Visit the San Juan Islands Sculpture Park and enjoy our fourth annual Daffodil Frolic with over 8,000 Daffodils and
thousands of Irises to follow. (Sorry – the deer eat
His resulting series, Koala Country, is an ode to classic Australiana and the heydey of small town Victoria. We sat down for a chat to find out more about the project.
Sean Paris: I’m a professional Australian photographer based out of the Yarra Valley. My focus lies primarily in corporate, portrait, and studio photography.
I always create projects on the side to keep the fuel burning with my creative work and have done so since a young age, these projects range from documentary, and photojournalism, working alongside world-class acrobats, and photographing Australian wildlife. I have had work showcased and published in the National Portrait Gallery, National Geographic, and other publications.
I first started out with a 3MP Kodak digital camera at the age of eleven, from there I developed an obsession with photography and have been at it ever since.
Most of my projects start with a small idea that pops into my head and slowly develops into a stronger concept to create a body of work.
I like the flow of creating on the go as you never know where the project might end up as it transforms and develops the more you shoot. Just getting out and creating is the best way to form a project and develop your skillset as a photographer.
SP: I grew up in the Yarra Valley which is close to Melbourne but still has remnants of the small-town country quirks. I wanted to photograph something that I grew up around and to look at it as an outsider, someone who would see things with a fresh perspective. Looking for the strange things that exist In this country that we often overlook.
Using the infrared technique pinpoints these objects and makes you stop and observe those old, funny, or quirky things that are around regional Victoria.
All of these things have stories and are a part of our history, some disappear forever or end up in people’s sheds and others are preserved for future generations.
I believe it’s important as a photographer to document time and place and leave a visual record for the future.
SP: I look for things that are quirky or unique in society, dilapidated from the past, or often overseen. I also have a fascination with the “Big Things” cult following in this country, strange sculptures that are often designed to lure in tourism to local businesses.
SP: I have a full spectrum converted Nikon body which uses a Kolari filter on the lens to work on a specific wavelength of light, I work on the 590nm spectrum, which is a combination of infrared light and visible light.
I first got one of my older camera bodies converted in between covid lockdowns and wanted to try working with photography in a different way, with a different light.
When you start using an infrared camera you realise very quickly what does and doesn’t reflect infrared light, more plants mean more infrared being reflected, so I try find subjects that have the combination of man-made structure and plant matter.
I chose to use this technique for this project to create a unique feel and look to the images. It brings an ethereal feel and creates a feeling of more connection to the subject being photographed revealing another world of light that is hidden.
SP: I have been working on Koala Country for the past three months, traveling around solo, and sleeping in the back of my ute.
Driving sometimes 16 hours in two days, just finding small towns that I haven’t ever heard of and driving in a random direction or planning a photo destination and working along the way.
SP: I am currently still shooting this project to put together a book and hope to launch with an exhibition late this year.
SP: You can view this project via my website: www.seanparisphotographer.com or via Instagram: @sean.paris.
The Delta Photo Club presents The Human Condition through Black and White Photography by internationally acclaimed photographic artist Moisés Levy on Wednesday, March 6 from 7:30 to 9:30 p.m. via Zoom.
Levy is a Mexican photographer committed to portraying the human condition. Having done numerous exhibitions and bountiful work, Levy has become a contemporary storyteller. His international portfolio includes the USA, Canada, Europe, India, Russia, and his beloved Mexico. After more than 20 years with a camera, he is rightly considered a light artist.
He was born, raised, and lives in Mexico, working as an architect and photographer.
“I always need to express myself visually,” he says. “I like to freeze special moments, sometimes it is a movement or a gesture, something funny, or a hidden message; moments that talk about life in a beautiful way. I spend a lot of time searching and waiting for special moments.”
His work is about people, preferring to capture anonymous subjects. He works with backlight to create high contrast black and white minimalist images in a more graphic sense. He uses very low angles in places with almost no distractions like beaches and open spaces for his timeless images of the human condition.
To attend this workshop, become a member of the Delta Photo Club by filling out the membership form at: http://deltaphotoclub.com/member-sign-up-form or come as a guest by e-transferring $10 to: treasurer_membership@deltaphotoclub.com.
OREGON, Ill. (WIFR) – A museum in downtown Oregon is opening new exhibits by artists from Northern Illinois, giving them a space to showcase digital photography and fine art.
The Coliseum Museum of Art, Antiques & Americana has given exhibition space to Stephen Hart of Dixon and David Van Delinder of Cherry Valley.
Hart is displaying digital photography of scenes native to the region, especially the Nachusa Grasslands, a nature preserve near his hometown. The grasslands are home to a bison herd, 700 native plant species and 180 species of bird, according to The Nature Conservancy, a nonprofit that owns the preservation.
Van Delinder art has traditional and classical roots, and he also works with pen and ink drawings.
There will be an artist reception for Hart, Van Delinder and other artists from 6 p.m. to 8 p.m. March 15 at the museum. Hart’s art will be on display for the entire month, and Van Delinder’s art is on display now until April 30.
For more information about exhibits, visit the museum’s website.
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Renowned photographer Kevin Fleming is set to host a one-day photography workshop at the Lewes Public Library on Saturday, March 9, promising an immersive learning experience for photography enthusiasts. Known for his captivating work that spans across various genres, Fleming’s workshop aims to elevate the photography skills of both beginners and intermediate participants. With a limited seating arrangement for just six individuals, the event ensures personalized guidance, making it a unique opportunity for those looking to enhance their photography prowess.
The workshop is meticulously planned to cover the essentials of photography, starting from the basics like understanding shutter speeds and f-stops, to more advanced techniques such as finding the right locations and timing for capturing breathtaking images. Fleming’s approach to teaching is hands-on, ensuring attendees not only learn the theoretical aspects of photography but also apply them in practical scenarios. This methodological progression is designed to instill confidence in participants, enabling them to explore their photographic vision with greater clarity and purpose.
What sets this workshop apart is the exclusivity and the intimate learning environment it offers. With only six spots available, each participant is guaranteed individual attention from Fleming, allowing for a tailored learning experience that addresses the specific needs and questions of each attendee. This personalized coaching is a rare opportunity, especially when considering Fleming’s esteemed position in the world of photography. Additionally, the workshop includes a catered lunch by Arena’s, adding a touch of luxury to the day’s activities, and participants will also receive a free signed copy of Fleming’s “Heart of America” book, further enriching the value of this educational encounter.
The cost of the workshop is set at $125, which, considering the comprehensive package of learning, dining, and the exclusive signed book, presents a significant value for attendees. It’s not just an investment in learning the technicalities of photography but an opportunity to engage with and gain insights from one of the most respected names in photography. For those passionate about photography, this workshop is a stepping stone to mastering the art and science of capturing moments that tell compelling stories.
As the day comes to a close, participants will leave not only with a deeper understanding of photography but also with memories and skills that will inspire their future projects. Kevin Fleming’s workshop is more than just a learning experience; it’s an invitation to join a community of like-minded individuals who share a passion for capturing the beauty of the world through their lenses. Whether you’re a beginner or an intermediate photographer, this workshop promises to be a milestone in your photographic journey.
