Vivid Flora and Fauna Coexist in Immersive Paper Ecosystems by Clare Celeste Börsch

Vivid Flora and Fauna Coexist in Immersive Paper Ecosystems by Clare Celeste Börsch

“Phoenix” (2024). All images © Clare Celeste Börsch, shared with permission

Lush layers of flora and fauna sprout in alcoves and crawl across gallery walls in the works of Clare Celeste Börsch (previously). The Berlin-based artist continues her ecological studies as she entangles paper cutouts into immersive ecosystems in which butterflies, birds, plants, and fungi coexist.

Börsch’s most recent work, “Phoenix,” takes its name from the mythological bird at its center. Emerging from an explosive volcano, the creature signals rebirth, a symbol that emerged following the trauma of the last few years and her own health issues. “In a world marked by change and uncertainty, we can find solace in the cycles of nature,” the artist says. “It is my hope that ‘Phoenix’ serves as a visual metaphor for our shared capacity to rise anew.”

If you’re in Berlin, you can see the piece as part of a pop-up exhibition through February 15, along with the artist’s “Biodiversity” installation starting February 13 at the Mexican Embassy and a new work within a cell at the former Köpenick Prison this spring. Otherwise, head to Instagram for more of her collaged environments.

 

a tangle of colorful paper cutouts of plant and animal life

Detail of “Phoenix” (2024)

an installation of a paper phoenix rising from a volcano with mushrooms, plants, insects, and birds surrounding

Detail of “Phoenix” (2024)

the artist crouches down in front of an installation of palm laves and tropical flowers with yellow and blue butterflies above

For Scope Art Fair (2023)

a collaged installation of leaves, flowers, and butterflies

Detail of an installation for Scope Art Fair (2023)

a blossoming installation of flowers, leaves, birds, and butterflies on a gallery wall. the artist stands in front looking at the work

a sprawling, mycelial network on a white gallery wall with flowers and plants growing from it

“Under Garden” (2022)

Detail of a sprawling, mycelial network on a white gallery wall with flowers and plants growing from it

Detail of “Under Garden” (2022)

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Vivid Flora and Fauna Coexist in Immersive Paper Ecosystems by Clare Celeste Börsch appeared first on Colossal.

Ice sculptures on display

Ice sculptures on display
This ice sculpture, sponsored by the City of Auburn, offers a window to First Friday spectators while others admire the creations around the James Cultural Plaza.

The Toy Camera at the Heart of the Analogue Revival

The Toy Camera at the Heart of the Analogue Revival
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When the Holga first launched, it didn’t quite capture people the way its creator hoped… but it did spark something.

The camera, which first released in 1982, was meant to be an affordable option with a plastic toy-like body, the South China Morning Post explains in the video above (part of its new “Cultured” series), but users found it “too rudimentary” even within the amateur space. Plus, it used 120 film, while 35mm was a far more popular option.

However, the Holga wasn’t left to languish in photography history books, instead gaining a following through the Lomography movement. Lomography was an art style that started in Vienna in the 1990s that embraced so-called “imperfections” in photography. Blur, light leaks, under and overexposure, and heavy vignetting were celebrated in Lomography. The champions of the movement started the Lomography company and the Lomographic Society International.

Front of a Holga camera.
Alfred Sigaro

“Emotionally, it feels more real. Maybe not visually. Visually, if you have a very clear image, of course there are more details. But emotionally, maybe it doesn’t feel real. Maybe with the dream and blurry image, it is actually more accurate to our memory,” Tat Tso, Lomography’s head of operations in Asia, tells the South China Morning Post. “We don’t remember things clearly if you think about it. We remember things in a blurry way, in a dreamy way.”

Therein lies the appeal of Lomography.

Those elements drew popularity once again in the 2000s and 2010s, as apps like Hipstamatic and Instagram aped the look with filters that incorporated vignettes and artificial light leaks. Hipstamatic and even Instagram’s original app icon further embodied the looks of camera models like Holga. Additional vintage- and Lofi-style filters on smartphones and editing software as well as apps like Huji continued the trend. And while the Holga isn’t an instant, the rise of instant cameras from companies like Fujifilm and Polaroid all tie into the Lomography renaissance.

Photographer takes a picture with a Holga camera.
Christopher Michel

In the late 2000s, the South China Morning Post reports, Holga was selling about 200,000 units each year. And Lomography, the company, continued as well with stores all over the world and camera releases.

Yet, some attribute the revival of analog photography and Lomography as contributing to Holga’s downfall. Some say Instagram’s rise was to blame. Others think Kodak’s filing for bankruptcy and stopping film production was the real issue as film for the camera became more scarce. Though Kodak would eventually resume film production and Instagram has moved away from the Lomography aesthetic it boasted in its early years, Holga stopped production in 2015.


Image credits: Wikimedia Commons

Kids Photoshoot Ideas For Better Photography

Kids Photoshoot Ideas For Better Photography

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