Meticulously Animated in Stop-Motion, ‘Up in Smoke’ Warns of Impending Climate Catastrophe from Burning Fossil Fuels

Meticulously Animated in Stop-Motion, ‘Up in Smoke’ Warns of Impending Climate Catastrophe from Burning Fossil Fuels



A lone figure navigates swiftly vanishing terrain in a moving new stop-motion video from NOMINT (previously). Produced for WWF and presented this week as part of COP28, “Up in Smoke” follows a young woman as she floats on a melting ice floe, watches her home disintegrate, and witnesses wild animals unable to escape the toxic fumes.

A year in the making, the film included a full month dedicated to shooting entirely in-camera. “We employed a unique production process, integrating stop-motion animation with real smoke and using a full-color, 3D-printing technique to create over 700 unique sculptures for different poses of the girl,” the studio says.

“Up in Smoke” is set to a moving rendition of “When the Party’s Over” by The Social Singing Choir from Margate, originally performed by Billie Eilish and written by Finneas O’Connell. The song exposes the dynamic of an unhealthy relationship, emphasizing how unclear or deceptive messages lead to an emotional tug-of-war about the future.

As the scenes unfold, the central character bounds away from a plume of smoke, which destroys everything in its path. We’re reminded that burning fossil fuels is the primary driver of the climate crisis, and world leaders are encouraged to end reliance on coal, oil, and gas in favor of renewable energy.

Explore more work by NOMINT on the studio’s website, and learn more about the COP28 World Climate Action Summit.

 

All images © NOMINT, shared with permission

A gif from a stop-animation film depicting a young woman watching a silhouetted house fly off the ground in a plume of smoke and break apart.

A film still from a stop-animation film depicting a young woman running through a dark space, chased by a plume of smoke.

A gif from a stop-animation film depicting a young woman standing in a dark space, standing on a quickly-melting ice floe.

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Class of 2023: Meghna Vemuri fashions a promising career path in a fie

Class of 2023: Meghna Vemuri fashions a promising career path in a fie

Meghna Vemuri was a high school sophomore when she realized she wanted to pursue a career in the fashion industry. But would her parents approve?

“I took marketing and entrepreneurship classes and always centered the topics of my projects around the fashion industry,” said the Fairfax native. “So, I started to do a lot of research on careers in fashion and decided it was what I wanted to pursue.”

By senior year, she was taking a fashion careers course — learning basic skills in fashion illustration, sewing and marketing — when professors from Virginia Commonwealth University visited to talk about its Fashion Design + Merchandising program.

It was exactly what Vemuri was looking for and, as an added plus, VCU was in-state. It seemed perfect. For Vemuri. But her family was another matter.

“I really had to convince [them],” she said. “I come from a family with very traditional career paths, and they were concerned about me pursuing fashion because they were scared that I wouldn’t have many career opportunities.”

Luckily she was able to convince them to let her attend VCU, where she has thrived majoring in fashion merchandising with a minor in general business.

Among her many accomplishments was co-leading the model committee for the 2023 VCUarts Fashion Event: Access – Runway Show at the Virginia Museum of Fine Arts in May, which she called an “amazing opportunity.” She also helped plan and facilitate events leading up to the Model Call, Jury, and Fittings show, as well as run back-of-house on the day of the show.

“The best part of this experience was working with my amazing team and working with all the designers and design professors,” Vemuri said. “It’s not often that merchandising gets to work so directly with the designers and their work, and I had so much fun being a part of this experience to showcase their achievements. I met so many amazing people and learned how to lead effectively and execute a professional fashion runway.” 

This past summer, Vemuri studied abroad in Florence, Italy, at the Santa Reparata International School of Art. “It was an incredible experience where I expanded my global viewpoints and gained so much creative inspiration from Italian art, fashion and culture,” she said. 

Vemuri had just as many impressive experiences stateside, she said, while working with her professors at VCU.

“All the professors in the fashion department are such amazing and dedicated people, so I feel lucky to have been able to be taught by this amazing array of faculty,” she said, noting that Tammy Davis and Deidra Arrington were particularly influential for her.

Davis teaches advanced event planning and her positive attitude affected Vemuri greatly.

“I had some difficulty assuming a leadership position in this course, and [Davis] always encouraged me and set an example for how to lead through kindness and respect,” Vemuri said. “Her humor and wittiness shone through the stories she told us about her many experiences, through which I learned lessons on how to stand up for myself and navigate the professional world.”

Arrington is not only the department chair, but also an associate professor who organized the Fashion Scholarship Fund case study program.

“I think I speak for everyone in the department when I say Professor Arrington is the warmest, most compassionate person ever,” Vemuri said. “Having her as a professor and mentor in the FSF program, I learned how to expand my perspective and think critically about my ideas in order to create an impact through my work. I look up to her so much and her unwavering support and words of advice will always stick with me.”

After graduating this semester, Vemuri will continue working as a freelance trend forecasting researcher for Fashion Snoops and make her way to New York, a dream she’s had for as long as she can remember. She visited the city in September for New York Fashion Week and volunteered for Sami Miro and Dur Doux.

“I loved every minute of it,” she said. “I’m drawn to the vibrancy of the city and the amalgamation of art, people and culture, and want to be a part of it.”

The VCU School of the Arts helped Vemuri grow in ways she never could have imagined, she said. And her family has embraced her career path. “Although they were nervous about me pursuing fashion, they are my biggest supporters, and I am so grateful that I was able to attend VCU to pursue what I love. … I have learned so much during my time here and am excited to open a new chapter in my life!”

How Samsung Has Led Innovations in Digital Signage for 14 Years

How Samsung Has Led Innovations in Digital Signage for 14 Years

The role of digital signage has evolved exponentially over the last decade. While previously only seen in boardrooms and airport directories, use cases now expand far beyond, from quick serve restaurant drive-throughs to digital out-of-home (DOOH) locations like stadiums and malls. Due in part to its flexibility and versatility, traditional technology like whiteboards in the classroom and projectors in meeting rooms are being swapped out for digital signage that’s driving immersive experiences and creating opportunity for users and consumers everywhere.

Samsung Smart Signages have advanced immersion across various fields in 2023

As customers enter businesses and venues, they are immediately greeted by striking images of digital signage. These signage solutions are becoming a common sight across diverse industries, from the buzzing atmosphere of hotels and sports stadiums to the inspiring spaces of educational institutions and art galleries. They enrich customer experiences in every setting.

Digital signage is no longer perceived as a mere advertising display – it’s so much more. It has become one of the most sought-after media platforms for personalized information, content, education, sports, art, and more. These digital signage applications not only change the look and feel of the environment, but captivate and leave a lasting impression on its viewers.


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As the role of signage in everyday life continues to evolve, so evolves the depth of the market itself, too. According to Fortune Business Insight, the digital signage market is expected to grow to more than $35 billion by 2026.1 Along with the industry’s substantial growth, Samsung Electronics has maintained its number one position in the market for 14 consecutive years,2 and continues to expand the boundaries of digital signage with its unrivalled technology.

Let’s take a look at how Samsung has continued to lead the global industry for 14 consecutive years during the heyday of digital signage.

More than a Background: Becoming Part of the Experience in Historic Monuments, Sports Arenas, and Ultra-Luxury Resorts

In today’s world, organizations across sectors aren’t just adopting new technologies – they are embracing a total experience that provides an integrated approach that combines internal and external facets of their operations. According to Gartner, it’s expected that by 2024, organizations providing a total experience will outperform competitors by 25% in satisfaction metrics, impacting both customer and employee experiences.3 Similarly, Samsung supports projects from inception to completion in a number of ways including mechanical design and training, site surveys, product delivery, and installation, ensuring customers are equipped with the tools to be successful.

In times of such transformation, digital signage plays a pivotal role. A perfect example can be found in the heart of Vatican City. At the historic St. Peter’s Square in Vatican City, visitors gather from all corners of the world for a once in a lifetime ceremony from the Pope.

Visitors and worshippers can clearly view the proceedings through Samsung’s outdoor LED signage (XHB series, two measuring 7.935m x 4.83m and two measuring 5.865m x 3.105m) at St. Peter’s Square, Vatican City

Enhancing this once-in-a-lifetime experience, Samsung has integrated advanced signage solutions seamlessly by installing four high-precision LED displays. The result is a dramatically improved experience for all in attendance, regardless of their physical positioning. Paired with audio solutions that deliver crystal clear sound, the technology ensures the Pope’s message resonates profoundly with everyone at the event.

In addition to bringing events closer to attendees, Samsung’s innovative technology turns any space into an immersive experience, filled with vivid colors, crystal clear picture quality and dynamic content. Capturing guest attention and ensuring a great experience is vital for any high-end destination. Digital signage solutions are a great tool for enabling this attraction and retention. A prime example of this in action is at one of the world’s top resorts, Atlantis the Royal in Dubai, with Samsung’s premium technology installed across the property.

Samsung LED signage behind lobby fish tanks
An awe-inspiring sight greets resort guests, made possible by Samsung LED signage installed behind the lobby fish tanks.
woman holding remote control for Samsung The Wall in hotel suite
Samsung’s innovative modular Micro LED display, The Wall enhances the hotel’s most luxurious guest suite, the Royal Mansion, measuring 146 inches with 4K (3,840 x 2,160) resolution.

Every moment of a guest’s stay is filled with awe-inspiring imagery and impressive displays for a one-of-a-kind experience – whether on their journey to the spa or in the hotel’s lobby where guests are met with the largest indoor LED displays installed on three large water tanks, projecting breath-taking scenes including a rainbow of fish swimming in the sea.

These displays also create an overwhelming atmosphere when bold content is paired with advanced technology. In Minute Maid Park – home of the Houston Astros, part of the US baseball league – Samsung upgraded impressive 6,875-square-foot primary scoreboard, left-field scoreboard and ribbon boards. Similarly, in Switzerland’s Swiss Life Arena, Samsung deployed display solutions including the largest indoor LED cube in Europe. As the most modern ice hockey arena in Switzerland, Swiss Life provides a drastically improved fan experience and enhanced operational efficiency thanks to Samsung.

Samsung LED display at Minute Maid Park
Minute Maid Park displays the impressive 6,875 square-foot scoreboard, giving fans a crystal-clear view from every seat in the house. It’s part of the larger videoboard that spans an impressive eight stories, featuring 5.3 million stunning LEDs designed to digitally enhance the fan experience.
Samsung LED Cube display at a hockey game at Swiss Life Arena
The central LED Cube display at Swiss Life Arena — measuring 12(w)x12(d)x8(h) meters — is the principal element of the fan experience with 416m² of the LED signage. Any one of the 12,000 seats within the area have a stunning view of the display.
More than Hands-on: A Transformative Education Experience with Samsung Smart Signage

Digital signage is powerful and has the ability to draw in a viewer, captivate them, and bring them to another world – it provides a truly transformative experience. This impact is felt across industries and when we look at the education space in particular, signage has made immeasurable improvements.

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Samsung partnered with the University of Wales Trinity Saint David to launch an unparalleled learning environment. The Immersive Room, equipped with 18 meters of Samsung LED screens across three walls provides incredible picture quality, detail, contrast, and color reproduction. Most importantly, its 12K image resolution empowers the University to push the boundaries of learning as the LED screens create virtual and augmented reality experiences and present a futuristic learning environment utilizing digital signage.

The University of Wales’ immersive space was an “Education Project of the Year” Finalist at the AV Awards 2023, recognized for the innovation it brings to education.

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University of Wales Trinity Saint David transforms education with a state-of-the-art immersive room and impressive learning spaces. The three LED walls that make up the immersive space are equipped with 18 meters of Samsung LED signages.

Similarly, Syracuse University in the US deployed The Wall in its S.I Newhouse School of Public Communications, drawing in prospective students by highlighting students’ accomplishments and the school’s world-class learning environment. The Wall creates a ‘wow factor,’ leaving a lasting impression during campus tours.

student-spotlight-the-wall-syracuse-university
The Wall showcases inspiring stories of Syracuse student achievements and accomplishments, helping prospective students envision their successful future at the University.

Now, teachers can begin their lessons sooner, and spend more time creating immersive, connected learning experience for students. This impact isn’t going unnoticed, and in fact, Samsung announced the new Interactive Display (Model name: WAC) designed for simplicity and students at British Educational Training and Technology, the world’s largest education technology exhibition and International Society for Technology in Education this year.

When we think back on the impact Samsung has had on education, it’s apparent that it comes in all forms. Samsung’s interactive display, Flip Pro, provides an extended learning experience for teachers and students at the Hogg New Tech Center in Dallas, Texas.

With its comprehensive range of display solutions from The Wall and LED signage, to Interactive displays, Samsung was also recognized as the Best Overall IT Solution Provider for the Education Market by the 2023 EdTech Breakthrough Awards.

young girl drawing on Samsung Flip Pro
Hogg New Tech Center uses Samsung Flip Pro interactive display (Model name: WMB) to facilitate interactive learning and collaboration through multi-touch features and various connectivity options.
More than a Vision: Bringing Ideas to Life As a Digital Art Platform

Whether with a global audience or at a local school, Samsung’s immersive environments power learning, celebrations, content consumption and much more. But digital signage is an art too, and as Samsung continues to embrace its role as a media art platform, it’s enabling creatives to truly bring their vision to life.

The Wall for Virtual Production (Model name: IVC), which launched earlier this year, is an example of how companies, producers and creatives alike are creating and displaying their art with unparalleled quality. This addition to The Wall product line up enables creatives to use ultra-large LED walls to create virtual content, integrating them with real-time visual effects technology to reduce the time and cost of content production. The latest addition to The Wall series makes production faster and easier in TV, film and other industries, and was highlighted during industry events including InfoComm 2023 and IBC (International Broadcasting Convention) 2023.

man looking at an ocean displayed on Samsung The Wall for Virtual Production
The Wall for Virtual Production makes production faster and easier in TV, film, and other creative industries.

Samsung is bringing other art forms to life too. Recently, it displayed a masterpiece by contemporary Korean art leader, the late Park Seo-Bo, on The Wall All-in-One (IAB model) at New York’s Rockefeller Center. The first digital rendition of Park Seo-Bo’s iconic “Écriture” series (Video art title: [1 OF 0], directed by Jifan Park) is on The Wall’s immersive 146-inch 4K screen. The Wall All-in-One provides an awe-inspiring visual experience that replicates the intense colors and intricate textures of Park’s painting, allowing visitors to be fully immersed in the artwork. Dutch-American audiovisual artist, 0010×0010, also held an exhibition in Bangkok, Thailand that redefined the boundaries of modern art and explores the convergence of the digital and physical worlds – all by utilizing The Wall All-in-One.

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The first digital rendition of the late Park Seo-Bo’s iconic “Écriture” series (Video art title: [1 OF 0], directed by Jifan Park) is on The Wall’s immersive 146-inch 4K screen.

Samsung’s Smart Signage is revolutionizing various sectors by creating immersive, interactive environments in every corner of the world. Whether it’s an ultra-luxury resort in Dubai, an immersive and futuristic classroom at the University of Wales, or a video art exhibition by a renowned artist, Samsung’s Smart Signage is making profound impacts globally, and our lives more colorful and enriching. This journey, spanning over the last 14 years, has continuously redefined the very experience of digital communication, pushing the boundaries of what’s possible. We can’t wait to see what the future holds for Samsung’s Smart Signage, which has been ranked No. 1 in the industry for 14 consecutive years.

[1] Fortune Business Insights; The global digital signage market size stood at USD 19.78 billion in 2018 and is projected to reach USD 35.94 billion by 2026, exhibiting a CAGR of 7.8% during the forecast period (2019-2026)

[2] Samsung has maintained its No. 1 position as the leading LCD signage brand in market share for 14 consecutive years, as reported in the Omdia Q2 2023 Public Display Report. Samsung has also been the number one in combined sales for LCD and LED signage (The LED Video Display History Report provides sales data for LED signage from 2017 onwards; comprehensive data for LED signage sales is not available prior to 2017). Note. Consumer TVs, along with Commercial Lite and Hospitality TVs used for signage are excluded.

[3] Gartner; The Total Experience Strategy for Better Retail Digital Interactions

Mud, Water, and Heat Combine to Add Tactile Beauty to Terracotta Collection

Mud, Water, and Heat Combine to Add Tactile Beauty to Terracotta Collection

Australian New Volumes’ approach to furnishings and objects could be surmised to be one in response to the diminishing presence of the natural, textural, and the imperfect – designs defined by a materiality serving modern living innately attuned to the earthly elements. The brand’s terrestrial aesthetic and ethos is in full display with the brand’s follow-up collection dedicated to various applications of baked clay, aka terracotta, for seating, lighting, entertaining, and display.

The form of Echo Low (above), Cove chair (center), and Echo High (right) by Thomas Coward reference classical Greco-Roman architecture realized in clay rather than marble.

The Pitcher Table and two Pitcher Stool by Adam Goodrum set across a fabric tarp and with table topped with small terracotta planter.

The Pitcher Table and Pitcher Stool by Adam Goodrum are sculpturally simple forms with just enough sharp angularity to keep the design contemporary.

A sequel to the brand’s first collection represented by objects made from 250-million-year-old Elba stone, the Collection 02—Terracotta is a more humble material and one described by New Volumes’ Creative Director Thomas Coward as “stories made from the mud.” The combination of clay mud with water aided by heat and time impart terracotta with its distinctive color and texture, a material that’s possibly the world’s first manufactured medium. Put to varied use by a small group of designers invited to interpret the traditional clay, the eight-piece collection takes on forms both recognizable and experimental at once.

A simple, patterned trio of terracotta vessels, each measuring around 600mm in length, based on a bark coolamon and water carrier.

Earth Wirri by Lucy Simpson was inspired by the form bark coolamons, water carriers, and other Australian Aboriginal designs.

A simple, elongated wall light, offered in two lengths – 400mm and 900mm with a linear shield-like form characterized by a central sharp line or ‘pinch’ that allows light to fall differently on each side of the terracotta.

The linear Pinch wall lamp designed by Kate Stokes is both lighting and wall sculpture characterized by a central sharp line or ‘pinch’ that allows light to fall differently on each side of the terracotta form.

A simple, elongated wall light, offered in two lengths – 400mm and 900mm with a linear shield-like form characterized by a central sharp line or ‘pinch’ that allows light to fall differently on each side of the terracotta.

Pinch wall lamp by Kate Stokes

A curvaceous terracotta form inspired by the at-times weird and wonderful shape of flowers.

The curvaceous Sol by Hattie Molloy was shaped to stoke curiosity and provide adaptable display opportunities for flowers or incense with its quartet of bulbous protrusions.

A free-flowing umbrella holder, inspiredby the ribbed oil and water jars of Greece. The three-part, compartment-like form is tapered for stability and form-ribbed for strength. Included in the range is a smaller vase version, along with a fruit platter with a ribbed base, designed to allow fruit to breathe.

Designer Chris Connell borrows the Greek word ‘Skafos’ meaning “vessel” to communicate the purpose of this contemporary umbrella holder and smaller vase.

A modular design consisting of five individual pieces that can be combined to create a tabletop sprout planter or used alone or in different combinations as a cake stand, serving plates, a dinner set or colander.

Megan Morton’s Harvest is a creation of multitudes: multipurpose, multiple of pieces, and a multitude of configurations.

Applied across various forms – seats, side tables, stools, vases, and even a sculptural modular colander set – the New Volumes Collection 02—Terracotta would not look out of place within the Arcological settings of Paolo Soleri’s Arcosanti (or perhaps as set pieces in the next season of Andor), tinged sumptuously by Australian mineral mud and shaped wearing the telltale signs of its creators.

A terracotta arm chairs against a white floor.

“The designers who took part in this collection are as diverse as the products they have created. From established names to exciting new faces, all possess a fiercely individual approach and style, and have taken to the material with gusto,” notes New Volumes Creative Lead, Thomas Coward.

Two terracotta arm chairs set across a drape of drop cloth.

Thomas Cowards’ Cove chair highlights the strength of terracotta and its organic beauty.

A terracotta fruit platter with a ribbed base, designed to allow fruit to breathe.

The Skafos fruit platter by Chris Connell reaches out in three directions, with a ribbed base designed to elevate fruit allowing each piece to breathe.

The contemporary exploration of classical forms celebrating terracotta operates in stark contrast to the increasingly manufactured artifice of modernity. Whether admired separately or in sum, New Volumes’ Collection 02— Terracotta is a reminder why we are naturally drawn to play and shape mud as children, a medium that can be manipulated with abandon by hands young and old alike.

To view the entire collection and learn more about the Collection 02— Terracotta, venture over to newvolumes.com.

Gregory Han is a Senior Editor at Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Music Data from Streaming Platforms Tell Us About Top Indian Artists

Music Data from Streaming Platforms Tell Us About Top Indian Artists





Top streamed artists in India across platforms like Spotify, Apple Music, Wynk Music and Amazon Music include Arijit Singh, Sidhu Moose Wala, Jasleen Royal, Anirudh Ravichander (clockwise from top left)

Tis the season for all of India’s reigning artists on streaming platforms to come to the front, in one way or another. Even if it isn’t through concrete data about the number of streams, the likes of Spotify, Apple Music, Wynk Music and Amazon Music have had us Wrapped, Rewind, Replay and Recap, among other actions.

While Spotify Wrapped undoubtedly draws most of the eyes for not just for its aesthetic and presentation, like with most stats related to the vast Indian population, it can only claim to hold a mirror up to a certain share of the country’s music listening audience. While YouTube is among the most-used platforms for music, we don’t have much beyond the weekly stats of top streamed songs. That said, here’s a platform-wise look at the streaming trends highlighted by some of the major players in India and what it tell us.

Spotify Wrapped India

According to Spotify India stats, Arijit Singh, Pritam and Anirudh Ravichander are among the most streamed artists in India in 2023. While Singh may not have shared his Wrapped card, Pritam – behind big hits like “Kesariya” from Brahmastra and “Tere Pyaar Mein” from Tu Jhoothi Mein Makkaarshowed off his stats, with 4.5 billion streams. Anirudh – the singer-composer behind the hugely popular soundtracks to Jawan (“Chaleya”) and Leo (“Badass”) – shared that he had 2.8 billion streams in India in 2023.

The top 10 most streamed artists on Spotify India are entirely dominated by film soundtrack artists, except late Punjabi star Sidhu Moose Wala, whose tragic death in 2022 seems to have propelled more fandom and an everlasting legacy in the making. His 2021 full-length Moosetape snagged the third-most streamed album on Spotify as well.

Albums from previous years seem to stay in the top 10 for Spotify listeners, with the exception of Punjabi-Canadian artist Shubh’s Still Rollin’ which came out in 2023 and KING’s Champagne Talk from October 2022.

KING enjoys the top spot for the most streamed song of the year on Spotify India, with “Maan Meri Jaan” being quite ahead. Even more curious, though, is the second spot, secured by Karachi singer-songwriter Kaifi Khalil’s tune “Kahani Suno 2.0,” also from 2022. It goes to show that borders might divide us, but when it comes to music, Indians are more than happy to put a good song on repeat. This was in fact just as evident in 2022, when Ali Sethi and Shae Gill’s “Pasoori” was among the most streamed songs.

Only four out of the top 10 most streamed songs are from movie soundtracks, which continues to give a strong indication that a good song need not necessarily be attached to a film.

Apple Music Replay India

A fully paid service unlike Spotify, Wynk or YouTube, Apple Music’s India Top 100 songs brought up quite a few differences in listening habits. Arijit Singh still sat the top spot, though, with “Apna Bana Le” by composers Sachin-Jigar and lyricist Amitabh Bhattacharya from the movie Bhediya clinching the top spot on the playlist. KING’s “Maan Meri Jaan” came in second, followed by AP Dhillon’s “Dil Nu” with Shinda Kahlon and international songs like “Calm Down” by Rema and Selena Gomez. Dhillon’s song “Summer High” comes in at the fifth spot, followed by “Kesariya” from Brahmastra and “Baller” by Shubh and Ikky.

Punjabi music certainly dominates the Top 100, even by Apple Music’s own admission. Dhillon and Shubh are joined by Riar Saab and Abhijay Sharma’s “Obsessed” and Sharn, 40K and THE Paul’s “Mi Amor.” In the top 20, Shubh has three more songs and Dhillon has two more, with fellow Punjabi-Canadian artist Karan Aujla’s “On Top” also in the top 20.

Within the top 10, however, sandwiched between those Punjabi hitmakers is “Besharam Rang” by Vishal-Shekhar, Shilpa Rao and Caralisa Monteiro from the movie Pathaan. It makes Rao and Monteiro the only female Indian artists in the top 10 on Apple Music in India.

Wynk Rewind 2023

Arijit Singh, Pritam and Amitabh Bhattacharya emerge as the top three artists on Wynk Music as well, but it’s not because of “Kesariya.” For Singh and Bhattacharya, their work on “Phir Aur Kya Chahiye” (from the soundtrack to Zara Hatke Zara Bachke with Sachin-Jigar put them among Wynk Music’s top streamed artists. For Pritam, it was “Tum Kya Mile” and “What Jhumka” from Rocky Aur Rani Kii Prem Kahaani.

The platform’s top three streamed songs, however, painted a different story – Jasleen Royal’s “Heeriye” (featuring Arijit Singh, because he’s everywhere) was the most streamed song, followed by “Chaleya” by Anirudh Ravichander (and sung by, you guessed it, Singh and Shilpa Rao) and Vishal Mishra and Shreya Ghoshal’s “Zihaal e Miskin.”

There was also a language-wise breakdown of top artists offered by the platform, with Arijit Singh dominating Hindi (and Bengali) songs and Anirudh Ravichander leading Tamil. S.S. Thaman was the most streamed for his Telugu songs, while Taylor Swift was the most streamed artist with English songs and Karan Aujla for Punjabi. Other top artists include rapper MC Square in Haryanvi, composer Arjun Janya in Kannada, composer-singer Hesham Abdul Wahab in Malayalam and Zubeen Garg in Assamese, among others.

Amazon Music Best of the Year

Included with a Prime membership with the retail company, Amazon Music shared that Anirudh Ravichander’s “Chaleya” was the top track of 2023, with Shilpa Rao earning the spot of top artist this year.

The top streamed Hindi song on the platform was “Tere Vaaste” from Zara Hatka Zara Bachke, composed by Sachin-Jigar and sung by Varun Jain, Shadab Faridi and Altamash Faridi.

Miley Cyrus’ viral hit “Flowers” was the most streamed international song on Amazon Music, with fellow pop artists Taylor Swift and Dua Lipa noted as the top streamed international artists in the country.

In terms of streams, Kerala indie-folk act When Chai Met Toast and Haryanvi hip-hop artist MC Square were the top indie and hip-hop artists of the year, respectively.

Similar to language-based music trends on other platforms, Ravichander remained the top Tamil artist, Aujla, Diljit Dosanjh and AP Dhillon were among the most streamed Punjabi artists and S.S. Thaman was the top Telugu artist on Amazon Music in India.

The Art of Storytelling in Web3 Marketing

The Art of Storytelling in Web3 Marketing

In the digital renaissance of Web3, where decentralized applications (DApps), non-fungible tokens (NFTs), and DeFi platforms are redefining interactions, storytelling emerges as a pivotal tool for marketers. Crafting compelling narratives is not just about brand promotion; it’s about forging a connection in a space where technology meets people. For Web3 marketers, the ability to tell a story that resonates with both investors and users is a blend of art and strategy.

Web3, the next iteration of the internet, is built on the pillars of decentralization, blockchain technology, and token-based economics. Here, the story is not just about a product or service; it’s about a vision of the future. Effective storytelling in this space involves weaving narratives that encapsulate the ethos of decentralization, the empowerment of users, and the transformative potential of the technology.

Consider the rise of NFTs, for instance. Beyond their market value, the true allure of NFTs lies in the stories they tell — be it about artistic expression, community belonging, or digital ownership. Successful Web3 projects like CryptoPunks or Bored Ape Yacht Club aren’t just selling digital assets; they are selling a part of a broader narrative, a membership to an exclusive digital renaissance.

Crafting Stories That Resonate

The crux of storytelling in Web3 marketing is to create narratives that resonate on a personal level while highlighting the technological prowess. This involves a delicate balance. On one side, there’s the need to simplify complex blockchain concepts into stories that the average user can relate to. On the other, there’s the necessity to showcase the innovation and potential of the project to savvy investors and crypto enthusiasts.

For example, when a DeFi platform talks about yield farming or liquidity pools, the story shouldn’t just dwell on the technicalities. It should paint a picture of financial empowerment, of being part of a system that’s more inclusive and equitable than traditional finance.

Utilizing Community as Storytellers

In Web3, the community is not just an audience; it’s an active participant in the storytelling process. Leveraging platforms like X (formerly Twitter) or Discord, projects can encourage their community to share their experiences, create user-generated content, and become brand advocates. These personal stories add layers of authenticity and credibility, crucial in a space often marred by skepticism.

Take, for instance, how DAOs (Decentralized Autonomous Organizations) utilize community governance. The narrative here extends beyond just decentralized decision-making; it’s about community members shaping the future of the project, a tale of collective empowerment and direct involvement.

The Role of Transparency in Storytelling

In the blockchain world, where transparency is king, stories need to reflect this value. This means being open about the project’s roadmap, its successes and setbacks, and the team’s vision and values. A transparent narrative builds trust and demonstrates a commitment to the principles of Web3.

For example, when a project undergoes a smart contract audit, sharing this story isn’t just about showcasing security measures; it’s about illustrating a commitment to protecting user interests, a narrative that builds confidence and trust in the platform.

Conclusion

In the ever-evolving landscape of Web3, the art of storytelling is a powerful marketing tool. It’s about creating narratives that not only highlight technological innovation but also resonate with the community’s aspirations and values. By mastering this art, Web3 marketers can engage both investors and users, building a loyal community that’s invested not just financially, but emotionally in the project’s success. As Web3 continues to grow, those who can tell the most compelling stories will be the ones who define its future.

In the digital renaissance of Web3, where decentralized applications (DApps), non-fungible tokens (NFTs), and DeFi platforms are redefining interactions, storytelling emerges as a pivotal tool for marketers. Crafting compelling narratives is not just about brand promotion; it’s about forging a connection in a space where technology meets people. For Web3 marketers, the ability to tell a story that resonates with both investors and users is a blend of art and strategy.

Web3, the next iteration of the internet, is built on the pillars of decentralization, blockchain technology, and token-based economics. Here, the story is not just about a product or service; it’s about a vision of the future. Effective storytelling in this space involves weaving narratives that encapsulate the ethos of decentralization, the empowerment of users, and the transformative potential of the technology.

Consider the rise of NFTs, for instance. Beyond their market value, the true allure of NFTs lies in the stories they tell — be it about artistic expression, community belonging, or digital ownership. Successful Web3 projects like CryptoPunks or Bored Ape Yacht Club aren’t just selling digital assets; they are selling a part of a broader narrative, a membership to an exclusive digital renaissance.

Crafting Stories That Resonate

The crux of storytelling in Web3 marketing is to create narratives that resonate on a personal level while highlighting the technological prowess. This involves a delicate balance. On one side, there’s the need to simplify complex blockchain concepts into stories that the average user can relate to. On the other, there’s the necessity to showcase the innovation and potential of the project to savvy investors and crypto enthusiasts.

For example, when a DeFi platform talks about yield farming or liquidity pools, the story shouldn’t just dwell on the technicalities. It should paint a picture of financial empowerment, of being part of a system that’s more inclusive and equitable than traditional finance.

Utilizing Community as Storytellers

In Web3, the community is not just an audience; it’s an active participant in the storytelling process. Leveraging platforms like X (formerly Twitter) or Discord, projects can encourage their community to share their experiences, create user-generated content, and become brand advocates. These personal stories add layers of authenticity and credibility, crucial in a space often marred by skepticism.

Take, for instance, how DAOs (Decentralized Autonomous Organizations) utilize community governance. The narrative here extends beyond just decentralized decision-making; it’s about community members shaping the future of the project, a tale of collective empowerment and direct involvement.

The Role of Transparency in Storytelling

In the blockchain world, where transparency is king, stories need to reflect this value. This means being open about the project’s roadmap, its successes and setbacks, and the team’s vision and values. A transparent narrative builds trust and demonstrates a commitment to the principles of Web3.

For example, when a project undergoes a smart contract audit, sharing this story isn’t just about showcasing security measures; it’s about illustrating a commitment to protecting user interests, a narrative that builds confidence and trust in the platform.

Conclusion

In the ever-evolving landscape of Web3, the art of storytelling is a powerful marketing tool. It’s about creating narratives that not only highlight technological innovation but also resonate with the community’s aspirations and values. By mastering this art, Web3 marketers can engage both investors and users, building a loyal community that’s invested not just financially, but emotionally in the project’s success. As Web3 continues to grow, those who can tell the most compelling stories will be the ones who define its future.

Bill Gates and an adopted teddy bear: photos of the day

Bill Gates and an adopted teddy bear: photos of the day
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Representatives of Brazilian Indigenous groups march through the UN Cop28 climate conference venue on day six of the talks. The international summit, which ends on 12 December, brings together stakeholders, including international heads of state and other leaders, scientists, environmentalists, activists and others to discuss the implementation of global measures towards mitigating the effects of the climate crisis

Thumzup® Welcomes Joey Accardo Art to its Proprietary Cash Rewards Platform

Thumzup® Welcomes Joey Accardo Art to its Proprietary Cash Rewards Platform

Available in the App Store and Google Play, Thumzup Enables Virtually Everyone to Earn Cash Rewards for Posting on Social Media about the Brands They Love

Los Angeles, CA, Dec. 05, 2023 (GLOBE NEWSWIRE) — Thumzup Media Corporation (“Thumzup” or the “Company”) (OTCQB: TZUP) is excited to welcome Joey Accardo Art located in Venice, CA, to its AdTech platform, where users are financially rewarded for promoting our advertising partners on social media.

The Thumzup mobile app, which is available for download in the App Store and Google Play, incentivizes virtually everyone to become social media advocates for the brands they enjoy by paying them cash for approved posts.

“We’re thrilled to welcome Joey Accardo Art, led by Joseph Accardo, to the Thumzup platform,” stated Robert Steele, Founder and Chief Executive Officer of Thumzup. “Thumzup’s users are now able to earn cash while commissioning sports posters and prints from Joseph Accardo. Joey Accardo Art boasts of an impressive portfolio of replicas of Kobe Bryant, Tom Hardy, and Jerry Rice to name a few. Thumzup is excited to help keep spreading the word of Joseph Accardo’s artistry so that it can be enjoyed by many more people.”

For more information, please visit https://www.thumzupmedia.com and https://artbyaccardo.com.

About Thumzup®

Thumzup Media Corporation (Thumzup) is democratizing the multi-billion dollar social media branding and marketing industry. Its flagship product, the Thumzup platform, utilizes a robust programmatic advertiser dashboard coupled with a consumer-facing App to enable individuals to get paid cash for posting about participating advertisers on major social media outlets through the Thumzup App. The easy-to-use dashboard allows advertisers to programmatically customize their campaigns. Cash payments are made to App users/creators through Venmo and PayPal.

Thumzup is a publicly traded company (OTCQB stock ticker: TZUP). For more information, please visit https://www.thumzupmedia.com.

Forward-looking Statements

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Contact Info:
800-403-6150
investors@ThumzupMedia.com

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133-year-old Indigenous arts supplies store in Lakewood keeps artistic traditions alive for all

133-year-old Indigenous arts supplies store in Lakewood keeps artistic traditions alive for all

Cecelia Bull Bear has been making quillwork art for as long as she can remember.

“I learned from my grandmother, Ethel Black Crow, and my aunt, Rose Spotted Eagle, when I was real young,” the 76-year-old Denver-based Oglala Lakota artist said. “I’ve been doing it all my life.”

Quillwork is an art form that uses porcupine quills to embroider clothing and make jewelry, and it is one of the oldest artistic traditions practiced by Indigenous North Americans, mostly in the northern plains of what is now the U.S. and across Canada.

To Bull Bear, who is from the Medicine Root District of the Pine Ridge Reservation in South Dakota, quillwork products are as precious as gemstones.

“Quillwork is like wearing diamonds,” Bull Bear said. “Quillwork is sacred. It was here before the beadwork people do now.”

Bull Bear is one of many artists who patronize and sell their art at the reopened Orr’s Trading Post, a Native arts supply store that has long been an important community hub for Indigenous people.

New owner Lakota Sage wants to expand Orr’s 133-year legacy as a community hub and arts store into a destination for authentic Indigenous arts.

Formerly located in Englewood and Denver and operated by the Orr family for generations, the new owner, Lakota Sage, reopened the store in Lakewood near Colfax Avenue and Kipling Street in February after the previous owners decided to close down.

Orr’s has always offered Denver’s Indigenous community a place to buy supplies to make regalia, practice traditions and create art; even Bull Bear’s grandmother used to buy supplies at Orr’s when it was on Colorado Boulevard in Denver.

“Most people come here to buy supplies, so when word started getting around it was closing, the community started freaking out a little,” Sage, a Lakota citizen of the Standing Rock Sioux Tribe, said of why he restarted the business.

This new location continues the business’ legacy of serving Denver’s Indigenous community, but Sage also wants it to be a place where people who are not Indigenous can come to see and buy local artists’ artwork.

Here, Sage hopes, they can also learn about sacred traditions and see that Indigenous art and culture is alive and well in Denver.

Orr’s Trading Post in Lakewood on Wednesday, Nov. 15, 2023. The Native American arts supply store has started selling finished art as well. (Photo by Hyoung Chang/The Denver Post)

“The more we can have representation, the better,” Sage said. “Because we are still here; we’re still remembered.”

That’s also why Bull Bear said being able to sell her work at Orr’s is so important to her: Not only is quillwork sacred, but here in Denver, the skill is a rarity.

Bull Bear is the only practicing plains quillwork artist in the area; many people stopped doing quillwork to take up the less complicated beading art that is most commonly associated with Indigenous embroidery now. She’s started classes in Denver to keep the tradition alive here.

“They say it’s a dying art, but if people like me teach it, I think we can keep it alive,” she said. “It’s really a blessing to try and teach it to new generations. We need to take care of it.”

Newer local artists also get a chance to show people their work at Orr’s.

Tom Salazar, an Indigenous third-generation Coloradan, is a self-taught artist who sells beaded jewelry at Orr’s and buys a lot of his supplies there. His art is also meant to show people Native American traditions are still alive, and he said Orr’s is the perfect place to teach people about art through his and others’ work.

“Art is something I like to do so people don’t forget where we came from,” Salazar said. “A lot of people don’t see Native art as something somebody put their heart and soul into. When I make something, I genuinely have a love for my ancestry and love for the community to where I want to make it authentic.

“A place like Orr’s is a great place for the community to make and see authentic jewelry.”

Jewelry by artist Tom Salazar are for sale at Orr's Trading Post in Lakewood on Wednesday, Nov. 15, 2023. The Native American arts supply store has started selling finished art as well. (Photo by Hyoung Chang/The Denver Post)
Jewelry by artist Tom Salazar are for sale at Orr’s Trading Post in Lakewood on Wednesday, Nov. 15, 2023. The Native American arts supply store has started selling finished art as well. (Photo by Hyoung Chang/The Denver Post)

Sage also has branched the store out for more than just the beadwork and regalia-making products.

Other wares include macaw feathers for Nahua, or Aztec, people of Mexico; shells of all types, sea stars and urchins for coastal nations and Pacific Islanders; painted beads from Peru; and katchina dolls, ancestral spirits of the Hopi and Pueblo people of the Southwest, are all available at Orr’s.

“There’s something for everybody here,” Sage said. And that goes for non-Indigenous people, too.

A whole section of the store is dedicated to naturopathy, with traditional teas that have healing properties lining a wall and sages, sweetgrass and palo santo available for ceremonies and smudging. Stones with different astrological and healing purposes are also available in different sizes and shapes for different uses.

“It’s not just a store for Natives; it’s a store for everybody,” Sage said. “The idea behind that is the more people we can get in here, the more these local Native artists can be seen and our culture appreciated. It’s a helping hand for everybody.”

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