Cute photos that explore the chaos and drama of girlhood

Cute photos that explore the chaos and drama of girlhood

London-based artist Emma Alvin’s The Sun is Just Another Star is a joyous photo dump packed with sad girls, clowns and coquettes

4March 2024

The first time I encountered Emma Alvin’s work she sent a giant Bichon Frisé dog made of tulle strutting down the halls of CSM as part of her 2022 graduation performance, The Sun is Just Another Star. Adding to the theatrics was a person in an ostrich suit with hula hoops swinging around their neck and a cast of passed-out fairies decked out in sparkly wings and tutus. Fusing “fun, play, cringe, drama and chaos”, the show was a delightful concoction of internet theatrics brought into the IRL – “I had been studying the psychology and unlying social dynamics of sad girl online culture coupled with the concept of cuteness,” reflects Alvin, who’s immortalised the show in an upcoming photo book.  

From its bright pink cover to the dazzling snapshots of star-spangled actors and Tumblr-coded girlies in face paint, The Sun is Just Another Star is a joyous time capsule that explores the nostalgia of girlhood memories through the frenzied layout of a teenage scrapbook. Featuring photography by art director and CSM alumni Harry Freegard, leafing through the book is akin to scrolling through the Instagram feed, with each page akin to a post or photo dump that may or may not be related to what came before it. “When you flip through the pages, I think this makes complete sense,” she agrees. “There is no one defining story.”

“I am drawn to exploring the fine line between common sense and insanity, and how that links to social powers and collective consciousness,” says Dame. “This project is rooted in the philosophy of clowning. A celebration of the beauty in failure and the sacrifice of self-pride (cringe/embarrassment) in the pursuit of connection to others (laughter).”

Drawing parallels between the historical Pierrot and online figures such as the sad girl and coquette, Dame explores themes of online girlhood and performativity through these “cute but psycho” archetypes, further illustrated through a selection of poetry written by Nina Kihlborg and Hedda Röök, who created a Tumblr page with digital snippets and coquette quotes from across the internet, which they collaged and twisted as dialogue for the performance. 

“My entire life has been signposted by female Pierrot types, Cassie from Skins, Lana Del Rey – sad and hopeless romantic clowns. The project is based on this notion, and celebrates it,” she expands. “Taking these subjects offline reveals that contemporary aesthetic movements such as the ‘Sad Girl’ or ‘Cute but Psycho’ cosplay on apps like TikTok and Tumblr are merely modernised conceptions of traditional theatre play like the romantic clown mime and puppeteering.”

Alvin has since gone on to event design for partygoers and create balloon art for TikTok videos commissioned by Balenciaga, which proves there’s serious demand for fun frivolity. “The theatre piece was all about the cute and zany. I think all my work looks to this dynamic in some way or another and how it relates to icons of both high and low culture,” she concludes. “My work is influenced by whimsical (absurdities) as well as new media, and the way that it uses storytelling and dramatics as important social cues for communicating. I am taking fun, nonsense and play highly serious.”

The Sun is Just Another Star is out now

Olympic Medallist Louis Smith Dives into Wedding Photography: A Ne…

Olympic Medallist Louis Smith Dives into Wedding Photography: A Ne…
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From gymnastic mats to wedding venues, Louis Smith, Britain’s most decorated male gymnast, has embarked on a surprising new career path as a wedding photographer. Smith, who clinched silver medals in the pommel horse at both the London 2012 and Rio 2016 Olympics, alongside a bronze at Beijing 2008 and a team all-round bronze in 2012, has transitioned from an athlete to an artist behind the camera, offering a range of photography services.

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From Olympic Podiums to Photography

Retiring from gymnastics in 2018 at the ripe age of 29, Smith has not shied away from the spotlight, showcasing his talents on The Masked Singer in 2021, which he won, and participating in other reality shows including X Factor and Strictly Come Dancing. Despite his previous entertainment endeavors, Smith’s latest venture into wedding photography marks a significant career shift. His website, which provides packages ranging from £700 to £1400, promises to capture the “unique essence” of matrimonial celebrations, aiming to create “timeless memories.”

An Athlete’s Artistic Journey

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On his website, Smith shares his journey from Olympian to photographer with a candid bio, expressing his surprise at this career pivot. His commitment to capturing the magic of wedding days through his lens highlights a deep passion for storytelling and artistry. Smith’s goal is to craft images that tell the unique story of each couple’s love, an ambition that underlines his dedication to his new profession. Moreover, his venture into capturing significant moments has already seen him photographing events for notable personalities, including JLS member Aston Merrygold’s tour.

Embracing New Beginnings

Living in Peterborough with his girlfriend Charlie Bruce and their daughter Marley, Smith is fully immersed in his new role as a photographer. This career transformation showcases his versatility and ability to adapt, proving that it is never too late to pursue new interests and professions. As Smith continues to capture special moments for couples, his journey from an Olympic medallist to a wedding photographer serves as an inspiring tale of reinvention and the pursuit of passion beyond the world of sports.

Photographer Female Pentimento is helping the internet access new worlds

Photographer Female Pentimento is helping the internet access new worlds

The first knee-jerk response to this imagery is often to question how it’s made. Nathaniel, of course, works with digital doctoring, using post production in tandem with photography. This combination has always offered a way for the artist to “really reify” the worlds they want to inhabit. “I think so much of my ambition with my creative projects is about deepening my sense of hope and possibility,” she says. “Because I feel so often that you can get so mired in the day-to-day that it’s easy to lose sight of things, but, you know, you can create a world or an image that’s representative of a place that you want to live.”

Another common response to her work is more intuitive. The work Nathaniel shares is often met on Instagram with comments that describe how much the image, accompanying caption, or both, have resonated. Provoking such a reaction is an accolade many work up to over decades, but photography is actually a relatively new pursuit for Nathaniel, picked up while travelling – though creativity has been a long-running thread, in childhood, through to studying painting as an undergraduate.

The introduction of photography came with the reappearance of other themes in Nathaniel’s life. One was spirituality. Growing up in the Christian church Nathaniel found it difficult to tap into this part of herself within the structures of organised religion; “I really just wrote it off for a long time [thinking] that I’m not a spiritual person, or that’s just not for me.” A shift has transpired in the past five years, driven by a profound reconnection to the natural world. This pull to nature and wildlife directs and informs the images they make, sometimes in distressing ways; the ecological crisis is a recurring focal point for Female, prompting images that are increasingly apocalyptic.

OnePlus Photography Awards 2024: ‘People underestimate how amazing photographs taken with mobile phones can be’

OnePlus Photography Awards 2024: ‘People underestimate how amazing photographs taken with mobile phones can be’
This article is sponsored by OnePlus OPA. Find out more here

Now in its fourth year, the international competition champions smartphone photography. Judge Mati Machner reflects on how the practice has democratised image-making

Like many photographers starting out during the late 1990s, Mati Machner’s introduction to the medium came via an analogue point-and-shoot camera. At the time, he found the comparatively small, simple device to be something of a mystery. Yet to master ISO, aperture or shutter speed, a young Machner began snapping away in the hopes of understanding more about the world around him – often taking images twice, just in case.

As Machner’s interest and skills in photography evolved, so too did the technology available to him. His first digital camera, a Nikon D40X, offered far more settings – not to mention pixels – than its analogue predecessors. Now a Hasselblad Master and globetrotting wedding photographer, he shoots with some of the most advanced kit on the market – and yet is still drawn to a camera he can hold with one hand.


“The gap between FE compact digital cameras and smartphones is shrinking every year,” the photographer explains. “In fact, it’s become so small that most people probably wouldn’t even notice a difference in the results between the two systems. It’s incredibly satisfying to see that smartphones can now produce such high-quality and serious images, creating memories for oneself, family, or friends that are worthy of printing and displaying on the wall or in a beautiful photo album.”

Machner’s interest in smartphone photography, and his belief in its ability to democratise access to image-making, has led him to become a judge in this year’s OnePlus Photography Awards (OPA). The annual photography contest, launched in 2021 in partnership with the International Photography Awards (IPA), is a key part of OnePlus’ commitment to the development of mobile technology that empowers users to unlock new possibilities in photography. This year’s edition of the awards is now open for entries under the theme Make the Moment until 30 June.

“I’m thrilled to be on board this year as a jury member for the OPA 2024 and to see all the potential from all the applicants,” says Machner, who is joined in his role by Hasselblad Master, alongside IPA jury members and OnePlus imaging product experts. “I think a lot of people underestimate just how amazing photographs taken with mobile phones can be. This is a chance to really showcase that.”

Regardless of social status, many people can now ensure that they preserve everything important, fun, emotional and relevant for the present and future generations

In some ways, it is easy to see why smartphone photography has traditionally been overlooked by the photography industry. Image-making is a skill that takes years to develop, and competition for work in the field has perhaps never been higher. When some spend years saving to purchase a new lens, a level of suspicion towards those working with a device carried in their pocket is understandable. Machner and the team behind OPA, however, see things rather differently. 

“I believe that everyone on this planet should have the right to create memories,” he says, “and with the rapid development of smartphones, this is becoming increasingly possible. Regardless of social status, many people can now ensure that they preserve everything important, fun, emotional and relevant for the present and future generations.” It is this question of social status that is perhaps the most important.

Crowded Metro Station
©Hhesher Sun. 3rd Prize , ‘City Voices’ Category, OPA 2023 (shot on OnePlus 8T)

Over the last 20 years, smartphones have made photographers of millions of people across the world, and the rise of social media has allowed their images to be shared with unprecedented speed and reach. Though imperfect, these technological advances have offered people the chance to tell their stories through images, and to capture the important moments of their lives in ways once reserved for those with the necessary financial or social capital. According to Machner, this democratisation of image-making is not a cause for concern over increased competition, but an opportunity to be inspired by the many different ways people see the world.

In fact, the photographer is so confident in the importance of smartphone photography that he is now considering introducing OnePlus’ newest phone, the OnePlus 12, into the workshops he teaches regularly across Europe. He hopes to demonstrate to participants that with the OnePlus 12 – developed in collaboration with Hasselblad and featuring a “professional-grade” camera system – they can “achieve remarkable results without needing a €10,000 camera setup”. “Give me a smartphone, and I’ll confidently shoot the next portrait session with it,” he says.

He is similarly confident about the quality of images he expects to see from this year’s OPA, winners of which will receive a prize of $10,000 (£7,800) alongside a 2024 OnePlus device and the opportunity to collaborate with OnePlus in the future. In the past the awards have drawn over 50,000 entries and announced 55 winners, whose images have been displayed in the Chinese city of Shenzhen, as well as at IPA events in New York.

The Hangrang Valley
©Samyak Jain. 1st Prize , ‘Infinite Nature’ Social Media Group Category, OPA 2023 (Shot on OnePlus 9 Pro)

In 2023, winning images included an enchanting moment of celebration captured during Chinese New Year festivities, a compelling and tranquil image of an ice cave taken at Tibet’s Xiangla Glacier, and a landscape of India’s Hangrang Valley, which delicately portrays the vastness of the region’s mountains. This year entries are welcomed from anywhere in the world, from both OnePlus users and users of any other smartphone, and should be submitted in one or more of three categories: Light and Shadow: Optical Game; Colours: Magic Palette; and Faces: Emotional Mirrors.

Reflecting on his and OnePlus’ hopes for the 2024 awards, Machner asks: Who would have thought a few years ago that truly serious portraits or landscape photos would be possible with a smartphone?” He goes on to discuss the experiences of smartphone users today, who have simplified ISO settings and shutter speeds at their fingertips – a stark contrast to his own early experiences with image-making. “Since then, I’ve watched as digital cameras have evolved, with each year bringing more megapixels and better autofocus systems,” he says.

Yet for Machner, and for OnePlus, image-making is about more than technology – it’s about telling stories and expressing emotions. This year’s OPA theme, Make the Moment, speaks closely to this, with the aim of encouraging everyone to capture and elevate the unique experiences of their daily lives. Through this, both parties hope that smartphones will help more people to access and enjoy photography. “Photography has taken me to places I probably would never have been,” Machner says, “and it has allowed me to look into the souls of many people, which is priceless.”

The 2024 OnePlus Photography Awards is open until 30 June. Entries can be submitted here.

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In a New Milky Chance Music Video, GMUNK Pushes the Envelope of CG Artistry and Digital Creative Tools

In a New Milky Chance Music Video, GMUNK Pushes the Envelope of CG Artistry and Digital Creative Tools

Over the past year, AI-powered creative tools have radically transformed art. Designed for content creators, visual effects artists, designers, and animators, these resources have the potential to generate stunning visuals, and many professional artists embrace AI for everything from automating mundane tasks to concept inspiration and quickly iterating visual references. These tools take repetitive tasks off of artists’ plates, enabling them to focus on elevating their creative outputs and achieving projects on a grander scale.

Renowned artist and director Bradley G Munkowitz, a.k.a. GMUNK, has been breaking new ground in experimental filmmaking and digital art for more than 20 years using tools such as Autodesk Maya and Adobe Creative Cloud. Challenged to take his practice to the next level as one of the creators behind a new music video for German alt-pop duo Milky Chance, GMUNK evolved his craft using compute-intensive cloud simulations and AI-powered experimentation.

GMUNK and a team of Z by HP global ambassadors, whom HP provided with product and payment, collaborated across continents to produce a stunning CG music video for Milky Chance’s new dance anthem, “Synchronize.” To match the feel-good synth-filled track, the artist employed complex simulations, real-time rendering, ray tracing, global illumination, and AI, all requiring significant computational resources.

 

GMUNK’s creative exploration using Stable Diffusion

He created visuals of rotating clouds using EmberGen, a real-time fluid simulation software from JangaFX. In the earliest stages of the project, the artist ran tests morphing those simulations through AI-powered tools like Stable Diffusion and Topaz Labs. “Until about a year ago, there was one way to achieve these types of effects. Now with AI and the power of the Z8 Fury, there are ten ways to do it, and the results are all incredible,” he said.

EmberGen is based on real-world physics with controls to manage combustion, emission of fuel, flames, temperature, and smoke, and it’s up to the artist to combine them and determine how they react in the final simulation. The software runs 100 percent on the GPU, as does the terrain generation software Gaia from Procedural Worlds, which GMUNK used to build landscapes.

He also utilized Topaz Labs’  VideoAI tool to interpolate slowdowns of smoke-simulation flythroughs from 24 frames-per-second to 200 frames-per-second to get better results out of Stable Diffusion in his early development. While those tests don’t appear in the music video, they did serve as visual inspiration for a new artwork in his Breathing series, “Bali Moon”, which sold at Christie’s during Art Basel in December 2023.

 

With experimentation at the heart of his work, GMUNK uncovered another technique for running smoke simulations through a mesh built in SideFX’s Houdini so that the color and movement of the smoke drive quickly moving and morphing triangles, creating a spectacular shattered glass effect.

“As I continued to experiment with these simulations, they got more interesting,” he says. “I’m very excited about a breakthrough new technique that produced a fantastic mosaic-like effect that is an homage to stained glass windows. This was done as a post-process of the simulations in Houdini where we mapped all the pixels to a triangulated mesh capturing the color values of the smoke simulation underneath the distortion.”

To create the heavy simulations using the Maxon renderer Redshift, GMUNK needed a powerful workstation that enabled him to run massive 225 million-voxel simulations that were still interactive. “I can see exactly what I’m doing. It’s extraordinary to have this kind of computing power at my fingertips,” he says.

 

GMUNK even revitalized some of the approaches he’s used for years, including modeling and animating in Autodesk Maya, an application that favors clock speed over the number of cores and is largely reliant on the CPU. “The Z8 Fury is rendering Maya scenes almost in real-time. Depending on the software I’m running, it’s five to ten times faster than any other computer I’ve ever used. Everything I’m doing in Maya, in EmberGen, in rendering–it’s all super-powered. As a creator, that feels large, like an extension of my mind is constantly giving me feedback instantly in all realms of what I’m doing.”

Learn more about this exciting collaboration by watching the behind-the-scenes reel. Visit Z by HP online to learn more about how these workstations can help you realize your creative vision.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article In a New Milky Chance Music Video, GMUNK Pushes the Envelope of CG Artistry and Digital Creative Tools appeared first on Colossal.

I won silver at London 2012 and Rio 2016.. now I’m a wedding photographer

I won silver at London 2012 and Rio 2016.. now I’m a wedding photographer

FOUR-TIME Olympic medallist Louis Smith has swapped gymnastics for wedding photography as he embarks on a new career path.

Britain’s most successful male gymnast, 34, claimed silver medals in the pommel horse at the London 2012 and Rio 2016 Games after a bronze at Beijing 2008.

Louis Smith won four Olympic medals and is Britain's most successful male Olympian

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Louis Smith won four Olympic medals and is Britain’s most successful male OlympianCredit: Getty Images – Getty
He was honoured with an MBE back in 2013

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He was honoured with an MBE back in 2013Credit: PA:Press Association

He also won bronze in the team all-round event in 2012.

Smith, who received an MBE 11 years ago, retired from the sport in 2018 at the age of 29, but was back on screen in 2021 when he won The Masked Singer.

He also has past experience auditioning for X Factor in 2008, before he won Strictly Come Dancing four years later and finished runner-up in The Jump in 2017.

But it is behind the camera that he has now begun a new venture as a wedding photographer.

The Mail have discovered the website for his business – which offers “portrait shoots, headshots and a range of photography services for businesses and events”.

And the bio reads: “I’m Louis Smith the Olympian and I’ve managed to find myself typing this bio trying to figure out how I explain how I ended up here.”

His website, which offers packages from £700 to £1400, states: “My goal is to capture the unique essence of your special day, creating timeless memories that will be cherished for a lifetime.”

It goes on to add: “I invite you to join me on this artistic journey, capturing the magic of your wedding day through my lens.

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“Secure your spot now to benefit from my current pricing and let’s create extraordinary memories together.

“I look forward to the privilege of being part of your special moments and crafting images that tell the unique story of your love.”

Louis Smith unmasked as Carwash as he wins The Masked Dancer

Smith’s Instagram account confirms that he shot photos of JLS member Aston Merrygold‘s tour last summer.

He lives in Peterborough with girlfriend Charlie Bruce, 30, and daughter Marley, 3.

multiple photographs vibrant hidden mosques across turkey’s most remote villages

multiple photographs vibrant hidden mosques across turkey’s most remote villages

the sanctuary: an ode to turkey’s spiritual past

Multiple’s The Sanctuary is a visual ode to the forgotten religious structures of Turkey’s charming historic past. Tucked away from main travel routes are remote, unexplored villages, which in in the last 20 years, have perished and evolved, with remnants of architectural heritage narrating notes of a forgotten past. First, the older, crumbling mosques were removed to make way for newer and often much grander religious spaces, then, as the economy began to falter, villagers began migrating to larger cities in pursuit of employment. In this photographic series, Multiple (also known as James Kerwin) set out on a journey across approximately 18 towns, visiting over 40 villages in search of these hidden gems. ‘You’ll see that each sanctuary invites you to appreciate its understated beauty while providing a window into the nation’s past. They are a poignant illustration of the richness and diversity of the Turkish culture,’ he shares.

james kerwin photographs vibrant hidden mosques across turkey's most remote villages
all images by James Kerwin (Multiple)

james kerwin uncovers five-centuries old mosques

Traversing all but two of Turkey’s seven vast regions over two years, the photographer steered away from conventional travel routes on his search for these structures. Although, many of those abandoned mosques have been destroyed by the weather over time, as Multiple found, many still stand present throughout the country. Some of them are over 500 years old, entirely constructed of wood, or vibrantly painted, others seemed to be weathering and crumbling. Some were found destroyed by landslides, others standing strong yet repurposed by locals as storage or shops. Regardless of their condition, he found them to be rich in color and ornamentation. ‘Normally, I had no idea about the structure’s condition. And often I’d travel by plane or drive for hours only to find a wrecked structure, or worse nothing,’ notes Multiple. The series was launched as a 20-image collection as seen here, alongside a set of on-location tutorial videos. 

james kerwin photographs vibrant hidden mosques across turkey's most remote villages
for the photo series, James Kerwin travelled across 18 towns and over 40 villages in search of these hidden gems

james kerwin photographs vibrant hidden mosques across turkey's most remote villages
as it is the directional focus of prayer, the qibla wall is often the most ornately decorated area of a mosque

james kerwin photographs vibrant hidden mosques across turkey's most remote villages
a three-lobed arch, cupola, and painted flower motifs that continue throughout the mosque