These are the settings and techniques I use to shoot motorsport photography

These are the settings and techniques I use to shoot motorsport photography

This image of 2021 MotoGP world champion Fabio Quartararo was taken in wet conditions, during the third and final practice session before the British Grand Prix at Silverstone. It shows his commitment and bravery in conditions where the slightest error could have resulted in an accident.

Motorsport is high-speed and high-adrenaline; here are five things to keep in mind to make sure you capture the moment as it speeds by…

Find the right position 

To capture an image like this, you need to be on the inside of a corner as the rider comes towards you. It helps if the light is behind so you can get a better exposure and make sure you have enough space to pan without bumping into objects or people. This image was captured through fencing, but many circuits have vantage points with no visual obstructions. 

Choose a suitable lens

Telephoto lenses are best suited for shooting fast action and the longer the focal range the better. You don’t need expensive primes, though – I use a 150-600mm super-telephoto lens to give me a great range and such lenses are extremely versatile for the price. If your budget won’t stretch this far, then a more affordable 100-400mm zoom will be fine.

Get down low

I find that action images look best when captured from a low angle, so get down as low as you can when working behind a barrier. Try to give your subject space to travel into, as this will make the image more visually pleasing for your audience. It’s not always possible to do this in the field, but you can apply the necessary crop when editing afterwards.

Try these camera settings

Use Continuous autofocus to keep your subject sharp as it travels towards you. For this particular image (above), the exposure was 1/250 sec at f/9, with the ISO range set between 100 and 800. Due to the distance between myself and the subject, the fencing is not visible. Use image stabilization if you wish, but I wouldn’t recommend doing this when shooting at speeds of 1/100 sec or below.

Pan for gold

To pan, stand with your feet shoulder-width apart and slightly pointing to your end position. Support the bottom of the lens with your left arm extended as far as possible and be as smooth as you can through the panning movement. You could use a monopod for extra support and balance the lens by placing your hand on the top of the barrel.

Read more:

The Playwrights Realm Opens Submissions for Second Native American Artists Lab

The Playwrights Realm Opens Submissions for Second Native American Artists Lab
image

The Playwrights Realm has opened submissions for its second Native American Artists Lab, with an application deadline Monday, March 11th, 2024. The program, which began in 2022 with artists Sean-Joseph Choo and Moki Bear Eagle, supports the development of specific works as well as  the careers of Native Artists. 

With NAAL, the organization seeks to uplift artists from Domestic Nations and projects rooted in Native practices. In an effort to meet Native American Artists where they are, dismantle biases, and create a welcoming space, NAAL submissions are open to teams with multiple authors and generative artists who don’t identify with the label “playwright.” This program is open to both aspiring and emerging artists in order to support both people who are considering theater as a career and those who have begun their careers already. The finalists for Native American Artists Lab will be chosen by a panel of Native American artists—Tuscarora playwright Vickie Ramirez, Mohegan stage director, playwright, and performer Madeline Sayet, and Navajo playwright, filmmaker, director, performer, and producer Rhiana Yazzie—and will then be interviewed by Realm Artistic Staff.

The program offers individualized attention to recipients and provides further support depending on the desires of participants, including but not limited to design consultations, individualized mentorship, and industry networking. A paid developmental process of up to one week culminates in a reading in New York City, with the Native Artistic Team choosing whether the reading is internal or public. 

2022/23 NAAL artist Sean-Joseph Choo says of the experience, “Working with the Realm felt like a dream: here I was in the heart of Manhattan with a group of Hawaiʻi/Oceania folx, with a Hawaiian director, telling a Hawaiian story. Going through this new work development process at the Realm was so helpful in shaping my ideas for imagining doing similar work back home in Hawaiʻi.”

2022/23 NAAL Artist Moki Bear Eagle says, “I am a Lakota from Pine Ridge Indian Reservation in South Dakota who wrote a story, and ended up traveling to New York City, where Playwrights Realm is based and where our staged readings took place. I have been reflecting on how somewhere far across this land, someone thought my voice & story were important; someone actively wanted Native voices to have an experience like this. I came away from this program with many new experiences to learn and grow from. I am grateful. Pilamayayapelo.”

For the readings, NAAL artists are connected with a professional team of collaborators, including actors, directors, and Realm artistic staff. The Realm works with a casting director to help the team find a cast and can facilitate introductions to directors or other types of collaborators. The program offers dramaturgical development (including consultation with a culturally specific dramaturg, if desired) and discussion with the Realm’s artistic staff prior to and following the reading. 

Online playwright group meetings and communal activities provide a chance for the two artists (or teams) to engage with each other and each other’s work and with the co-facilitators of the program: Yazzie, Ramirez, and The Playwrights Realm artistic director Katherine Kovner. In addition to stipends, all housing and transport costs for NAAL playwrights/teams’ participation in readings will be paid by The Playwrights Realm.

The Playwrights Realm also opened submissions to its Writing Fellowship (which awards four early-career playwrights with nine months of resources, workshops, and feedback designed to help them reach their professional and artistic goals) and Scratchpad Series (which opens The Realm’s doors to early-career playwrights from across the country) on January 8. (The application deadline for both is Monday, February 5th, 2024 at 11:59pm ET.) 

Classic comic adaptation ‘Rogue Trooper’ wraps principal photography

Classic comic adaptation ‘Rogue Trooper’ wraps principal photography

Press Release

Duncan Jones has wrapped principal photography on his next film, an adaptation of the classic British comic Rogue Trooper. Written and directed by Jones, the animated sci-fi feature is being produced by Rebellion and Liberty Films. The series had had a few revisits over the years, like IDW’s 2014 series by the same name, but now it’s getting a bonafide Hollywood adaptation.

Filmmaker Duncan Jones said: “2000 AD offers a very different flavour of comic action: Political and brutal at times, but always with a Pythonesque twinkle in the eye. Dredd (2012) was a taste of what 2000 AD has to offer and now we get to show the world another side of the beast. It is a genuine privilege to be given the opportunity to make Rogue Trooper.”

Listen to the latest episode of our weekly comics podcast!

So what’s Rogue Trooper about?

Rogue Trooper tells the story of 19, a ‘Genetic Infantryman’, who finds himself the sole-survivor of an invasion force. Desperate to track down the traitor who sold him and his comrades out, the super soldier is accompanied by three killed-in-action squad mates, whose personalities have been stored in his gun, helmet and rucksack.

The upcoming movie stars Aneurin Barnard (The Goldfinch, Dunkirk) as the eponymous Rogue Trooper, alongside Hayley Atwell (Captain America: The First Avenger, Mission: Impossible – Dead Reckoning Part One), Jack Lowden (Slow Horses, Dunkirk), Daryl McCormack (Bad Sisters, Good Luck To You Leo Grande), and Reece Shearsmith (Inside No. 9, Saltburn). Rounding out the cast is an incredible ensemble, which includes Jemaine Clement (Avatar 2: The Way of Water), Matt Berry (What We Do in the Shadows), Diane Morgan (Cunk on Earth), Alice Lowe (Black Mirror), Asa Butterfield (Sex Education, Hugo) and Sean Bean (Game of Thrones, The Lord of the Rings).

Rebellion CEO, Jason Kingsley CBE, who is a Producer on Rogue Trooper, added: “We are thrilled to be working with Duncan Jones, who is a fellow British creative visionary and 2000 AD fan with global reach. Rogue Trooper highlights Rebellion’s leading position within the entertainment industries. It has been filmed at our dedicated Oxfordshire film studios and combines beautiful storytelling from our iconic 2000 AD comic book universe with animation and production technology from the video game industry. We cannot wait for everyone to see these incredible stories bought to life on screen.”

Rebellion CEO, Jason Kingsley CBE, who is a Producer on Rogue Trooper, added: “We are thrilled to be working with Duncan Jones, who is a fellow British creative visionary and 2000 AD fan with global reach. Rogue Trooper highlights Rebellion’s leading position within the entertainment industries. It has been filmed at our dedicated Oxfordshire film studios and combines beautiful storytelling from our iconic 2000 AD comic book universe with animation and production technology from the video game industry. We cannot wait for everyone to see these incredible stories bought to life on screen.”

For more on this news, read the press release below.

January 29, 2024 – As revealed exclusively by Variety today, Duncan Jones’ (Moon, Source Code, Warcraft, Mute) eagerly anticipated movie adaptation of classic British comic Rogue Trooper has wrapped principal photography in the UK. Written and directed by Jones, Rogue Trooper  is an animated science fiction feature from Rebellion and Liberty Films.

Shot at Rebellion Film Studios in Oxfordshire, breakout talent Aneurin Barnard (The Goldfinch, Dunkirk) stars as the eponymous Rogue Trooper, alongside Hayley Atwell (Captain America: The First Avenger, Mission: Impossible – Dead Reckoning Part One), Jack Lowden (Slow Horses, Dunkirk), Daryl McCormack (Bad Sisters, Good Luck To You Leo Grande), and Reece Shearsmith (Inside No. 9, Saltburn). Rounding out the cast is an incredible ensemble, which includes Jemaine Clement (Avatar 2: The Way of Water), Matt Berry (What We Do in the Shadows), Diane Morgan (Cunk on Earth), Alice Lowe (Black Mirror), Asa Butterfield (Sex Education, Hugo) and Sean Bean (Game of Thrones, The Lord of the Rings).

Rogue Trooper tells the story of 19, a ‘Genetic Infantryman’, who finds himself the sole-survivor of an invasion force. Desperate to track down the traitor who sold him and his comrades out, the super soldier is accompanied by three killed-in-action squad mates, whose personalities have been stored in his gun, helmet and rucksack.

Filmmaker Duncan Jones said: “2000 AD offers a very different flavour of comic action: Political and brutal at times, but always with a Pythonesque twinkle in the eye. Dredd (2012) was a taste of what 2000 AD has to offer and now we get to show the world another side of the beast. It is a genuine privilege to be given the opportunity to make Rogue Trooper.”

Treehouse Digital (The Well) is creating all imagery and animation for the film, working with Jones to bring to life the world of Rogue Trooper from concept art to final pixel in Unreal Engine 5.

Producer Stuart Fenegan commented: “The advancements in Unreal Engine 5 and the inclusion of MetaHuman rigs mean that it is now possible to achieve a very high standard of animation within an indie budget. Working with our amazing partners at Rebellion, Epic and Treehouse Digital we are pioneering and developing a new creative pipeline that will enable independent production of CG animated films.”

Unreal Engine from Epic is a development platform that enables creators across numerous industries to realise real-time 3D content and experiences.

Rebellion CEO, Jason Kingsley CBE, who is a Producer on Rogue Trooper, added: “We are thrilled to be working with Duncan Jones, who is a fellow British creative visionary and 2000 AD fan with global reach. Rogue Trooper highlights Rebellion’s leading position within the entertainment industries. It has been filmed at our dedicated Oxfordshire film studios and combines beautiful storytelling from our iconic 2000 AD comic book universe with animation and production technology from the video game industry. We cannot wait for everyone to see these incredible stories bought to life on screen.”

The Rogue Trooper comic was created by legendary artist Dave Gibbons (Watchmen, Kingsman) and writer Gerry Finley-Day (Dan Dare) and released by British publishers 2000 AD, home to Judge DreddHalo Jones and Sláine.

Rogue Trooper is produced by Stuart Fenegan (Moon, Source Code, Warcraft, Mute) alongside Jason Kingsley (Dredd, School’s Out Forever), Chris Kingsley (Dredd, School’s Out Forever) and Duncan Jones. The film is set to complete in 2025.

For the latest news and updates, please visit roguetrooper.com.

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5 best cameras for night photography

5 best cameras for night photography

The best cameras for night photography are those with a large sensor, wide aperture, fast lens, and good image processing. With the advancement of technology, there are now many cameras available in the market that are designed to perform well under low-light conditions.

In this article, we explore the five best cameras for night photography. We look into their key features, pros and cons, and low-light capabilities.



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A look at the 5 best cameras for night photography

1) Canon EOS R6 Mark II

Canon EOS R6 Mark II (Image via Canon USA)Canon EOS R6 Mark II (Image via Canon USA)” srcset=”https://www.mecreates.com/story/news/wp-content/uploads/2024/01/f9461-17064559201817-1920.jpg?w=190 190w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/f9461-17064559201817-1920.jpg?w=720 720w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/f9461-17064559201817-1920.jpg?w=840 840w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/f9461-17064559201817-1920.jpg?w=1045 1045w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/f9461-17064559201817-1920.jpg?w=1200 1200w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/f9461-17064559201817-1920.jpg?w=1460 1460w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/f9461-17064559201817-1920.jpg?w=1600 1600w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/f9461-17064559201817-1920.jpg 1920w”>
Canon EOS R6 Mark II (Image via Canon USA)

The Canon EOS R6 Mark II earns the top spot for its excellent balance of low-light performance, autofocus, and overall features, proving to be one of the best cameras for night photography. The higher-resolution sensor improves overall detail, and its autofocus system is also top-notch.

Features

Canon EOS R6 Mark II

Sensor Resolution

24.2 MP

Kit Lens

RF24-105mm F4 L IS USM

RF24-105mm F4-7.1 IS STM

Focal Length

24-105mm

ISO Range

100-102400

Shutter Speed

1/100–1/8000 to 30sec (Mechanical Shutter)

1/125–1/8000 to 30sec (Electronic Shutter)

Continuous Shooting

12fps (Mechanical Shutter)

40fps (Electronic Shutter)

Price

$2,499.00 (Body Only)

$2,799.00 (RF24-105mm F4-7.1 IS STM)

$3,599.00 (RF24-105mm F4 L IS USM)

The EOS R6 Mark II features a 24.2 MP full-frame CMOS sensor, DIGIC X image processor, 12fps continuous shooting, in-body image stabilization, 3.69M dot OLED EVF, and a fully articulating touchscreen LCD.

Pros:

  • Top-tier low-light performance
  • Has an exceptionally fast autofocus
  • Consists of a high-resolution sensor and offers advanced video features
  • Robust weather-sealed build

Cons:

  • Has a larger and heavier body compared to some competitors
  • Quite a complex menu system
  • The battery life could have been better

Here’s the buying link for the camera.


2) Nikon Z6 II

Nikon Z6 II (Image via Nikon USA)Nikon Z6 II (Image via Nikon USA)” srcset=”https://www.mecreates.com/story/news/wp-content/uploads/2024/01/0174e-17064560488687-1920.jpg?w=190 190w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/0174e-17064560488687-1920.jpg?w=720 720w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/0174e-17064560488687-1920.jpg?w=840 840w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/0174e-17064560488687-1920.jpg?w=1045 1045w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/0174e-17064560488687-1920.jpg?w=1200 1200w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/0174e-17064560488687-1920.jpg?w=1460 1460w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/0174e-17064560488687-1920.jpg?w=1600 1600w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/0174e-17064560488687-1920.jpg 1920w”>
Nikon Z6 II (Image via Nikon USA)

The Nikon Z6 II comes in a close second, offering comparable low-light performance and video capabilities compared to the EOS R6 Mark II. The full-frame sensor handles noise exceptionally well, the autofocus is fast and accurate even in dim conditions, and the compact mirrorless design makes it easy to carry.

Features

Nikon Z6 II

Sensor Resolution

24.5 MP

Kit Lens

NIKKOR Z 24-70mm f/4 S

Focal Length

24-70mm

ISO Range

100-51200

Expanded ISO: 50-204800

Shutter Speed

1/8000 to 30sec

Continuous Shooting

14fps

Price

$1,599.95 (Body Only)

$2,199.95 (24-70mm Lens Kit)

The Nikon Z6 II features a 24.5MP full-frame BSI CMOS sensor, dual EXPEED 6 processors, 14fps continuous shooting, 5-axis in-body image stabilization (IBIS), 3.69M-dot OLED EVF, and tilting touchscreen LCD.

Pros:

  • Provides excellent low-light performance with high dynamic range
  • Excellent features for its price point
  • Has good video features

Cons:

  • Battery life could have been better
  • Does not feature a built-in flash

Here’s the buying link for the camera.


3) Sony A7 IV

Sony A7 IV (Image via Sony Electronics)Sony A7 IV (Image via Sony Electronics)” srcset=”https://www.mecreates.com/story/news/wp-content/uploads/2024/01/21e7b-17064561119680-1920.jpg?w=190 190w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/21e7b-17064561119680-1920.jpg?w=720 720w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/21e7b-17064561119680-1920.jpg?w=840 840w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/21e7b-17064561119680-1920.jpg?w=1045 1045w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/21e7b-17064561119680-1920.jpg?w=1200 1200w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/21e7b-17064561119680-1920.jpg?w=1460 1460w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/21e7b-17064561119680-1920.jpg?w=1600 1600w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/21e7b-17064561119680-1920.jpg 1920w”>
Sony A7 IV (Image via Sony Electronics)

The Sony A7 IV is a great option for full-frame night photography. It delivers good low-light performance for its price, boasts a compact and lightweight design, and offers decent autofocus. These features, along with its compact size, make it one of the best cameras for night photography and while traveling.

Features

Sony A7 IV

Sensor Resolution

33 MP

Kit Lens

FE 28-70mm F3.5-5.6 OSS

Focal Length

28-70mm

ISO Range

100-51200

Expanded ISO: 50-204800

Shutter Speed

1/8000 to 30sec

Continuous Shooting

10fps

Price

$2,499.99 (Body Only)

$2,699.99 (28-70mm Zoom Lens)

The Sony A7 IV features a 33 MP full-frame Exmor R CMOS sensor, Bionz XR image processor, 10fps continuous shooting, 5-axis in-body image stabilization, 3.68M dot OLED EVF, and a tilting touchscreen LCD.

Pros:

  • Has a high-resolution sensor that provides exceptional detail
  • Good low-light performance for its price
  • Offers improved video capabilities compared to the A7 III

Cons:

  • Autofocus is not so reliable in very low light conditions compared to some competitors
  • The menu system is complex

Here’s the buying link for the camera.


4) Nikon D850

Nikon D850 (Image via Nikon USA)Nikon D850 (Image via Nikon USA)” srcset=”https://www.mecreates.com/story/news/wp-content/uploads/2024/01/3e2d1-17064561443096-1920.jpg?w=190 190w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/3e2d1-17064561443096-1920.jpg?w=720 720w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/3e2d1-17064561443096-1920.jpg?w=840 840w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/3e2d1-17064561443096-1920.jpg?w=1045 1045w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/3e2d1-17064561443096-1920.jpg?w=1200 1200w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/3e2d1-17064561443096-1920.jpg?w=1460 1460w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/3e2d1-17064561443096-1920.jpg?w=1600 1600w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/3e2d1-17064561443096-1920.jpg 1920w”>
Nikon D850 (Image via Nikon USA)

The Nikon D850 remains a powerhouse for high-resolution landscape images and astrophotography. While not specifically designed for low light, the D850’s powerful sensor excels in well-lit nighttime scenes like cityscapes or landscapes with moonlight.

Its large sensor captures stunning detail in the night sky, and its robust build is ideal for outdoor adventures. This gives it a spot on the list of the best cameras for night photography.

Features

Nikon D850

Sensor Resolution

45.7 MP

Kit Lens

AF-S NIKKOR 20mm f/1.8G ED

AF-S NIKKOR 35mm f/1.8G ED

AF-S NIKKOR 85mm f/1.8G

Focal Length

20mm, 35mm, 85mm

ISO Range

64-25600

Expanded ISO: 32-102400

Shutter Speed

1/8000 to 30sec

Continuous Shooting

7fps

Price

$2,499.95 (Body Only)

$5,499.95 (Filmmaker’s Kit)

The Nikon D850 features a 45.7MP full-frame CMOS sensor, EXPEED 6 image processor, 7fps continuous shooting, in-body image stabilization, an optical viewfinder with 100% coverage, and an LCD touch screen.

Pros:

  • Offers unmatched high-resolution for landscapes and astrophotography
  • Has a robust build quality
  • Offers relatively good battery life

Cons:

  • Has a bulky and heavy DSLR body
  • Features a slower autofocus compared to mirrorless options

Here’s the buying link for the camera.


5) Fujifilm X-T5

Fujifilm X-T5 (Image via Fujifilm)Fujifilm X-T5 (Image via Fujifilm)” srcset=”https://www.mecreates.com/story/news/wp-content/uploads/2024/01/cbe9a-17064565493238-1920.jpg?w=190 190w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/cbe9a-17064565493238-1920.jpg?w=720 720w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/cbe9a-17064565493238-1920.jpg?w=840 840w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/cbe9a-17064565493238-1920.jpg?w=1045 1045w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/cbe9a-17064565493238-1920.jpg?w=1200 1200w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/cbe9a-17064565493238-1920.jpg?w=1460 1460w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/cbe9a-17064565493238-1920.jpg?w=1600 1600w, https://www.mecreates.com/story/news/wp-content/uploads/2024/01/cbe9a-17064565493238-1920.jpg 1920w”>
Fujifilm X-T5 (Image via Fujifilm)

The Fujifilm X-T5 is a capable APS-C option for enthusiasts seeking a smaller and potentially more affordable choice. It offers good low-light performance for its sensor size, and its APS-C sensor has advantages in certain situations, like tighter crop factors for telephoto lenses.

The X-T5 offers several other refinements, like improved in-body image stabilization and a revamped menu system, making it one of the best cameras for night photography.

Features

Fujifilm X-T5

Sensor Resolution

40.2 MP

Kit Lens

XF16-80mmF4 R OIS WR

XF18-55mmF2.8-4 R LM OIS

Focal Length

16-80mm

18-55mm

ISO Range

64-25600

Expanded ISO: 32-102400

Shutter Speed

1/8000 to 30sec (Mechanical Shutter)

1/80000 to 30sec (Electronic Shutter)

Continuous Shooting

15fps (Mechanical Shutter)

20fps (Electronic Shutter)

Price

$1,699.95 (Body Only)

$2,099.95 (XF18-55mmF2.8-4 R LM OIS Lens Kit)

$2,199.95 (XF16-80mmF4 R OIS WR Lens Kit)

The Fujifilm X-T5 features a 40.2 MP APS-C X-Trans CMOS 5 sensor, X-Processor 5, 15fps continuous shooting, 5-axis in-body image stabilization, 3.69M dot OLED EVF, and a tilting touchscreen LCD.

Pros:

  • Its high-resolution APS-C sensor offers impressive detail and improved low-light performance compared to previous models
  • Has classic Fujifilm film simulations

Cons:

  • The smaller sensor offers limited dynamic range compared to some competitors
  • Video features are not as advanced as some rivals

Here’s the buying link for the camera.


Choosing the best cameras for night photography can be challenging, but it is essential to have equipment that can handle low-light conditions. When selecting a camera for night photography, consider factors such as low-light performance, high ISO capabilities, and manual control over the camera’s settings.

With the right equipment and techniques, you can capture stunning images of the night sky and other low-light subjects.

In conclusion, the best cameras for night photography come down to personal preference and requirements. Be sure to research and explore your options before buying.

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Edited by Dinesh Renthlei
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A Mammoth Book Catalogs a Vibrant Spectrum of Color Charts Spanning 600 Years

A Mammoth Book Catalogs a Vibrant Spectrum of Color Charts Spanning 600 Years

Detail of Astrolin Color Card, Établissement Georget Fils Peintures Laquées et Vernis, Chantenay-Lès-Nantes (c. 1906). Image courtesy of Bibliothèque Forney, Paris. All images courtesy of Princeton University Press, shared with permission

From chemists’ plant-derived dyes to consumer paint swatches displayed at the hardware store, the history of color charts reflects a varied relationship between pigments, science, culture, and commerce. Anne Varichon in her forthcoming book explores the entwined evolution of this categorization through nearly 200 vibrant samples from the 15th century to modern day.

Translated by Kate Demling, Color Charts: A History is a hefty survey of hundreds of grids and illustrations cataloging a remarkable spectrum of hues, materials, and uses. Inside its pages are swatches of 19th-century silk ribbons, thin fragments of wool roving, and a 1960s diagram featuring a linoleum collection that appears like a celestial map. While many of the charts included haven’t been published previously, the book also references classics like Werner’s Nomenclature of Colours, a wildly popular guide of hues for naturalists and artists.

Published by Princeton University Press, Color Charts outlines the way color has always informed consumer choice, from hand-dyed fabrics to the vast options of mass-produced goods we know today. Dive further into the history by pre-ordering your copy from Bookshop.

 

a chart with concentric half circles and small spheres with various linoleum colors on it

Detail of Sarlino Reims’ ‘Linoleum Collection’ (1966-1967). Image courtesy of Bibliothèque Forney, Paris

Four pages of yellow, blue, green, and purple silk swatches

Detail of color chart of silk velvet ribbons, G.G. & Cie, France, Leporello, late nineteenth century. Image courtesy of Bibliothèque Forney, Paris

a chart of dyed wool with numbers next to each swatch

M. D. Gonfreville’s ‘Art of Dyeing Wools in Fleece, Yarn, and Fabrics,’ Librairie Scientifique, Industrielle et Agricole Lacroix et Baudry, Paris (1848). Image courtesy of Bibliothèque Nationale de France, Paris

three images with felt swaches in blues, purples, and greens shaped like hats

Acid Dyes for Felt Pile, Base Colors, Société Anonyme des Matières Colorantes et Produits Chimiques de Saint-Denis, Saint-Denis, November 1930, leporella. Image courtesy of Anne Varichon

Four pages of pink, blue, green, and purple silk swatches

Detail of color chart of silk velvet ribbons, G.G. & Cie, France, Leporello, late nineteenth century. Image courtesy of Bibliothèque Forney, Paris

three illustrations from an l'astrolin pamphlet, on the right is an illustration of a man in yellow painting the moon

Detail of Astrolin Color Card, Établissement Georget Fils Peintures Laquées et Vernis, Chantenay-Lès-Nantes (c. 1906). Image courtesy of Bibliothèque Forney, Paris

six book pages open to reveal color charts made of fabric

Detail of Oscar Piéquet’s ‘The Chemistry of Dyers, New Theoretical and Practical Treatise on the Art of Dyeing and Printing Fabrics’ (1892), Paris. Image courtesy of Ôkhra-Ecomuseum of Ocher, Roussillon

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article A Mammoth Book Catalogs a Vibrant Spectrum of Color Charts Spanning 600 Years appeared first on Colossal.

Photographer’s Secret Images of Holocaust Victims Being Rounded Up Are Discovered

Photographer’s Secret Images of Holocaust Victims Being Rounded Up Are Discovered
Deportees
It is believed the amateur photographer took these photos to show what was happening — despite the risk to his own life.

A trove of clandestine photos taken of Jewish people being rounded up in Nazi-occupied Poland so that they could be murdered has been released for International Holocaust Remembrance Day.

The historically significant photographs taken in 1941 are believed to have been taken by an amateur photographer called Albert Hadda in the city of Breslau which is now Wrocław in Poland.

Deportees

Deportees

Deportees

The images were discovered in a large cache of other photos and were seemingly taken discreetly — some through the window of a car, shop, or house — but others are clearly taken out in the open.

The photos show stacks of luggage piled high as the deportees are guarded by armed Gestapo secret police. People of all ages can be seen in the photos who were taken to Lithuania and shot en masse just a few days after the photos were taken. Only two survived.

“They look quite calm. It seems clear they did not know they were about to be murdered,” German historian Steffen Heidrich tells The Guardian. “This was fairly early in the history of these deportations and so they obviously did not expect it.”

Deportees

Deportees

Deportees

Deportees

International Holocaust Remembrance Day was this past Saturday (January 27) and the images were released as part of the project #LastSeen. The organizers hope that by releasing the images, some of the subjects might be recognized.

Who Was The Photographer?

Albert Hadda was married to a non-Jew, therefore he escaped deportation for a while. It is thought that he had access to the area of the city where the victims were taken to be deported; a section that was sealed off to the general public.

Deportees

Deportees

Deportees

Hadda studied architecture in Germany and worked in Berlin until he was banned from doing so for being Jewish in 1934. His marriage to a Christian saved him from being deported to a concentration camp but he was eventually taken to one in 1944 which he escaped from and hid until Germany was liberated.

Hadda lived in Frankfurt after the war and worked under Bauhaus founder Walter Gropius. He moved to Israel later in life.


Image credits: Photographs by Albert Hadda.

A Renovated House Gives Nod to 1970s Polish Modernism

A Renovated House Gives Nod to 1970s Polish Modernism

In Katowice, Poland, a house from the 1970s has undergone quite a renovation, thanks to architect Grzegorz Layer. Spread across 225 square meters (approximately 2,422 square feet), this terraced house has been meticulously redesigned to embrace a contemporary, open-plan layout while paying homage to the classic aesthetics of 1970s Polish modernism.

The comprehensive renovation involved a myriad of changes to the structure. A new staircase was integrated, the ground floor’s level was lowered, internal walls were completely removed, windows were enlarged, and the roof was raised. The result is a spacious and versatile interior that can be easily configured to accommodate various functions.

side interior view into modern kitchen with wood cabinets, black island, and wood bar table with pink stools

The expansive ground floor encompasses an entryway, dining room, living room, and a kitchen featuring an island with an extended bar table for casual meals. The only enclosed spaces are a pantry and bathroom, cleverly hidden within a built-in structure painted a vibrant green color.

view from kitchen looking into living room with green modular sofa and wood cabinets

interior view into modern living room with two green sofas surrounding tv.

interior view into modern living room with two green sofas surrounding tv.

Large furniture pieces, reminiscent of the iconic meblościanki or “furniture-walls,” keeps the layout organized while emphasizing the home’s geometry. Warmth is infused inside through the use of wood finishes and fluted decorative details, subtly nodding to the wood paneled walls that were popular in the 70s. Light concrete floors provide the perfect canvas for the curated pieces of furniture and accessories.

interior view of partial living room green sofa and partial dining room with black chairs

The color palate on the main level combines white walls and black elements, with soft green details used in moderation.

view of modern open dining room with black chairs

view through modern home interior down hallway past wood shelves and staircase

Steel columns and beams remain exposed to visually suggest the division of spaces on the main level into zones. Lighting plays a pivotal role in enhancing the atmosphere throughout with arranged technical fixtures coexisting with design-driven lamps that echo the time period that the home was originally built.

view through modern home interior down hallway past wood shelves and staircase

view through modern home interior down hallway past wood shelves and staircase

view of modern switch back stairs made of wood steps that extend to side to form shelves that hold plants

A new staircase is flooded with natural light while providing access to the upstairs and rooftop terrace.

interior view of modern house's hallway with white walls and open wood stairs in distance

The second floor is designated as a private area, housing bedrooms, bathrooms, and an office. The redesign of the open staircase, complete with a glass ceiling, allows the spaces on both floors to blend seamlessly, creating a harmonious flow throughout the house.

modern bedroom with built-in wood headboard wall and bed with attached tables

side view of modern bedroom with built-in wood headboard wall and bed with attached tables

partial angled view of modern bedroom with wood wall and built-in storage table and floating bathtub

view into modern open bathroom with glass walls, wood cabinets, and white floating console

angled partial view of modern bathroom

view of modern kids room with house shaped bed frame and wallpapered wall at back

modern bathroom

Photography by Grzegorz Layer.

Caroline Williamson is Editor-in-Chief of Design Milk. She has a BFA in photography from SCAD and can usually be found searching for vintage wares, doing New York Times crossword puzzles in pen, or reworking playlists on Spotify.

F1 photographer reveals Max Verstappen interaction that helped Red Bull star

F1 photographer reveals Max Verstappen interaction that helped Red Bull star

An experienced F1 race photographer says his advice from watching trackside has helped Max Verstappen find more pace on track.

Max Verstappen doesn’t need much help to discover the quickest way to get an F1 car around any given race track, but a photographer has claimed his advice has come in handy in the past.

Experienced photographer Frits van Eldik, a friend of both Max and father Jos, has explained that the unique perspective of standing trackside can allow photographers to make observations that TV cameras and telemetry might not necessarily see.

How watching Max Verstappen’s teammate proved useful

Building relationships with F1 drivers through their photography work, F1 photographers can be in an unusual position of using the naked eye up close to observe how different cars and drivers negotiate each corner.

“I think the most important thing is that you are taken seriously in the world, also in terms of information provision,” Van Eldik told the DRS Race Show, as quoted by Dutch publication F1 Maximaal.

“If I see something that I think matters, I will always pass it on to a driver, at least if I like them! You only have to sell nonsense once and then no one will take you seriously anymore.”

Van Eldik explained how, once, he’d spotted how Verstappen’s teammate – he didn’t say which one – was taking a corner differently from the young Dutchman. He passed the observation on to Max, who promptly adjusted and was able to find more speed.

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“You have to make sure you always come up with the right things and say ‘Pay attention to this or pay attention to that,” Van Eldik explained.

“I even had it with Max early in his career where I said ‘I see off the track that your teammate is doing this, and you are doing that. I don’t know what the difference is.’

“Then, a day later, he was super fast, and then he walked by with a picture – because I had pictures of that corner – and then he said: ‘See? Is it okay now?’

“That’s just funny, but I just want to be taken seriously as a photographer, but also as a person and as an expert on the game.”

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