See Hundreds of Photographs From Elton John and David Furnish’s Private Collection

See Hundreds of Photographs From Elton John and David Furnish’s Private Collection
The V&A Announces New Collaboration With The Sir Elton John Photography Collection Including Major Donation

Elton John and David Furnish pictured at home in their art gallery in Windsor, England, in 2019
David M. Benett / Getty Images for the V&A

Audiences know Elton John as a renowned pianist and popular entertainer, but they may be surprised to learn that he is also the owner of an impressive photography collection. Over the past few decades, John and his husband, David Furnish, have amassed more than 7,000 photographs, 300 of which will go on display next spring at London’s Victoria and Albert Museum (V&A).

Titled “Fragile Beauty: Photographs from the Sir Elton John and David Furnish Collection,” the new exhibition will feature rare prints from prominent photographers, most of which have never been seen by the public. 

These works will “[showcase] some of the most beloved photographers and iconic images from within our collection,” say John and Furnish in a statement from the V&A.

Dakota Hair

Dakota Hair (2004) by Ryan McGinley

© Ryan McGinley Studios

John started collecting photography after recovering from alcohol and drug addiction in the 1990s, according to the Associated Press. He and Furnish first met in 1993, and the couple has since built one of the largest private collections of photography in the world.

The upcoming show isn’t the first exhibition of works from the British musician’s collection. In 2016, the Tate Modern staged “The Radical Eye: Modernist Photography From the Sir Elton John Collection,” which featured photography from the 1920s to the 1950s. In the audio guide for that show, John described photography as “the love of my life, in art terms. I love surrounding myself with them,” per CNN’s Nick Glass.

“Fragile Beauty” will be a continuation of “The Radical Eye,” focusing on photographs from the 1950s to the present day. Billed as the V&A’s “largest temporary exhibition of photography to date,” it will feature works from over 140 photographers, including Robert MapplethorpeCindy ShermanDiane ArbusSally MannZanele Muholi and Ai Weiwei.

Simply Fragile

Simply Fragile (2022) by Tyler Mitchell

© Tyler Mitchell / Courtesy of the artist and Jack Shainman Gallery, New York

The show will be divided into eight thematic sections, such as fashion, reportage and celebrity. It will feature a number of portraits of famous actors and performers, including Marilyn MonroeMiles Davis and Chet Baker. It will also showcase photographs capturing historical moments from the civil rights movement, the AIDS epidemic and the 9/11 attacks.

“We are delighted to be working with Sir Elton John and David Furnish to present highlights from their unparalleled collection: from the playful and surprising, to the contemplative and thoughtful,” says Duncan Forbes, the show’s curator, in the museum’s statement. “Whether through the elegance of fashion photography, the creativity of musicians and performers, the exploration of desire or the passage of history as captured by photojournalism, photography reveals something important about the world.”

Fragile Beauty: Photographs from the Sir Elton John and David Furnish Collection” will be on view at the Victoria and Albert Museum in London from May 18, 2024 to January 5, 2025.

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OJAS Listening Room at USM Modular Furniture Is a Shrine to Sound

OJAS Listening Room at USM Modular Furniture Is a Shrine to Sound

With his affinity for brutalist industrial design paired with a set of highly tuned ears and eyes geared towards vintage hi-fi components, Devon Turnbull and his company, OJAS have become regular collaborators amongst a who’s who of creatives spanning from the late Virgil Abloh to Byredo’s founder and creative director Ben Gorham. His latest project is as modular as it is musical, a semi-permanent installation within the USM Modular Furniture’s Soho, New York flagship store imagined as a temple of sound for audiophiles and the curious alike.

Photo: Lauren Coleman

Set with USM Modular Furniture towering shelving system stocked with records, books, and audio components, the modular furniture’s utilitarian aesthetic makes for a fine pairing fronted by OJAS’ similarly audio-aesthete’s functionality. Created to invite listeners the opportunity to “experience a calming environment to contemplate music, liberated from the disruption of outside noise,”⁠ Turnball’s and USM collaborated to establish a listening room sharing the sensory focusing traits of a temple or shrine.

OJAS Listening Room at USM Modular Furniture with large modular bookshelf system filled with books, vinyl records, audio components and other miscellaneous items, with turntable and two tube amps set across a rolling platform storage. Room is decorated in all neutral gray decor.

OJAS Listening Room at USM Modular Furniture  – Devon Turnbull’s first semi-permanent listening room – integrates Kvadrat Acoustics Soft Cells acoustic panels on walls and ceilings with a bespoke audio system created by OJAS. Photo: Lauren Coleman

Two views of the three black and green floor seats with backs placed upon a tiered listening area along the back wall of the OJAS Listening Room at USM Modular Furniture. First image is from behind a turntable facing toward the front of the three chairs, second photo is from the side, revealing the tiered seating setup.

The OJAS speakers with USM Haller case goods are complemented with seating, and other furniture designs. Photo:Lauren Coleman.

OJAS Listening Room at USM Modular Furniture shares similarities to Turnbull’s recent HiFi Listening Room Dream No. 1  (below) installed within London’s Lisson Gallery. But while that listening room dedicated to “a democratic, public listening space, where people could experience music through a high-quality stereo system without needing to own it” exhibited an almost desaturated minimalist atmosphere dominated by the monolithic stature of OJAS’ signature gray speakers, Turnbull’s latest Listening Room turns of the dial a bit in its retreat-like comforts with a few splashes of color across its sparse seating.

gallery view of large gray speakers and audio setup

Photo: Lisson Gallery London Limited

The OJAS Listening Room at USM Modular Furniture installation is open to the public and by appointments at USM Modular Furniture Soho, 28-30 Greene St, New York, NY 10013.

Gregory Han is a Senior Editor at Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Discovering Surrealist Imagery With Artist And Photographer Ted Chin

Discovering Surrealist Imagery With Artist And Photographer Ted Chin
image

Ted Chin is a digital surrealist and photographer originally from Taiwan, now based in San Francisco, USA. He is widely recognized for his exquisite Photoshop composite art, which exudes a dreamy and surreal quality, occasionally touched with ethereal nature spirits.

“I am familiar with Ted’s work as he is well-known in the field of digital photomontage surrealism. Ted’s work is novel and innovative even in a cutting-edge art field. His ability to capture that intangible magical feel when creating his works gives him a unique and instantly recognizable style. When browsing the inspiration blogs I see his work and know it is him. One of his hallmarks is the way he scales animals. We can relate to animals in a photo, but the way he scales them creates something else entirely with an extra layer of magic to it,” says artist Erik Johansson.

With over eight years of expertise in digital production, Chin has catered to a wide array of international clients, including Grammy, Apple, Warner Bros, HBO, Meta, and Adobe, navigating the realms of fine art and the commercial industry. His exceptional talents were recently acknowledged when he was selected as the cover artist for the Adobe Photoshop 2021 splash screen.

“Ted’s accomplishments as a surrealist photo montage artist are a testament to his talents. Having his work featured on Adobe’s splash page is akin to winning a Grammy in the art world. Artists use Adobe every day and when they see the splash page, they pay attention to the artist. This recognition, bestowed by a tool used universally by artists, is a massive endorsement that signifies his position at the top of the food chain in the digital art realm,” offers artist Corentin Villemeur.

Chin’s boundless creativity is driven by a desire to capture and communicate the captivating wonder and beauty of the world, inspiring viewers with his imaginative artwork. Forbes sat down with artist Ted Chin to talk about his creative process, career and who he’d love to work with in the future.

Goldie Chan: What has been your favorite project to work on?

Ted Chin: One of My favorite projects that I’ve worked on was the splash screen cover for 2021 Adobe Photoshop – the Flamingo Cloud. It was a dream come true to have my artwork viewed by the whole world, and every single user that uses photoshop. There are many amazing fun projects that I worked on but this one will always be the most special one for me. It was the “I made it” moment. Still feels like a dream to me.

Chan: What has your career journey been?

Chin: Been challenging but exciting. I get work from different agencies and brand opportunities, but sometimes it’s not as stable as a 9-5 job. The first year was hard when I quit my first office job, but then I got to learn so much on my journey and got to work with many different brands and companies and met so many creative minds.

I have worked with brands like Adobe, Honda, Apple, Grammy, Puma, Redbull, Warner Bros and many more different brands including sports and tech to design creative advertising and social media campaigns.

Chan: Describe your personal brand.

Chin: I’m a digital artist that focuses on creating surreal fantasy art and graphic design. Beside making fine art, I also help brands to make designs, and use storytelling to communicate a message or promote a service or product.

Chan: What do you love about surrealist art or surrealism?

Chin: It allows me to day dream and explore my mind.

As a child, storytelling always ignited a spark within me. When I was in graduate school, I struggled with limited resources and time, preventing me from exploring the world as much as I desired. The idea of traveling to new places, discovering unfamiliar cultures, and sharing stories remained a dream for me.

I realized that I could bring my tales to life through the art of photography and Photoshop, leveraging my imagination and skills to create surrealistic visual narratives that could transport viewers to other worlds. And thus, “Ted’s Little Dream,” a lifelong project, was born. By fusing my passion for storytelling with my love for photography and digital art, I strive to capture the essence of my dreams and share them with the world.

Chan: Which brand or person would you love to work with?

Chin: I would love to work with galleries like Avant Arte, Spoke Art or Pace Gallery, or explore opportunities to create installation art and sculptures. I want to break the 2D world and bring my art into real life scale and invite more audience to dream with me.

Chan: What are you working on now?

Chin: Currently working on live streaming art, education, and exploring of Ai technology. I have few exciting opportunities and gallery shows coming in 2024 and I look forward to it.

Chan: Who do you admire?

Chin: Artist Erik Johansson, I got to meet him and become friends 2 years ago, and I hope I will become a successful international well known artist, and get to show my art in actual museums one day.

Chan: Any career advice for this year?

Chin: Don’t be shy to try new technology and learn different ways to show your art. It is important to focus on your craft and become a better scholar and artist, but it is also important to find a way to let your voice heard by others.

Play Meets Ink in Roy Scholten’s Ongoing LEGO Letterpress Bird Series

Play Meets Ink in Roy Scholten’s Ongoing LEGO Letterpress Bird Series

Common linnet. All images © Roy Scholten, shared with permission

Roy Scholten is wrapping up a years-long printing project with dozens of playfully rendered fowl. 50 Birds is an ongoing series that uses LEGO in place of lead type to create curved beaks, long tails, and rounded bellies. With only three species—hawfinch, reed bunting, and kingfisher—remaining, The Netherlands-based artist and designer has nearly a full flock of the letterpress creatures, all nested inside 6 x 6-inch paper.

“It’s been interesting to see how the experience from earlier prints feeds back into the following ones,” he tells Colossal. “In a way, because I got better at it, the more difficult it has become. More subtle color schemes and patterns resulted in a more painterly approach to printing.”

Scholten began working with the unconventional material about a decade ago in collaboration with artist Martijn van der Blom, and the pair recently released a bi-lingual book, Print & Play, the Art of LEGO Letterpress, documenting their process and projects during the last ten years. Their practice of inking and printing with the plastic blocks is known in printmaking circles as the “Hilversum method,” named for their studios’ location in the city of Hilversum.  Included in the book’s pages are some early works from the 50 Birds collection, along with van der Blom’s architectural typography, stylized dinosaurs, landscapes, and more.

Keep an eye on Scholten’s Instagram for the final avian pieces, along with larger species like owls, falcons, and hawks, which are next on his docket. You can also purchase prints on his site.

 

a block printed bird with a pink belly

Crested tit

a block printed bird with brown and black feathers

Pied flycatcher

a gray and white bird in blue

Sanderling

a flying yellow and gray bird

Skylark

a brown and white bird climbing a brown block like a tree

Treecreeper

an open book with four images of LEGO dinosaur prints

A spread from ‘Print & Play, the Art of LEGO Letterpress’

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Play Meets Ink in Roy Scholten’s Ongoing LEGO Letterpress Bird Series appeared first on Colossal.

Belmont Market gets colorful makeover by South Kingstown art students

Belmont Market gets colorful makeover by South Kingstown art students

Belmont Market’s employee breakroom got a colorful makeover by South Kingstown art students.

Students from South Kingstown High School came to the market to paint a mural on Friday afternoon, Belmont Market officials said.

The students said they took the original Belmont logo and added their own twist for the mural.

“They do so much for the school, so we really wanted to give back,” said Kaitlyn Swint, a South Kingstown High School senior. “We just wanted to make this mural to give back and we’re really enjoying it.”

The students that painted the mural on Friday are Advanced Placement art course students at the high school.

A/E: Juncture of five artistic cultures

A/E: Juncture of five artistic cultures

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Norman attracts creative people from around the nation and world. It’s one of this small city’s most endearing features. AnnaVittoria Conner-Pickett is one of these folks. She came here for a 2018 Master of Fine Arts from the University of Oklahoma and is now Director of Education at Artspace at Untitled in Oklahoma City.

Pickett is organizer and curator of an art group exhibition titled “Confluence” at Resonator Institute, 325 E. Main. The show opening reception is Friday, November 10, 6 p.m. to 9 p.m. as part of Second Friday Art Walk. In addition to work by Pickett the other artists contributing to Confluence are Nicole Emmons, Kai Gregory, Zoeen Wasim Janjua and Lety Rios.

“The exhibition is fairly loose,” Pickett said. “We wanted to have one where everybody got to celebrate and highlight their heritage in whatever way made best sense to them.”

In name order from above the women’s heritages are Italian, Citizen Potawatomi Nation, Sac and Fox Nation, Pakistani and Mexican.

“For me personally I’m recreating archetypes from the Italian side of my heritage,” Pickett said. “I’m half Italian and half American. They’re objects that take me back to the homeland. There’s a series of enlarged Briscola cards and also my own version of Sicilian tiles.”

Briscola is an Italian card game with imagery that recalls Medieval Queens, Kings, Knights and Knaves. Pickett has played the game since she was a child. She’s spent a significant part of her life in Italy, visiting family during summers and holidays. Her mother presently resides there.

“I’m doing a cyanotype type piece that has images of all the famous Italian people I think of when I’m trying to imagine my culture and best describe the people who are important to me,” she said. “Everybody in the exhibition is doing their version of what’s important to them in their heritage and culture. It’s a celebration we want people to partake in and learn about our cultures.”

It could be viewed as an alternative to the idea of “cultural appropriation.” The artists encourage viewers to purchase this work and celebrate these cultures in their homes.

“Kai Gregory who is one of my former students is making ceramic moccasins and I think it’s an important conversation to have and everybody’s going to have their own perspective on that,” Pickett said. “If you want to support Native artists who create moccasins then how else can you do it other than buying them. It’s about creating a dialogue around supporting people of different cultures and wanting them to respectfully participate by owning the art work made by people of those different cultures.”

Nicole Emmons is the best known artist of the exhibition group. She’s a stop-motion animation filmmaker who famously created a sequence for the Netflix children’s culinary show “Waffles + Mochi” starring Michelle Obama.

“Emmons has participated in a lot of really big projects,” Pickett said. “She has created heritage specific stop-motion animations at some really big institutions to teach people about Native culture. They’re really beautiful and she’s one of my favorite artists in Oklahoma.”

As an arts educator Pickett sees the difficulty younger artists such as Gregory and Rios have getting their work exhibited. She wanted to be the one providing a conduit for shows.

“A Resonator exhibition in Norman will be a really good opportunity for them,” she said. “Their art work blows me away already and they’re so young. It’s important they get chances in the art world. In ten years they’ll be well known in the area if they decide to stay.”

Gregory recently graduated from high school and Rios is a senior.

“Zoeen Wasim Janjua and I met through Artspace at Untitled’s annual Steamroller exhibition,” Pickett said. “She was a participating artist and brought in work that just blew me away. It fits in perfectly with the narrative we want to tell. We’re all straddling the line of being part of two different cultures or of one that is not the American culture. We’re all women and all practicing artists in Oklahoma.”

Resonator Institute has an ongoing history of providing a work and exhibition outlet for young artists.

“It’s not that it’s easy to get an exhibition there but they are so open and welcoming to having younger artists that aren’t as established in the Oklahoma art show world,” Pickett said. “I just can’t thank Curtis (Jones) and Tammy (Gordon Jones) enough because they really are wonderful people.”

Confluence will interest viewers in no small part because of its accessibility. Pickett explained that in terms of reasonable art purchase price.

“Most of it is under $500 with much in the $100 to $250 range,” she said. “That’s a positive experience for the collector to own a piece of art work, for the gallery to make some money and for us artists to be reimbursed for our time making it.”

Pickett’s day job includes mentoring and teaching printmaking to over a 150 students a year. She likes that she’s collaborating with some of her former and current students on the show.

“That’s a first and I think the quality of the art work is going to blow a lot of people away,” she said. “They’re new and upcoming artists that most people won’t be familiar with.”

Personally Pickett is excited to shift gears because much of her art work has been western USA-centric.

“Exploring and sharing my Italian side will be nice as well,” Pickett said.

Even though these five artists come from distinctly different cultures she sees similarities in their work.

“We’re all very experimental,” Pickett said. “We have a lot of ties visually in that we’re whimsical and playful. It’s the content of the work that separates us most. We’re all kind of weirdos and that shows through in our art.”

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42nd Annual Downtown Festival & Art Show

42nd Annual Downtown Festival & Art Show

Next date: Saturday, November 18, 2023 | 10:00 AM
to 05:00 PM

Downtown Festival & Art Show

Visit downtown Gainesville to experience North Florida’s largest free street festival Saturday, November 18, and Sunday, November 19, from 10 a.m. to 5 p.m. with special evening music and poetry performances.

The Downtown Festival transforms the historic brick streets at the heart of Gainesville into a celebration of art, culture, and creativity complete with a giant street arts market, live music, dance, aerial & circus arts, and numerous local and traveling food vendors.

The festival features 100+ bands and performers, 5 stages, and 200+ local and national artists displaying original oils and acrylics, vibrant watercolors, unique sculptures, dazzling jewelry, decorative ceramics and vivid photography.

Produced by City of Gainesville Parks, Recreation, & Cultural Affairs and funded in part by Visit Gainesville, Alachua County and the Florida Division of Arts & Culture. 

When

  • Saturday, November 18, 2023 | 10:00 AM
    – 05:00 PM
  • Sunday, November 19, 2023 | 10:00 AM
    – 05:00 PM

Printmaking Block Stamp Prints

Printmaking Block Stamp Prints
Bianca Ferreira is an artist and designer in Stillwater with a passion for printmaking. Bianca likes to dabble in all arts but excels most in printmaking, illustration and graphic design. They received a BFA in Studio Arts from the University of New Mexico, which is where they fell in love with printmaking—especially lithography. Bianca was selected to work in collaboration with student printers at Tamarind Institute of Lithography during their senior year. Their work was subsequently exhibited in the Tamarind Gallery’s exhibition, Excavation: A Tamarind Student Exhibition. Bianca loves to initiate their students into the analogue world of printmaking, teaching methods that are at once age-old and contemporary.