Inside The Black Yearbook | Atmos
02.25.2024
In his latest book, photographer Adraint Bereal offers an intimate look at the lives of Black students matriculating at The University of Texas and other majority white spaces.
When photographer Adraint Bereal graduated from the University of Texas, he self-published an extensive volume of portraits, personal statements, and interviews that explored UT’s campus culture and offered an intimate look at the lives of Black students matriculating within a majority white space.
Now, in The Black Yearbook, published by 4ColorBooks and Penguin Random House, Bereal expands the scope of his original project and visits colleges nationwide, from Historically Black Colleges and Universities (HBCUs) to predominantly white institutions to trade schools and more. Rather than dwelling on the monolith of trauma often associated with Black narratives, Bereal is dedicated to using honest dialogue to share stories of the nuanced Black college experience.
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The weak yen could be one contributor to the renewed push to buy Japanese art. However, Japan’s art market is well known for being challenging both for galleries and buyers. Japanese law requires galleries to pay customs and a 10% sales tax up front on artworks, a cost which is later passed to the buyer upon the sale of the work. Until recently, Hong Kong, with its lack of a customs tax, was the go-to art hub of the region, but with COVID-19-related travel restrictions and lockdowns in place until recently, the Asian art market has looked elsewhere to cities such as Seoul, rather than turning to Tokyo.
Perrotin Tokyo senior director Stéphanie Vaillant was not at all surprised by the uptick. She says the energy in the market has changed drastically since the gallery opened about 7 years ago. And since COVID-19 has died down, she’s found a growing dynamism in the Tokyo scene, especially over the past year.
Vaillant points to a concentration of new large-scale events, including the Tokyo Gendai art fair, Art Collaboration Kyoto, and Art Week Tokyo. In addition, developer Mori Building’s new complex of three skyscrapers, Azabudai Hills, is bringing in new galleries; Pace Tokyo will open there in the spring. Vaillant feels that the art community is building and coalescing; in addition to Perrotin, she points to Blum Tokyo in Shibuya, and Ceysson & Bénétière, which announced last week it will open a space in Ginza. At the Piramide building in Roppongi, where Perrotin is based, one can also find Yutaka Kikutake Gallery, Ota Fine Arts, and a host of others.
In the serene landscapes of Cardigan, a group of local photography enthusiasts, known as the Tivyside Advertiser Camera Club, has been quietly capturing the beauty of Ceredigion and north Pembrokeshire. Their recent showcase of photographs, featuring the untamed wildlife at Teifi Marshes and the ethereal effects of light on the countryside, has not only celebrated the natural splendor of the region but also invited others to join their ranks and share in the joy of photography.
The Tivyside Advertiser Camera Club, with its finger always on the pulse of the local environment, has recently turned its focus towards the captivating scenes of wildlife and changing light within the Teifi Marshes and surrounding areas. These photographs, a collection of moments frozen in time, serve as a testament to the club’s passion for the natural world and their skill in highlighting its beauty. The images, ranging from the dramatic play of sunrise and sunset over the landscape to the intimate moments of wildlife in their natural habitat, offer a glimpse into the hidden wonders of Cardigan and its neighboring regions.
What sets the Tivyside Advertiser Camera Club apart is not just their ability to capture breathtaking images, but also their commitment to fostering a community of photographers. By encouraging individuals of all skill levels to join and share their work, the club aims to create a platform for learning, inspiration, and camaraderie among photography enthusiasts. This welcoming approach has not only helped in amplifying the voices of local photographers but has also provided them with a space to showcase their passion for the region’s landscapes and wildlife.
For those inspired by the stunning visuals and the sense of community the Tivyside Advertiser Camera Club offers, joining is just a Facebook search away. The club continues to welcome new members with open arms, providing a unique opportunity to have their work featured and appreciated by a wider audience. As the club grows, so too does its collection of captivating images, each telling a story of the natural beauty that lies within Cardigan and its surrounding areas.
Through their lens, the Tivyside Advertiser Camera Club not only captures the essence of the region’s landscapes and wildlife but also highlights the importance of community and shared passion in the art of photography. As they continue to showcase the beauty of Cardigan and beyond, their work serves as an open invitation for others to explore, capture, and celebrate the natural world around them.
Recently featured in the New York Post and other publications, this recent listing in East Hampton Village is generating considerable buzz.
Nestled in the heart of East Hampton, a residence once belonging to the iconic Elliott Erwitt, a maestro behind the lens whose photographic tales spanned the latter half of the 20th century, has been listed for a striking $3.75 million. The legendary photographer, who passed away last year at the age of 95, has left behind a legacy as vivid and impactful as the images he captured, ranging from the whimsically quirky to the politically profound.
Situated at 17 N. Main St., this exceptional property boasts a 900 +/- sq. ft. studio, a sanctuary for both photographers and artists alike, mirroring Erwitt’s multifaceted spirit. Acquired by Erwitt in 1981, this single-story, mid-century gem underwent a significant transformation in 1989, under the architectural vision of East Hampton’s own Robert McKinny Barnes.
Erwitt’s illustrious career saw his works in the most important publications of the time, including Life Magazine, and adorned the walls of prestigious museums globally. A pivotal figure in the photographic world, Erwitt served as a past president of Magnum Photos, the revered photographic cooperative founded by luminaries such as Robert Capa and Henri Cartier-Bresson. His portfolio, an eclectic mix capturing everyone from Marilyn Monroe to Che Guevara, is a testament to his unparalleled eye for storytelling.
On nearly .5 acres of serene landscaping, the 3,500 +/- sq. ft. is illuminated by floor-to-ceiling windows, hosting 4 bedrooms, 4 baths, 2 fireplaces. A great room with cathedral ceilings invites gatherings, while a formal living room with French doors opens to a south-facing bluestone patio, complemented by a pool. The kitchen and dining area, with their poolside views, lie adjacent to the artist’s studio, where many of Erwitt’s celebrated photographs, including “California Kiss” and “Sammy at the Beach,” continue to reside.
Despite its central location, the property remains a hidden oasis, thanks in part to Erwitt’s artistic touch, which reflects the unique character Erwitt infused into his home.
Jennifer Wilson of The Jennifer Wilson Team at Saunders & Associates, who proudly represents this unique East Hampton property, says, “Elliott’s legacy, not only as a legendary photographer but as a beloved father and host to many memorable gatherings, imbues this home with a rich tapestry of memories.”
On the home’s current charm and its potential for growth, Jennifer adds, “This property, as it stands, is a remarkable testament to the creative spirit and a haven of peace and inspiration in the bustling heart of East Hampton. It’s perfect as-is for those who appreciate the legacy and artistic ambiance woven into its very fabric. “
“However, it also presents an extraordinary canvas for expansion. With the opportunity to build a new 3,866 +/- sq. ft. home above ground, plus additional square footage in the lower level, the potential for transformation and customization is boundless. This flexibility makes it an ideal choice for both those looking to cherish and preserve its history and those eager to infuse it with their own vision and create something truly spectacular for the future.”
As this architectural and historical gem opens its doors to potential new owners, it offers not just a residence but a piece of history, a canvas where life’s moments, both grand and intimate, were celebrated under the watchful eye of one of photography’s greatest.
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For three years from October 2019, the Slovakian photographer Petra Bašnáková lived with and documented the lives of Palestinian Bedouins, who for thousands of years have led a semi-nomadic life in the Judean desert between Jerusalem and the Dead Sea. After 1948 and the creation of Israel, much of that territory was incorporated into the West Bank, and the Bedouin were increasingly threatened and marginalised. Today, as Bašnáková writes in the introduction to Born of Sand and Sun, her book of the photographs she took in the desert, despite “military raids, the demolition of dwellings, bans on grazing goats and much more…” the Bedouins have not broken “the strong bond with the heart of their culture in the vast desert”. Reports suggest that raids on Bedouin settlements and dwellings have sharply increased since the 7 October attacks by Hamas launched the war with Israel.
Many of Bašnáková’s photographs, such as this one, reveal the ways in which the Bedouin live in close connection with the precarious landscape around them. The print of the girl’s clothes, like the plumage of the bird, borrows the colours of the desert landscape. Bašnáková describes how her journey into the Bedouins’ world began when she was resting during a walk in the desert and was “awoken from a dream by a boy with a deep look, sitting on a white donkey, followed by two black goats”. The boy led her into the life of his family and his community. One of the subjects of her pictures, Saqer Alkawazba, offers a personal hymn to a life without borders and walls: “From the Bedouin perspective the desert is considered an open space… don’t let my house be burnt down or restrict my animals to narrow ranges… the desert embraces everyone who cannot accept boundaries in their life… I see sand dunes changing their form with the wind, yet the desert remains unchanged.”
