‘He saw the beauty in everything’: Community remembers 18-year-old wildlife photographer ahead of funeral

‘He saw the beauty in everything’: Community remembers 18-year-old wildlife photographer ahead of funeral

OSGOOD, Ind. — A Ripley County community is preparing to lay 18-year-old Carson Hughes to rest.

Indiana Conservation Officers say he died of probable cold water drowning in Versailles State Park one week ago after a search by dozens of law enforcement agencies and hundreds of volunteers.

Hughes was a wildlife photographer. His camera and tripod were found alongside his truck when he was reported missing.

Across Southeast Indiana and beyond, his images are living on. From otters to owls, bucks and eagles – Hughes had a gift for capturing Southeastern Indiana.

“He saw the beauty in everything,” said Emma Newhart, who attended the same high school has Hughes. “It’s just a statement for everyone to just … find the beauty in everything and everyone.”

The Osgood community is trying to find some semblance of beauty in the tragedy. From red, white and blue ribbons blowing in the wind to “forever loved” signs lining the roads.

“He continues to show throughout this community, how we can all come together in a time of loss and grief,” Newhart says.

The funeral is planned for 5 p.m. at Jac-Cen-Del Junior Senior High School in Osgood, with visitation beginning at 5 p.m. Classes have been canceled and attendance is projected to be high.

Family friend Steven Harmeyer said he has no idea what to expect, he anticipates it being an “amazing thing.”

Outside the high school, Hughes’ truck sits decorated at the front entrance. His school parking space, painted as a nature scene, is now a growing memorial, complete with a statue of an eagle he so often photographed.

“There’s so much photography that family still has that the world’s never seen,” said Harmeyer. “Carson has a lot of gifts to still give to people.”

Prints will be available for order for those who donate to his memorial fund. Harmeyer said the family has plans to eventually allow supporters to order prints online.

Delaware Community Volunteer Fire Department held a fish fry in Hughes’ honor Friday. It raised more than $24,000.

“There’s a family in mourning right now. But there’s so much good that’s going to be coming from Carson–truly,” Harmeyer said.

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Photographer Streaming: When is it coming on Hulu & Disney Plus?

Photographer Streaming: When is it coming on Hulu & Disney Plus?

The streaming dates of Nat Geo’s Photographer on Hulu & Disney Plus have been announced, and viewers are wondering when they can start streaming the docuseries. The trailer for this documentary has taken the photography world by storm, while the series only goes to prove Nat Geo’s dedication and commitment to bringing interesting and groundbreaking stories about the animal world to our TV screens. The show brings visionary directors and seasoned photographers, typically behind the lens and behind the scenes, to speak about their craft.

They display extraordinary skills, going to lengths to capture photographs of humans and animals never seen before. Their work has redefined the boundaries of visual storytelling and wildlife photography for generations to come. Every episode is visually stunning, involves exhilarating adventures, while also being incredibly informative, as they go frame by frame to tell inspiring stories.

Here’s when the show is coming out on Hulu & Disney Plus.

When is the Photographer Hulu & Disney Plus release date?

Nat Geo’s Photographer will stream on Hulu & Disney Plus on Tuesday, March 19, 2024.

Paul Nicklen, Cristina Mittermeier, Anand Varma, Dan Winters, Campbell Andy, Krystle Wright, and Muhammed Muheisen are the seasoned photographers interviewed in the show.

When are Photographer Hulu & Disney Plus coming out via streaming?

Photographer is available to watch via streaming on Hulu & Disney Plus on Tuesday, March 19, 2024. Viewers will be able to stream it at this time.

Current Hulu & Disney Plus subscribers will be able to watch the series when it airs, and if you haven’t already subscribed to the service, you can do so below:

Photographer’s official synopsis reads:

Photographers will tell the intensely personal stories of the world’s greatest visual storytellers and artists, from how they found themselves behind a camera to how they dedicate themselves to the endless pursuit of perfecting their craft.

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Vietnam needs art market with professional standards

Vietnam needs art market with professional standards
painting.jpg
‘Timeless Souls: beyond the Voyage – Hon xua ben la’ (Photo: Sotheby’s)

In Vietnam, paintings are traded under different modes – via gallery, direct transactions with artists, hand-to-hand sales or via brokers, each of which has advantages and disadvantages. Vietnam lacks professional curators and there is no professional trading floor. Meanwhile, the market is distorted by art forgery.

Fake paintings 

A high number of paintings by famous painters have been sold at high prices on international auction floors. However, the concern about fake paintings still exists.

Commenting about the counterfeit painting ‘Nang he’ (Summer Sun) by painter Le Van De, Ngo Kim Khoi, a respected researcher, said the painting was copied in a clumsy way with inaccurate lines. The signature and seal are careless. The words ‘Hanoi 1932’ are at the bottom of the painting. But in 1932, the painter was in France, not in Hanoi.

The fake painting ‘Nha tranh goc mit’ (Thatched cottage and jackfruit tree) by Nguyen Van Ti at the Hanoi Fine Arts Museum was introduced by Sotheby’s at the price of 700,000-1 million HKD (VND2-2.9 billion). However, the auction house later had to withdraw the fake painting from the auction because of public backlash.

A veteran painting collector in Hanoi said fake paintings, copied paintings, real and counterfeit painting are displayed at exhibitions, auctions and even international auctions, which causes doubt among collectors.

“The fine arts market is connected by confidence, and when confidence is shaken, the market will collapse,” he said.

“There are fewer and fewer painting lovers and collectors,” he said, adding that the market will get even worse if it cannot be professionalized and confidence cannot be restored.

Market professionalization

The sky high prices of millions of dollars are the prices of Indochinese paintings. Foreign and Vietnamese collectors love Indochina’s paintings because they depict historic times and stories. 

Collectors feel safe when buying Indochinese patients because most Indochinese painters have passed away, so the number of paintings is limited.

Ngoc Dai, also a veteran collector, said there was a time when people rushed to buy these paintings for family collections and to try their luck. In many cases, the prices of paintings increased by 5-6 times compared with the buying prices.

However, things are different now. Investors cannot expect such profit anymore. Cash now is now heading for contemporary paintings and this brings great opportunities to young painters.

“If there are intermediary units who are prestigious and provide high-quality services, then discovering good painters and bringing good paintings to the public will no longer be a difficulty,” Dai said.

However, the contemporary painting market in Vietnam is new and it will take more time to become professional. 

According to Dai, the Vietnamese market lacks experts. For example, painters set selling prices just by feelings, because there is no expert who helps assess the value of paintings. In many cases, painters set sky high prices initially, but later slash the prices sharply because of financial problems. 

The artworks with realist style remain the most attractive to collectors and contemporary artists will have to be patient to wait for clients’ taste to change, according to contemporary painting collector Pham Suu. 

The Vietnamese painting market remains fledgling with many complicated problems , but it has potential. The big auctioneers such as Sotheby’s, Christie’s and Phillips are selling Vietnamese paintings at high prices and have staff studying the art and market of Vietnam. Once they join the market, a professional playing field will form and develop, while curators will be trained methodically.

Curators play a very important role in the painting market as they act as a bridge between painters and the public, painters and auctioneers, and painters and painters in the current choosy market.

Dong Phong

Canon brings accessibility to photography with World Unseen

Canon brings accessibility to photography with World Unseen

Communication through demonstration

Through conversations with renowned photojournalists and an ultrasound practitioner, the films follow a blind mother-to-be as she feels the outlines of her baby scan, while others feel imagery through detailed braille descriptions and life-like textures.

The work demonstrates the power of communication through demonstration imagery to transform our world, capturing the raw emotion and impact of individuals experiencing photography in this tactile way.

The films are powerful demonstrations of the inclusive imagery on show at the World Unseen exhibition. The experience has been designed for and with blind and partially sighted people, using elevated prints, immersive audio descriptions, and braille. All are focused on the goal of ensuring that as many people as possible can appreciate it.

Sighted people, too, will gain a better appreciation of the partially sighted experience from the images. Each will be obscured in ways that simulate different types of visual impairment, from glaucoma to diabetic retinopathy. While the exhibition raises awareness of the importance of accessibility in arts and cultural spaces, it also draws attention to how inclusive design makes experiences better for everyone.

The project builds on Canon’s long-term focus on inclusion and accessibility. The brand has been making the arts more accessible for blind and partially sighted people for many years, supporting many art galleries and museums globally with tactile printing and braille signage. However, this event marks Canon’s first completely accessible, immersive experience.                                                                

“Photography is an incredibly powerful medium that can push the imagination and we want this experience to be accessible to everyone. This exhibition was created with blind and partially sighted people in mind to share imagery and the stories behind them in an entirely new way. With Canon’s elevated print technology, we hope all visitors will feel a deeper connection to the emotions and stories that imaging can bring to life,” says Pete Morris, Brand and Sponsorship Senior Manager, Canon EMEA.

The exhibition will feature works from world-renowned photographers and Canon ambassadors, including multi-award-winning South African photojournalist Brent Stirton and renowned Brazilian Photojournalist, Sebastião Salgado.

San Sharma, Creative Director at VML UK added: “World Unseen makes photography more accessible and immersive for everyone. And, in doing so, it changes the way sighted people understand the visual impairment experience. It’s a privilege to work on a creative idea that means so much to so many people, and I hope it inspires others to be more inclusive in their work too.”             

VML UK has worked closely with Canon Europe and RNIB to ensure all elements of the World Unseen campaign meet accessibility standards, including website pages, video audio descriptors and the exhibition experience.

Dave Williams, Inclusive Design Ambassador at RNIB, concluded: “The World Unseen exhibition opens up the world of photography and enables more blind and partially sighted people to experience the emotive stories, and physical touch, of these iconic images. As a braille user, it’s fantastic to be working with Canon to raise awareness of the possibilities of textured print and to see in action how technology can make art more accessible for people with sight loss.”

Leica announces limited black Summilux-M 35mm f/1.4 lens

Leica announces limited black Summilux-M 35mm f/1.4 lens

25 March 2024

Leica is set to release a limited production run of its M-Summilux 35mm F1.4 with an anodised black coating on its aluminum shell and a special serial number. 

Based on the first edition from the 1961, the Summilux-M 35 f/1.4 is usually silver, but will now come in a black anodised finish, featuring its recognisable silver stainless steel front ring, commonly referred to as the “Steel Rim”.

Image: Leica
Image: Leica

The o.g Summilux-M 35 f/1.4 earned the title of “True King of Bokeh”, according to Leica at least, and the company says the new updated version maintains the same characteristics.

Leica says that in order to come as close as possible to the original, the engravings on the special edition’s focus ring have been ‘adjusted’. The arrangement of the feet and metre scale is also modelled on the original in terms of colour and has been swapped in comparison to the silver series lens.

Image: Leica
Image: Leica

The total number of limited edition lenses is expected to be around 200, mirroring how many copies of the original 60s era lens were sold. 

And the price? Well, prepare yourself: the black anodised Leica Summilux-M 35 f/1.4 with an engraved special serial number will be available from Leica Stores in Australia in strictly limited quantities for $16,990. 

You can find out more about the lens here.