Culture is a diverse group of musicians and professionals with a dedication to equity in Colorado’s music industry. In partnership with Levitt Pavilion they host an open mic every second Thursday of the month. Sign ups start at 6:30 p.m. Shows start at 7 p.m.

Poetry Slam at Mercury Cafe

Date: Every Sunday night

Address: 2199 California St.

Poets can compete for $50 at Mercury Cafe’s weekly Sunday slam. Show runs from 8 p.m. to 10 p.m.

Words with em’ocean at Green Spaces 

Date: Second Tuesday of each month

Address: 2590 Walnut St.

Curated and hosted by poet Emma Christine Johnson, artistically known as em’ocean, is an open mic every second Tuesday of the month inside of Five Points co-working and marketplace Green Spaces. Sign ups begin at 6 p.m. Show starts at 6:30 p.m.

Follow their Instagram account for updates.

Blush & Blu Bar Open Mic 

Date: Every Tuesday night

Address: 1526 E. Colfax Ave.

Blush & Blu Bar, a queer inclusive bar on Colfax, hosts an open mic every Tuesday featuring a rotating host of poets. Show starts at 7:30 p.m.

The Corner Beet

Date: Every Monday night

Address: 1401 North Ogden St.

Capitol Hill’s The Corner Beet hosts a weekly open mic on Monday night open to musicians, poets, comedians and more. Doors and talent sign ups begin at 6 p.m.

Petals & Pages 

Date: First Thursday of each month

Address: 956 Santa Fe Dr.

Bookstore, flower shop and community space Petal & Pages on Santa Fe hosts monthly open mic nights on the first Thursday of each month. Priority is given to performers of marginalized genders. Sign ups begin at 5:30 p.m. Show starts at 6 p.m.

Shades of Honey 

Date: Every other month

Shades of Honey is a community collective seeking to amplify the voices of Black, Brown and Indigenous artists within Denver. Co-founded by Karia White and Donavon Bright, the group hosts open mics every other month.

Be sure to follow their instagram for information on upcoming events.

Punketry! + Open Mic at Mutiny Information Cafe 

Date: Second Wednesday of each month

Address: 2 S. Broadway

A mixture of punk and poetry comes together every second Wednesday of the month at Mutiny Information Cafe, hosted by Sarah Rodriguez. Shows start at 7:30 p.m.

Snap Crackle Poetry Open Mic at Mutiny Information Cafe 

Date: Second Sunday of each month

Address: 2 S. Broadway

Hosted by South Broadway Press is an open mic on Sunday mornings at 10 a.m. on Broadway.

Community Cypher All Genre Open Mic  

Date: Third Thursday of each month

Address: 2900 N. Downing St. Suite 1B

The part open mic, part party, part workshop all genre open mic hosted by Creative Strategies for Change takes place every third Thursday of the month. Sign ups start at 6:30 p.m. Shows start at 7 p.m. The event is all ages and a suggested $5 donation is encouraged.

Stain’d Arts Open Mic 

Date: Second Tuesday of each month

Address: 525 Santa Fe Dr.

Hosted by nonprofit Stain’d Arts every second Tuesday of the month at Town Hall Collaborative. Performers have 5 minutes to share their work and sign ups are on a lottery system starting at 6:30 p.m. Shows start at 7 p.m.

Mastering landscape photography with CPL filters: Enhancing your scenic views

Mastering landscape photography with CPL filters: Enhancing your scenic views

Using a CPL (Circular Polarizing) filter for landscape photography can significantly enhance your images by reducing glare, improving color saturation, and increasing contrast. Here are some tips for using a CPL filter to create stunning landscape photographs:

Understand the CPL filter

A CPL filter is designed to reduce reflections and glare from nonmetallic surfaces like water, glass, and foliage. It can also darken blue skies, making clouds pop and enhancing the overall contrast in your landscape shots.

Lens diameter on OKKO UV Filter

Choose the right filter size

Ensure your CPL filter is the correct size for your lens. Different lenses have different filter thread sizes, so you’ll need to match the filter to your lens diameter. I’ve been using the OKKO Magnetic CPL Filter lately with great success. You’ll usually find the lens diameter on the edge of the lens.

OKKO CPL Magnetic Filter
OKKO CPL Magnetic Filter

Mount the CPL filter

Screw the OKKO Magnetic Adfaptor ring to your lens. The CPL filter will magnetically attach to the adapter. So easy. Once installed you need to align it correctly. You can rotate the filter to control its effect, so make sure it’s secure but adjustable. This is where sometimes the screw on variable CPL can come loose. The magnetic CPL is a great option.

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Find the optimal angle

Look through your camera’s viewfinder or use the Live View mode. Rotate the CPL filter until you see the desired effect. For example, if you want to darken the sky or reduce water reflections, rotate the filter until you achieve the desired result.

Use the “Rule of 90”

To maximize the effect of a CPL filter, it’s often recommended to shoot with the sun at a 90-degree angle to the direction you’re shooting. This can help darken the sky and reduce glare on water or glass.

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Adjust exposure settings

When you add a CPL filter, it reduces the amount of light entering your lens. Adjust your camera settings (aperture, shutter speed, or ISO) accordingly to maintain the correct exposure.

Experiment

Don’t be afraid to experiment with the CPL filter’s rotation and settings. Try different angles and observe how they affect the scene. Keep adjusting until you achieve the desired look. Great for working with B&W images too.

Combine with other filters

CPL filters can be used in conjunction with other filters, such as ND (Neutral Density) filters, to achieve more creative effects and control exposure.

Be mindful of distortion

Be aware that using a CPL filter on a wide-angle lens may sometimes lead to uneven polarization, resulting in uneven skies or darkening in parts of the frame. Pay attention to this and adjust as needed.

Great for working with B&W images
Great for working with B&W images

Post-processing

While CPL filters can significantly improve your photos in-camera, some post-processing may still be necessary. You can fine-tune the image in software like Adobe Lightroom or Photoshop to achieve your desired look.

Using a CPL filter in landscape photography can be a game-changer, providing you with the tools to capture more vibrant and captivating scenes. Remember that practice and experimentation are key to mastering this technique.

American photographer’s special connection to Hong Kong’s champion horse

American photographer’s special connection to Hong Kong’s champion horse

American photographer’s special connection to Hong Kong’s champion horse | HK Racing | South China Morning Post

  • Eclipse Award-winning snapper Alex Evers travels the world taking pictures of great gallopers, but none gets him more excited than Golden Sixty
  • %0D%0D%0DRead more: https://www.scmp.com/sport/racing/article/3241810/american-photographers-special-connection-hong-kongs-champion-horse”>

    Eclipse Award-winning snapper Alex Evers travels the world taking pictures of great gallopers, but none gets him more excited than Golden Sixty

    by Mark Worwood

    on Thursday, November 16, 2023 7:49 PM

    Three-time Hong Kong Horse of the Year Golden Sixty has millions of fans around the world, but possibly none bigger than American photographer Alex Evers.

    In this week’s Tongue Tie Off, Eclipse Award winner Evers talks about how the Jockey Club scouted him, the way in which Derek Leung Ka-chun’s only Group One victory transformed his international career, and of course, the special connection he feels to Golden Sixty.

    What was your introduction to racing?

    My parents would go to work, and they’d drop me at my grandfather’s house. He’d go to the racetrack every day, and I’d go with him when I was three or four. I’d get a $2 bet in every race, and he’d let me keep 10 per cent of whatever I won, as long as I didn’t tell Grandma. My earliest racing memories are of Alysheba winning the 1987 Kentucky Derby, then a couple of years later seeing Sunday Silence run in person and go for the Triple Crown – he won the Kentucky Derby and Preakness Stakes but lost the Belmont Stakes. It cemented my love of racing.

    Golden Sixty wins this year’s Group One Champions Mile under Vincent Ho at Sha Tin on April 30. Photo: Alex Evers

    All I wanted to do was be a jockey, but I got too big. I wanted to be involved in racing in any capacity, so I went to the University of Arizona because it had a racetrack programme. I lasted 21 days. I’d been drawing horses all of my life – going to the racetrack and sketching – then I picked up a camera because I figured it’d be easier than drawing. My photography career went from there.

    Who taught you to take pictures?

    I went to photography school for one month before I got into an argument with the dean after I shot my first Kentucky Derby. He said the school owned the rights to my pictures. I said, ‘You don’t because I don’t go to your school any more’. That was the end of my schooling. Pretty much everything I’ve learned about photography I’ve either taught myself or picked up from working with my mentor.

    Photography was my passport into racing. I’d no way to get into the sport other than taking pictures. I’d exhausted all other options. I’d nothing to fall back on, so I’m fortunate it’s all worked out.

    The 2020 Eclipse Award for Photography-winning image, A Derby Without Fans. Photo: Alex Evers.

    How did you get on the Jockey Club’s radar?

    In August 2017, I attended the first Equestricon, a racing convention at Saratoga Springs. Pat Cummings was working for the Jockey Club at the time. He’d been at this new event, walked into the photography panel discussion and heard me speak. Afterwards, we bumped into each other, and he said, ‘You should come to Hong Kong.’ I took some unpaid leave from my job and used my airline credits from my recent wedding to get flights to and from Hong Kong.

    It was the Hong Kong International Races [HKIR] meeting in December 2017. I had a plan of all the stuff I wanted to do, but my batteries were dying, and my cameras were shorting because the wireless signals were mixing. I’d come all this way, and my shoot was going horrendously. I was a mental mess.

    Then, Beauty Generation won the Hong Kong Mile. Derek Leung got off the horse, grabbed him by his blinkers and kissed him. I was right there, shooting with a tight lens. I posted my shot on Twitter – now X – and Pat said, ‘Oh, my god! It’s an amazing photo. We’d love to buy it’. The Jockey Club bought a handful of frames from my HKIR shoot and invited me to the Classic Series later that season. I’ve been coming to Hong Kong ever since.

    Derek Leung kisses Beauty Generation after the 2017 Group One Hong Kong Mile at Sha Tin. Photo: Alex Evers

    Sunday Silence is your favourite horse of all time, but who’s your favourite active one?

    Golden Sixty, no doubt. My connection to him goes way deeper than just a horse on the racetrack. He’d been sick after winning the 2020 Hong Kong Classic Mile, and everyone said he couldn’t win the Classic Cup (1,800m), but he got a split between Champion’s Way and More Than This and unleashed an incredible run. I’ve got a picture of Ryan Moore tipping his cap to Vincent Ho Chak-yiu after the race. Then, because of Covid, I had to watch him win the Derby from home. I was excited for Vincent and the horse’s connections, but I was heartbroken not to be there.

    I didn’t think I’d make it back to Hong Kong, but I did for last year’s HKIR, albeit with heaps of Covid protocols. One morning at trackwork, California Spangle walked past me. I stopped shooting. He snapped his head around and looked into my soul. At that moment, I knew California Spangle would win the Group One Hong Kong Mile, not Golden Sixty. When that’s what played out, I hadn’t felt that disappointed about a race result since Alysheba lost to Ferdinand by a nose in the 1987 Group One Breeders’ Cup Classic (2,000m). I went to Golden Sixty’s barn after the Mile to set up some cameras, and he was squealing. He was so annoyed he’d lost.

    Seven weeks later, it was the Group One Stewards’ Cup (1,600m) – the eagerly awaited rematch between Golden Sixty and California Spangle, with Group One Hong Kong Cup (2,000m) hero Romantic Warrior added to the mix for an extra touch of spice. Golden Sixty saw California Spangle in the saddling enclosure next to him. His ears pinned back. He started losing it. He kicked. He snorted. I’d never seen a horse behave like he was behaving. I walked out with Vincent. I told him, ‘There’s no way that horse is ever beating your horse ever again’.

    Celebrations following last season’s Group One Hong Kong Gold Cup (2,000m) on February 26. Photo: Alex Evers

    Finally, what are your favourite frames?

    Maybe it’s recency bias, but this year, I made a shot of Vincent and Golden Sixty after they’d beaten Karis Teetan and Romantic Warrior in the Group One Hong Kong Gold Cup (2,000m). Vincent rarely shows emotion, but he pumped his fists in the air, and Golden Sixty flicked his head into my camera. I screwed up the exposure, but the picture is in the moment. It’s pretty special.

    Then, on Champions Day, I snapped a really cool remote, wide-angled image of Vincent and Golden Sixty winning the Group One Champions Mile from Beauty Joy and California Spangle, with the Sha Tin grandstand full of people and several high-rise towers in the background.

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    BIGGA reveals winners of annual greenkeeping photography competition

    BIGGA reveals winners of annual greenkeeping photography competition

    A drone image showing the beautiful but harsh conditions faced by greenkeepers throughout winter has been revealed as the overall winner of the British & International Golf Greenkeepers Association’s Annual Photographic Competition sponsored by Syngenta.

    Thetford first assistant greenkeeper and BIGGA member David Ball’s image was chosen by judges as the overall winner for the 2023 competition, with the selection committee also taking into account the results of a public vote held across BIGGA’s social media accounts.

    The image was taken by drone in January over Thetford’s 5th hole at around 7.30am. It shows sunlight breaking through the clouds as a layer of mist rolls into shot. The fairways and surrounding trees are crisp with a layer of frost.

    Ball said of his winning shot: “We greenkeepers are privileged to experience these times of day that most people don’t get to see during their working hours. I was just lucky to be in the right place at the right time on this beautiful morning. It is such an honour to win this award – so thank you to BIGGA and Syngenta.”

    BIGGA’s annual photographic competition is a celebration of the wonderful golfing landscape and the role greenkeepers play in shaping it for golfers and the wider public to enjoy. Twelve images were selected in total for the annual BIGGA calendar, with winners also chosen in the separate categories of Greenkeeping, Landscape and Wildlife.

    Alistair Morrison’s wintry scene at Durness Golf Club in Scotland won Landscape category
    Elliot Walters’ picture of bee at Robin Hood Golf Club in Birmingham won the Wildlife category
    Peter Meek’s misty morning shot at Bath Golf Club won the Greenkeeping category

    BIGGA CEO Jim Croxton said: “BIGGA members work in some spectacular environments and each year the judges struggle to separate the entries, such is the quality of submissions. It’s always fascinating to see how the public votes when we post the finalists on our social media channels.

    “David Ball’s entry stood out to us as it showcases the beautiful golf course at Thetford at a time that golfers will rarely see it – deep in the depths of winter – yet there are greenkeepers present, putting in the hard work that makes golf possible when warmer weather returns. Congratulations to all the winners and thank you once again to our valued sponsors at Syngenta.”

    As overall competition winner, Ball won a DJI Mini 2 SE Drone and a framed print of his image to be presented at BTME 2024 at Harrogate in January. Each of the category winners will receive a £150 Love2Shop voucher.

    All 12 images selected to form the BIGGA desktop calendar can be viewed on the BIGGA website, while a downloadable version of the calendar for use on a desktop background is available here.