8 sculptures celebrate the spirit of the Super Bowl at Kelowna’s Save-On-Foods
Super silly sculptures for Super Bowl at Kelowna Save-On-Foods
February 2024 Opportunities: Open Calls, Residencies, and Grants for Artists
Illustration by Marija Tiurina
Every month, Colossal shares a selection of opportunities for artists and designers, including open calls, grants, fellowships, and residencies. If you’d like to list an opportunity here, please get in touch at hello@colossal.art. You can also join our monthly Opportunities Newsletter.
Black Women Photographers Grant FundFeatured
In partnership with Nikon, the Black Women Photographers grant fund will award 11 monetary grants totaling $50,000 to Black women working in the industry. The grants are marked to aid the completion of visual projects and to ease the burden of business expenses.
Deadline: 11:59 p.m. ET on February 17, 2024.
The Susannah Kelly Art AwardFeatured
The newly launched Susannah Kelly Art Award offers three $2,000 grants for artists working in drawing, painting, and sculpting. Recipients will also receive a solo exhibition at Antler and Talon galleries in Portland. The grant fund was created to honor the memory and legacy of artist Susannah Kelly, who co-founded the galleries.
Deadline: March 22, 2024.
Open Calls
Filter Photo Call for Exhibition Proposals (International)
Filter Photo welcomes photography proposals of all types, whether traditional or experimental or from an emerging curator or a veteran artist. Accepted proposals will receive a four- to six-week exhibition at Filter Space in 2024 or 2025, at least one exhibition reception, the opportunity to host an event in conjunction with the exhibition, exhibition marketing, and a stipend based on W.A.G.E. standards.
Deadline: February 2, 2024.
Noguchi Museum 2024 Open Call for Artist Banners (New York City)
The Noguchi Museum invites working artists ages 18+ who reside in New York City and self-identify as Asian American Pacific Islander (AAPI) to submit designs for the museum’s outdoor banners, responding to the theme of “love and labor.” The winning artist will receive a $3,500 honorarium. Their work will be installed from May 2024 through May 2025. Two runners-up will each receive a $2,500 honorarium. All three artists will have the opportunity to develop and lead a public program at the museum.
Deadline: February 4, 2024.
Locust Projects Digital Commissions Open Call (International)
Locust Projects invites artists to apply for the opportunity to propose ambitious multi-layered digital projects that respond to the hybridity and flexibility of Locust Projects’ physical space in Miami and various presenting platforms from onsite, galleries, interior or exterior surfaces, on screens, or online. Locust Projects provides selected artists with curatorial guidance, a production budget, an artist W.A.G.E. fee, documentation, and a live/work residency opportunity.
Deadline: February 5, 2024.
The 25 Spiral Independent Creators Festival (International)
Launched in 2000, SICF is an open-call art festival in Tokyo that aspires to discover, foster, and support emerging artists and designers. The organization is now accepting creators’ applications for the 25 Spiral Independent Creators Festival (SICF25), which runs May 2 to 7. Participants could win a grand prize of a solo show and up to ¥500,000.
Deadline: February 14, 2024.
Sony Future Filmmaker Awards (International)
The Sony Future Filmmaker Awards elevates voices that bring a fresh perspective to storytelling. The shortlisted filmmakers are flown to Los Angeles for an exclusive four-day event to gain unparalleled insight into all aspects of the filmmaking process to advance their careers.
Deadline: February 15, 2024.
FREE THE BOOKS: A Print Exhibition (International)
This March, Evanston Public Library will host an exhibition of prints about banned books in collaboration with Hive Center for Book Arts and Starshaped Press. Entry fees range from $5 to $35.
Deadline: February 16, 2024.
Bio Art & Design Award 2024 (International)
Geared toward emerging designers and artists, this €25,000 award promotes bio art and design. It will commission up to three winners to produce new work in collaboration with Dutch scientists, working in sustainability, food, health, biotechnology, horticulture, and agriculture.
Deadline: 23:59 CET on February 21, 2024.
Art21 Educators Program (International)
Art21 Educators is an intensive, year-long professional development initiative and learning community. The program is designed to support K–12 educators in any subject area who are interested in bringing contemporary art, artists, and themes into the classroom.
Deadline: 11:59 p.m. ET on March 31, 2024.
Passepartout Photo Prize (International)
Open to any style, process, or subject matter, this annual prize offers 1,000 Euros, an exhibition in Rome, and a publication. The entry fee starts at 25 Euros for three images.
Deadline: April 4, 2024.
Grants
Artadia Awards (U.S.)
Artadia Awards annually grants three artists $15,000 in unrestricted funds in Atlanta, Boston, Chicago, Houston, Los Angeles, New York City, and the San Francisco Bay Area. There is also a roving partnership with 21c Museum Hotels, where one award is presented in a different city each year where 21c Museum Hotels are located.
Los Angeles deadline: February 1, 2024. Chicago deadline: March 1, 2024. Additional deadlines rolling throughout 2024.
BBA Artist Prize 2024 (International)
Artists working in all themes, mediums, and experience levels are invited to apply for cash prizes of €1,000, €700, or €500, plus the chance for a solo exhibition in 2025 at BBA Gallery in Berlin. There is a €29 fee if submitted before December 12, then €39.
Deadline: February 19, 2024.
New Voices Filmmaker Grant (International)
An ongoing initiative in partnership with Netflix to support emerging LGBTQ+ directors with $25,000 in funding to create new work, the New Voices Filmmaker Grant also provides mentorship, networking, and professional development opportunities. Four emerging directors will receive the unrestricted grant.
Deadline: February 22, 2024.
Prix Viviane Esders (Europe)
The Viviane Esders Endowment Fund welcomes applications for the third edition of the Prix Viviane Esders, recognizing European photographers over 60 years old who have developed photographic careers over several decades. One established photographer receives €50,000, and two finalists receive €5,000 each.
Deadline: April 29, 2024.
The Adolf and Esther Gottlieb Emergency Grant (International)
The Adolph and Esther Gottlieb Emergency Grant program provides one-time interim financial assistance to qualified painters, printmakers, and sculptors whose needs are the result of an unforeseen catastrophic incident and who lack the resources to meet that situation. Awardees typically receive $5,000, up to $15,000.
Deadline: Rolling.
Adobe Creative Residency Community Fund (Ukraine)
Adobe’s Creative Residency Community Fund commissions visual artists to create company projects on a rolling basis. Awardees will receive between $500 and $5,000.
Deadline: Rolling.
Pollock-Krasner Foundation Grant (International)
The foundation welcomes applications from actively exhibiting visual artists who are painters, sculptors, and artists who work on paper, including printmakers. Grants are intended for one year and range up to $50,000. The individual circumstances of the artist determine the size of the grant, and professional exhibition history will be considered.
Deadline: Rolling.
Residencies, Fellowships, & More
Fine Arts Work Center 2024-2025 Visual Arts Fellowship (International)
Ten artists will be awarded seven-month residencies from October 1 to April 30. Fellows are provided housing, a studio, a $1,250 monthly stipend, and a $1,000 exit stipend. There is a $65 application fee.
Deadline: 11:59 p.m. ET on February 1, 2024.
Contemporary Craft Artists-in-Residence (U.S.)
Non-Pittsburgh residents working in metal-smithing, jewelry, fibers, weaving, wood, encaustics, paper and book arts, ceramics, and woodworking are eligible for residencies at Contemporary Craft. Artists receive a $1,200 monthly stipend, housing, and studio space.
Deadline: 11:59 p.m. ET on February 1, 2024.
Arts/Industry at John Michael Kohler Arts Center (International)
Open to all disciplines, this program selects twelve artists each year for three-month pottery and foundry residencies. No experience with clay or cast metal is required, just an interest in pursuing a new body of work and being open to new ideas. Residents receive a $160 weekly stipend, studio space, housing, transportation, industrial materials, equipment, and more.
Deadline: February 1, 2024.
Mattress Factory Artist-in-Residence (International)
Open to artists working in any medium, this residency offers an honorarium, a production and materials budget, transportation to and from the space in Pittsburgh, accommodation, a per diem during on-site installation, and fabrication and support.
Deadline: 11:59 p.m. ET on February 8, 2024.
MacDowell Fellowship (International)
MacDowell awards about 300 fellowships each year, and the sole criterion is artistic excellence. There are no residency fees, and need-based stipends and travel reimbursement grants are available. MacDowell encourages applications from artists of all backgrounds and all countries working in architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts.
Deadline: February 10, 2024.
Forge Project Fellowship (U.S.)
Six Indigenous artists, scholars, organizers, cultural workers, researchers, or educators will each receive $25,000 and more.
Deadline: February 15, 2024.
Martin House Creative Residency Program (International)
The Creative Residency Program at Frank Lloyd Wright’s Martin House offers artists and researchers a $5,000 stipend, housing, and $1,000 in travel expenses to create a new work related to the architect’s legacy.
Deadline: February 16, 2024.
2026 McKinney International Art and Design Residency (International)
The Eskenazi School of Art Architecture + Design at Indiana University Bloomington invites applications for a four– to six-week McKinney International Art and Design Residency. An established artist or designer living outside the U.S. will be awarded studio space, lodging, and $8,000.
Deadline: February 16, 2024.
NXTHVN Fellowship (International)
Each year, NXTHVN welcomes up to seven artists and two curators to participate in its paid 10-month intensive fellowship program. Fellows receive studio or office space, a stipend, and subsidized housing. The mentorship-driven curriculum includes professional development sessions led by visiting artists, curators, scholars, and practitioners. Curatorial fellows will each receive a $45,000 stipend, and studio fellows will each receive a $35,000 stipend.
Deadline: February 26, 2024.
Tulsa Artist Fellowship (U.S.)
Tulsa Artist Fellowship will award ten artists from any discipline a $150,000 stipend paid over three years, a $36,000 housing stipend for three years, a fully subsidized studio space, and more.
Deadline: February 28, 2024.
Apolan Residency at Fondation Fiminco for Taiwanese Artists (International)
This program welcomes applications from Taiwanese artists for a four-month residency from mid-September to mid-January 2025. Artists receive accommodation, workspace, administrative and professional support, and 305,000 NTD, which covers round-trip transportation, living costs, production fees, insurance, visa application fees, and more.
Deadline: February 29, 2024.
Kala Art Institute 2024-2025 Fellowship (International)
Artists producing innovative work in printmaking, photography, digital media, social practice, media installation, and book arts are encouraged to apply. In 2024, Kala will award six artists a $3,000 stipend, unlimited access to Kala’s facilities for one to nine months, one Kala class, and a culminating show in the Kala Gallery. The entry fee is $20.
Deadline: March 15, 2024.
Irene Yamamoto Arts Writers Fellowship for Emerging Writers of Color(U.S.)
The second annual Irene Yamamoto Arts Writers Fellowship will provide $5,000 unrestricted awards to two arts writers of color who cover theatre, dance, and/or performance art and have less than two years of publishing experience.
Deadline: March 18, 2024.
The Erin Donohue and Family Ceramics Artist Residency (International)
Hosted by the Artists Association of Nantucket, this ceramics residency will bring one artist to Nantucket to teach two five-week classes, one introductory course for the community and a more intermediate one for students and professionals. The program offers lodging, studio space, a $500 travel stipend, and a $2,000 stipend for living expenses and materials.
Deadline: April 5, 2024.
Diriyah Art Futures Emerging New Media Artists Program (International)
Diriyah Art Futures launches a concept-driven digital and technology-led creative production and training program for emerging artists working in new media and digital arts. This one-year scholarship supports emerging artists by providing access to cutting-edge professional equipment, a production budget, and a range of multidisciplinary learning opportunities, including personal mentorship by prominent international digital artists.
Deadline: April 29, 2024.
Hunter Moon Homestead Artist Residency (International)
Artists and arts educators working across disciplines are invited to apply to this program in Palouse. Residents receive one- to three-week stays, with lodging and studio space included.
Deadline: Rolling.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article February 2024 Opportunities: Open Calls, Residencies, and Grants for Artists appeared first on Colossal.
Missoula Art Museum showcases Native artists’ take on relationships in new exhibit
MISSOULA, Mont. — The Missoula Art Museum is featuring Native artists’ work in a new art exhibition titled “For the Good of All Things.”
Works come from 16 artists who all live on Confederated Salish Kootenai Tribal lands. The public is encouraged to meet with the artists on March 9 or April 5.
“For the Good of All Things” shows a glimpse at the importance of relationships within Native CSKT communities, and includes a wide variety of mediums, from ledger art to photography to a painted skull.
The exhibit is featured in the Lynda Frost Gallery and will be on display through April 6.
The Missoula Art Museum released the following information:
Steve Dunlap’s mastery of drone photography is taking his career to new heights
Take a look at Steve Dunlap’s remarkable photos of Birmingham’s Elyton Hotel, and you’ll see something the photographer hopes is completely different — the view from above and around the top of the historic building that you haven’t seen before.
“I’m looking for things that people can’t see from the ground very well,” he says. “It’s all about a different perspective, seeing things that people can’t see from the ground. … One of the first things I shot was the Elyton Hotel, very high up, to show the detail of the architecture of the hotel around the top floor. Nobody had really seen that without a drone.”
Drones — the unmanned contraptions that can fly a camera to dizzying heights and amazing angles — have changed the way Dunlap and other photographers ply their trade. For Dunlap, it’s opened up a whole new source of revenue.
“I sell unique artistic photographs of Birmingham architecture and icons and skylines,” he says. “People will use them in their homes, or corporations will put them in their board rooms, or hotels will buy them and put them on display.”
EARLY ADOPTER
Dunlap began dabbling in drone photography around 2016, first with a Christmas gift from his son and then with a couple of borrowed drones.
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“In 2016, the drones really came into their own technology-wise and became viable for video and still production,” he says. “I just kind of fell in love with it. I got into it right at the right time.”
Initially, Dunlap used drones to enhance his videos, not for still photography.
“Since I came from video production, my first entrée into it was just shooting video from the drone,” he says. He got the required insurance and drone certification from the FAA, and he was up, up and away.
Dunlap began by shooting things he thought were interesting in Birmingham, including a video of the statue of Vulcan in the evening.
“I sent that to Alabama Power, and they wrote me right away and said they wanted to buy the rights to it,” he recalls. That led to him shooting Alabama Power’s statue of Electra and “ultimately, they had me shoot all of their power plants across the state.”
FOCUSING ON STILL PHOTOGRAPHY
Dunlap’s work included banks, real estate, commercials, documentaries and some news, and in December 2022, he started doing still photography.
“In the wintertime, things slow down for drone work, and I wanted to take that opportunity to feature Birmingham architecture,” Dunlap says. “I posted some stuff on Facebook and got some great feedback. One thing led to another, and I started doing art shows. I’ve been happy and surprised with the response. It’s become very satisfying.”
Take a look at Dunlap’s website, dunlapproductions.com, and you’ll see stunning shots of many Birmingham landmarks — Electra, Vulcan, the Rotary Trail entrance, Sloss Furnaces, the City Federal Building, 16th Street Baptist Church, City Walk Bham and Regions Field, to name just a few.
“There are a lot of excellent photographers that have shot pretty much everything I’ve shot, so I made the conscious decision to shoot with the drone because I didn’t want to duplicate what others have done,” Dunlap says. “I want to do it in a way that’s evocative and different.”
He points to his shots of Electra and the Elyton as two that “stand out” as far as accomplishing what he wanted to accomplish. “I like it when people respond in a way like, ‘What is that? I’ve never seen that in that way before,’” says Dunlap, who lives on Southside in Birmingham.
Dunlap pilots his drone from the ground, keeping tabs from below on its “view.” “The remote control for the drone has a monitor, and I always have line of sight of the drone,” he says. “That’s an FAA regulation.”
There are other FAA regulations governing drone use — he can fly his drone about 400 feet in the air, depending on how close he is to the airport, for instance, and there are regulations about flying when aircraft are in the area. “The drones now will tell you if there’s a manned aircraft in your vicinity,” Dunlap says.
TECHNOLOGICAL ADVANCES
Over the years, Dunlap has seen technology increase safety aspects and what drone cameras can produce.
“Drones come with very sophisticated cameras now,” he says. “Cameras are about the size of a fist. Now, I can stay a good distance away. My drone has three different lenses … that will let me zoom in, which I couldn’t do before.”
The drone’s GPS technology is also “very sophisticated,” the photographer says. “I can plot courses for the drone using the GPS.”
Flying drones doesn’t come without a cost, but it’s “relatively cheap” in the world of fine photography, Dunlap says.
“I have multiple drones, but I have about $4,000 invested in one,” he says. “You can get a similar drone at Best Buy for $1,800 to start. Mine’s about $3,500 for the drone and the controller and then you add additional batteries and filters and auxiliary things.”
Dunlap, who sells prints of his work online and at art shows, very much sees his drone photography as fine art. “I’ve done documentations of buildings and structures and power plants and that stuff,” he says of previous work. “This is much more creative.”
And it’s changed the way Dunlap runs his photography business.
“As soon as I picked up a good drone, I realized I could make it work for the video production side of my business,” he says. “Pretty much from the beginning, I was making money. It was slow at first, but it’s built into a nice business.”
Alec Harvey is executive editor of Business Alabama. Art Meripol is a freelance contributor. Both Harvey and Meripol are based in Birmingham.
This article appears in the February 2024 issue of Business Alabama.
Record-breaking temperatures destroy Banff, Lake Louise ice sculptures
Banff & Lake Louise Tourism is removing ice sculptures that were recently carved for the Ice Magic festival in Lake Louise that have melted “beyond repair”
The 10 Most Beguiling Designs at Maison&Object 2024
From January 18-22, design devotees descended on Paris for the home decor, furnishings, and lifestyle trade show Maison&Objet. Located outside the city limits at the Parc des Expositions de Villepinte, the semi-annual fair is celebrating 30 years, with an increase in attendance and 70,000 international visitors swiped in. This year’s theme “Tech Eden” emphasized a dreamy optimism, biophilia, technology, and well-being while kaleidoscopic patterns, neon hues – including yellow, orange, purple, and green – as well as an eclectic pastiche of periods from art deco to 1970s were also on display. This anything goes spirit was also spied on fabrics, wallpapers, rugs, tableware, and furniture in showrooms, and at previews and events in the city at Paris Déco-Off. The companion fair showcased raw textures, materials, and finishes along with natural and white upholstered furniture emphasizing a minimalist aesthetic that continues to prevail. French designers Pierre Yovanich, Fleur Delesalle, and Pierre August Rose showcased curvy, bubble forms on sofas and chairs in shapes that are still trending around the globe. With all of these simultaneous trends, 2024 appears to be starting off as a maximalist versus minimalist year – take a closer look at some of the top contenders!
This season’s Designer of the Year is multi-disciplinarian Mathieu Lehanneur whose embrace of technology, architecture, plant life, and turbine systems resulted in Otonomy, a monochromatic installation celebrating his futuristic oeuvre.
Since its inception in 2017, 101 Copenhagen has emphasized craft and timeless design. This year is no exception as Kristian Sofus Hansen and Tommy Hyldahl’s Toe Lounge Chair Flat debuts in a cozy, nubby white boucle.
Pulpo’s German handmade furnishings encompass Italian cast glass including Sebastian Herkner’s Alwa XXL, a table supported by a powder-coated steel frame offered in three lozenge-shape sizes and multiple colors.
The Nouvelle Vague Center Table by Portuguese Dooq is a made-to-order table fabricated with tube-shaped ceramic pieces, and sealed in a craquele glaze with lacquered surface.
The idea for the Linear Table Lamp was hatched when Belgian designer Baptiste Vandaele approached Japanese manufacturer Y.S.M. at the show in 2023 with his design concept. Together they launched a Kickstarter campaign to support production of the lamp that’s currently gaining funds.
Photo: Anne-Emmanuelle Thion
Parisian Fabien Colomines started studying woodworking in 2018 before launching Atelier Senimo last year. Ballerina is his latest piece, a mod, accordion-style lacquered table made from recycled wood scraps.
Photo: Anne-Emmanuelle Thion
Industrial polypropylene sheaths used for electrical installations were cut to make beads and are the inspiration behind Brussels-based French textile designer Emma Cogné’s experimental Système T, featuring woven curtains, shades, and screens.
Photo: Gaspard Hermach/RINCK
The soon to be reissued Rinck plexiglass chair on a cast aluminum base was originally included in a living room ensemble presented at the Salon de la Société Nationale des Beaux-Arts at the Grand Palais in Paris in 1973.
Legacy workshop Charles Paris reinvigorated their brand’s bronze repertoire by collaborating with Parisian upstart Uchronia to create a floral series of lights and accessories including Boogie, a cast mirror.
Parete is the brainchild of Michael Freedman and Daniela Guarin – veterans of Innovations USA – who today produce artful, digitally-printed custom wallcoverings, including the color blocked Plastered 04 St Andrews.
Photo: Anne-Emmanuelle Thion
Melissa Feldman is a design writer, editor, consultant, and content strategist who lives and works in New York City. In 2007 she launched Stroll Productions, her media production company providing print and digital content to ADPro, Elle Decor, Galerie, Domino, The New York Times,
WSJ, Architectural Record, and Elle Decor to name a few.
Village Voice photographer Sylvia Plachy reflects on 30 years of New York City history in Brooklyn Public Library exhibition
Desktop Wallpaper: February 2024 With Naomi Otsu
This month’s Designer Desktop has us feeling a little peckish! We’re obsessed with pasta-themed design (like tortellini pool floats and rigatoni pendant lamps) and now, we can add Naomi Otsu’s Cavatappi print to our list. The New York-based graphic designer and illustrator’s work is wildly colorful, often intricate, and always includes a healthy serving of playfulness. You might have already seen her art in Vogue, The New York Times, and Playboy. Pulling from her archives, Naomi is sharing this design in all its tomato-y glory, and honestly, we might never change our desktop now.
Naomi will be debuting brand new work soon, which we’ve gotten a sneak peek and can’t wait to share. Until then, download the print for all your tech devices and then put on a pot of boiling water – cavatappi is on the menu tonight.
DESKTOP: 1024×768 1280×1024 1680×1050 1900×1200 2560×1440
MOBILE: iPhone XS iPhone XS Max iPad Pro
Learn more about Naomi Otsu here and here.
View and download past Designer Desktops here.
New exhibit of Seneca Ray Stoddard photographs –
Fort William Henry Hotel and Chapman Museum team up to exhibit Seneca Ray Stoddard photographs
LAKE GEORGE – Famed Adirondack photographer Seneca Ray Stoddard (1843-1917) didn’t spend all his time in the deep woods. He was also a visitor to the grand Fort William Henry Hotel, where he captured images of its architecture and well-dressed guests.
A collection of Stoddard’s images now grace the lobby of the hotel, the result of a partnership between the Chapman Museum in Glens Falls, which has more than 4,000 of Stoddard’s photographs, and Fort William Henry.
Prints of the images are available for purchase.
“Stoddard’s pictures capture the hotel as it was when it was first built in 1855. You can see the piazza and a stagecoach arriving,” said Sam Luciano, president of the Fort William Henry Corp. “The building was lost to fire in 1909 and I am grateful these images remain to remind all of us of the history of the property.”
Seneca Ray Stoddard was born in 1843 in Wilton, N.Y., and moved to Glens Falls when he was 21. He carried a portable camera, which allowed him to venture deep into the wilderness where the Adirondack Mountains were being clearcut to feed the logging and mining industries. Stoddard’s photographs helped fuel a movement to preserve the forest. The creation of the Adirondack Park, approved by the State Legislature in 1892, protects state-owned Forest Preserve lands with the Forever Wild clause in the State Constitution. The protection allowed the forest to grow once again, creating the Adirondacks as we know them today.
“Beauty and grandeur are captured in the early photography of Stoddard’s imagery,” said Nicole Herwig, director of the Chapman Museum. “A true conservationist, Stoddard used his photographic skills and artistry to advance preservation efforts in the Adirondacks.”
The idea to display Stoddard’s photographs at Fort William Henry came from Gloria Ragonetti, a former chairperson of the Chapman’s Board of Directors.
“It’s a good way to promote our collection and the exhibit is aligned with both our missions,” Herwig said. “We are pleased to display these images at the location where they were taken more than 140 years ago.”
Viewing the pictures in the hotel lobby is free. To see more of Stoddard’s work, visit the Chapman Museum at 348 Glen St., Glens Falls. “Introductory Exhibit” is an exploration of local history. “Hands-On History: Experiences of Hometown Life,” “S.R. Stoddard’s Snow-Covered Scenes,” and “Hometown Teams” will open Feb. 3.
Photo at top: Fort William Henry Hotel, Piazza from the West by Seneca Ray Stoddard ca. 1880 reproduction albumen print
‘Rock Star’ Photographer
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