Anyone with the slightest interest in the American West or Native American culture is familiar with the work of Edward S. Curtis. His work adorns the walls and bookshelves of many a home in Sisters – and across the globe.

Yet few are familiar with the arduous 30-year quest Curtis embarked upon in the late 19th and early 20th centuries to document the people and cultures of North America’s native population. The result was a 22-volume portfolio and book titled “The North American Indian,” with over 2,200 photogravures (copper plate prints) and 2.5 million words of ethnographic texts on 80 Western tribes.

Curtis’ journey and the resulting treasure trove of work is the subject of the latest publication by Dr. Larry Len Peterson of Sisters. Peterson, an award-winning physician and scientist of dermatology, has won renown for his extraordinary coffeetable books on Western artists Charles M. Russell and Phillip R. Goodwin, and for his highly regarded “American Trinity: Jefferson, Custer, and the Spirit of the West.”

“Edward S. Curtis: Printing the Legends” is now available for preorder, and it marks another high point in Peterson’s documentation of the important figures in Western art.

“I’ve known about Curtis for probably 40 years,” Peterson told The Nugget.

Among the many artists whose work the scholar and collector has explored – including legends like Russell – Peterson considers Curtis “the most consequential.” The scope of his work is breathtaking – and exceptional.

In his introduction to “Printing the Legends,” Peterson notes that most photographers in Curtis’ era focused on the peoples of the American Southwest and the northern plains, ignoring other peoples entirely. Curtis went to extraordinary lengths to photograph a wide range of peoples.

“Curtis was the only artist who recorded a wide swath of the Indigenous people living in the American and Canadian West,” Peterson writes. “That alone is a monumental achievement.”

Peterson calls Curtis’ near-obsessive effort “the biggest photojournalistic undertaking of all time. If you look at his images, there’s nothing like it.”

The image that Peterson chose for the cover of the book holds particular meaning for him.

“I have a few Curtis original photographs and that’s the first one I bought,” he said. “I consider it his best.”

In recent years, as every aspect of America’s westward expansion is being reassessed, Curtis’ reputation has come under scrutiny. Curtis is regarded as having romanticized his subjects and failed to grapple with the conditions that Native Americans were actually living under at the time he created his art. This, for some, calls into question the “truthfulness” of his images.

Ellie Gascoigne of the Photography Ethics Center writes that, “instead of depicting Native American tribes as they actually were in 1898, Curtis ultimately froze them in a past that no longer existed.”

Peterson addresses those criticisms, and puts them into context.

Curtis was enamored of the school of art and photography known as Pictorialism – which was, indeed, self-consciously romantic, and depicted beautiful people in beautiful settings, making a photograph appear like a painting. The sepia tone of Curtis’ photogravures is a key element of his manifestation of this style.

Peterson notes that criticism of Curtis for the way his subjects are “dressed up” misses a key point:

“Ninety percent of the people, he just asked them to come (to be photographed) in their Sunday

finest,” he said. “Even in my childhood, if you went to get a photo taken, you wore nice clothes. It was a more formal time back then.”

Curtis’ photographs are, without question, artful – which is why they remain so impactful to this day.

“Curtis proved that the biggest component of a camera is the guy taking the picture,” Peterson said.

While romanticism is certainly a component of his work, Peterson believes Curtis captured something ineffable that contributes to the durability of his vision.

“He was able to identify a dignity in the Native American that others weren’t even looking for,” he said.

Peterson believes that the viewer can see the Indians’ pride in their ancestry come through the photographs – and there is a spark of hope in what was a dark time for them.

Creating a book that does justice to Curtis’ photography is a challenge in and of itself. Peterson has learned a great deal over a couple of decades of compiling and producing art books.

“My ability to put these books together has improved exponentially,” he told The Nugget.

The critical element is attention to detail.

“First off, it’s wanting to present somebody’s art in the best way I can so that people can feel the emotional connection to the art,” Peterson said. “Color reproduction and image size are critical in art books.”

Sisters photographer Dennis Schmidling photographed original photogravures for reproduction. There were multiple rounds of communication between the printer and a graphic designer to get the color correction nailed down so that everything would reproduce correctly.

The book is printed on wood-free paper made of silk and coated in marble from Garda, Italy. This very high-end paper facilitates the best possible reproduction. The end product is a magnificent six-pound tome of heirloom quality.

In his introduction, Peterson extolls the power of Curtis’ art:

“His pictures inspire awe not just because they are outstanding, but because they transport us to a moment of truth when we also see that they consist, in Darwin’s words, of ‘form most beautiful.’ But to be great, they also have to strike us with the truth that we are all connected in our common humanity.”

“Edward S. Curtis: Printing the Legends” is available for preorder in hardcover at online sellers from Farcountry Press at 800-821-3874, http://www.farcountrypress.com, and can be preordered through local bookstores.

Peterson expects delivery in January.

Okay, I’m a photographer and I’ll be the first to admit – buying a Christmas gift for a photographer is hard work! It’s a famously complicated hobby, for starters, and a famously expensive one, too.

So not only do you have to wrap your head around all kinds of technical jargon but, once you do, you’re probably going to be greeted with a price tag that makes your eyes water.

This is the difficult bit. Unless you’ve got a few hundred bucks lying around for a lens, or a few thousand lying around for a camera, buying somebody the obvious bits of kit is too big an ask. Which means that you’re left looking at things like camera lens cleaners – and while they’re undoubtedly useful, they’re not going to be the first thing a photographer puts on their Christmas list.

I play this game every year with my family (well, twice if you count my birthday) so I’ve danced this dance before! Here, then, is a list of gift suggestions that I – as a photographer myself – would be absolutely over the moon to receive, from as little as £1 all the way up to £259!

Custom hot shoe cover

From £5.67

When it comes to camera gear, I have a little bit of OCD in me. I can’t abide lens caps being put on with the logo upside-down, and I absolutely hate it when cameras don’t have hot shoe covers! A lot of cameras these days don’t even come with them any more, which is doubly infuriating. 

However, this is a gift that’s really cool even if the photographer in your life doesn’t have a dash of obsessive-compulsiveness. A custom hot shoe cover is a funky and affordable way to add a bit of much-needed personality to a camera. 

There are dozens of different kinds, from cute plastic animals to pricey laser-etched brass sculptures. But some of my favorite designs are from Etsy seller JoanMadeGifts, which makes a range of unique, interesting and affordable hot show covers (as well as soft shutter release buttons). 

If you’re looking for a gift that won’t break the bank and is sure to bring a smile to someone’s face whenever they use their camera, take a look at . 

Lensbaby Spark 2.0

From £199
www.lensbaby.com

It may not be “Secret Santa cheap”, but it’s very cheap for a camera lens – so if you have a couple of hundred quid in your budget, you can give somebody a really unique and creative camera lens that they’re guaranteed to go out and use!

Lensbaby lenses are an acquired taste, and a lot of photographers simply don’t give them the time of day because they have a reputation of being gimmicky. However, the Lensbaby Spark 2.0 is one of my very favorite lenses – and everybody I know who has used mine has had an absolute blast with it! 

There’s a phrase in the videogames industry when a game is so compulsive, so engrossing, so moreish, that players simply can’t put the controller down: these games are called “sticky”. And this is the stickiest lens I’ve ever used! Like all manual focus lenses it’s a thoroughly engaging, enjoyable and inspiring experience to shoot with it, free from all the automation and assists of modern optics. 

On top of that, it’s a special effect lens that requires you to squeeze and pivot and play with the spring-loaded lens in order to focus and position the effect in your frame. Take a look at my review for my full thoughts, and some sample images of the results it delivers. But trust me – it’s a lens that any photographer will have a hard time not fiddling with! 

Pocketalk Voice Translator

From £259
www.pocketalk.com

This is a fantastic gift for anyone who travels, but for traveling photographers in particular it’s an absolute godsend. The Pocketalk Voice Translator has become an invaluable part of my kit bag, and I recommend it to anyone who travels with a camera. 

For example, like a lot of photographers, I shoot street portraiture of folks who have a great outfit, an incredible expression, or who are doing something interesting. Street photographers just snap the scene without asking permission, but those of us who take street portraits like to interact with our subjects, chat to them a bit – maybe ask them to pose a little, or move to a more photogenic part of the location. And this is hard if you don’t speak the language! 

Using the Pocketalk, you can break through the language barrier and build some rapport – indeed, the device itself is a great talking point! It’s an incredible translation tool; you select the appropriate language, speak into it, and a few moments later it translates your words into the local tongue via the built-in speakers (or the included headphones). And yes, it really works! Sometimes it gives a more literal translation than English speakers might be expecting, but you will certainly be understood – and in almost real-time. 

Whether you want to ask subjects to pose, chat to other photographers you meet,  ask directions to the camera shop if you need a repair, heck – maybe you just love striking up conversations with strangers in foreign countries – I’m impressed with how smoothly the Pocketalk Voice Translator works. It supports 82 languages, has a screen to show a written translation, and packs a camera to provide text translation for words, signs and clear handwriting. 

Pivo Max

From £259
www.pivo.ai

Ever wanted your own, personal camera operator to film you while you’re shooting video? That’s exactly what the Pivo Max is! I’ve always been intrigued by these automated panning devices, but I’ve always been a little skeptical about them. However, when my colleague Rod awarded it 4½ stars in his review, I needed to check it out myself.

I’m really, really glad that I did! As someone who films a lot of content both for YouTube and sites like Digital Camera World, I’ve always wanted to add a little dynamism to my videos. With the Pivo Max, even when I’m shooting solo with my camera locked down on sticks, I’m no longer limited to static shots – this little thing will track and follow me as I move around the scene. 

Simply plonk this little pod on a flat surface or, even better, mount it to a tripod (the official Pivo Tripod works a treat if you don’t already have one) and insert your phone into the clamp. Set things up with the easy-to-use app and, hey presto! As well as recording on your phone, you can attach a dedicated camera and lens (up to 2kg) and mount the phone on the hot shoe for tracking purposes. 

This little motorized marvel will keep you in frame through a full 360°, which is fantastic if you’re shooting content on location at an epic landmark or beautiful landscape, or indoors at a cool venue, and want to show viewers the whole scene around you. My partner is a yoga teacher, and this would be perfect for someone like her who teaches physical classes where you might need to get up and move around to demonstrate. A magic little device for the content creator in your life.

Gift cards (yes, really!)

From £1
(Various)

Real talk: they may feel like the least thoughtful presents, but gift cards and vouchers are the most useful presents you can get a photographer! As noted, it’s a notoriously expensive pastime and we’re always in need of something. 

Whether it’s something small like a memory card or a lens cap, or something big like a camera bag or a lens, we always appreciate having a voucher to put towards the next thing we invariably need! 

So then, what gift card should you give? Well, Amazon vouchers are the most universally useful since you can get pretty much anything from there – so you really can’t go wrong with one of these. However, giving a gift card from a dedicated photography retailer lets your loved one know that you’ve put a little more thought into giving them something for their special interest.

Amazon eGift Card (from £1)
Amazon Gift Card in mini envelope (from £10)
Amazon Gift Card in gift box (from £25)

Clifton Cameras Gift Voucher (from £5)
Park Cameras Gift Voucher (from £5)
Wex Gift Voucher (from £10)

Need more inspiration? Take a look at the best cameras for beginners, the best instant cameras, the best cameras for kids and the best books on photography.

Okay, I’m a photographer and I’ll be the first to admit – buying a Christmas gift for a photographer is hard work! It’s a famously complicated hobby, for starters, and a famously expensive one, too.

So not only do you have to wrap your head around all kinds of technical jargon but, once you do, you’re probably going to be greeted with a price tag that makes your eyes water.

This is the difficult bit. Unless you’ve got a few hundred bucks lying around for a lens, or a few thousand lying around for a camera, buying somebody the obvious bits of kit is too big an ask. Which means that you’re left looking at things like camera lens cleaners – and while they’re undoubtedly useful, they’re not going to be the first thing a photographer puts on their Christmas list.

I play this game every year with my family (well, twice if you count my birthday) so I’ve danced this dance before! Here, then, is a list of gift suggestions that I – as a photographer myself – would be absolutely over the moon to receive, from as little as $1 all the way up to $269!

Custom hot shoe cover

From $7.10

When it comes to camera gear, I have a little bit of OCD in me. I can’t abide lens caps being put on with the logo upside-down, and I absolutely hate it when cameras don’t have hot shoe covers! A lot of cameras these days don’t even come with them any more, which is doubly infuriating. 

However, this is a gift that’s really cool even if the photographer in your life doesn’t have a dash of obsessive-compulsiveness. A custom hot shoe cover is a funky and affordable way to add a bit of much-needed personality to a camera. 

There are dozens of different kinds, from cute plastic animals to pricey laser-etched brass sculptures. But some of my favorite designs are from Etsy seller JoanMadeGifts, which makes a range of unique, interesting and affordable hot show covers (as well as soft shutter release buttons). 

If you’re looking for a gift that won’t break the bank and is sure to bring a smile to someone’s face whenever they use their camera, take a look at . 

Lensbaby Spark 2.0

From $129
www.lensbaby.com

It may not be “Secret Santa cheap”, but it’s very cheap for a camera lens – especially since it’s currently slashed to as little as $129 – so you can give somebody a really unique and creative camera lens that they’re guaranteed to go out and use!

Lensbaby lenses are an acquired taste, and a lot of photographers simply don’t give them the time of day because they have a reputation of being gimmicky. However, the Lensbaby Spark 2.0 is one of my very favorite lenses – and everybody I know who has used mine has had an absolute blast with it! 

There’s a phrase in the videogames industry when a game is so compulsive, so engrossing, so moreish, that players simply can’t put the controller down: these games are called “sticky”. And this is the stickiest lens I’ve ever used! Like all manual focus lenses it’s a thoroughly engaging, enjoyable and inspiring experience to shoot with it, free from all the automation and assists of modern optics. 

On top of that, it’s a special effect lens that requires you to squeeze and pivot and play with the spring-loaded lens in order to focus and position the effect in your frame. Take a look at my review for my full thoughts, and some sample images of the results it delivers. But trust me – it’s a lens that any photographer will have a hard time not fiddling with! 

Pocketalk Voice Translator

From $249
www.pocketalk.com

This is a fantastic gift for anyone who travels, but for traveling photographers in particular it’s an absolute godsend. The Pocketalk Voice Translator has become an invaluable part of my kit bag, and I recommend it to anyone who travels with a camera. 

For example, like a lot of photographers, I shoot street portraiture of folks who have a great outfit, an incredible expression, or who are doing something interesting. Street photographers just snap the scene without asking permission, but those of us who take street portraits like to interact with our subjects, chat to them a bit – maybe ask them to pose a little, or move to a more photogenic part of the location. And this is hard if you don’t speak the language! 

Using the Pocketalk, you can break through the language barrier and build some rapport – indeed, the device itself is a great talking point! It’s an incredible translation tool; you select the appropriate language, speak into it, and a few moments later it translates your words into the local tongue via the built-in speakers (or the included headphones). And yes, it really works! Sometimes it gives a more literal translation than English speakers might be expecting, but you will certainly be understood – and in almost real-time. 

Whether you want to ask subjects to pose, chat to other photographers you meet,  ask directions to the camera shop if you need a repair, heck – maybe you just love striking up conversations with strangers in foreign countries – I’m impressed with how smoothly the Pocketalk Voice Translator works. It supports 82 languages, has a screen to show a written translation, and packs a camera to provide text translation for words, signs and clear handwriting. 

Pivo Max

From $269
www.pivo.ai

Ever wanted your own, personal camera operator to film you while you’re shooting video? That’s exactly what the Pivo Max is! I’ve always been intrigued by these automated panning devices, but I’ve always been a little skeptical about them. However, when my colleague Rod awarded it 4½ stars in his review, I needed to check it out myself.

I’m really, really glad that I did! As someone who films a lot of content both for YouTube and sites like Digital Camera World, I’ve always wanted to add a little dynamism to my videos. With the Pivo Max, even when I’m shooting solo with my camera locked down on sticks, I’m no longer limited to static shots – this little thing will track and follow me as I move around the scene. 

Simply plonk this little pod on a flat surface or, even better, mount it to a tripod (the official Pivo Tripod works a treat if you don’t already have one) and insert your phone into the clamp. Set things up with the easy-to-use app and, hey presto! As well as recording on your phone, you can attach a dedicated camera and lens (up to 2kg) and mount the phone on the hot shoe for tracking purposes. 

This little motorized marvel will keep you in frame through a full 360°, which is fantastic if you’re shooting content on location at an epic landmark or beautiful landscape, or indoors at a cool venue, and want to show viewers the whole scene around you. My partner is a yoga teacher, and this would be perfect for someone like her who teaches physical classes where you might need to get up and move around to demonstrate. A magic little device for the content creator in your life.

Gift cards (yes, really!)

From $1
(Various)

Real talk: they may feel like the least thoughtful presents, but gift cards and vouchers are the most useful presents you can get a photographer! As noted, it’s a notoriously expensive pastime and we’re always in need of something. 

Whether it’s something small like a memory card or a lens cap, or something big like a camera bag or a lens, we always appreciate having a voucher to put towards the next thing we invariably need! 

So then, what gift card should you give? Well, Amazon vouchers are the most universally useful since you can get pretty much anything from there – so you really can’t go wrong with one of these. However, giving a gift card from a dedicated photography retailer lets your loved one know that you’ve put a little more thought into giving them something for their special interest.

Amazon eGift Card (from $1)
Amazon Gift Card in mini envelope (from $10)
Amazon Gift Card in gift box (from $50)

Adorama Gift Card (from $25)
B&H Gift Card (from $25)
KEH Gift Card (from $25)

Need more inspiration? Take a look at the best cameras for beginners, the best instant cameras, the best cameras for kids and the best books on photography.