Meow Wolf Announces Inaugural Community Grant Awardees

Meow Wolf Announces Inaugural Community Grant Awardees

The Meow Wolf Foundation, a 501(c)3 nonprofit organization, has announced its inaugural Community Grant awardees, which include nine Texas-based organizations.

While Meow Wolf is a Public Benefit Corporation (B Corp) that focuses both on social impact and profit, in 2022 it established The Meow Wolf Foundation as a private charitable foundation. According to the foundation’s webpage, it supports organizations that provide increased access to arts education and training, utilizes arts as a tool to improve mental and emotional well-being, and conduct research and projects focusing on art and creativity as tools to develop innovative solutions.

In a press release, Jose Tolosa, Meow Wolf CEO and board chair of the Meow Wolf Foundation, stated, “As a company founded by artists, that employs artists, and celebrates the inner creative in everyone, Meow Wolf understands firsthand how creativity, imagination, and play can truly transform lives. Meow Wolf launched the Meow Wolf Foundation to deepen our commitment to communities and help amplify the critical work of those using art and creativity to change lives and build thriving creative communities.”

Julie Heinrich, Chief Impact Officer and head of the Meow Wolf Foundation, added, “Art and creativity has too often been seen as a nice-to-have, instead of a must-have. We want to change this conversation. Art and culture organizations typically receive the least amount of philanthropic giving nationally and we think there’s a tremendous opportunity to use art and creativity to heal and transform lives.”

In its inaugural year, the Community Grant program donated a total of $600,000 to 63 organizations in areas where Meow Wolf currently has (or is developing) locations: New Mexico, Colorado, Nevada, and Texas. With Meow Wolf’s The Real Unreal opening earlier this year in Grapevine and a Houston location scheduled to open next summer, the Texas locations are the newest venues. 

Photo of a lifelike sculpture of the front yard of a home

Exhibition Detail of Meow Wolf Grapevine’s “The Real Unreal,” Photo by Jess Gallo. Photo Courtesy of Meow-Wolf.

The Texas grant recipients include Cara Mia Theatre, Dallas Art Therapy, Spark! Dallas, Forest Forward, House of Shine, Resource Center, the Fifth Ward Community Redevelopment Corporation, The Orange Show Center for Visionary Art, and Project Row Houses.

A photograph of two men holding a large stencil used to spray paint the Meow Wolf logo on a white brick wall.

Harrison Guy, Director of Arts & Culture for the Fifth Ward Cultural Arts District and graffiti artist Mario Enrique Figueroa Jr., known as GONZO247, hold a stencil used to spray paint the Meow Wolf logo on a brick wall.

About receiving the grant, Harrison Guy, Director of Arts & Culture for Fifth Ward Community Redevelopment Corporation, remarked, “We are so excited to see The Meow Wolf Foundation invest in the 5th Ward community. This award will help us to continue our mission of creating an art rich community that celebrates the musical legacy of the 5th Ward with the support of The Mini-Music Museum.” Meow Wolf’s Houston location is set to debut in the Fifth Ward in 2024. 

See the full list of grantees below.

516 Arts – Fulcrum Fund
Access Gallery
ArtWalk Santa Fe
Axle Projects
Cara Mia Theatre
Children’s Hospital Colorado Foundation
City of the World
Cleo Parker Robinson Dance
Colectiva
Colorado Business Committee for the Arts
Creative Santa Fe
Dallas Art Therapy
Denver Art Society
Denver’s Art District on Santa Fe
Discovery Children’s Museum
Downtown Aurora Visual Arts
Earthseed Black Arts Alliance
Fifth Ward Community Redevelopment Corporation (5th Ward Cultural Arts District)
Film Prize Foundation
Forest Forward
House of Shine
Indigenous Ways
IndigenousAF (IAF Inc.)
Keres Learning Center
Keshet Dance Company
La Semilla Food Center
Las Vegas Indian Center
Latino Cultural Arts Center
Left of Center Art Gallery
Make Santa Fe
Marjorie Barrick Museum of Art
Moving Arts Española
Museo de Las Américas
Native Realities
Nevada School for the Arts
New Mexico School for the Arts – Art Institute
Obodo Collective
Opportunity Village
The Orange Show Center for Visionary Art
Parallel Studios, Inc.
Paseo Project
Poeh Cultural Center
Project Row Houses
RedLine Contemporary Art Center
Resource Center
Reunity Resources
Sacred Voices
Santa Fe Portalfest
Solidarity Fridge
Spark! Dallas
Su Teatro
Sun Valley Kitchen + Community Center
Sun Valley Youth Center
Teatro Paraguas
Tewa Women United
The Center
The Neon Museum
Think 360 Arts for Learning
Tierra Nueva Counseling Center
University of New Mexico Foundation (UNM Children’s Psychiatric Center)
Vital Spaces
Working Classroom
Zuni Youth Enrichment Project

Why you should perfect the art of the follow-up

Why you should perfect the art of the follow-up

Rachel Klaver is a marketing strategist, specialising in lead generation and content marketing.

OPINION: It doesn’t matter how good your marketing is, how much kudos you’ve built with contacts and past clients that leads to them referring you to everyone, or how much advertising you are doing if you’re unable to close a sale.

I’ve been working with a group of small business owners over the last month to help them improve the conversion rate of their sales meetings. Although they’re all experts in the work they do, anyone can run into issues closing a sale.

Here are some of the most common:

Allowing your own mindset issues to impact your meeting

We often focus on the need to sort out our money mindset before we sell in a meeting, but there can be other issues at play too. For example, one of my clients was worried one of the offers she was approached about didn’t have a flash proposal designed for it yet. She was worried the meeting would go well and she would have to design the proposal, even though she could do the actual work it would outline in a flash.

Our solution? We created a very simple and straightforward proposal that could work as an email rather than a complicated document. And it worked.

Another client had some money mindset issues. Things were a little slow for her, so she had been feeling the pinch. When it came to sharing the price for her work, she would speed up when delivering it, with a higher pitched voice. She knew that she wasn’t in a position to spend that money herself, so had to remind herself before each meeting that “my budget is not your budget.”

Leaving things up in the air

One of the worst things to say to someone at the end of a sales meeting is “I look forward to hearing from you”. We want to make sure we can pick up the conversation at any point after that initial time together. When we put all the onus on the potential client to get back in touch, we can get stuck trying to work out how to check in with them.

At the end of a meeting, I like using the “I will, you will, we will” framework. It might look a little like this. “Thank you so much for your time today. I will send you a quote via email within the next twenty-four hours, along with a suggested start time. You will have a look, come back with any questions, and if you are ready, confirm we can get started. Then we will book in a time and start the work.”

If you, like several of my clients, prefer to present your proposal during a meeting, tell them you will send them a digital copy after the meeting and end with the “I will, you will, we will” framework.

Not setting the expectation

The first email after a meeting is incredibly important. Along with supplying a quote or sending the proposal, you also want to reuse the “I will, you will, we will” next steps. In your “I will” steps you might say “I know you are very busy, so if I haven’t heard from you by next Thursday, I’ll send you a follow-up email.”

This gives you an opening to follow up without feeling you are overstepping some sort of hidden boundary. It’s a good idea to pop an action in your CRM.

I personally don’t like to send auto reminders even though I love marketing automation. Sales is person-to-person, and an impersonal auto-reminder often won’t convert nearly as well as one that’s written by you.

Not wanting to annoy people

Of course, we don’t want to annoy potential (or current) clients. We don’t want to start demanding they work with us or harass them. However, it’s really important to make three assumptions, unless told otherwise. The first is that they made time to speak with you because they wanted to work with you. If we assume that someone wants to work with us, we talk in a more confident manner, and find it easier to keep following up.

Marketing strategist Rachel Klaver says if you need more sales in 2024, it’s time to get better in the art of the follow-up. (File photo)

Supplied

Marketing strategist Rachel Klaver says if you need more sales in 2024, it’s time to get better in the art of the follow-up. (File photo)

The second is that they are likely very busy, and they haven’t yet replied with a yes or a no because they are swamped, and need you to remind them to get to the next step. They might have other things that are more pressing, or be waiting for someone else before making a final decision.

The third is that until you get a firm no, the answer could be yes, so assume they are still thinking about it.

Losing confidence after a few “no” replies

If you are getting a “yes” to every single proposal, unless they are coming solely from referrals or a strong content marketing relationship that you’ve built over time, it’s likely your pricing is too low. If your aim is a one-in-three or one-in-four conversion rate, and you’ve had a run of “yes” replies, statistically, you’ll eventually see a run of “no” responses at some stage.

It’s so important to take each meeting as a new opportunity to make the sale, and not come into it already feeling like it’s going to lead to another “no”.

I do like to see sales meetings as a two-way street in working out if you’re going to work together. Sometimes we get so focussed on the drive to get them to want us, and then make the sale that we don’t take the time to check if the person we’re meeting is the right client for us. Sometimes the real reason we don’t want to follow up is that we don’t actually want the sale. That, of course, is a very good reason not to.

For everyone else you meet, however, it’s key to remember sales meetings aren’t where most decisions are made. That is more often done in the follow-up. If you need more sales in 2024, it’s time to get better in the art of the follow-up.

Motion Emphasizing Stillness in Photography

Motion Emphasizing Stillness in Photography

Breaking a pattern can work to bring attention to that pattern. You may not notice how quiet it is until some subtle noise disrupts that silence, reminding you of the context it is punctuating.

Depicting motion in a still photograph is similar to depicting scale, in that it requires the motion to be relative to something stationary, just as something large only exists relative to something small.

Photography can make a speeding bullet appear as still as the stationary target it is about to hit. The eye can’t even process a bullet in motion, but a camera can produce results that are detached from that reality, while not feeling “unreal”.

“The wind drops but the petals keep falling,
The bird calls and the mountain becomes more mysterious.
Little sounds emphasizing silence,
Little motions emphasizing stillness.”
A Chinese poem

While we experience motion blur naturally, like the glowing trail we perceive as being left by a light source in the dark, it doesn’t come close to what a camera can capture. A slow shutter speed can leave the ocean looking entirely unfamiliar, flat, and untextured, not something the eye can naturally perceive. Without a stationary aspect, like an anchored ship, or beach in the foreground, we may not know what we are looking at, if all we are shown is blurry, formless substance.

Recognizing that motion is relative to stillness means being able to really emphasize speed, or to bend visual reality in some interesting ways. Either I need to be fairly still, to produce a stationary world for something to move inside, or I need to move with my subject to produce a world of motion, in which my subject is “stationary”, but obviously in motion in context.

Combining this with other techniques, like a flash to freeze motion while dragging the shutter is fun, and can offer areas of clarity within chaos, which can be a striking effect.

Unintentional blur from unsteady hands or shutter speed compromises in low light is often seen as undesirable, but working despite adverse conditions can be especially rewarding. In the winter, the cold makes stability tricky, and with constant overcast conditions, there isn’t a lot of available light to work with. Methods that incorporate intentional camera movement, or which channel movement to synchronize photographer and subject, can be learned quickly and applied in all kinds of scenarios.

I prefer motion blur to communication motion as opposed to context clues. A sports photographer freezing a somersaulting gymnast at 1/2000ths makes a great sports image, but they are translating speed into something almost mundane in my opinion. For many of my images, I’d rather have a sense of speed from something I can’t make out, existing on the edge of surrealism, than something clinical. A mess of imperfection, but perfectly communicating what I want that image to say in a way that “technical perfection” would not achieve.

In my recent collaborative publication Flames Cast No Shadows, I use images with motion blur a few times to convey relative speed and stillness in order to offer that association to the broader theme of the work, which is about the movement of “prayer” across the waters of the Ganges. Movement is a central theme, but not the only theme, it wouldn’t make sense to have something moving in every image, but the feeling of progress between two shores is essential.

In this spread, for example, on the left I use an image that is totally blurred, but in which you can still make out a man in a moment of prayer, while on the opposite page a boat glows in motion against the stillness of the shore which you can see on the other side. The result makes the familiar a little unfamiliar.

A double-spread image in this book shows a still life of petals stretched out against a black expanse, no motion blur but still with a sense of progress and movement within the context of the book.

In another book, Dream Grieving, I wanted to impart a sense of what I was feeling while working on the book, and part of this involved concepts emerging from a fog, almost like a magic eye puzzle. The best image I had to represent this was an image of sand on the beach, made with a very grainy, heavily expired film, which is not in motion at all, but which seems to shift when you really look at it, almost an optical illusion of movement.

I used that image for inner and rear cover spreads, to bring the reader into the idea of patterns and perspective, and I think it works nicely to tie thematically to an image of a piece of chalk caught in seaweed, also on the beach, which I use to represent an icon of death.

I was recently inspired by the body of work “Moksha” by Faizal Sheikh (https://streetdances.wordpress.com/2023/03/15/moksha-by-fazal-sheikh/) which is actually available to read for free online (https://www.fazalsheikh.org/online_editions/moksha/online_edition_en/start.php). His work uses perfectly still images blended together with foggy and blurry images of motion and context, which work towards an especially dreamy and ethereal atmosphere — very unique among publications I have read. The opening pages especially lead you along a path, winding alleys, and through doorways until you meet people who flow by just as the environment did.

Once you start to incorporate motion in the form of multiple stills (like a video, or even a flip book), or sequenced frames like a photo book you can build out from there into something more complicated, use it to convey more than just an overarching concept but lead a reader through a specific path. I hope to explore this more in my upcoming projects. That relationship between stillness and motion which ends up emphasizing both has so much potential I hope to incorporate.


P.S. Pre-order for my winter release, consisting of Dream Grieving, Fames Cast No Shadows, and an 8×10 darkroom print totaling £20 (including shipping for UK customers) is now live at this link.


About the author: Simon King is a London-based photographer and photojournalist, currently working on a number of long-term documentary and street photography projects. The opinions expressed in this article are solely those of the author. You can follow his work through his documentary collective, The New Exit Photography Group, and on Instagram.


Image credits: Photographs by Simon King

Studies in contrasts: ‘Shades of Gray’ photography exhibit features 187 images by 90 New Mexico artists

Studies in contrasts: ‘Shades of Gray’ photography exhibit features 187 images by 90 New Mexico artists

The annual “Shades of Gray” photography exhibition presents studies in contrast through landscapes, portraits and still lifes.

Open in the Fine Arts Building at Expo New Mexico beginning Sunday, Dec. 3, the show features 187 images by 90 New Mexico artists.

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Hand-Delivered Ambitions: The Art of Submitting Resumes in Person

Hand-Delivered Ambitions: The Art of Submitting Resumes in Person
image

Weighing Career Goals, Employee Benefits, and Company Culture Before You Ink That Contract.

So, you’ve got a new job offer in hand. Congratulations! But before you pop the champagne, there are a few key questions you should ask yourself to determine if this new opportunity truly aligns with your professional and personal goals. The transition to a new job can be life-changing, and, as some experts suggest, it’s a decision that should be approached with the same gravity as other major life decisions. So, what are the three golden questions to consider before signing on the dotted line?

The first question to ask is whether this job aligns with your career goals. As Sheryl Sandberg, COO of Facebook, advises in her book “Lean In,” career trajectories are more like jungle gyms than ladders. Sometimes, moving laterally or even taking a step back can propel you two steps forward in the future. Does this job offer that kind of long-term potential? Consider not just the role but also the industry, the company’s position in the market, and the opportunities for future advancement. Without a path for personal and professional growth, you might find yourself stagnating, and that’s a situation no ambitious professional wants to be in.

Employee benefits are not merely icing on the cake; for many, they are as crucial as the salary itself. How competitive is the offer when compared to industry standards? Do you get additional perks like flexible working hours, a robust healthcare package, or paid holidays? Google, for instance, has set an industry standard by offering benefits that go beyond the norm, including extended parental leave and even free meals at the workplace. Assessing the full scope of benefits can give you a better understanding of how the company values its employees.

Another critical factor is the company culture. This goes beyond just ‘feeling good’ at the office. It’s about whether the company’s values resonate with your own. Employees at Salesforce, for example, often highlight the company’s culture of ‘Ohana,’ which emphasizes family, as a major reason they love working there. Browse through employee reviews on platforms like Glassdoor to get an unfiltered view of the work environment. Does it match your work style, and can you envision yourself thriving in it?

Last but certainly not least, consider your work-life balance. Does the job offer you the flexibility to maintain a healthy equilibrium between your work responsibilities and personal life? Work-life balance is increasingly becoming a priority for job seekers, a trend that companies are starting to recognize and adapt to.

When deciding whether to accept a job offer, it’s essential to take a holistic view. The salary is important, but it’s just one piece of a complex puzzle. Your decision should be an informed one that considers career progression, employee benefits, and the company’s culture. A career move is a significant life step, and it should be based on more than just gut feeling.

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Timmins mother and daughter sharing culture through art and learning

Timmins mother and daughter sharing culture through art and learning

Justice Sutherland wants her children to know where they come from.

“Just bringing back tradition to our family has been amazing,” she said.

The local artist has been reconnecting to her Indigenous roots in Moose Factory since becoming a mother. She’s learning from a great source — her mother, Amanda Sutherland.

Amanda’s father, who was a Fort Albany First Nation member, died when she was young, and she lost a lot of her cultural connections.

“Bringing in the culture to us is very important since we weren’t raised in it. I didn’t raise my kids in it,” said Amanda. “It wasn’t until I started working at Northern College and learning from community members, elders in the community.”

Amanda is an Indigenous services administration assistant at Northern College.

“Everybody has been so good at teaching me, at teaching Justice,” she said.

Justice agrees and adds that the community has been incredibly helpful in their journey.

She’s using art to explore her cultural ties and has painted murals at Northern College and Sparks Pizza. It’s a way to connect to her own community and family, and anyone else who wants to enjoy her work.

“The one thing I always could connect to is art and it’s something that translates in every culture, in every language. It connects to everyone in a different way,” she said.

RELATED: Local artist adds a little colour to downtown pizza joint

Having spent time in western Canada, those traditions shaped some of their views.

Becoming a mother has motivated justice to explore her local roots and bring more tradition and culture into her home. 

“It wasn’t until I had my own kids and she started doing her teachings and stuff like that and getting connected to the culture here in Timmins that I was able to realize that I wanted to bring that down to my kids as soon as I had them,” said Justice. 

Her time in Kelowna has influenced her art and she learning more about the local styles.

“It’s weird because I’m always talking about Indigenous culture and I realize I have to bring this side in instead of always bringing what I was raised around,” said Justice. “Because that’s the whole point. I’m trying to reconnect to the Native lines here and bring more of an arts and culture representation from our area.”

Language has been a challenge in reconnecting with family.

“Justice was four years old, and I had not connected to my dad’s side of the family yet, and I went up north to meet my kokum (grandmother) for the first time, and it was very emotional,” said Amanda.

“I couldn’t talk to her though because I didn’t know how to speak Cree, and she only knew how to speak Cree, which is sad because it’s a language that’s being lost, and I wish I had that language so that I could teach it to my kids.”

Amanda said passing on what she’s learned is a healing experience.

“Whatever I am taught, I then go, and I teach students, I teach staff, I teach whoever wants to learn what I know,” she said.

The shift in how Indigeneity and culture are perceived in Canada has impacted Amanda’s growth and education.

“When I was being raised, being Indigenous was something you hid,” she said. “I was glad to hide it at the time, but as I got older, I realized that I was missing out on so much, and learning all of that and bringing it in has helped me grow not just as a person but as a parent, a grandmother, a friend, a colleague, it gets into everything that I do now.”

Justice’s goal in her art and her family is to amplify the feeling of home.

“It’s nice to continue to bring down our teachings and traditions down through our family,” she said. 

A designer’s guide to artisanal shopping in Vienna

A designer’s guide to artisanal shopping in Vienna

By Eva SandovalFeatures correspondent

Waldhaeusl/McPhoto/Alamy Roofscape ViennaWaldhaeusl/McPhoto/Alamy
A designer’s guide to Vienna shopping (Credit: Waldhaeusl/McPhoto/Alamy)

Proudly “untrendy” designer Myung-Il Song tells you how to bypass the chain stores and shop for authentically Viennese handcrafted wares, from clothing and art to holiday gifts.

Navigating Vienna’s 23 grätzels (districts) can be overwhelming, especially when they’re so diverse – encompassing medieval alleys, magnificent monuments and quaint village squares. So when it comes to shopping, many visitors tend to stick to the beautifully walkable historic centre, Innenstadt, which is home to the Hofburg Imperial Palace, Vienna State Opera House and a dizzying glut of luxury chain stores.

But renowned Korean-Viennese designer Myung-Il Song, owner of Vienna’s seminal boutique Atelier Song, encourages visitors to head to Vienna’s “special” places for bespoke and unique products, from clothing to homewares to contemporary art. “I’m not chasing after trends,” said the famously individualistic style icon. Here are Song’s insider picks for Vienna’s best historical shops and exciting artisanal newcomers.

Dietmar Rauscher/Alamy Kniže has been a mainstay in Vienna's clothes and accessory shopping scene for nearly 200 years (Credit: Dietmar Rauscher/Alamy)Dietmar Rauscher/Alamy
Kniže has been a mainstay in Vienna’s clothes and accessory shopping scene for nearly 200 years (Credit: Dietmar Rauscher/Alamy)

1. Best for classic men and women’s fashion: Innenstadt (1st district)

Upscale Innenstadt, like the city centres of many European capitals, is inundated with popular chain clothing stores. “Like shopping in an airport,” quipped Song.

The SpeciaList

Myung-Il Song, a graduate art student from Korea, came to Vienna in 1984, where she studied graphic design at Vienna’s Academy of Fine Arts before opening her eponymous boutique in 1998. She is also the co-author of I’ll Wear it Until I’m Dead, a retrospective of her fashion archive.

But for artisanal, classic Viennese fashion, Song likes Rudolf Scheer & Söhne, a generational shoemaker that has been making handcrafted bespoke shoes since 1816. “They used to make them for all the Hollywood stars,” said Song. “They still have the stars’ shoe forms. It’s a really traditional old place [where the shoes are] 100% handmade for your feet.”

Song also recommends the historic shop Kniže & Comp for one-stop men and women’s fashion and accessory shopping. “It’s very old, beautiful, classical,” said Song. “Also, the shop is interesting. Go inside and look because it’s [designed by renowned Austrian architect] Adolf Loos.

As well as luxury clothing and accessories, Kniže sells fragrance and soaps. “[Whenever I go to] Paris Fashion Week, the fashion people in Paris always ask me, ‘Could you bring me Kniže perfume?’,” said Song. “Elegant, elegant stuff.”

SONG Myung-Il Song's seminal fashion, accessory, and décor boutique is right at home in the quirky Leopoldstadt District (Credit: SONG)SONG
Myung-Il Song’s seminal fashion, accessory, and décor boutique is right at home in the quirky Leopoldstadt District (Credit: SONG)

2. Best for artisanal luxury clothing and unique gifts: Leopoldstadt (2nd district)

“You know what I’m going to say,” said Song, jokingly. But her seminal “artisanal luxury” boutique Atelier Song has held a serious grip on Vienna’s design scene for 25 years, particularly since it moved to the city’s former Jewish quarter, Leopoldstadt in 2006. “When I came here, nothing was going on,” said Song. After a number of hotels, restaurants and coffee houses opened in the area, “it naturally organically developed… in Vienna they say it’s ‘hipstery’. It’s a quite lively street now.”

But Atelier Song is still the neighbourhood’s only boutique, and it’s perhaps the edgiest in the entire city. Song sells her own designs as well as items from avantgarde designers “on the borderline between art and fashion”; each item exclusively available at her shop. “We have so many things,” she said. “Glassware, perfume, beautiful candles, handmade gloves, cashmere throws, ceramics… I feel like I’m showing my private taste. It’s an extension of my private space.”

That taste is aggressively anti-trend yet luxe, like designs by British shoe and clothing designer Paul Harnden. “He handmakes [everything],” said Song. “Everything is woven for him using the old machines. And that’s why his pieces are expensive, durable and timeless.”

David Ryan/Alamy This 200 year-old artisanal Austrian crystal glassmaker collaborates with contemporary artists to create one-of-a-kind pieces (Credit: David Ryan/Alamy)David Ryan/Alamy
This 200 year-old artisanal Austrian crystal glassmaker collaborates with contemporary artists to create one-of-a-kind pieces (Credit: David Ryan/Alamy)

3. Best for homewares: Innenstadt (1st district)

Austria is world-famous for its crystal glassware, like the dazzling offerings from J & J Lobmeyr on Innenstadt’s Kärntner Strasse. “This is very Viennese,” said Song, who has collaborated with the glassmaker to produce Champagne glasses. “If you go inside, there are amazing collections of the glasses they make. It’s almost like a museum. There are so many famous architects and designers who have collaborated with them.” Founded in Vienna in 1823, Lobmeyr produces chandeliers, stemware and decorative pieces – all mouthblown and cut, engraved and polished by hand.

For artisanal linens, Song recommends Zur Schwäbischen Jungfrau on the Graben shopping street. “They are famous for tablecloths,” said Song. “Bed sheets and that kind of thing. [It’s a] very old-fashioned shop, using the best of the best quality.”

RENATO VALTERZA/Alamy Song is active in Vienna's art scene, including its hip, young art galleries (Credit: RENATO VALTERZA/Alamy)RENATO VALTERZA/Alamy
Song is active in Vienna’s art scene, including its hip, young art galleries (Credit: RENATO VALTERZA/Alamy)

4. Best for contemporary art: Neubau, Landstrasse and Mariahilf (7th, 3rd, and 6th districts)

Home to Vienna Secession and Art Nouveau architecture, Vienna is practically synonymous with high art. Song – who has an art degree and studied graphic design at Vienna’s Academy of Fine Arts – is very active in the city’s rich art scene. She loves visiting the Kunsthistorisches Museum and the MQ Libelle event space on the Leopold Museum rooftop. “Tourists don’t know about [MQ Libelle]” said Song. “There is the most beautiful view in Vienna. You can see all the buildings and then there is a beautiful bar. If I go up there, I feel like I’m on holiday.”

She advises then going down to the Leopold Museum for the contemporary art shows. “There are many complexes inside… you can spend the whole day there. [Inside] there’s Café Leopold, a very nice modern restaurant designed by a Chinese Austrian artist named Jun Yang,” said Song, who is also an architecture enthusiast. “And then of course there’s Loos [American] Bar designed by Adolf Loos.”

Song’s go-to galleries for those wishing to purchase art are the Hubert Winter in Neubau, Vin Vin in Landstrasse and Commune Gallery in Mariahilf. “And then there is also a gallery called Gianni Manhattan [Landstrasse],” said Song. “All these young galleries are quite nice. They present the younger artists. They’re not like, you know, already famous. They find this top talent who they want to work in the field.”

Hackenberg-Photo-Cologne/Alamy Of Vienna's many beautiful Christmas markets, the Spittelberg Christmas Market is small and intimate with curated goods (Credit: Hackenberg-Photo-Cologne/Alamy)Hackenberg-Photo-Cologne/Alamy
Of Vienna’s many beautiful Christmas markets, the Spittelberg Christmas Market is small and intimate with curated goods (Credit: Hackenberg-Photo-Cologne/Alamy)

5. Best for street markets: Wieden and Neubau (4th and 7th districts)

Vienna is also known for its bustling street markets, where you can find everything from fresh produce to clothing to vintage silver. Song feels that many of them have become commercial – “and expensive” – but Naschmarkt in Wieden, Vienna’s 4th district, retains its traditional charm. This colourful people watcher’s paradise originally sold just fruit and vegetables but is now home to all manners of artisanal craft and food vendors. “You have to go early,” Song advised. “Seven-thirty, eight o’clock in the morning.”

Vienna is particularly famous for its weihnachtsmarkt (Christmas markets) that transform the city’s squares into fairy-lighted wonderlands where wooden kiosks sell artisanal wares and treats like glühwein (mulled wine) and kartoffelpuffer (potato pancakes). “You drink punch on the street,” said Song. “You meet friends.” Vienna’s most famous weihnachtsmarkt include Viennese Dream Christmas Market in front of the City Hall and the Christmas Village at Belvedere Palace. Song’s favourite is the Spittelberg Christmas Market in the Neubau 7th district, behind Museumsquartier. “This is a very nice street,” said Song, of the Spittelberg neighbourhood’s cobblestoned lanes. “[The market] is smaller scale. It’s really nice.”

Thomas Kronsteiner / Getty A few of Song’s favourite artisanal picks, like Altmann & Kühne, are on Vienna’s tony Graben shopping street (Credit: Thomas Kronsteiner / Getty)Thomas Kronsteiner / Getty
A few of Song’s favourite artisanal picks, like Altmann & Kühne, are on Vienna’s tony Graben shopping street (Credit: Thomas Kronsteiner / Getty)

6. Best for sweet treats: Innenstadt (1st district)

No visit to Vienna is complete without a thorough sampling of its decadent artisanal baked goods and chocolates. “There’s a very good [bakery] here,” said Song. “Joseph Brot. He’s hardworking, very soulful and very modern thinking.” This popular bakery and patisserie has several locations throughout Vienna and uses 100% organic ingredients from Austrian farms in its products, like the organic perennial rye bread with summer apples, or their stunningly crafted pastries. “He has the best of the best milk products and best jams and olive oils,” said Song. “You can buy really high-quality stuff and the sourdough bread is amazing. Honest, honest bread.”

For chocolates, Song heads straight to Altmann & Kühne on Graben. “It’s beautiful,” she said of the historic chocolatier. “It’s an original Viennese manufacturer, everything handmade.” The shop is also famous for its iconic chocolate boxes, especially at Christmastime when they produce a variety of limited-edition wrappings. “After you eat the chocolate, you can use the box for your jewellery. This is always the present I give friends. Everybody loves it,” said Song. “[The shop] is tiny. I’m always afraid that this kind of space will be destroyed [and] replaced by a big store. I hope they stay.”

BBC Travel’s The SpeciaList is a series of guides to popular and emerging destinations around the world, as seen through the eyes of local experts and tastemakers.

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