Our Town Post: Street artist changing the look of the town

Our Town Post: Street artist changing the look of the town

POST, Texas (KCBD) – Just a few weeks ago, drivers in Post, Texas, could spot a blank wall right off US Highway 84 between 10th and Main Street. That wall has since been drastically transformed, thanks to street artist Calina “Cal” Mishay.

What was once a blank and beige canvas now displays a wide assortment of spray-painted flowers and cacti. By the end of the year, Cal hopes to have done the same to three other unknown spots in town.

“We were able to put some color in here and put some flowers, and now when you drive down it’s just as exciting, right?,” Mishay said. “It’s like ‘If this is here, there must be some other neat things going on in Post’, and there is!”

The original project has considerably grown from what Cal had envisioned originally.

“We were going to actually do only do half the wall, and it turned into the whole wall once you got started, which is great,” she said.

While the Rule, Texas-native wants people to stop and admire her hard work, she also wants visitors to take in Post as well.

“We want people to stop and take pictures and selfies, and post that they were in Post, Texas. True to the heart of West Texas, where we are the history here, the people here, and just images and things that we’re used to seeing – but in a new, fresh, colorful way that also catches the eye of the tourists and people who just want to take a pretty picture in front of something and post on their social media to let people know where they’re at shopping that day,” Mishay said.

“And the whole goal is not just to do pretty murals, but how do we use these murals and help people want to find Post, explore Post, know what Post is about.”

In the midst of her hard work, Cal plans to step aside this Saturday, and enjoy the town’s main holiday event, “Light Up Post”.

“That’s all I’ve been hearing about is ‘Light Up Post,’ and so I’m going to definitely take that day off,” she said. “Maybe I’ll work a little bit so people can see the artists at work, but I also want to do all the things that there is to do during “Light Up Post”. It’s gonna be really fun.”

Her Post progress can be followed on Instagram, @CalinaMishay.

To the Skyland

To the Skyland
Students create stories and poetry and prose about Big Sky’s next public art project By Leslie Kilgore EBS CONTRIBUTOR The Arts Council of Big Sky continues their fundraising efforts for… READ MORE

A Colossal Conversation: Arghavan Khosravi On Tension, Circumventing Censorship, and the Protest of Iranian Women

A Colossal Conversation: Arghavan Khosravi On Tension, Circumventing Censorship, and the Protest of Iranian Women

“The White Feather” (2023), acrylic on canvas over shaped wood panels, wood cutouts, plexiglass, metal nails, chainmail, feather, 82 x 50 x 16 inches. All images © Arghavan Khosravi, shared with permission

For Arghavan Khosravi, obscurity is the point. In a new conversation with Colossal, the Iranian artist recounts how she translates the experience of living a dual life—that of immigrating, of presenting differently when at school and at home, and of wanting to deny clear interpretations—into disjointed works that are equally alluring and destabilizing. She says:

I’m interested in this idea of contradiction in general, not just in how the paintings look. When I have imagery coming from different contexts—like historic, contemporary, Western, Eastern—this creates tension, which is like a visual translation of the tension Iranian people feel living in Iran. Most Iranians don’t believe how the governing system is thinking and believing, so there is always this clash between tradition, religion, and then modernity and secular ideas.

Khosravi discusses using a simple visual alphabet to convey complex narratives, feeling inextricably tethered to her home in Iran, and why she needs to paint every day to cope with injustice and heal from trauma.

Read the conversation.

 

a fragmented work with a crying greek statue, two women shown through an open window, another woman obscured by a flowing orange curtain, and Persian imagery in back

“The Orange Curtain” (2022), acrylic on canvas over shaped wood panel on wood panel, 64 1/2 x 49 inches

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article A Colossal Conversation: Arghavan Khosravi On Tension, Circumventing Censorship, and the Protest of Iranian Women appeared first on Colossal.

The Museum of Cherokee People welcomes modern Cherokee artists to help update museum displays

The Museum of Cherokee People welcomes modern Cherokee artists to help update museum displays

“Disruption” is on display until Dec. 29.

CHEROKEE, N.C. — November is Native American Heritage Month, and at the Museum of the Cherokee People in western North Carolina, visitors can experience Cherokee history and culture. However, it was recently discovered culturally sensitive items were on display.

WCNC Charlotte’s Sarah French took a trip up to Cherokee, North Carolina, to learn more about how the museum responded with the help of Cherokee artists. 

“We have a responsibility to our community to make sure that we’re not doing anything that doesn’t align with our Cherokee protocol,” executive director Shana Bushyhead Condill said. 

Founded in 1948, the Museum of the Cherokee People is one of the oldest tribal museums in the country.

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“It was urgent,” Condill said.

She said the museum recently had to pull several objects from display.

“We realized we had ceremonial and funerary objects that should not be on view,” Condill said. “We took about 117 objects off view. At that time, what do we do with those empty cases?” 

The current exhibit at the museum, called “Disruption,” was just what its name suggests.

image

“That became a learning opportunity,” Condill explained. 

The museum’s education director, Dakota Brown, advocated for Cherokee artists to step in.

“It’s not always an easy story to tell… it’s not always just black and white,”  Brown told French, adding, “We’re not descendants of — we are Cherokee people.”

Cherokee artists responded with contemporary art that can now be seen throughout the museum.

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“We’re still writing our story, and we’re still telling our story,” Brown explained.  

“People don’t have a clear idea of what contemporary Cherokee people are today,” Condill added.

The museum is now working to raise awareness of a group of people who haven’t always had their voices heard.

“I’ll tell you in the museum world, you know, we were sort of 20 years ago saying, ‘Hey, what if you ask native people to be at the table when you’re doing an exhibit about native people?’ — that was the question that we were asking 20 years ago,” Condill explained. “And today, we have the honor and privilege of doing it ourselves… This is going to be in our own voice, which is so incredibly powerful that we moved that far in the museum world in 20 years. I love it.”

“Disruption” is on display until Dec. 29. The museum is also gearing up for a brand-new renovation. They’re open every day 9 a.m. to 5 p.m.

Contact Sarah French at Sarah@wcnc.com and follow her on FacebookX and Instagram.

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Texas ecosystem photography exhibit on view Dec. 1

Texas ecosystem photography exhibit on view Dec. 1

The Blackfork Bestiary is Robert Langham’s photographic collection of insects and animals. The collection will be on display Dec. 1 – Jan. 27 at Pictura Gallery inside of the FAR Center for Contemporary Arts on Fourth Street. The collection includes photos of animals and insects that are a part of the Blackfork Creek ecosystem in Texas. 

Langham, a photographer and naturalist, discovered his photography subjects within his backyard in Tyler, Texas, which sits in the Blackfork Creek area. The opening reception will take place 5 8 p.m. Dec. 1, and Langham will give an artist talk at 6 p.m. The event is free to the public, and food and drink will be available for purchase.  

There will be a children’s workshop 11 a.m.–noon Dec. 2. The children will participate in an activity inspired by the photos. The free event requires registration and is ideal for children ages 6 and up.  

The artwork is on view 11 a.m. – 5 p.m. Tuesday through Saturday.  

Scenes of My People’s Painful Fight for Freedom in the West Bank

Scenes of My People’s Painful Fight for Freedom in the West Bank

I traveled from the U.S. to the West Bank on Oct. 2 to visit my Teta, my maternal grandmother, for a week. Instead, I stayed for one month to document my people’s fight for freedom, and witness their pain.

Reflecting on my time, in arguably the “safest” part of the West Bank, 50 miles from the Gaza Strip, torments me. As Amnesty International has documented, Palestinians—whether in the West Bank, Gaza, or Israel, are subjected to the same system of apartheid. Still, it can feel insincere: Ramallah, the occupied city I reside in, is just one drop compared to the ocean of erasure taking place right now in Gaza. 

However, my elders always remind me that we are one. Though I am as old as the first Oslo Accord—which now lingers as an emblem for failed Palestinian statehood and peace—I resist envisioning freedom in fragmentation. 

A bedroom in the demolished home of the Nakhle family in the Jalazon Refugee Camp near the West Bank city of Ramallah, on Oct. 28. There were three generations of Palestinian refugees living in the home, who are now displaced, again.
A young Palestinian man has his face shielded with a kuffiyeh during a confrontation with the Israeli occupation near the illegal Beit El settlement in the West Bank city of al-Bireh, on Oct. 13. The kuffiyeh, a traditional headdress, serves as a symbol of Palestinian identity.
A group of Palestinian workers from Gaza at the Sarriyeh sports club in the West Bank city of Ramallah watch an Al Jazeera news broadcast from a hospital in Gaza, Oct. 12.

My photographs are what I witnessed in the 5 square miles around me in the West Bank, over the span of just three weeks, beginning two days after the Oct. 7 attack on Israel. Unlawful killings of teenagers, collective punishment, and genocidal violence in my own backyard. 

On Oct.  8, I entered Qalandia refugee camp to have dinner with my paternal family. One hour after we washed the dishes, news broke that Yasser al-Kasba, 17, had been shot and killed near the Qalandia checkpoint by an Israeli sniper while his back was turned.

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On Oct.  12, I visited the Sarriyeh sports club, where there were upwards of 400 Palestinian workers from Gaza who were stranded in Israel after Oct. 7. One man received news that three of his family members were killed by an Israeli airstrike. “What about the others?” he screamed to his relative on the phone in Gaza. “We are still picking up the rubble,” he replied.⁣

Over 400 Palestinians from Gaza find refuge on Oct. 12 at Ramallah’s Nadi al-Sarryieh, typically a sports club but transformed into a shelter for Gaza’s day laborers who were working inside Israel on Oct. 7.
Ahmad Mutair, 17, is bid farewell by members of his family before being laid to rest on Oct. 25.
Palestinian workers from Gaza line up for registration at the Sarriyeh sports club in the West Bank city of Ramallah on Oct. 12.

Days later, when I went to the Redanna sports club, chants from dozens of other Palestinian workers from Gaza could be heard: “We declare from Gaza: uprising and victory.” A protest by Palestinian refugees, inside a refuge, within occupied lands.

A 60-year-old worker told me: “I just want to hear the voice of my grandchildren. You think we are happy here? We don’t want food or water, we want to go back to Gaza. We would die for our land.”

A friend and photographer from Gaza, Majd Arandas, texted me to ask if I could check on his brother-in-law, who was one of the workers taking refuge in Ramallah.

On Oct. 25, tear gas and rifle fire woke me up while in Qalandia refugee camp. I closed the windows of our home as my 6-year-old cousin had done during the previous raid. I woke up an hour later to the mosque’s speakers. The imam was not making the morning call to prayer, but announcing another killing, Ahmad Mutair—a high-school student and fourth-generation refugee was shot by an Israeli sniper while he stood on his roof to see what was happening. The Israeli government has not issued a public statement on Mutair or al-Kasba.

Neighbors in the Jalazon Refugee Camp, near the West Bank city of Ramallah, help members of the Nakhle family retrieve valuables that could be salvaged following the punitive home demolition of the six family home, on Oct. 28.
Palestinians in Qalandia refugee camp raise their fingers after mourners pray over the grave of Yasser al-Kebsa, 17.
The charging station at the Sarriyeh sports club in the West Bank city of Ramallah on Oct. 12. Most of the workers at the sports club spend their day trying to make contact with their families in Gaza.
Clothes belonging to Gazan workers who were stuck inside Israel on Oct. 7th hang to dry on a soccer goal at the Redanna Sports Complex in the West Bank city of Ramallah, on Oct. 14.

On Oct. 28, I walked into the aftermath of a home demolition in the Jalazon refugee camp, hours after dozens of Israeli soldiers raided the camp alongside a bulldozer. Six Palestinian families and three generations of refugees lost their homes at sunrise. Their bread for the morning was still laid out on their dining room table. Israel’s punitive home demolitions are a form of unlawful collective punishment and a grave breach of the Fourth Geneva Convention.  

On Nov. 1, I returned to the U.S. for a few weeks to be with my partner. While on the plane, I could not bear to look out of the window. I felt nauseous sharing the same view as the drones, Apache helicopters, and F-16 jets; my tax dollars bombing Gaza.  

I connected to the wifi in the plane and received a message about my photographer friend.

“Majd was killed.” His neighborhood was hit by an Israeli airstrike.

Hammad is a documentary photographer, based between Boston and Ramallah, West Bank. Hammad also works as a human rights researcher and campaigner.

Dust settles as Yasser al-Kisba, 17, is laid to rest at Qalandia refugee camp on Oct. 9.

A Palestinian photographer captures life under bombardment in Gaza

A Palestinian photographer captures life under bombardment in Gaza

Like everyone now in the Gaza Strip, Mohammed Zaanoun has been living breath by breath, in fear of what might fall from the sky, but he continues to send photographs and video clips to keep the spotlight on what people there are experiencing. Here is his latest dispatch:

27 November – Pause brings some respite

The good news is that Zaanoun, who reported being sick after drinking dirty water in his previous dispatch, is now feeling better after managing to get his hands on some medication. But one of his four children isn’t doing so well, possibly due to the lack of food or the pollution. Zaanoun also had to pull them out of the rubble, for a second time, as the house they were sheltering in was hit by an Israeli strike. That was before the four-day pause in fighting began on Friday, offering some respite. In this clip, Zaanoun shows the Abu al-Ruk family taking advantage of the lull to gather around a fire near the ruins of their home in eastern Khan Younis. Zaanoun says his own family headed there in a rush and has no winter clothes.


Back in May, The New Humanitarian began working with Zaanoun on a special project to explore what daily life looked like in Gaza – a place where, despite the sporadic media coverage, the impacts of decades of occupation and the effects of war were constants.

Everything changed overnight on 7 October, after a raid into Israel by Hamas gunmen left 1,200 people dead, many of them civilians who were killed deliberately, according to the Israeli authorities. Hamas, the political and militant group that governs the Gaza Strip, also took around 240 hostages back into the coastal enclave, according to the Israeli military.

Gaza has faced weeks of intense Israeli bombardment since. A total siege cut off water and electricity and blocked the entry of food, fuel, and medical supplies to the roughly 2.3 million people living there – some 80% of whom have now been displaced by the bombardment and an Israeli ground invasion that has cut the densely populated enclave in two.

Only a trickle of humanitarian aid made it into Gaza – through the Rafah border crossing with Egypt – before a four-day pause from 24 November saw aid organisations scaling up the delivery of much-need assistance. But due to the fuel shortages and sheer level of destruction, this is still failing to reach many people, especially in cut-off northern Gaza.

More than 14,000 Palestinians – mostly women and children – have been killed by Israel’s military operations, according to the Health Ministry in Gaza. At least 57 journalists and media workers have been killed covering the hostilities since 7 October, in addition to well over 100 aid workers, mostly from the UN agency for Palestine refugees, UNRWA.

Israel has vowed to continue its ground invasion after the pause, but there are hopes it might be extended if Hamas agrees to release more hostages. UN experts have warned that time is running out to “prevent genocide and humanitarian catastrophe”.

To view the snapshots from before 7 October, click here, and find more of Zaanoun’s latest dispatches below:

23 November – ‘We couldn’t find anyone to help us’

In his last filing before being struck down sick, due, he believes, to drinking dirty water, Zaanoun filed this report, interviewing Asma Ayad al-Rifi. Last month, she had been ordered, along with many other Palestinians, to evacuate from their neighbourhood in eastern Gaza to an area the Israelis said would be safe. “They were lying,” Al-Rifi says, as she recounts how an Israeli strike led to the roof falling on their heads in the middle of the night. She describes how two women and six children were killed instantly as they became buried in the rubble of the building where they were sheltering, in Nuseirat, in the central Gaza Strip. Al-Rifi had to pull others out, herself, by hand.

16 November – ‘It’s raining now in Gaza’

In this snapshot, we’ve combined Zaanoun’s photographs with an audio diary from Maha Hussaini, an award-winning journalist and human rights activist in Gaza. Hussaini was forced to leave her home in Gaza City on 13 October. In this voice note, she says that she loves autumn, winter, and the rainy weather that the colder seasons bring. But for the first time in her life she is praying that the rain will stop soon because it is making life harder for the around 1.6 million people in Gaza who have been displaced by Israel’s bombardment and military campaign. Many of the displaced are staying in tents. “I actually cannot imagine their situation now as the rain is pouring down,” Hussaini said. Listen to her full voice note below, and read her recent first-person article: In Gaza, death seems closer than water.

10 November – ‘Fellow journalists live in the same tent’

Zaanoun and other Palestinian journalists in Gaza continue to cover Israel’s bombardment and near-total siege of the enclave, even as they struggle to cope with the killing of dozens of colleagues and the effects of violence on themselves and their families. They are playing a crucial role by reporting from inside Gaza as Israel continues to bar international journalists who are not embedded with the Israeli military from entering the enclave. Many journalists in Gaza have been displaced from their homes and have sought refuge in hospitals, where they are able to charge their phones, laptops, and cameras, and where they have a better chance of connecting to weak internet signals to send their photos, videos, and stories to the outside world. If the dwindling supply of fuel for back-up generators powering the hospitals runs out, Zaanoun and others could find themselves completely cut off.


Back in May, The New Humanitarian began working with Zaanoun on a special project to explore what daily life looks like in Gaza, a place where occupation and the effects of war are a constant.

It all changed on 7 October after a raid into Israel by Hamas gunmen, who killed around 1,400 people, according to the Israeli Health Ministry, many of them civilians. Hamas, the political and militant group that governs Gaza, also took around 200 to 250 hostages back into the coastal enclave, according to the Israeli military.

Gaza has been under intense Israeli bombardment since, and on 9 October Israel announced a total siege that cut off water and electricity and blocked the entry of food, fuel, medical supplies, and humanitarian relief to the roughly 2.3 million people living there. Only a trickle of humanitarian aid has been allowed to enter Gaza from Egypt.

Israel also launched a ground invasion into northern Gaza on 27 October, but little independent information is known about how it is progressing because Israel and Egypt are not allowing international journalists into Gaza, and Palestinian journalists in the enclave are working under extremely dangerous conditions – at least 34 have been killed since 7 October.

More than 11,000 Palestinians – mostly women and children – have been killed by the Israeli bombardments, according to the Health Ministry in Gaza. As Israel’s military action in Gaza continues unabated, UN experts have warned that time is running out to “prevent genocide and humanitarian catastrophe”.

To view the snapshots from before 7 October, click here, and find more of Zaanoun’s latest dispatches below:

6 November – ‘My friend, his family was killed’ 

Dozens of people were killed in a blast in the densely populated al-Maghazi refugee camp in the central Gaza Strip on Saturday night, including the family of Zaanoun’s friend and fellow photojournalist Mohammed al-Aloul. The blast was one of several in refugee camps in Gaza over the weekend, as the death toll from Israel’s now month-long bombardment and siege of the enclave continues to spiral. The health ministry in Gaza, which is governed by Hamas, said at least 45 people were killed in an Israeli airstrike on al-Maghazi camp. The Israeli military has said it cannot confirm whether it was responsible for the blast. Four of al-Aloul’s five children were killed. His wife and one-year-old son survived.

3 November – ‘How long will we be removing bodies?’

Zaanoun reports from al-Shati refugee camp in the north of Gaza, where rescuers are digging through the rubble after an Israeli airstrike. It appears too late to find survivors, and they are now just working to retrieve the bodies of some of the children killed. One man tells Zaanoun that seven homes were destroyed and at least 14 children killed. His sister is among the dead. “How long will we be removing bodies in Gaza?” the man asks. “Until when? You have destroyed us, that’s enough.”

31 October – Shut off completely from the world

For roughly 36 hours, between 27 and 29 October, almost all cellular and internet service in the Gaza Strip stopped working amidst heavy Israeli bombardment and the beginning of a ground invasion. The communications blackout made it so people couldn’t call ambulances after airstrikes, speak with relatives, or deliver information about what was happening in the enclave to the outside world. Even as services have been restored, concerns remain over access to information. Israel and Egypt are blocking international journalists from entering Gaza, while at least 26 Palestinian journalists have been killed, most by Israeli airstrikes on the enclave. After communications were restored, Zaanoun was able to resume sending photos.

27 October – ‘We bid farewell to the family of our colleague’

Zaanoun goes to Al-Aqsa Hospital to share condolences with fellow journalist Wael al-Dahdouh, Al Jazeera’s bureau chief in Gaza, whose family were killed in an Israeli airstrike. He says people have been told to go to the south of the Gaza Strip, but then shows civilians bringing in their injured after a strike hit their homes near the Nasser Hospital in the southern city of Khan Younis. “There is no safe place in the Gaza Strip, and no safe road,” he says.

18 October – Gaza reels from hospital explosion

Zaanoun photographs the aftermath of the massive blast at al-Ahli Hospital in Gaza City on 17 October that killed nearly 500 people and wounded 300, according to the Gaza Health Ministry. Thousands of civilians had taken shelter from Israeli bombardment in the facility. Health officials in Gaza said an Israeli airstrike caused the blast. Israeli officials blamed it on a misfired rocket from Palestinian Islamic Jihad – an armed group based in Gaza that has denied any involvement.

17 October – ‘The smell of death is everywhere’

Before the al-Ahli blast, people in Gaza were already suffering the effects of Israeli bombardment and siege. In addition to those killed and injured, around one million people have been displaced from their homes, out of a population of roughly 2.3 million. Entire neighbourhoods have been reduced to rubble, and first responders and residents in Gaza have scrambled to dig people out from under flattened buildings, often only using their hands.

12 October – ‘Maybe this is the last message from me’

On the night of 11 October night, shortly after Gaza’s only power station ran out of fuel, and as Israeli artillery thudded nearby, Zaanoun took shelter in Gaza City’s al-Shifa Hospital, the largest medical facility in the enclave. Israel cut off the electricity it provides to the territory after Hamas fighters launched a deadly assault inside Israel on 7 October. Many Gazans have headed to hospitals and UN-run facilities hoping to find safety. 

11 October – ‘Civilians thought they were safe in their homes’

Zaanoun reports on the worsening situation inside Gaza. In his first video for our latest Snapshots series, the Palestinian photojournalist says civilian buildings have been destroyed by Israeli strikes that have killed dozens of people.

Videos edited by Ciara Lee. Text edited by Andrew Gully and Eric Reidy.

The Nawabari Collection of Seating Forges Close Bonds

The Nawabari Collection of Seating Forges Close Bonds

The Nawabari Collection, a collaboration between BIG (Bjarke Ingels Group) and BoConcept is an exploration of transforming shared spaces and bringing people together. The design was helmed by Partner and Head of BIG Products, Jakob Lange, who pulled inspiration from the Japanese art form of forging close bonds through binding with ropes. In Japanese, “nawa” means rope, and the term “nawabari” translates to stretching rope.

“When starting out with this collection, we were looking for a new way of expressing furniture,” said Lange. “We were interested in the forms that are created when a material is bound with rope. The result is these sculptural organic shapes that become the core of this furniture family.”

The Nawabari Collection includes two sofas, an armchair, two coffee tables, and two pouffes. The furniture pieces can be used individually or grouped together to create a standalone area. BIG loves exploring the intersection between work, life, and play in their work, meaning these pieces are as show-stopping in a hotel lobby as they are in a residential home or workspace.

detail of periwinkle blue sofa

navy blue chair in styled interior space

You can even customize the Nawabari Collection to meet the needs of individual projects, including being upholstered in any of BoConcept’s fabric offerings or Gabriel’s wool-effect Blend fabric in six colors. Blend fabric carries the EU Ecolabel and is certified in accordance with STANDARD 100 by OEKO-TEX®, meaning everything has been tested for harmful substances. The Nawabari Collection in Blend fabric is also Greenguard certified, ensuring the furniture has low-emitting chemicals and a low impact on indoor air quality.

navy blue chair

styled interior living space with golden sofa and matching pouf

golden and brown poufs

a collection of different colored poufs in two sizes

colored poufs stacked up

detail of maroon pouf

periwinkle blue sofa and matching pouf, maroon pouf, and dark blue chair

periwinkle blue sofa and matching pouf and a maroon pouf

Bjarke Ingels, BIG

Jakob Lange, BIG

To learn more about the Nawabari Collection, visit boconcept.com.

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

Local photographers will have art featured on TWF calendar

Local photographers will have art featured on TWF calendar

Three local photographers were selected as winners in the Tennessee Wildlife Federation’s ninth annual photo contest.

There were more than 2,300 submissions with photos from 17 Tennessee photographers selected to be featured in a limited edition 2024 calendar. It features native wildlife and beautiful landscapes across the Volunteer State.

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