This Season, Couture Went Sculptural. Photographer Daniel Archer Investigates

This Season, Couture Went Sculptural. Photographer Daniel Archer Investigates
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Hannah Motler wears a dress by Hodakova, bustle by Renaissance Renaissance, and tights by Ioannes.

Fashion has always been a manipulation of form—a means to obfuscate, warp, tighten, or liberate. From a riff on a Degas dancer to a geometric silhouette reminiscent of a Brancusi, these looks, curated from a range of archival runway pieces and independent designer silhouettes, embrace the power of fashion as sculpture.

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Hannah wears a top by Schiaparelli, headpiece by Ali, and tights by Wolford.
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Hannah wears a dress by Alaïa and hat by Noel Stewart.
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Hannah wears a dress, bra, and underwear by Bottega Veneta; tights by Falke; shoes by Marc Jacobs; and gloves by Paula Rowan.
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Hannah wears a vintage dress by Comme des Garçons sourced from 20 Age Archive, headpiece by Ali, bodysuit and tights by Wolford, and shoes by Prada.
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Hannah wears a dress by Melitta Baumeister, tights by Tabio, and shoes by the Row.
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Hannah wears a vintage top by Comme des Garçons sourced from Aralda Vintage, shorts by Maison Margiela, socks by Comme Si, shoes by the Row, and a headpiece by Noel Stewart.
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Hannah wears pants by Y/Project and shoes by Aeyde.
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Hannah wears a coat by Balenciaga, bodysuit and tights by Commando, socks by Marc Jacobs, shoes by the Row, and a hat by Noel Stewart.
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Hannah wears a top by Comme des Garçons sourced from Aralda Vintage and a headpiece by Noel Stewart.
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Hannah wears a vintage dress by Junya Watanabe sourced from Aralda Vintage, tights by Wolford, socks by Comme Si, and shoes by Prada.
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Hannah wears a top by Y/Project, vintage skirt by Yohji Yamamoto sourced from Aralda Vintage, socks by Wolford, and shoes by Marc Jacobs.
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Hannah wears a top by Y/Project and a vintage skirt by Yohji Yamamoto sourced from Aralda Vintage.
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Hannah wears a dress by Prada.
Hannah wears jeans by Y/Project.

Modeling by Hannah Motler
Makeup by Celia Burton
Hair by Ali Pirzadeh
Nails by Trish Lomax
Set design by Thomas Bird
Executive production by Giorgio Tsintoukidis
Casting by AAMØCasting
Lighting direction by Ross Zillwood
Production coordination by Katie Holmes
Production running by Ellie Steel
Photography assistance by Rob Palmer and Arthur Finch
Fashion assistance by Tallula Bell Madden and Flo Thompson
Set assistance by Elliot Batten, Mitchell Frank Fenn, and Toby Saunders
Makeup assistance by Emily Engelman
Hair assistance by Tommy Stayton and Aminata Kamara 

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Local Living: Award-winning journalist teams up with photographer for free book signing

Local Living: Award-winning journalist teams up with photographer for free book signing

Local Living on ABC Columbia brought to you by MUSC Health

COLUMBIA, S.C. (WOLO)– In today’s look at Local Living, the 6th annual Cottontown Art Crawl kicks off next month.

Nearly 200 artists will showcase their work in the historic neighborhood of downtown Columbia.

The event takes place on Saturday, March 9 from 10 a.m. to 4 p.m. Admission is free.

Historic Columbia and the South Carolina State Museum are hosting a free book signing event.

Award-winning Journalist and Author Claudia Smith Brunson has teamed up with Photographer Cecil Williams on his new biography.

The book explores his life and perspective during the civil rights movement in South Carolina.

The event takes place on Thursday, Feb.15 at 5:30 p.m. at the Hampton-Preston Mansion. Registration is required.

The Dinosaur Adventure is stoping its way to the state fairgrounds this month.

You and family can take part in fossil searches, riding your dinosaur or riding in Jurassic Jeeps.

It takes place on Saturday, Feb. 24 from 9 a.m. until 8 p.m.

And on Sunday, Feb. 25 from 9 a.m. until 7 p.m.

You can get your tickets by clicking here.

Calgary Farmers’ Market calls negative reaction to AI art a ‘tempest in a teapot’

Calgary Farmers’ Market calls negative reaction to AI art a ‘tempest in a teapot’

The Calgary Farmers’ Market said it did nothing wrong by using images of animals generated by artificial intelligence (AI) in it’s new marketing campaign, despite heavy criticism of some who say they should have used local artists.

Debbie Catling, president of the Calgary Farmers’ Market board, calls it a tempest in a teapot.

“What hit us was some of the reaction to the AI piece of it, the integration of the AI to the artistry part of it,” Catling said. “It’s a tool to be used. AI doesn’t just spit out an image.”

Catling said it’s like when painters who used to deny using a camera was true art.

The farmers’ market board president said the market worked with local company PTI Graphics to develop a campaign that would grab attention as people scrolled social media.

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“He had the idea. He knew what he wanted. He used AI for some of the imagery but then he had to edit, Photoshop and add the layers to it,” Catling said.

“I think that the nuances of this are being blown out of proportion. So that is why I would say tempest in a teapot.”

Still, there are plenty of naysayers rallying against the campaign.

More on Calgary

“Why I’m disappointed? I do believe the choice of AI artwork rather than a localized community of artists for that choice is taking away opportunities from Calgarian based artists,” Simone Engel said.

In August, Wizards of the Coast fell under criticism of using AI-generated art for one of its Dungeons & Dragons books. In a statement, the Hasbro-owned subsidiary said it was unaware the artist, with whom the publisher had a decade-long relationship, used AI in some of the art and was revising its artist guidelines as a result.


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In October, U.S. media company Gannett denied it published marketing material created by artificial intelligence on a shopping website it owns, but it acknowledged some of the content produced by a marketing partner “did not meet our editorial standards.”

And in January, Wizards of the Coast admitted to using AI-generated art for some of its Magic: the Gathering promotional materials, saying it would revise its policy of using AI art for marketing.

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Not buying local is a serious action for a farmers’ market to be accused of.

Jonathan Taylor of PTI Graphics said the accusation is puzzling.

“I didn’t see this coming,” Taylor said. “We just wanted to have some fun and make a cool memorable campaign.

“We are local, we are from Calgary. All of my staff is from Calgary. We have been in business for 13 years. We only use local providers for our printing. We local source everything we can — that’s why I am a little puzzled.”

The farmers’ market west location on Greenbriar Dr Northwest was busy with Valentine’s Day on Wednesday, but none of the people Global News spoke with there argued against the campaign.

Jacquelyn Spackman manages Blossoms YYC and said she hasn’t heard much about the controversy.

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“We have been so focused on Valentine’s right now, but I think the new marketing is great and it’s creating a buzz,” Spackman said.

Maggie Wu and her three year old said the animals have become a favourite since their unveiling a week ago.

“I love it, she loves it, points at it every time we come in. She points at the animals,” Wu said. “It’s super engaging I think its awesome.”

Critics say the market has cut them off their social media comments page. Catling said the market has answered the critics and is now are focusing their attention on their vendors and their clients.

“To create a little bit of fun honestly, some whimsical fun,” Catling said. “There is something for everybody here at the Calgary Farmer’s Market.”

–with files from The Associated Press


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Concerns about use of AI in sexualized violence


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“Material Recovery” art show opens in San Pedro

“Material Recovery” art show opens in San Pedro
A 28-year Seal Beach resident Diane McLeod is a visual artist who doesn’t believe in the stereotype of the “loner artist,” although she has spent plenty of time creating artwork on her own. In a press release she issued this week, McLeod said one way she disproves the myth pf the loner artist is by […]