Photographer, Beekeeper Strive to Protect Coachella Valley Bees

Photographer, Beekeeper Strive to Protect Coachella Valley Bees

A photograph by Krystle Hickman. “This image is really cool because there are three different families of bees all in one photo,” she says. “They all have a symbiotic relationship with the flower they’re on.”

A photograph by Krystle Hickman. “This image is really cool because there are three different families of bees all in one photo,” she says. “They all have a symbiotic relationship with the flower they’re on.”
PHOTO BY KRYSTLE HICKMAN

In the heart of the desert, where life seems to defy the odds, a subtle yet essential symphony buzzes daily. Against the backdrop of the Coachella Valley, a remarkable tale of survival and symbiosis plays out in the world of bees.

With more than 20,000 bee species around the globe and an estimated 4,000 native to the United States, according to the U.S. Geological Survey, the honey-producing type that most often bumbles to mind hails from Europe. These striped, stinging insects that sometimes build unwelcome hives near our homes have been domesticated and bred by apiarists for honey production and pollination for thousands of years, evidenced by ancient Egyptian hieroglyphs and Mesolithic paintings discovered in Spanish caves.

A curiosity about honeybees propelled photographer Krystle Hickman on a spirited journey across California to uncover the secret lives of bees. Armed with a camera and a desire to connect with nature, she embarked in 2016 on a mission to shed light on their world.

“I was taking pictures of honeybees for a while when I ran across a native bee for the first time,” she says. “At the time, I thought all beekeepers were bee experts, so I went to them. I was asking, ‘Hey, what kind of bee is this?’ And none of them knew.”

Turning to social media, she connected with a community of melittologists — a fancy term for bee experts — who opened her eyes to the incredible diversity of native bees.

While the variety of species reported today may impress on the surface, native populations have experienced a sharp decline in recent decades. At least a quarter have vanished since the 1990s, according to a 2021 study published in One Earth. Research shows that habitat loss and fragmentation are among the leading causes of their disappearance. Here in the Coachella Valley, conservation efforts like the Pollinator Pathway projects organized by The Living Desert Zoo and Gardens aim to make a difference by planting gardens, engaging the community, and underscoring the impact of  biodiversity — or the lack thereof.

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Krystle Hickman photographing bees in the Coachella Valley.
PHOTO BY BRANDON HARMAN

Hickman’s journey led her to Crescent Farm at the L.A. Arboretum, where she realized the importance of native plants in supporting native bee populations. This discovery marked the beginning of her deep dive into documenting the creatures and their ecosystems.

“I spent about a year heavily documenting the bees at Crescent Farm,” she says. Over the course of that year, Hickman reports, she photographed 43 native species.

She has documented bees in the Coachella Valley, too. “Spring bees are my favorite bees in the desert,” she says. “They have symbiotic relationships with plants. I spend a lot of time looking for the plants that these bees have relationships with.”

Krystle HickmanKrystle Hickman

Krystle Hickman in the field.
PHOTO BY BRANDON HARMAN

Hickman received a National Geographic Explorer grant last year to fund a book, The A, Bee, C’s of California, in which every letter of the alphabet represents a different species of bee, each with its own story. Still in progress, it’s poised for release sometime next year.

“Some of the bees [documented in the book] are in the mountains, some are in the desert, some are on the Channel Islands — they’re all over the place,” Hickman says. “I’m just trying to include as many ecosystems as possible.”

When the buzzing moves a little too close to home (honeybees are the common culprit), wary residents may seek out pest control services. In lieu of extermination, removal and relocation ensures colonies can carry on their important duties as pollinators, tending to our ecosystem.

Serving the Coachella Valley for almost four decades, Lance Davis of Killer Bee Live Removal in Palm Desert has become one of the most sought-after bee removers in the area, even working on call for Goldenvoice during the Coachella and Stagecoach music festivals. He relocates bees — from sheds, cars, and equally undesirable spaces — to apiaries and other suitable locations.

Notably, Davis forgoes the traditional beekeeper getup and most often interacts with colonies in little more than a T-shirt and jeans. This unconventional approach caught the attention of  Wayne Page, a producer and director who has worked on shows with Steve Irwin and Martha Stewart. Together, Davis and Page developed The Killer Bee Catcher, an EarthxTV docuseries released in 2023. Mixing education and entertainment, Davis brings the fascinating world of bees to life in viewers’ homes.

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Lance Davis responds to a local bee removal call. He uses a bellow smoker to calm the bees before removing and relocating them to a more bee-friendly environment.
PHOTO BY BRANDON HARMAN

His interest traces back to early childhood afternoons on the Davis family’s 20-acre peach orchard in Palisade, Colorado, helping his parents tend to the bees. “I always liked insects,” he shares. “As a kid, I was always catching bees in those little plastic catcher things.”

Davis moved to the Coachella Valley as a teenager, and his passion blossomed. He went all in on beekeeping, learning the trade through practical experience and dedication. “It takes you about seven years to become a beekeeper,” Davis says. “Like anything, if you stick with it, you get good at it.” Working with bees and jarring honey, he kept jobs at restaurants in Palm Springs to pay the bills.

“I was waiting tables at Lyon’s English Grille and Melvyn’s at the Ingleside Inn,” he recalls. “I was 17. I got really good at waiting tables, and everybody who gave me a $100 tip or more, I’d go out to my car and get ’em a jar of honey. One diner I did this for owned a pharmacy across from Desert Hospital [now Desert Regional Medical Center]. He asked if I was a beekeeper, and when I told him I was, he asked if I could help with some bees in his roof.”

Lance Davis removing bees.
PHOTOGRAPHY BY BRANDON HARMAN

Davis relocated them, ultimately launching a new career.

He started his live bee removal business in 1986. With a calm and methodical approach, he begins by using a smoker to relax the bees. “You have to greet them with a little smoke from your bellow smoker to let them know you’re there,” he explains. “It calms them down and confuses the pheromone that they release when they want to attack. This keeps them pretty mellow, and then you just handle them gently and with respect.”

Respect for these little life forms is the common denominator among the various communities of beekeepers, melittologists, and citizen scientists who advocate for the safekeeping of  bees in our area and beyond. Their work not only contributes to the greater understanding of these vital pollinators but also highlights the importance of preserving their habitats for generations to come.

Pentax film photography Instagram launches – is a new camera coming soon?

Pentax film photography Instagram launches – is a new camera coming soon?
Pentax made dozens of different compact camera models in the 20th Century – could one be appearing in 2024? (Pic: Farias Feijo Fotos/Pexels)

A new Pentax film photography Instagram account has been launched by Ricoh Imaging, adding to speculation the new Pentax film compact camera may be unveiled soon.

The new account was launched on Monday (26 February) and links to a page where people can register their interest in the proposed new Pentax film camera.

The account’s first post reads: “We are pleased to announce @pentax.film.photography as the official Instagram account for the Pentax Film Camera Project.

“The team in Japan are working hard to make the dream a reality. Please make sure to follow the account and register your support by signing up for the latest updates.”

The Instagram account’s profile page links through to a sign-up page for a newsletter which promises that subscribers will be “the first to know” about updates.

The new Instagram channel is the latest development since Ricoh Imaging – which owns the Pentax brand – announced that work was beginning on possible new film camera models in December 2022.

Back then, Ricoh Imaging said: “Ricoh Imaging/Pentax will begin research into developing new Pentax-brand film camera products. We will bring together both veteran and younger engineers to take advantage of the film camera expertise and technologies created and retained by Ricoh Imaging/Pentax while also incorporating the latest technologies and concepts.”

Ricoh Imaging outlined its plans after a sur vey of some 3,000 Japanese photographers found more than 20% of them regularly shot with film cameras.

While Ricoh Imaging was initially coy about confirming any particular camera, as 2023 progressed there were more and more clues that the company would be releasing a compact film camera.

In March 2023, it was announced that the intention was to build a manual-winding compact film camera, according to an interview with Pentax product designer Takeo Suzuki by the Japanese magazine Barfout!

Read more: Could the new Pentax film compact camera be a half-frame?

In a video interview in May, designer TKO said: “Our goal is to develop a camera that younger photographers will enjoy – our development effort is focused on this goal. We want to make a camera that makes taking photos a joy and that’s a pleasure to carry around every day.”

Ricoh Imaging denied an initial report from a French representative that two film compacts would be appearing early in 2024 which surfaced late last year, but by the end of the year the project was advanced enough for a prototype to be featured in an interview with the magazine Barfout! and a Japanese influencer – though no pictures of the actual camera have yet been leaked online.

Support Kosmo Foto

I’m Kosmo Foto’s founder and editor.

I’m a New Zealander who has been living in London since the mid-1990s, shooting film seriously since the year 2000. Kosmo Foto was launched in 2012 and has since become a film brand, with the release of my first films Kosmo Foto Mono 35mm (2017) and Kosmo Foto Mono 120 (2019).

I’m doing everything I can to promote film photography in the 21st Century, and help it survive and thrive. If you want to write something for Kosmo Foto, please drop me a line at foto.dowling@gmail.com.

Stephen Dowling
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Pinpoint National Photography | Toronto, ON

Pinpoint National Photography | Toronto, ON
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National Photography for Corporate Clients

Professional headshots of 250 sales agents in 15 locations? Photos of your award galas in 55 cities? A HeadShot Salon at your conference?

Whatever you need to promote or celebrate your business.

With Pinpoint, you have just one contact. We handle all the details & deliver professional photo images.

As our clients say, “We make it easy.”

At More Than 800 Pages, ‘The Book of Colour Concepts’ Revels in Four Centuries of Chromatic Wonders

At More Than 800 Pages, ‘The Book of Colour Concepts’ Revels in Four Centuries of Chromatic Wonders

All images courtesy of TASCHEN, shared with permission

We perceive color everywhere. Although it’s omnipresent, the concept is challenging to describe, in part because color itself is not an inherent property of matter. Our brains perceive hues through photoreceptor cells in our eyes, often called cones, that allow us to discern the visible light spectrum—think of a rainbow or a prism.

An object’s light absorption, reflective qualities, or other phenomena of physics influence how we recognize brightness, saturation, and contrasts. With no end to the variations and relationships between colors, it’s no surprise that something so universal can inspire so much investigation throughout history.

Artists, designers, scientists, religious disciples, and philosophers throughout the centuries have pondered the possibilities of pigments. The Book of Colour Concepts, forthcoming from TASCHEN, embarks on a journey through the theories, uses, taxonomical systems, and cultural and emotional affinities with humble hues.

Covering four centuries through more than 1,000 images and 800-plus pages, the two-volume set revels in a vast range of rare and illustrious documents, from early manuscripts to Isaac Newton’s 1704 Opticks treatise to the chromatic tableaus of 19th-century spiritualist painters Annie Besant and Charles Webster Leadbeater. Readers will also find studies from Color Problems, the early 20th-century handbook by Emily Noyes Vanderpoel, which described theories that would trend in subsequent decades in design and art, like Joseph Albers’s series Homage to the Square.

Pre-order your copy of The Book of Colour Concepts from TASCHEN or Bookshop. You might also enjoy this vibrant Enlightenment-era catalog of more than 500 types of marble or this survey of six centuries of color charts.

 

an open book spread with the words a dictionary of color on the left and a pink to orange color chart on the right

a color chart with descriptions handwritten in cursive

an open book spread with four color charts and text below

an illustration of blue to gray colors

a book slip case with circular color graphics

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article At More Than 800 Pages, ‘The Book of Colour Concepts’ Revels in Four Centuries of Chromatic Wonders appeared first on Colossal.

Lianna Nielson Triumphs with Candid Family Photo at Documentary Fa…

Lianna Nielson Triumphs with Candid Family Photo at Documentary Fa…
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Lianna Nielson, owner of Black Sand Studio, recently clinched first place in an international photography competition, marking a significant milestone in her career as a documentary family photographer. Her winning entry, a candid snapshot capturing the chaotic essence of family life, not only earned her the top spot in the single image category at the Documentary Family Photographers Awards but also saw her being named runner-up for Documentarian of the Year. Alongside these accolades, two of her other photographs received runner-up positions in the same category, cementing her status as a leading figure in this niche field.

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From Speech Therapist to Award-Winning Photographer

Nielson’s journey into the world of photography began in her childhood, but it wasn’t until after taking maternity leave from her career as a speech and language therapist that she decided to turn her passion into a profession. With her husband’s encouragement and a shared love for photography, she embarked on a journey that led her to establish Black Sand Studio. The transition from her former career to focusing on family/lifestyle photography was a pivotal moment, driven by a desire to capture authentic, everyday family interactions.

The Essence of Documentary Family Photography

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Documentary family photography, as Nielson explains, is akin to photojournalism for family life. It’s an unposed, candid genre that captures the full spectrum of family emotions and moments, from joyous celebrations to the trials of daily life. Her approach involves becoming “part of the furniture,” allowing her to document genuine interactions and the raw beauty of familial bonds. This style contrasts sharply with traditional lifestyle photography, providing a more authentic and meaningful portrayal of family life.

A Recognition of Talent and Dedication

Nielson’s achievements in the Documentary Family Photographers Awards serve as a testament to her skill and dedication to her craft. The recognition of her work on an international platform not only highlights the significance of documentary family photography but also underscores the importance of capturing real, unfiltered moments. Nielson’s success is a source of inspiration for aspiring photographers and a reminder of the profound impact that genuine, heartfelt photography can have.

As Nielson continues to document the rich tapestry of family life through her lens, her accomplishments serve as a beacon for the documentary family photography community. Her recognition at the Documentary Family Photographers Awards is not just a personal triumph but a celebration of the authenticity and depth that this genre brings to the world of photography.

Film vs Digital: The Real Debate for Real Photographers

Film vs Digital: The Real Debate for Real Photographers
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Photographers have long debated whether film or digital is better. It’s very well agreed these days that the two can easily coexist. More importantly, if someone doesn’t know any better, they’d think that they’re looking at film when looking at a digital photo. With the right processes in the darkroom and scanning, film photographs can look film digital too. But this post isn’t about gear talk. Instead, it’s about philosophy, thought processes, skill, intuition, and understanding of the self. The truth is that if you’re only a digital photographer, there’s a chance that you’re really not all that good.

I recently watched Walkie Talkie on YouTube, where Paulie speaks to Daniel Arnold. In this video, Daniel says one of the most beautiful quotes I’ve ever heard that goes along the lines of:

“Film is a conversation with failure and digital is a conversation with success.”

Something sort of along the lines of what Daniel Arnold said

This is one of the most honest and pure statements I’ve heard about the medium. It isn’t about megapixels, details, skin tones, or anything technical. Instead, it’s more about the approach. With digital photography, we tend to overshoot because it’s so cheap. But with film, the process is more expensive, less exacting, and much riskier. Often, we shoot one frame a second and then advance the film unless the camera has an automatic advancement setting. Indeed, when shooting film, there is far more risk of failure. And we become better through failure, evaluation of the moment, and careful contemplation.

I’m defining better by being more in touch with getting the image the first time around with little to no need for Photoshop or editing and adjustment later on. These are the skills that only a photographer can have. A photo editor can often shoot a lot of images and then edit later on to get what they want. But a photographer needs to be able to do everything in-camera and understand various nuances about the scene in front of them to get the shot. When you shoot film, you’re far more honest with yourself — and becoming better starts with being more honest in the first place.

In this article, I am not saying film is good and digital is bad. I’m also not saying that digital is good and film is bad. Instead, I’m saying that you, as a photographer, can become far better by acknowledging your failures and realizing that you can’t save yourself later on by getting the shot in a single frame. Many photographers say that they can do everything in the darkroom that Photoshop can, but the difference is that they’re not doing it. They’re probably not even printing in the darkroom and then scanning the print.

Digital photographers often have a conversation with success that’s centered far more around content creation. Film photographers don’t necessarily do the same. They strive to create art, which stands the test of time far more than content creation does.

In the real debate of film vs digital, I think that we need to learn the balance between failure and success. We truly need to realize that to succeed, we need to improve by thinking at a higher level instead of relying on post-production as a crutch.