Sallisa Rosa’s ceramics stage the collective memory loss of the Americas
In our most recent Laudato si’ story, we explore a business in Mexico run by indigenous women that combines care for Creation, empowerment of women, and respect for indigenous traditions.
By Sebastián Sansón Ferrari
In the Northern Chiapas forest, Mexico, for twenty years, a group of socially-conscious businesses run by indigenous Seltales women and their families have been working for justice and the protection of their land.
The group is called ‘Yomol A’Tel’, which means: “Together we work, together we walk, together we dream”.
The social innovation coordinator of the company, Erika Lara, is 32 years old, and has a degree in business. Her role is to accompany and train their production partners in the textile process.
The goal of this network of cooperatives, Lara explains, is to promote women’s participation in democratic processes, to give them a voice and integrate them into the economy, and to ensure their autonomy in their own homes.
Their philosophy is lequil cuxlejalil, or “good living,” and they aim to optimise social benefit through sustainability and profitability.
Yomol A’Tel’ is a community-based way of conceiving work. For them, it is essential to put the human person at the centre and to walk together in performing their tasks
Among the many members of this ‘big production family’ is the brand Xapontic, or ‘Our Soap’. Since 2007, it has been manufacturing personal hygiene products such as shampoos, soap bars and body cream. The network of cooperatives was promoted by the Jesuit mission in Bachajón, which has been accompanying communities and Seltales families in the area for over 60 years.
In addition, they use the ancient technique of lomillo stitch (checked fabric and yarn) to make handcrafted leather bags, beauty cases, purses, wall hangings and bracelets. Since all women in the area embroider, Lara says, they have decided to preserve this method so that the younger ones do not forget their identity.
In the context of maintaining these traditional practices, the words of Pope Francis’ encyclical Laudato si’ resonate.
In that document, the Holy Father calls for special attention to be paid to indigenous communities and their cultural traditions. In section 146, he makes it clear that “They are not merely one minority among others, but should be the principal dialogue partners, especially when large projects affecting their land are proposed.” For them, explains the Holy Father, “land is not a commodity but rather a gift from God and from their ancestors who rest there, a sacred space with which they need to interact if they are to maintain their identity and values.”
The employees of these companies work hard and, producing aromatic plants and organic products. They avoid using overexploiting natural resources and using pesticides or fertilisers, taking care to respect and preserve the biodiversity of the local ecosystem.
Lara explains that these methods are essential for the artisanal cosmetics that the Seltales women make in workshops. The aromatic plants are dehydrated and distilled and become part of the cosmetic products. This results in a finished product with a completely natural base and, on the profit side, the income goes directly to the women members and not to external suppliers.

Xapontic is not an isolated entity, but works in a network with other institutions, such as the Society of Jesus, universities, financiers and social investors
In Xapontic’s creations, the earth, mountains and flowers are represented through the use of their traditional colours, such as black, green, red and pink.
“Nature is the true and only inspiration for our brand,” the coordinator points out.
While taking care to preserve their culture, these women have opened themselves up to the application of contemporary techniques, even producing fabrics with more neutral colour schemes.
In this way, as Lara points out, they are slowly entering markets that were previously too difficult for them to enter, perhaps because the target audience was restricted to people who shared their traditions.
In line with sustainable development goals, the company seeks to set a fair price so that women producers and their families can lead a decent life and have sufficient income to meet their basic needs.
Lara also highlights the persistent struggle to reduce the wage gap and achieve gender equality.
But the organisation’s commitment does not stop there. Another of its initiatives is the creation of employment opportunities for indigenous women through its own education system (which does not always involve schools).
This allows them to put down roots in the area and preserve the lives of future generations, considering their values, cultures, and practices, based on their way of being and acting.
Saying that the workers are at the heart of the activity is not just a slogan but a reality: in Xapontic and in these kinds of enterprises, the principles of inclusion, justice, and fairness prevail because they can rely on horizontal organizational and decision-making structures that involve all participants. Each of them has the right to speak in the assemblies, which, in general, are held every six months.

Xapontic draws inspiration from indigenous and peasant principles and values, as well as Maya and Ignatian spirituality
Lara notes that in Mexico, poverty is 20% higher in rural areas compared to urban ones, and 30% higher among indigenous populations compared to non-indigenous ones.
Behind the migration from the countryside to cities lie at least four reasons: economic factors, education, environmental degradation, and organized violence.
Women aged from 16 to 80 work in the co-operative. In most cases, those under 30 have little or no education, and those over 30 have secondary education but no further.
“These differences have confined women to domestic activities, vegetable cultivation,” says Lara. Men, on the other hand, have taken on the role of earning income through selling their products or day labor.
This situation presupposes more power for men, being the primary economic support for the family, but it simultaneously inhibits women’s participation in productive activities. That’s why, at Xapontic, they fight for equality in a patriarchal system.
“Women are owners and caretakers of the home and everything around it,” says Lara. Men, on the other hand, take care of the land and agricultural work.
Nevertheless, some women stand out for their high level of leadership. That’s why Lara emphasizes the key role they play in organizing the family and the wider society.
For Lara, who is the backbone of this project, the essence of the female conglomerate lies in engaging in the solidarity economy and promoting “living well.”
This is not about idleness or the dolce vita, which Pope Francis has warned against on several occasions. Instead, it’s about living in harmony with nature, seeking harmony, which is superior to balance.
“Knowing how to move in harmony—that’s what gives the wisdom we call ‘living well.’ The harmony between a person and their community, the harmony between a person and the environment, the harmony between a person and the whole of Creation.”
By Admin in Photography
From a niche hobby to one that has the attention of the major camera manufacturers once again, shooting stills on film is undergoing a real revival. Here’s everything you need to know about getting started/restarted in film photography.
Without running the numbers and doing any research, I suspect the Google search for “how to get started with film photography” has been on the rise in recent years. Much like vinyl, the once-doomed film format has come full circle, currently enjoying something of a renaissance. It may well have led you here to this article.
So, how do you get started in film photography? Having been on this journey myself, I have a few tips and tricks to streamline your introduction to a new, somewhat daunting format of photography. We’re going to take a look at the three main things – cameras, film stocks and developing.
Before anything else, you’ll need a film camera. If you’ve ended up inheriting one from a family member or picked yours back up after some thirty-odd years of it sitting idle in the loft, congrats! You can probably skip ahead to the next section.
For those starting from scratch, you’ll most likely be buying secondhand. With the current renaissance, I wouldn’t be that surprised to see one of the camera brands release a new film camera sometime soon. In fact, Pentax has announced exactly that. Some Leica and Nikon models are still in production, but for brand new beginners, you should focus on second hand.
There are two main sources you’ll be looking at when it comes to buying a second-hand film camera. There’s the online markets such as eBay or the in-person experience of walking into a camera shop and browsing.

A quick search of eBay will reveal a plethora of film camera equipment in various states and conditions. I picked up my Canon A-1 with two lenses here. There are definitely bargains to be had, but because some of this stuff is 50 or 40 years old (perhaps even older), you really do need to do your due diligence. Ensure you read the reviews of what other buyers have to say and only purchase from trusted sellers providing plenty of product photos and a detailed description of the item. There are certain sellers who deal solely in second-hand film cameras and can be more or less trusted.
Meanwhile, you may also get the odd chancer who’s thrown a camera body on because they found it in their parents’ loft and don’t know what to do with it. It may be going very cheap, but you won’t know if it works until it’s in your hands.
Depending on where you live, there should be at least one or two camera shops in the bigger cities. If you can find one, then it’s worth having a look. Buying a second-hand camera in-store will almost certainly be a little more pricey than purchasing on eBay, but it does come with more assurances.
Not only will you know that the camera you’re picking up has been properly checked over by a professional and has, if necessary, been fixed, but you’ll be able to pick their brains for a little bit of knowledge and expertise about the camera.
You could always ask around your friends and family. As I mentioned at the start of the article, it’s plausible that there may well be a great film camera sitting up in someone’s attic gathering dust. You’ll be met with, “What on earth do you want one of those for?” but you won’t know until you ask!
Below, I’ve earmarked a few beginner-friendly film cameras you’ll want to consider.
Manufactured between 1976 and 1984, the Canon AE-1 is an iconic 35mm film camera that’s much loved to this day. It’s reliable and easy to get to grips with, and you’ll find plenty of options available on eBay. Lightweight and easy to handle, this camera gives you a plethora of great lens options and can shoot both manual or automatic – something that can be very useful for true beginners.
If you’re on a small budget, the Olympus OM-1 is an excellent option for any beginner looking at getting into film photography. It remains one of the smallest and lightest 35mm single-lens reflex cameras on the market and is really easy to operate. Many people still use these today, and there should be plenty on eBay, as well as in your local second-hand camera store.

The Nikon FM has a beautiful vintage look and is incredibly affordable. You’ll find there are just enough settings and options to learn and grow with as you begin your film photography journey. The Nikon FM is also compatible with a wide range of Nikon lenses – their SLR and DSLR lenses are interchangeable. So, if you already shoot Nikon…
The Pentax K1000 is another legendary 35mm film camera – probably one of the most prolific and popular of all time. It’s often compared to the Canon AE-1 as a high-quality alternative thanks to its reliability and ease of use. Because it’s fully manual, beginners will be forced to learn the basics of photography (if you don’t already know them).
This differs from the others in the fact that it’s a medium format camera, not a 35mm format. More on that below. I’d always suggest starting off with 35mm when it comes to film photography, but if you are looking at a medium format, the Mamiya 645 is great. It’s fairly easy to handle and transport around, it’s got interchangeable lenses, and it gives you a few more shots per roll.
With your camera purchased, you’ll need a roll of film to shoot. Film is the medium on which analog cameras record their image. It’s all physical and real – a huge part of the appeal of film photography.
Your film is light-sensitive. So, when the shutter opens, the light comes through the lens and burns onto the film roll. It’s a chemical process that physically sears the image onto the film. You then wind the roll forward with a mechanical lever, ready to expose the next frame.
I like to think of the film as your camera sensor. One of the main differences between film and digital photography is that with film, you have to shoot at the same ISO for the whole roll. Different film stocks have different sensitivities to light. For example, one may require you to shoot with an ISO of 200, while another could be 800.
Note – the key here is that film is light-sensitive. Whatever you do, do not expose that roll to any light outside of the camera!

As I alluded to with the Mamiya 645, there are different sizes of film stock to shoot. 35mm is the cheapest and most popular stock. It produces an image that’s 36mm wide and 24mm tall (a 3:2 aspect ratio). 35mm is popular because it’s so portable, affordable, and easy to use. However, there are some limitations. The negative is quite small, so you can’t enlarge the image too much without sacrificing image quality.
This is why some film photographers do prefer to shoot medium format. The film stock is more expensive, the cameras are bulkier and harder to operate, and you only get 10, 12, or 15 shots to a roll. Despite all this, medium format is loved because the larger negative size means there’s greater detail and resolution, providing more room for cropping and enlargement of images. They’re usually square (6x6cm) or rectangular (6×4.5cm or 6x7cm), with a 1:1 or 4:3 aspect ratio.
Yes, there is also large format film but we’re not going to get into that here as it’s nothing for beginners to worry about. If you’re starting out as a beginner, stick to 35mm film for the time being.
The other main choice you’ll need to make when it comes to film stocks is to shoot in color or black and white. As of this moment, color stocks tend to be more expensive but can be developed very quickly. Meanwhile, black and white stocks tend to be cheaper but take a little longer to develop. This is mainly a stylistic choice.
There really is no right or wrong film stock to start shooting as a beginner. However, from personal experience, I suggest choosing a cheaper stock to start with. It’s inevitable that when you start, mistakes will be made. My first roll didn’t load properly (user error); consequently, all of my photos were blanks! If you choose an expensive stock to start with, your mistakes will be pricier.
Film stocks can be found in the same places your film cameras are sold – both online and in camera stores. Depending on each individual shop, you may even find the odd roll of film still for sale in supermarkets or high street pharmacies.
I would say for color-negative film, take a look at something like Kodak Gold 200 or Kodak ColorPlus 200 – both cheap, easy-to-find film stocks. For black and white film, Ilford HP5 Plus 400 is a safe bet. This ended up being the very first roll I shot with (and bizarrely, I found it in an airport Boots store).

This is perhaps the part of the film photography process that doomed it when digital came along. Rather than the simplicity of pulling out an SD card and loading it onto your PC to view your (unlimited) photos easily, film photos have to be developed.
As you probably already know, film can be developed by yourself at home but it’s not for beginners. In fact, it would require a whole different article to get you up to scratch. For beginner film photographers, you’ll want to take your roll to a lab where it can be developed.
Nowadays, thanks to the digital revolution, it’s not as easy to have your film developed as it used to be. Some pharmacies may still offer the service, so it’s worth checking, but otherwise, a dedicated photography shop is your best bet. Services and price points do differ, so it’s worth doing some research and shopping around. You can either post your roll and have the scans delivered digitally via email, or go through the experience in person, including the ability to keep your physical negatives afterwards.
A holiday event for jazz lovers will be taking place in New Bern on Friday.
Team Henry8, owned by James Henry and Mike Weaver Productions will present Grown Folks Groovin Holiday Jazz with saxophonist Jashaun Peele and a special presentation to honor jazz vocalist and composer, the late Jann White Parker, on Friday, Dec. 1 at the Knights of Columbus, 1125 Pinetree Dr. In a previous article, Henry shared his love of live music and how excited he is to present this series of shows to the local community. Henry and Weaver are especially thrilled to be able to honor Parker, who continued to support the local jazz community in Craven County even after she moved from the area.
Parker was a native of New Bern and founded the Jazz Preservation Society in 2003. According to an obituary posted on Oscar’s Mortuary Inc.’s website, Parker passed away on Feb. 18 of this year in Harlem, NY where she had resided for many years.
Jashaun Peele, who started playing the saxophone at seven years old, currently resides in Raleigh and works as a professor at Guilford Technical Community College and is a real estate agent. He is a graduate of Elizabeth City State University.
The show starts at 8 p.m. with a VIP w/ artist Meet and Greet beginning at 7 p.m.
General admission tickets are $45 and VIP tickets are $60 and include champagne and heavy hors d’oeuvres. There will also be a cash bar with beer and wine available Tickets may be purchased online at Eventbrite.com or by contacting James Henry at 252-269-2747.
This event will be the last one for the year, but the team is already in the process of a Valentine’s Day show scheduled for 8 p.m. Feb. 16 at the Knights of Columbus. The show will feature Billboard Top 20 saxophonist Jason Jackson, a native of Wilmington.
For more information or tickets, contact James Henry at 252-269-2747.
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Silversea, a premier brand in experiential luxury and expedition travel, recently concluded the inaugural season of its first Nova-class ship, Silver Nova,
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The Desert Foothills Land Trust (DFLT) is proud to announce a special presentation event featuring acclaimed botanical photographer Jimmy Fike on Saturday, Oct. 12 at 6:30 p.m. at the Sanderson