Perspective | Hauntingly beautiful photos of Japan’s icy and fragile otherworlds

Perspective | Hauntingly beautiful photos of Japan’s icy and fragile otherworlds

Photographer James Whitlow Delano has long been a resident of Japan. His work often revolves around climate issues. His work has taken him around the world, but the images here hail from his adopted homeland.

Delano traveled to Japan’s Mt. Zao where he documented the haunting visages of what the Japanese call, “juhyo,” which translates to “ice trees.”

From mid-January to early March, conditions are created by the weather to form these unique looking trees, including icy west or northwest gales and dumping 6-9 feet of snow. According to Delano, temperatures can plummet to 5 to 14 degrees Fahrenheit.

Delano told In Sight:

“For much of winter, an icy cloud, driven by the gales, envelops Zao’s volcanic summit, plastering the stands of Maries’ fir (Abies mariesii) in cocoons of rime ice, that grow thicker and thicker. … The time window where the conditions come together to form ‘juhyo’ is narrowing, because average temperatures in Japan have risen more than 1.3 C (2.34F) in the past century.”

Along with climbing temperatures, the trees on the summit of Mt. Zao are also facing beetle infestations, killing the trees.

But all hope is not lost. Delano says:

“Still, there is hope on this sky island. Forestry Agency experts have initiated a revival project where seedlings are collected in the autumn and germinated in spring, to be transplanted on the upper slopes of Zao. The saplings will be covered with bamboo leaves to protect them from deer and rodents until they are no longer appetizing to these foragers.”

Another phenomenon takes place along Hokkaido’s Sea of Okhotsk coast. In Japanese, this phenomenon is referred to as “ryuhyo,” masses of drffting sea ice.

Delano tells In Sight:

“Freshwater from the Amur and other Siberian rivers empty into the Sea of Okhotsk mixing with the surface water, making it less saline, allowing the waters to freeze at a higher temperature. This wind-driven pack ice is pushed by cold, Siberian winds from the northwest, herding them south until this huge mass of floating ice crashes into Hokkaido’s northern coast.”

As with the “juhyo,” rising temperatures are threatening the very existence of this natural phenomenon. According to Delano, “The waters of the Sea of Okhotsk have risen 3C (5.4F) above preindustrial times, one of the greatest temperature increases in the world. That means less drift ice and fewer nutrients for the marine environment. ”

Salmon catches have dropped drastically as well.

Delano leaves us with this thought about the two phenomenon:

“‘juhyo’ and ‘ryuhyo’ are two canaries in the global coal mine, warning about an intensifying climate crisis.

For the visitor, standing in the presence of these otherworldly manifestations of cold, wind and water transports the mind to a place of wonder, beholding something far greater than oneself and yet, for all their power to awe, ‘juhyo’ and ‘ryuhyo’ represent the fragile balance being lost, that nurtured the rise, and flourishing, of our species.”

The Evolving Role of the Professional Photographer in 2024

The Evolving Role of the Professional Photographer in 2024

Navigating the evolving landscape of professional photography is becoming increasingly complex, with significant shifts in industry practices, client expectations, and revenue models. Understanding these changes is crucial for photographers who wish to stay relevant and competitive in a rapidly transforming market.

Coming to you from Scott Choucino with Tin House Studio, this informative video sheds light on the key shifts within the photography industry as of 2024. Choucino discusses the decreasing rates for image usage, especially for mid-level projects, and the imperative need for photographers to adapt their business strategies accordingly. This involves cutting overhead costs and exploring new avenues for revenue, emphasizing the importance of diversification and adaptability. Moreover, Choucino highlights the rising demand for video content, including GIFs and stop-motion, urging photographers to expand their skill set beyond still images. This evolution reflects broader market trends towards digital and interactive media, underscoring the need for photographers to embrace video to meet client demands.

The video also touches upon the critical shift in self-perception among photographers, from being merely photographers to becoming content creators. This change in terminology signifies a broader range of services and outputs, from traditional photography to creating a diverse array of digital content. Choucino’s discussion about content creation and the necessity for photographers to diversify their income streams, particularly in light of the economic uncertainties highlighted by the pandemic, offers a realistic look at the challenges and opportunities within the industry. The emphasis on multiple income streams, from YouTube channels to property rentals, presents a strategic approach to ensuring financial stability and resilience in the face of industry fluctuations. Check out the video above for the full rundown from Choucino.

Indiana 18-year-old photographer to be laid to rest Monday

Indiana 18-year-old photographer to be laid to rest Monday

OSGOOD, Ind. (WXIX) – An 18-year-old photographer who drowned at Versailles State Park in Indiana will be laid to rest Monday.

Jac-Cen-Del High School will close for the visitation and funeral for Carson Hughes.

Hughes, known for this wildlife photography, was found dead shortly after 6:45 p.m. on Sunday, March 17, in six feet of water in Versailles Lake, the Indiana Department of Natural Resources said.

Hughes was found dead two days after he was reported missing at Versailles State Park.

Jason Hughes, Carson’s father, says he and his wife found a note in Carson’s wallet after he died.

“It says smart goal, to reach 10,000 followers on Wildlife Photography Account.”

Following Carson’s death, people started sharing his photography on social media. His Instagram page has surpassed over 30,000 followers.

“He would actually do somersaults. His goal, His goal is to get his art, his photos out to the world,” his father said.

Jason says they will display several of Carson’s photos at his visitation where more than 1,000 people are expected to attend.

“He was a photographer, but most importantly, he was just a wonderful and amazing kid and friend, son, brother just to so many,” Jason said.

His visitation will be from noon to 5 p.m., and the funeral will start at 5 p.m.

The family says they are working on a website so people can buy his photographs.

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PHOTOGRAPHY ZINES AND BOOKS NO: 59

PHOTOGRAPHY ZINES AND BOOKS NO: 59

PHOTOGRAPHY ZINES AND BOOKS NO: 59

Nostalgic Tokyo Vol.1 by John Murch

Who?

John Murch is a Canadian, Tokyo based photographer. Having lived in Japan for many years he is constantly exploring the many neighborhoods of Tokyo with his camera.

What?

Nostalgic Tokyo Vol.1  is an ongoing personal project amassing a sizable archive of images he has shot over the years. In both color and black & white, he shoots Tokyo with a predilection for Showa related motifs. For those not initiated, Japan uses their own historical timeline and Showa was 1926-1989 ending with the bubble economy that certainly has its own sensibility to it that one can gain from looking at his images.

Why?

As Tokyo is constantly in change, there certainly is merit in its preservation with an addition of aesthetics that one can see from the cover image alone. But more so, and unfortunately what one doesn’t get from the zine (although I do personally loathe paragraph explanations of each image in favor of simply showing then saying) are the backstories behind each image. When I attended his group show, he took a lot of joy in telling me about each photo that added to my experience with his images after viewing them. With my copy of the zine he did include one of these stories for the photo below.

Details.

The zine is composed of 23 images shot all over Tokyo with 90% of them captured on film. It is manageable A5 size printed on matte paper. All zines are individually signed.

Where?

Orders can be requested through DM via his Instagram here. The price is 18 USD and international shipping is included.

Tokyo Blues by Trey Derbes

Who?

Trey Derbes is an American photographer who curates the popular zine series, Tour Dogs. He is also a former Visual Interviewee, you can check out his interview here.

What?

This is issue #104 of his Tour Dogs series that incidentally features himself which is quite rare as appropriately (haha) issue #69 was the last time. As the title suggests, the zine focuses on images made from his various trips to Tokyo.

Why?

Along with NYC and Paris, Tokyo has such a rich photo history and style it to it…so why not do a take on it!? Knowing the history, the title is an homage to the famous Araki book of the same name made in 1977 which was his exhibition at Nikon Salon that year. Trey even playfully works into the cover design, “I know Araki did it first” haha.

Details.

Size – 8” X 5.25”

36 Pages

Staple Bound Zine, Uncoated Paper

Where?

The zine can be purchased here for a mere 8 USD. Check it out and the rest of the Tour Dogs series!

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Thanks to our two guests for their submissions, it is a really cool thing to be able to share them all with you. And remember, this is open to everyone. If you would like to have your zines or books featured then all you have to do is mail me. Hopefully there will be plenty more of you who want to get your books and zines out there to the world. Another installment will be coming soon.

Thanks,

JCH

An AP photographer in Ghana shares why she focuses on documenting women

An AP photographer in Ghana shares why she focuses on documenting women

ACCRA, Ghana (AP) — Misper Apawu is a photographer who works with The Associated Press in Ghana. She has covered politics, breaking news and sports.

____

This feature is part of a series highlighting Associated Press journalists for Women’s History Month. An earlier installment featured one of our photographers working in Bucharest, Romania, on what motivates her as a woman in her profession.

____

I am a photojournalist living and working in Ghana. I often focus on the lives of women. My first encounter with photography occurred in a market in Dambai, a town in the Oti region of Ghana. During my childhood, while selling iced water in the market, I observed the women’s expressions brighten whenever tourists pointed their cameras at them. When tourists showed the women their pictures, they would beam with delight.

That happiness I witnessed inspired me to pursue photography when I was introduced to it as a young adult. Up until then, my knowledge of photography was limited to hobbies and events. But when I discovered the journalistic aspect of photography, I knew that was the path I wanted to take: to document historical events for future generations.

Like many other photographers, my family was initially skeptical about my career. They wondered whether it was sustainable. However, they started to accept my career decision when I was featured in national media for my work during Vice President Kamala Harris’ s visit to Ghana. Seeing me in the news made them happy.

But I have also encountered discrimination. During a recent assignment, I was restricted from going beyond a specific boundary simply because I was a woman. Seeing male colleagues moving freely within that area while I was limited was frustrating. Despite this, I didn’t give up. I persevered and captured some of the best shots from where I stood.

One of my favorite assignments for The Associated Press was covering the historic visit of Vice President Harris to Ghana. It was an incredible experience, capturing and submitting photos as quickly as possible, following security instructions and much more. Another memorable aspect was the reactions from people who saw the images.

On the second day of Harris’ visit, a member of her team approached me and commended my work, saying that my photos were featured on the front pages in the United States. Additionally, I received an email from AP’s Headquarters in London, thanking me for my hard work. These were the highlights of that experience. It struck me that I had contributed to history. In the future, when people search for “VP Kamala Harris visits Ghana,” my photos will show up among the top results.

On the third day of her visit, on our way back from Independence Square, where Harris delivered a speech, someone from her team said that it was a great decision to have a female photojournalist document the event. I realized it was a unique opportunity for me to have documented this historic moment, not about just any other person, but a successful American woman of color, the first female vice president of the U.S. These are photographs that I’m going to cherish for a very long time.

On that same day, a member of Harris’ team asked for just one photographer to go inside the Dungeon at Cape Coast Castle with the vice president and second gentleman Douglas Emhoff, and they chose me. It was a mix of emotions: I was happy to document the moment, but I also felt a huge responsibility.

I knew the world awaited me to capture Harris in the Dungeon. I believed in myself and I didn’t disappoint. I delivered.

Misper Apawu, The Associated Press

Zhidong Zhang plays with balloons

Zhidong Zhang plays with balloons

Photographer Zhidong Zhang describes their work as “slippery.” Zhang’s photo-based sculpture “Far Away, From Home” marks the Year of the Dragon on the Rose Kennedy Greenway. Featuring a household display cabinet inspired by one in the artist’s parents’ house in Hunan, China, it’s filled with backlit photos of twisted balloon forms emblazoned with dragon tattoos. The piece slips between private and public, child’s play and adult body art, photography and sculpture, home and away.

The cabinet has empty shelves. “I’m interested to see what people put there,” Zhang said.

Zhidong Zhang, “Far Away, From Home.” Marine-grade plywood, acrylic, steel, ABS plastic, vinyl on lightbox; on display in Auntie Kay and Uncle Frank Chin Park on The Greenway. Lee-Daniel Tran

Where to find them: instagram.com/zhangzhidong_/

Age: 27

Making a living: Zhang’s livelihood includes commissions and residencies (they’re a resident artist at the Boston Center for the Arts), plus they teach at the School of the Museum of Fine Arts at Tufts University and at Massachusetts College of Art and Design.

Originally from: Hunan, China

Where they live: Belmont

Photographer Zhidong Zhang unrolls a previous work, “Object Lessons (I),” in their South End studio. Pat Greenhouse/Globe Staff

Studio: Zhang’s studio houses some of their beloved real and artificial plants, a sofa to nap on, and previous works: photos large and small; prints of family snapshots, folded into heart-shaped origami tiles.

How they started: Their father gave them a camera when they went to college to study math at Hunan’s Central South University.

“He said, ‘Oh, you can do whatever you want, but just don’t make it your profession,’” Zhang said. In 2018, the artist came to the United States to pursue a graduate degree in photography at MassArt.

What they make: “I started with making traditional portraits, traditional still lifes, and then working with collage and working with assemblage. I am being very playful with [photography] and introducing other things into that medium to stretch it in different ways.”

Zhidong Zhang’s supply of latex balloons, which they use to make the balloon art featured in “Far Away, From Home.”Pat Greenhouse/Globe Staff

How they work: Odd props pop up around Zhang’s studio: a giant rubber duck, a pack of orange life jackets the artist found on the street. They enjoy the world-building aspect of photography.

“I love going to thrift stores to find random things. Most of them have to sit in my studio for a long time until I know how to collaborate with them. That’s something similar to when I work with people. We have to have a relationship to be working together.”

Their equipment? Cameras include an eight-by-ten, a four-by-five, and a digital camera.

“They are all just tools for making.”

Zhidong Zhang shows off their eight-by-ten camera, which they keep in their studio.Pat Greenhouse/Globe Staff

Advice for artists: Stick your neck out.

“I constantly give myself permission to be vulnerable with myself. With the process, with the mediums that I work with, and with the subjects that I delve into.”

FAR AWAY, FROM HOME At Aunty Kay and Uncle Frank Chin Park, Rose Kennedy Greenway, through March 2025. www.rosekennedygreenway.org/yearofthedragon/zhidong


Cate McQuaid can be reached at catemcquaid@gmail.com. Follow her on Instagram @cate.mcquaid.

300 Of Elton John’s Photos Go On Display At V&A This Summer

300 Of Elton John’s Photos Go On Display At V&A This Summer

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Elton John with fried eggs for eyes
Elton John: Egg On His Face, New York, David LaChapelle, 1999. © David LaChapelle

Over 300 photo prints from the private collection of Sir Elton John and David Furnish go on display at the V&A this summer.

Fragile Beauty: Photographs from the Sir Elton John and David Furnish Collection features the work of scores of 20th and 21st century photographers selected from a 7,000 strong collection — including works from Robert Mapplethorpe, Cindy Sherman, William Eggleston, Diane Arbus, Sally Mann, Zanele Muholi, Ai Weiwei and Carrie Mae Weems.

The 149 prints of Nan Goldin’s epic Thanksgiving series will also be shown in their entirety; Goldin was recently named the art world’s most influential figure.

A young man studying a fly on his nose
Simply Fragile, Tyler Mitchell, 2022. © Tyler Mitchell. Courtesy of the artist

Themes of the exhibition include fashion, reportage, celebrity, the male body and American photography — with specific images including a trio of photos of Elton John muse Marilyn Monroe, taken by Richard Avedon, Eve Arnold and Bert Stern; other celebrities and musicians including The Beatles, Elizabeth Taylor and Chet Baker; the Civil Rights movement of the 1960s; AIDS activism of the 1980s; and 9/11.

David LaChappelle’s comical ‘Egg On His Face’ image of Elton John himself (see above) also features.

A man with a trumpet
Chet Baker, Herman Leonard, New York City, 1956. © Herman Leonard Photography, LLC

John and Furnish first loaned photos to the V&A in 2014, and say that Fragile Beauty “takes our collaboration to really exciting new heights”. Tickets for the show are on sale now.

Fragile Beauty: Photographs from the Sir Elton John and David Furnish Collection, V&A, 18 May 2024-5 January 2025