Top Law Firm Collects Photographs of Potential Applicants, Raising Discrimination Concerns

Top Law Firm Collects Photographs of Potential Applicants, Raising Discrimination Concerns

Weil, Gotshal & Manges asked a minority student group at Northwestern for ‘optional’ headshots

(weil.com)

One of the top law firms in the United States, Weil, Gotshal & Manges, is using law school student groups to collect photographs of potential applicants to its summer programs, a move experts say violates federal guidance on civil rights law and could expose the firm to liability.

Weil has asked Northwestern Law School’s Latino Law Students Association to compile a “resume book”—complete with “optional” headshots—so that the firm can “assess” candidates for its diversity fellowship and first-year summer associate program, according to a Nov. 20 email from Angela Cifarelli, a second-year law student on the affinity group’s board.

“According to Weil, headshots are completely optional,” Cifarelli told the group’s members. “We look forward to receiving your submissions and working with Weil to help them identify outstanding candidates for their programs!”

The request for photos could put Weil, which touts its commitment to “racial justice,” in the crosshairs of federal agencies tasked with enforcing civil rights law. The Equal Employment Opportunity Commission (EEOC) states that “employers should not ask for a photograph of an applicant” because of the potential for race discrimination. While not illegal in and of themselves, said Andrea Lucas, one of the agency’s five commissioners, such requests raise questions about employers’ motives and how the photos will be used.

“Even giving applicants the ‘option’ to provide a headshot could serve as evidence of an employer’s intent to discriminate based on race, color, sex, or other protected characteristics,” Lucas told the Washington Free Beacon. Weil and Cifarelli did not respond to requests for comment.

The call for photos comes as law firms across the country are, at least on paper, backing away from race-based hiring programs amid the torrent of litigation unleashed by the Supreme Court’s ban on affirmative action. Perkins Coie and Morrison Foerster opened their diversity fellowships to all races after being hit with discrimination lawsuits in September, for example. And at least one firm, Adams and Reese, ended its diversity fellowship entirely.

Requests for headshots could become more common as law firms navigate these legal waters, with visual materials—obtained through a middleman like Northwestern’s Latino group—used to suss out an applicant’s race. That would help programs such as Weil’s diversity fellowship, which awards students $50,000 and is officially “open to all,” practice discrimination without overt racial criteria.

“Weil’s actions should dramatically increase its exposure to litigation and liability,” said Dan Morenoff, the executive director of the American Civil Rights Project, which litigates reverse discrimination cases. “At a minimum, they should be the basis for an EEOC investigation.”

It is not clear whether Weil, which sponsors the Latino Law Students Association, has made similar requests of other affinity groups at Northwestern or peer law schools. But its relationship with the group is hardly unique.

Many big law firms now sponsor race-based student organizations at elite schools, funding their operations and hosting ritzy recruiting events with an eye toward attracting minorities to the firms. Those arrangements give firms like Weil, where associates can make more than $300,000 each year, considerable sway over their student liaisons.

This is not the first time that a prominent legal institution has raised eyebrows with its optical requests. Columbia Law School drew censure this summer when it said that applicants would be required to submit 90-second “video statements” alongside their normal essays, a move widely seen as a way to circumvent the Supreme Court’s affirmative action ban. The law school backtracked within hours of its announcement, claiming that the requirement had been posted “inadvertently.”

Peninsula artist to exhibit work at leading arts fair in Miami, Fla.

Peninsula artist to exhibit work at leading arts fair in Miami, Fla.

PORT TOWNSEND — Egor Shokoladov, one of Northwind Art’s local Artist Showcase program participants, has been accepted to Art Basel Miami, a gigantic art fair set for Dec. 6-10.

The south Florida event, considered the leading art festival in the Americas, will show work from 277 galleries around the world. Last year, organizers reported attendance of 76,000 people.

“We are very excited about this opportunity,” Shokoladov said through his interpreter, who is also his wife Alina.

Shokoladov applied to Art Basel Miami on the advice of an art curator friend, Yuliya Sysalova, whom he got to know via Instagram. After seeing his work, Sysalova urged him to enter the huge fair.

The Shokoladovs are preparing to go together to Miami to present his artwork in the Synergy exhibition, one of the many shows at Art Basel Miami.

Shokoladov grew up in the small town of Grodno in Belarus and received his master of fine arts degree at Yanka Kupala State University there.

His native language is Russian; he’s in the process of learning English.

The Shokoladovs moved to Port Angeles in 2020 when Alina, who is a pharmacist, took a position at the Rite Aid there. Alina had come to the United States when she accepted a postdoctoral fellowship at Washington State University.

Soon after arrival on the North Olympic Peninsula, the pair met Ken Hulick, manager at Northwind Art’s Jeanette Best Gallery. After seeing Egor Shokoladov’s artwork — including his hand-colored etchings — Hulick invited him to apply to the juried Artist Showcase program.

Shokoladov has had his work at Jeanette Best Gallery, 701 Water St., ever since.

“People stop in their tracks when they see his creations,” said Northwind Art Communications Manager Diane Urbani.

“Sometimes they laugh out loud, or they just say, ‘Wow,’ and call their friends over to see it,” she added.

The Artist Showcase program displays the work of 24 local artists. This is the first time one has been accepted into an art festival on the scale of Art Basel Miami, Hulick said.

“Egor’s work has an Old World sensibility. Yet the whimsical nature and superb execution stand out and speak to today’s collectors,” he noted.

Shokoladov has eight of his hand-colored etchings in the Showcase gallery. In the adjacent room, in Northwind Art’s juried show titled “Small Expressions,” he has “Hoo,” his etching of an owl beneath a starry sky.

“I am particularly inspired by humor,” Shokoladov, 33, said, adding he seeks to “bring positive vibes into the world.” His style “has noticeable European shade, as I am a recent immigrant.”

Shokoladov pieces on view at Northwind’s gallery include “Newton,” his comical image of a worm connected to the apple that helped Isaac Newton discover gravity.

Then there’s “Lepidopterist,” a scene of a butterfly collector with a collector of humans standing behind him. Nearby, “Sleepwalker” pictures a figure walking high above a town, the golden crescent moon at his back.

Hulick, for his part, said he’s delighted to be able to continue sharing Shokoladov’s work at the gallery in Port Townsend.

“It’s sometimes hard to quantify ‘talent,’” he added, “but Egor is one of the most talented artists I’ve seen in my decades of gallery work — his vision, technique and artistic sensibilities are rare today.”

“Hoo” is among the Egor Shokoladov etchings on view at Jeanette Best Gallery in downtown Port Townsend. (Northwind Art)

“Hoo” is among the Egor Shokoladov etchings on view at Jeanette Best Gallery in downtown Port Townsend. (Northwind Art)

Be a 3D real estate photography ace with $1,600 saving on Matterport camera

Be a 3D real estate photography ace with $1,600 saving on Matterport camera

If you have ever wanted to step into the world of 3D photography, which saw a rapid influx of real estate agents hiring out for the technology during the pandemic, now if the best time to start. Thanks to this amazing saving at Adorama you can buy this ready to shoot Matterport Pro2 134MP camera setup with an insane $1,600 saving!

Add value to your visuals in real estate, engineering, architecture, or construction markets. The Pro2 allows you to create virtual 3D models and schematics of physical spaces, as well as edit and share them using the Matterport app and cloud service. Create virtual walkthroughs for your real estate clients looking for a new home or office, or present VR presentations for architecture clients to get ideas for future designs.

• See Best cameras for real estate photography

The MC250 Pro2 can shoot a 360° scan of a physical space in about 20 seconds, and sends it to your iPhone or Android phone, and the Matterport software scans the data and stitches the images into a 3D model and 360° panorama. The software allows you to create walkthroughs, tours, schematic maps, and professional-quality 2D still capture output. 

This incredible value bundle includes the Matterport Pro2, Manfrotto 190 Xtra tripod, two Lume Cube LED lights, two Revo Gopro to 1/14in adaptors and GoPro adhesive set, and a hard case.

So, if you’re in the market for a 3D camera, why not splurge on the the gold standard of real estate and construction work, while saving yourself a cool $662 and get this Matterport Pro2 134MP camera bundle while you can. 

Read more:

What is photogrammetry
Best 360 videos ever filmed
Best 360 cameras
3D rendering is so good is product photography dead?

Coming soon to Springfield Art Museum: Arts Council’s 2023 $100 & Under Holiday Art Market

Coming soon to Springfield Art Museum: Arts Council’s 2023 $100 & Under Holiday Art Market
image

Leslie Forrester, Executive Director of the Springfield Regional Arts Council, visited KSMU’s “Arts News” to promote the Arts Council’s 2023 “$100 and Under Holiday Art Market,” taking place during the First Friday Art Walk on December 1 at the Springfield Art Museum (1111 E. Brookside Drive) from 5 to 8 p.m.

This event showcases the talent of 30 local artists, featuring an eclectic mix of media, styles and forms. Attendees can expect to find a variety of affordable art pieces, perfect for holiday gift-giving or adding a touch of creativity to their own spaces. Media include ceramic art and pottery, photography, paintings and prints, woodturning, jewelry, leather goods, handmade lifestyle bags (e.g., fanny packs, crossbody, bike bags), cards, books, sculptural and ornamental pieces.

It’s not just a market; it’s a celebration of local creativity and craftsmanship. Admission is free and open to the public. For information visit springfieldarts.org or follow the Arts Council at @springfieldarts.

A state away: a photographer’s view of the nature and wildlife of Colorado

A state away: a photographer’s view of the nature and wildlife of Colorado

Colorado is a beautiful place to view the Rocky Mountains and wildlife. Being able to capture the little details in Colorado is gorgeous, from the beautiful birds that stand on the rocks to the ladybugs that crawl on the plants. Going on a walk at different parks around Colorado is an adventure each time.

Clement Park has different trails, fields and open play areas. Walking around might include seeing little insects crawling around on flowers and groundhogs peeking outside their homes, seeing who’s stopping by.

Capturing different insects along a walk at Westlands Park was challenging due to the insects blending in with their surroundings and crawling away.

Colorado is a beautiful place for capturing wildlife. Though it took multiple hours to capture these little creatures, it made the overall image better than I could ever imagine.

Mackenzie Schwartz is a staff photographer at the Daily Lobo. She can be reached at photoeditor@dailylobo.com or on Twitter @dailylobo.

Environmental photographer of the year 2023

Environmental photographer of the year 2023
image

A helicopter from the San Xoán forest fire reinforcement brigade drops water in the town of Moreiras in Ourense province, July 2022. Forest fires destroy natural heritage and endanger people in Galicia every year, especially the province of Ourense. In 2022 more than 51,000 hectares (126,024 acres) were burned in Galicia, representing 19% of the total hectares burned in Spain, according to government data

Kehler Liddell Gallery presents CLAY and HEDGE

Kehler Liddell Gallery presents CLAY and HEDGE

Courtesy of Amanda Duchen and Marjorie Wolfe

Kehler Liddell Gallery honored the end of its most recent exhibition with a public closing reception on Nov. 12. 

KLG is an art collective located in the Westville neighborhood at 873 Whalley Ave. The gallery represents 22 of New Haven’s notable and emerging artists. The latest exhibitions that closed earlier this month were “HEDGE,” by photographer Marjorie Wolfe, and “CLAY,” by ceramic artist Amanda Duchen.

“This gallery has been great for women,” Wolfe told the News. “We’ve had all kinds of wonderful people represented here who no longer show their work here but have done amazing things — Emilia Dubicki, Susan Clinard. I mean, these are big names in New Haven art.” 

Wolfe grew up in Beaver Hills, the neighborhood just beside Westville, where KLG is located.

Wolfe’s idea for HEDGE began two years ago when she was visiting Martha’s Vineyard. There, she photographed a hedge on the island. She later returned to it in the following months to find that, after the season change and a huge snowstorm, the hedge looked drastically different.

In this way, Wolfe’s work is reminiscent of Monet’s “Rouen Cathedral” series. The intentions of both artists are the same: to photograph a static object as the world around it changes.

For Wolfe, this exhibition is also nostalgic and personal. 

“I first had an experience with hedges when I was about four years old. I lived on a street exactly one mile from [KLG] and to get to my best friend’s house I would [go through]  a hedge with an opening in it just big enough for a little girl to crawl through,” Wolfe said. “So [with this exhibition] I was kind of coming back to something that was in my mind all along. It struck me this morning [that] this little girl, my best friend who I would crawl through the hedge to visit, it would be her birthday. She’d be 75 today.”

As a child, art was always a part of Wolfe’s life. At an early age, her parents encouraged her to take art lessons outside of school.

It was this love for art that led Wolfe to the Rhode Island School of Design, where she received her bachelor’s in painting and took her first photography class.

“Junior year I had one class in photography as an elective,” Wolfe told the News. “It was that slap upside the head moment, aha, too late.” 

While it was have been too late for her to switch majors, that did not stop Wolfe from pursuing photography. She said that many of the art techniques that she learned from painting were directly transferable to this new medium. 

Studying painting allowed Wolfe to learn composition, which could then be applied to her photography, to determine “what belongs in the frame,” as she put it.

Wolfe has gone to great lengths to capture the perfect composition. Once, when photographing a sports car in front of a gigantic hedge in California, she laid down on the road to get the shot.

She recounted another time when she ran — camera bag and all — to chase a composition for her photograph “Ocean Park Hedge.

“[And so I’m] running up the hill thinking ‘get this picture before that cloud goes away’ because the cloud makes it. So that was a lucky photograph,” Wolfe recalled.

The photo, “Ocean Park Hedge,” demonstrates repetition of shape. In the foreground, there is a group of round hedges off to the left. In the background, the clouds in the sky mirror the shape of the hedges.

Repetition is pervasive in Wolfe’s photographs. In “Wainscoting” the sharp edges and repeating vertical lines of a staircase create a compelling composition. Similarly, in “The Road to San Galgano” the perspective provides the viewer with a diverging path lined with trees, which creates a linear structure and a repeating pattern of the trees on either side.

Wolfe taught photography to high school students for 37 years. She said that finding perspective was something she always instilled in her students. 

“I would teach my kids if you find something that you think is going to make a good image, before you release the shutter, just step to the right or left or just kneel down a little bit and see how it changes through the viewfinder,” Wolfe said. “Stand on your toes. Just make sure you have the best composition.” 

The second exhibition on display was the work of Amanda Duchen. Duchen is a trained architect from South Africa. In addition to architecture, she also creates works of art using clay.

A common technique that Duchen utilizes is raku. Raku is a Japanese firing technique for pottery where it is first fired at a lower temperature and then moved while hot. Transferring the pottery from the kiln while it is still hot causes a shock to the clay. As a result, the glaze crackles. The next step is putting the pottery in a container filled with combustible material which causes a reaction within the pottery that creates unique colors and patterns.

“What’s so lovely about raku [is that] it’s so unpredictable,” Duchen said.

Though Wolfe and Duchen are working with different materials and subject matter, there is some overlap with the nature motifs present in their works.

Duchen’s exhibition consists of several of her wheel-thrown ceramic bowls and other vessels, many of which use the raku technique or a variation of the technique, called naked raku. This variation creates a different effect due to the second porcelain slip that is added to serve as a barrier glaze. The slip eventually peels away to reveal a smoke-like design as the combustible material is able to permeate through.

Another technique Duchen uses in her work is inscription. Carving into the clay while it is still malleable allows Duchen to write quotes and phrases on the inside of the bowls.

In one instance, she inscribed the words of Rudyard Kipling, “I am by calling a dealer in words and words are, of course, the most powerful drug used by mankind.”

Beside the bowls were a set of seed-shaped vases. Within them were South African protea flowers.

When asked about the influence of South African culture on her work, Duchen said, “There’s definitely a strong connection with Africa. The gourds, or seed-like vessels, are very African.” 

She also mentioned that the smoke-firing technique is a common practice among South African potters.

Another feature of Duchen’s exhibition, aside from the ceramic bowls, was a series of hand-molded figures. The figures were animalistic, resembling goats and canines. 

The animal figures incorporated used objects and little trinkets that Duchen had collected, such as miniature light bulbs and sugar tongs.

The News spoke with another KLG artist Eddie Hall, who was helping manage the closing reception for Wolfe and Duchen’s exhibits, about his time at the gallery. 

“It’s been a great experience,” Hall said, “It’s a lot of artists working together. We share the responsibilities. It’s a great combination of artists and brings a lot of diversity of art.” 

KLG exhibited their annual Deck the Walls event starting Nov. 16 and will remain up until Dec. 24.


CHLOE EDWARDS




Chloe Edwards is a Photography Editor, as well as a Beat Reporter covering Arts in New Haven at the University. Originally from North Carolina, she is currently a sophomore in Branford College majoring in English.