Solar Eclipse: 6 photography tips for capturing the Solar Eclipse using your Pixel smartphone |

Solar Eclipse: 6 photography tips for capturing the Solar Eclipse using your Pixel smartphone |

On April 8th, North America will witness a total solar eclipse. Within the 115-mile wide path of totality, observers will experience a brief period when darkness envelops the surroundings, momentarily dimming what would typically be a sunny afternoon as the moon completely obscures the sun. This occurrence is rare and won’t be replicated under similar circumstances for another two decades.
Jasper, Indiana, lies within the path of totality, and for the last two years, my friends and I have been organising a trip there to witness the eclipse.Being the designated photographer among my friends, the responsibility to document the event falls on my shoulders. Fortunately, working at Google grants me access to some remarkable photography professionals. Meet Michael Specht, a Pixel Camera product manager who discovered his passion for photography in high school while developing film for the first time. Today, he’s an expert in image quality, focusing on the development of Pixel cameras.
Following my conversation with Michael, here’s a comprehensive list of his recommendations for photographing the eclipse using your Pixel phone. (And don’t fret—even if you won’t be within the path of totality next week, you can still apply Michael’s tips for capturing the partial eclipse.)
Also read | Solar Eclipse April 8, 2024: What are the best techniques of viewing solar eclipse

Prepare your packing list

When embarking on a journey to witness the path of totality, Michael suggests bringing along a few essential items. Firstly, ensure you have a camera, such as my reliable Pixel 8 Pro, renowned for its outstanding camera capabilities and robust telephoto lens. Additionally, don’t overlook the importance of packing a charger and perhaps even an extra battery pack. “It’s beneficial not to find yourself in a state of panic when deciding whether to keep your camera active or conserve phone battery,” Michael advises. Lastly, remember to include solar filters in your gear to safely observe and photograph the sun before totality. (And a gentle reminder: Avoid direct sunlight, especially crucial during the prolonged phases of partial eclipse surrounding the brief period of totality.)

Practice, practice, practice

“The first time you use your phone’s camera shouldn’t coincide with the day you intend to capture your image,” advises Michael. “We live in the digital era, so experimenting with various settings doesn’t come at a cost! Use your tools, experiment with them, and get acquainted with them.” Michael recommends practising photography at different times of the day to simulate the transition into darkness that occurs during a total eclipse. He suggests exploring the Pro Controls of my Pixel 8 Pro camera—adjusting settings such as ISO, exposure time, focus, brightness, and shutter speed.
Regarding focus settings, capturing the sun can pose a challenge for any camera. Try tapping where different elements intersect within the frame, such as the meeting point of the sky and the sun’s edge, to achieve optimal focus. Once achieved, you can tap and hold the screen to lock the focus. If tapping proves ineffective, you have the option to manually adjust the slider in Pro Controls.
Remember, there’s no single magic setting to guarantee the perfect image every time. Much of it involves trial and error, as well as adapting in real-time to changing conditions.

Click wisely — or use a tripod

To minimise the chance of unintended shakes, consider bringing a tripod (and don’t overlook a Pixel mount for securing your phone to it!). However, if your luggage is already packed to the brim, there are a couple of methods to stabilise your phone while holding it. For Pixel Watch users, for instance, you can remotely operate your phone using the Google Camera app on your watch. Alternatively, within the Camera app, tap the photo settings button located at the bottom left corner of your phone screen and activate a timer, allowing the shutter to release automatically after 3 or 10 seconds. Another technique is to practise applying a gentle, light thumb press beforehand—the on-screen Shutter button doesn’t require much pressure to capture an image.

Let the camera do the work

The Pixel 8 camera boasts remarkable automatic features, so it’s perfectly fine to begin with all settings on auto and make adjustments as necessary. As the eclipse progresses and the sky gradually darkens due to the moon’s passage in front of the sun, the Pixel phone’s automatic settings can adapt accordingly. The screen brightness adjusts automatically based on ambient lighting conditions, and Night Sight activates automatically if the lighting reaches a certain threshold.
If you prefer to experiment with the settings yourself, this is the opportune moment to utilize your familiarity with Pro Controls and other camera settings on the Pixel 8 Pro. However, while Pixel phones are capable of astrophotography, Michael advises against using it for capturing the total eclipse, as exposure times can sometimes extend up to 4 minutes—totality is expected to last around or less than 4 minutes in total, depending on the location, and you wouldn’t want to spend the entire duration on just one photo!

Get creative

Experiment with various photo compositions. Instead of positioning the eclipse directly in the centre of your photo, consider using the grid tool available in the camera app to adhere to the “rule of thirds” in photography. To do this, activate the grid feature in the Pixel camera app by accessing the Settings button located in the bottom left corner. Then, try positioning the eclipse at a point where the grid lines intersect.
Photographing the eclipse isn’t limited to capturing images of the sky alone; it can also involve documenting the experience with those you’re sharing it with. Last year, Google introduced Best Take, a feature on Google Photos that enables users to curate the perfect group photo. Michael suggested an amusing twist by selecting everyone’s least flattering takes. To use this feature, simply access Google Photos after capturing several shots in quick succession, choose Best Take from the editing tools, and then select each individual’s face to view their best (or worst) moments.

Enjoy the moment

Lastly, don’t forget to gaze upward (while wearing eye protection) and cherish the moment! “We often spend our time viewing life through a camera lens — so while it’s important to capture images, take a moment to appreciate the experience firsthand!” Michael emphasises. Solar eclipses are rare occurrences, and it’s not just the photographs that can be perfectly captured during these events; it’s also the memories.

USA Wesley Foundation to host Community Art Market

USA Wesley Foundation to host Community Art Market

MOBILE, Ala. (WALA) – The following was provided by event organizers:

USA Wesley Foundation is hosting their First Annual Community Art Market on Saturday, April 13th from 8 am to 4 pm. This family-friendly event will feature artists and makers from across the Gulf Coast region, highlighting the diversity and creativity of folks who call this place home. We will have delicious food and refreshing drinks for purchase, as well as a children’s area with fun for the whole family. There will also be a special community art project that all folks are invited to participate in!

This event is a fundraiser for USA Wesley Foundation (also known as “South Wesley”), a United Methodist organization serving local college students at South Alabama, Springhill, U Mobile, Bishop, Coastal, and others. Wesley feeds students throughout the week, provides snacks and supplies pantries, hosts worship services and bible studies, and takes fun trips a few times a year. We seek to provide a safe space for students to connect to the community and to thrive.

Event: Community Art Market

Date: April 13th, 2024

Time: 8 am to 4 pm

Location: 5835 Old Shell Road, Mobile, AL 36608

This event is free and open to the public! For more information, please visit https://fb.me/e/89Q8MPGGP

Guadalupe Maravilla Appeals to the Children of War in a New Series of Retablos

Guadalupe Maravilla Appeals to the Children of War in a New Series of Retablos

“El Brujo Disease Thrower” (2024), mixed media, 100 x 80 x 60 inches. All images courtesy of P·P·O·W Gallery, shared with permission

Dating back to the late 18th century, retablos are small devotional paintings created to thank God or a saint for their protection during a particularly trying or dangerous event. In his show, Si no sanas hoy, sanarás mañana, Guadalupe Maravilla (previously) conjures this tradition as he nests narrative works inside spiny mixed-media sculptures that address the indelible impact of childhood trauma.

The exhibition title translates to “if you don’t heal today, you will heal tomorrow” and is a line from a song some Latin American parents sing to their children when sick. Maravilla invokes the lyric as he references his immigration to the United States unaccompanied by his parents, a deeply trying experience he often returns to in his practice. “I remember making sculptures of the bullets I found in the street when I was three to eight years old. The civil war in El Salvador was a war of brother against brother, sister against sister. Bless the healing forces that protected us,” he says.

In addition to the wall-based sculptures, two freestanding works are on view, both part of Maravilla’s ongoing Disease Throwers series. The towering assemblages reflect the artist’s enduring interest in healing and sound therapies following his colon cancer diagnosis. “El Brujo Disease Thrower,” for example, features a gong suspended from a purple woven chair.

 

a wall sculpture made of spines that frame a small painting with found objects tucked inside

“Beginning Retablo” (2022)

Maravilla’s works are particularly timely given the increase in migration from Central and South American countries, along with Israel’s ongoing war in Gaza that has killed more than 12,300 children. Positioned on a blush wall with gold linework, “Letter to the Children Retablo” speaks to such atrocities as he recounts the tragic loss of a six-year-old friend named Luna as he fled the war in El Salvador. He writes:

To those children experiencing war, I hope to meet you in the future and hug you. In the future I hope you are receiving & inspiring love in your communities. That you’re healing. That you formed a new family. That you become leaders. That you are saving the trees and the oceans, that you find a cure for cancer. That you solve many of the world’s problems that we caused. That you that you show us and teach us about what is humanity supposed to be, because we lost we that…I have failed you, America has failed you and the world has failed you. You are my family, you will always be in my heart. I’ll see you in the future.

Si no sanas hoy, sanarás mañana is on view through April 6 at P·P·O·W Gallery in New York. Find more from Maravilla, including updates on his forthcoming sound baths, on Instagram.

 

two freestanding sculptures stand in a gallery with retablos lining the walls

Installation view of ‘Si no sanas hoy, sanarás mañana’

a small painting depicting a man and large snakes alongside black backpacks. the painting is nested into woven purple with a bottle nearby

Detail of “El Brujo Disease Thrower” (2024), mixed media, 100 x 80 x 60 inches

a wall sculpture made of spines that frame a small painting with found objects and dried flowers tucked inside. the work is hung on a pink wall with gold drawings

“Letter to the Children Retablo” (2024)

a wall sculpture made of spines that frame a small painting with found objects tucked inside

“San Ysidro Retablo” (2023), oil on tin, cotton and glue mixture on wood, 96 x 93 x 20 inches

a detail of a wooden cat sculpture tucked inside a cotton and glue form, with yellow pencils stuck nearby and a painting above

Detail of “San Ysidro Retablo” (2023), oil on tin, cotton and glue mixture on wood, 96 x 93 x 20 inches

a wall sculpture made of spines that frame a small painting with a colorful snake slithering along the bottom

“January 1984 Retablo” (2022)

a colorful snake slithers through spines of a sculpture with a corner of a painting above

Detail of “January 1984 Retablo” (2022)

a wall sculpture made of spines that frame a small painting with found objects interspersed throughout

“Bless You Magic Flying Woman Retablo” (2022), oil on tin, dried gourd, cotton and glue mixture on wood, 105 x 63 x 24 inches

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Guadalupe Maravilla Appeals to the Children of War in a New Series of Retablos appeared first on Colossal.

Candid portraits of east London’s underground queer club kids

Candid portraits of east London’s underground queer club kids

‘I’m trying to capture the colourfulness of everyone’s individuality’: Dazed Clubber Courteney Frisby on her exhibition at Dalston Superstore

4April 2024

Photographer Courteney Frisby has spent the last few years chronicling the hedonism of London’s underground queer scene. Candidly chronicling the hedonism and uninhibited self-expression of the city’s club nights, her photographs are colourful, vivid, and brimming with riotous energy. 

After studying photography at Westminster Uni, Firsby began her career in March 2020 – her very first assignment was a rave which took place right before the first lockdown was introduced, which she shot with a £10 digital camera (her friends still tell her these are the best pictures she’s ever taken). When nightlife returned, she started working with Sticky Plastik – a record label which runs regular parties – and DJ and producer Josh Caffé. While she was already involved in the queer scene, she didn’t start working in it until two years ago when she met Michelle Manetti, who runs Fèmmme Fraîche –  an east London club night which caters to queer women, femmes, butches, trans and non-binary people. Frisbey has been shooting the event ever since, along with a number of cutting-edge parties both queer and straight. 

The beloved east London queer venue Dalston Superstore is celebrating its fifteenth anniversary this year and invited the Hackney-based photographer to put on an exhibition as part of its celebrations. Ahead of the launch party tonight, we had a quick chat with Frisbey about her work, her influences, and the state of London’s underground queer scene. 

You started out working with a cheap digital camera – what do you shoot with now?

Courteney Frisby: It really depends on the event. With Dalston Superstore, I always shoot on film because it’s too small a space to bring a big camera. There are also so many spontaneous moments in queer spaces, so I like to bring a point-and-shoot and then whenever I see something I’m ready to capture it.  But then, with other big events, like when I do Body Movements, I usually shoot on a Canon 5D with a 24-70mm. 

In terms of the vibe you’re going for, is there a difference between digital and film for you?

Courteney Frisby: I personally prefer digital, because I like seeing my own images, and I like setting a challenge for myself when it comes to the editing process: I love how the film aesthetic looks, and I love trying to make digital look like film – it’s almost like painting in Photoshop. But it really depends on my mood.

How did you curate the exhibition? 

Courteney Frisby: It’s basically just all my favourite shots from different events. I do Fèmmme Fraîche every two months, so a lot of the photos are from there. There are also pictures from Gay Agenda, Bottom Heavy and Dolls vs Twinks, which is a new party.  As a photographer, promoters always pick the photos that you wouldn’t pick yourself, so I think it’s really nice today that I’ll show everyone what I think is the best of my own work. 

People are always complaining about the state of underground nightlife in London. What do you make of it today?

Courteney Frisby: That’s a tricky question. There’s nothing really new right now and I think that’s what we’re all searching for. I went to a queer event the other day that was really great; it was called Club Are, they had installations and performances, and I thought, ‘Oh my god, there’s finally something new on the horizon!’ But then you see people wearing the same outfits as always and you’re like, ‘Hmm, I don’t know…’. But the queer scene is still so special, so it’s hard to say. 

There was a big party that’s now gone called Big Dyke Energy, and I think that’s left a massive gap, especially for lesbians and FLINTA people [an acronym, originally German, which refers to female, lesbian, intersex, non-binary, trans and agender people]. I know that my friend Michelle who runs Fèmmme Fraîche wants to step in and do something for us. 

What is it about queer nightlife you’re trying to capture in your work? 

Courteney Frisby: I’m trying to capture the colourfulness of everyone’s individuality… people being free and letting loose. A lot of queer people can’t walk out in the streets and be who they want to be, so it’s beautiful to go into a space where everyone is themselves – it’s like a whole different new reality. I also love taking pictures of people kissing. Often people will ask me if I can send them these pictures so they can give them to their partner as an anniversary present. 

What are the biggest influences on your style?

Courteney Frisby: Ewen Spencer will always be the GOAT. I just love his work – even when it’s just people sitting down at the table having conversations, it doesn’t seem like a big thing but the way that he captured that was just amazing. And right now, I would say I’m most inspired by international photography, especially in Spain and Argentina – I feel like they’re a step ahead. 

Courteney Frisby’s exhibition launch party at Dalston Superstore is on Thursday April 4 from 6pm – 9pm. Details here.

Freedom Monument Sculpture Park in Montgomery, Alabama, drawing international acclaim

Freedom Monument Sculpture Park in Montgomery, Alabama, drawing international acclaim
The newly opened Freedom Monument Sculpture Park, which plumbs the legacy of slavery and the lives of enslaved people through contemporary art, first-person narratives and historical artifacts, is already drawing international media attention and scores of visitors to Montgomery. The third “Legacy Site” constructed in the city by the nonprofit Equal Justice Initiative garnered

SCC to remove beloved sculpture

SCC to remove beloved sculpture
In the summer of 2021, world-renowned artist Patrick Dougherty installed “What Goes Around Comes Around” at Sandhills Community College’s Horticultural Ga