Professor of Photography & Imaging – e-flux Education

Professor of Photography & Imaging – e-flux Education

The Department of Photography & Imaging at New York University, Tisch School the Arts seeks a tenure track faculty (open rank). We are looking for candidates who are deeply involved with a creative practice in Photography, Imaging and related media. Applicants should have an understanding of and engagement with historical and contemporary issues and the liberal arts. We are interested in artists who can show evidence in their practice or teaching of a commitment to photo-based image making as a means to reflect and celebrate diversity and intersectionality in their practice. The successful candidate will have a vibrant studio practice, show innovation with regard to keeping up with a constantly changing field, the ability to teach a range of undergraduate studio classes and have an interest in curriculum development, creative research, and leadership. 

Qualifications: (1) MFA in Photography or equivalent related degree. (2) Solid understanding of a range of creative practice in photo-based processes. (3) 5+ years teaching experience. (4) Recognition in the field of photography and related media—exhibitions, publications, speaking engagements, etc.

The Department of Photography and Imaging (DPI) in Tisch School of the Arts at New York University is a four-year BFA program situated in New York City. Centered on the making and understanding of images, DPI offers students both the intensive focus of an arts curriculum while demanding a broad grounding in the liberal arts. Our department embraces multiple perspectives and approaches which encourages critical engagement both in and outside of the classroom. Our majors explore photo-based imagery as personal and cultural expression while working in virtually all modes of analog and digital photo-based image making, multimedia, new media, immersive, and post-photographic 3D simulation technologies. In addition to studio courses, our required critical studies courses include history, theory, critical studies across photography and digital media and other courses in museum studies and critical contemporary art practices.  As a Photography & Imaging faculty member you will work closely with students advising them in designing a rigorous program of study that challenges and expands the conceptual and technical boundaries of the medium. See tisch.nyu.edu/photo for more information.

Apply by November 15, 2023 via Interfolio with:
–A letter of application detailing qualifications
–An up-to-date CV
–A teaching philosophy
–Future of Photography Statement
–A diversity statement that addresses the candidate’s values regarding diversity, equity, inclusion,  and history working with or teaching diverse populations
–Sample syllabi that show your ability to teach both foundational classes and advanced topics
–PDF Portfolio of up to 20 professional works that represents your artist practice (links within the pdf can also be supplied for video and web-based work)
–PDF Portfolio of 20 examples of student work (links within the pdf can also be supplied for video and web-based work)
–The contact information for three professional references
–Publications

In compliance with NYC’s Pay Transparency Act, the annual base salary range for this position is 80,000–130,000 USD. This pay range represents base pay only (for 9 months) and excludes any additional items such as incentives, bonuses, clinical compensation, or other items. New York University considers factors such as (but not limited to) scope and responsibilities of the position, candidate’s work experience, education/training, key skills, internal peer equity, as well as market and organizational considerations when extending an offer.

NYU is an Equal Opportunity Employer and is committed to a policy of equal treatment and opportunity in every aspect of its recruitment and hiring process without regard to age, alienage, caregiver status, childbirth, citizenship status, color, creed, disability, domestic violence victim status, ethnicity, familial status, gender and/or gender identity or expression, marital status, military status, national origin, parental status, partnership status, predisposing genetic characteristics, pregnancy, race, religion, reproductive health decision making, sex, sexual orientation, unemployment status, veteran status, or any other legally protected basis. Women, racial and ethnic minorities, persons of minority sexual orientation or gender identity, individuals with disabilities, and veterans are encouraged to apply for vacant positions at all levels.

Well-known Moorhead photographer sent to prison on child sex charges

Well-known Moorhead photographer sent to prison on child sex charges

FARGO — The victim of a local photographer who plead guilty Monday, Nov. 13, to child sex charges says he was hospitalized for anxiety and tried to take his own life.

The teenager addressed the court as 52-year-old Robby Njos, the owner of Njos photography in Moorhead, was sentenced 28 months in prison on Monday for luring a minor.

He entered an Alford plea to luring a minor. That means he’s not admitting to the crime, but admits there is enough evidence to convict.

“He would then keep asking, and I kept putting it off which would lead to dread and anxiety as I felt I couldn’t say no,” the victim said in court.

WDAY does not identify the victim’s of sex crimes unless they request it.

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The victim was 15 years old at the time of the crime two years ago, and said he was vulnerable due to the stress of COVID-19.

He said Njos, a husband and father, preyed on that vulnerability to convince the victim to exchange sexual pictures and videos.

The victim said he was hospitalized for anxiety and attempted suicide.

“I didn’t feel control over my emotions and the abuse controlled my life,” the victim said. “I would do impulsive and self destructive behavior without thinking about it, I would go to the middle of nowhere in my car and floor it while thinking if I die it’s whatever.”

Hours after an arrest warrant was issued for Njos in connection to child sex charges,

he wrecked his car on Interstate 94 in Fargo

and spent two months in the hospital.

“The one and only time he was going to be held accountable for his behavior he chose to drive into a concrete pillar,” the victim’s mother told the court.

Njos’ lawyer said the crash is the reason for the Alford plea, that his client is not trying to avoid responsibility, rather he can’t remember the past due to his injuries from the crash.

The charge of luring a minors carries a maximum of five years in prison.

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Prosecutors asked for three years, while Njos asked for 60 days citing he has no criminal history and a defense-ordered evaluation.

Njos lawyer argued the evaluation suggested he’s a low risk to re-offend.

Prosecutors fired right back saying the defense left out an important detail from the evaluation.

“He scored highly problematic regarding social desirably meaning he may not have been fully honest when answering the questions,” said assistant Cass County State’s Attorney SheraLynn Ternes.

Njos declined to address the court.

Judge Reid Brady ordered Njos to spend 28 months in prison, and he will have to register as a sex offender when he’s released from prison.

Njos runs Njos Photography in Moorhead and is very active with schools in the area, known to take photos of band, theater, prom and sporting events.

He also took senior pictures and family photos.

Matt Henson is an Emmy award-winning reporter/photographer/editor for WDAY. Prior to joining WDAY in 2019, Matt was the main anchor at WDAZ in Grand Forks for four years.

In Vincent Ferrané’s sensual photography, the bed is a microcosm of another world

In Vincent Ferrané’s sensual photography, the bed is a microcosm of another world

‘What I find fascinating about the bed is precisely the extreme richness of its connotations, of its clichés even, the rapidity with which this object can pass from one action to another and that its image can slip from one interpretation to another,’ says photographer Vincent Ferrané, who considers the multi-layered purpose of the bed in an upcoming photography book Embedded.

The book – set to be published by Art Paper Editions, after a recent show of the photographic series in Paris – follows Ferrané’s dive into domestic intimacy, Inner, published in 2022, which explored fragments of a life lived during lockdown.

Vincent Ferrané, ‘Embedded’

Person in bed looking at phone in Vincent Ferrané Embedded book

(Image credit: Vincent Ferrane)

Embedded was inspired when curator and artist Thomas Lélu got in touch with the photographer to propose joining an art residence organised by Les Hotels Amour in Paris – which came with the use of a hotel room – and Ferrané was excited by the opportunities it presented. 

‘I then asked Pauline Lavogez, who is both a performer and choreographer, to accompany me on this series,’ he adds. ‘Pauline has a fascinating work on bodies in her productions and in her own performances, in many dimensions, from desires to violence, which makes me think that she would be able to embody the multitude of characters and actions that could give rise to a space that is both very arid and very connoted by the bed.’

Person leaning over in bed in Vincent Ferrané Embedded book

(Image credit: Vincent Ferrane)

The playful meets the sensual in the resulting series of images, which take the quotidian as their starting point, with Ferrané working to categorise these mundane activities before rethinking the purpose of the bed entirely. 

‘[I made a] precise list of them in an attempt to exhaust the collective unconscious and then to work to free ourselves from them, to propose new combinations. Actions such as: going to bed, sleeping, not waking up, lying down from the day before, removing hair, massaging yourself, crying, seeking sleep, watching your neighbours across the street, looking at the stars, calling on the phone, masturbating, stretching, getting depressed, taking selfies, smoking, singing, undressing, getting dressed, fleeing the outside world, and so on, as these actions take shape and the movements slowly move away from their initial position.’

Person pointing nail file into hand in Vincent Ferrané Embedded book

(Image credit: Vincent Ferrane)

Ferrané worked closely with Lavogez to bring a performative element to the clean rectangle of the bed, intertwining photographic and choreographed strands throughout the visual narrative. ‘The bed is treated as a microcosm. Derived from the ordinary situations specific to this intimate and universalising play area haunted by our fantasies, our fears or our passions, the images created offer enigmatic representations behind closed doors: ethereal presences, bodies, suspended faces taking hold of this original setting.’

Embedded will be published by Art Paper Editions, vincentferranephotography.com

Feet on bed in Vincent Ferrané Embedded book

(Image credit: Vincent Ferrane)

Hand on stomach in Vincent Ferrané photography book

(Image credit: Vincent Ferrane)

Indigenous communities symposium discusses art, resiliency

Indigenous communities symposium discusses art, resiliency

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Members of the Onondaga Nation and other Indigenous communities from across the country gathered at Syracuse University’s Maxwell School of Citizenship and Public Affairs for a symposium on conservation, climate change and biodiversity on Sunday and Monday.

Speakers at the symposium discussed how Indigenous communities prioritize environmental preservation through art and ancestral practices. The event — titled “Indigenous Resilience, Climate Change, and the Environmental Humanities” — was held in Eggers Hall and hosted by groups including the Native Student Program and the Center for Global Indigenous Culture and Environmental Justice at SU’s College of Arts and Sciences.

The symposium included several lectures and a panel, as well as an art exhibition at the Syracuse University Art Museum.

Linda Infante Lyons, an Alutiiq — or a Southern Alaskan Indigenous person — called on symposium attendees to be hopeful rather than fearful about the implications of climate change in her remarks Sunday.

“If we can learn to love the land, we will take care of it, and artwork is my way of showing that I love the land and I want you to love it as well,” Lyons said.

Lyons said she disagreed with the methods of “end-stage” capitalism, specifically how it focuses too much on maximizing profit and capitalizing on resources. She said she wants the world to move toward a more sustainable way of life similar to how Indigenous people have lived for generations while incorporating modern science and anthropology.

“I’m afraid that we will sort of follow this Western European trajectory, which is very linear… it’s not sustainable,” Lyons said. “It really does sort of predict an end and almost embrace an apocalyptic end.”

Lyons also called for greater representation of Indigenous peoples in international communities.

Brandon Lazore, an Onondaga snipe clan artist, was hired by SU to produce a variety of art about Haudenosaunee culture on campus — including a mural at the newly reopened Native Student Program building located at 113 Euclid Ave. Lazore spoke about the importance of education in Indigenous communities and the optimistic view of the world he hopes to reflect in his artwork.

“My healing is me being able to educate through my art,” Lazore said. “We talked a little bit about our past histories and I chose not to paint about our traumas. I want to talk about things that would lift us up, put us in a good spirit and give us something to be proud about.”

Ali Meders-Knight, a member of the Mechoopda Indian Tribe of Chico in Rancheria, California, described the “post-apocalyptic world” Indigenous people live in where they have lost their ancestral lands, languages and resources.

Meders-Knight also addressed the rate of suicide in the Indigenous community. Non-Hispanic American Indian and Alaska Native people have the highest rate of suicide among racial and ethnic groups in the U.S., according to 2021 data from the Centers for Disease Control and Prevention.

Meders-Knight said that when she had her own struggle with suicidal thoughts, basket weaving and art “saved” her.

“Suicide’s really hard in our community, and it’s not spoken enough about,” Meders-Knight said. “I know youths that have killed themselves, I know adults that have killed themselves.”

Meders-Knight said she believes the best way forward is to have people work on land together and promote self-healing by connecting with ancestors through ancestral traditions.

Looking to the future, Lazore said he wants to leave a lasting impact through art that will inspire many generations of Indigenous people.

“I want our people to be proud of themselves and proud when they see these installations and proud when they see these paintings in museums, or wherever they might land or wherever they might be,” Lazore said. “I know that what I’m doing is gonna last a lot longer than I will.”

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Visual Arts, Photography and Graphic Design Intern

Visual Arts, Photography and Graphic Design Intern

We are seeking a motivated and creative individual to join our team as a Visual Arts Photography and Graphic Design Intern for the department of Strategic Communication Education and Outreach. This internship offers a unique opportunity to apply photography and graphic design skills in a healthcare setting as we seek to improve the overall patient and family experience through visual storytelling.

As a Visual Arts Intern at St. Jude Children’s Research Hospital, you will play an important role in helping us convey the compassionate and caring nature of our hospital through visual media. This internship provides a unique opportunity for you to collaborate with a creative team and gain hands-on experience in both photography and graphic design. As you develop your skills you will build a meaningful portfolio and contribute to projects that make a positive impact on our patients, families, and health care professionals at St. Jude and across the world.

How to Apply

Apply using the link below. Both your resume and cover letter should be in PDF format. Your letter should include a statement on how participation in this internship would support your academic and career goals. Any previous internships or work experience should be included on your resume.

Deadline to submit application: Friday, December 8, 2023

Successful candidates will qualify for a stipend. Other expenses, including food and transportation, are the responsibility of the selected intern.

‘History is happening right now’: Indigenous art being showcased in Madison

‘History is happening right now’: Indigenous art being showcased in Madison

MADISON, Wis. (WMTV) – History in the making. That’s what one art gallery is showcasing on Madison’s east side.

All of the art is created by nine different Indigenous artists from around the upper Midwest. The work can be seen in the Marzen Art Gallery.

“Art history is happening right now,” Integrated Art Group general manager Jason Levy said. “We’re fortunate enough to get some of these powers assembled in the same space.”

The art is curated by an art gallery from Duluth, Minnesota: The Rabbit, Bird and Bear.

“They said that there’s not very many galleries in Madison that showcase indigenous art,” The Rabbit, Bird and Bear owner and CEO Michelle LeBeau said.

It’s a visual medium Madisonians don’t get to see every day.

“I want them to be blown away by it,” Levy said. “I want them to know that there are Indigenous artists creating contemporary work right now.”

Being blown away is just one of the reactions Levy wants people to feel from the art. The main feeling he wants people to feel is a sense of healing.

“There’s been a rise in the interest of how art can heal and provide a healing environment,” Levy said.

The meaning behind the art serves a broader purpose. The nine artists are working with healthcare clients in Madison, and across the nation, by showing their art in hospitals to bring a sense of comfort and healing.

“When they can find something that can either bring them peace, calm or even just a distractions for yourself or the family in those environments, we try to do that in a sensitive, articulate kind of way that gives dialogue to develop a space, so it feels comforting,” Levy said.

For Indigenous artists like Christopher Sweet, having his work make an impact in Madison means a little more.

“I was born and raised in Wisconsin,” Sweet said. “I’ve spent a lot of time in this area and it’s just really great to be, you know, a part of this.”

You can check out the work of the Indigenous artists yourself. The Marzen Art Gallery will have the exhibition on display through Dec. 15.

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Hometown Radio Interview: Taylor Kennedy, Taken By Taylor Photography [AUDIO]

Hometown Radio Interview: Taylor Kennedy, Taken By Taylor Photography [AUDIO]

Taylor Kennedy is a photographer who owns and operates Taken by Taylor Photography. She spent time in the Tide Studio talking with Andy Harris, and she shared how her family has been an inspiration for her photography (especially family portraits and maternity shoots), how she collaborates with her clients before, during and after a photo shoot, and how she helps them overcome shy or self-conscious feelings while on camera. She reminisced about her experience capturing the Strictly Business networking event on Oct. 4 at Kingsmill Resort, and also looked ahead to how potential clients can book her for the holiday season. Listen here:

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Disclosure: Hometown Radio interviews are conducted by 92.3FM The TideWYDaily.com does not endorse any products, services, companies, or claims mentioned during the interview.