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‘Fine (not) Fine’: SolArt Center presents sculpture show, kicks off summer season in Staunton Wharf
Sol Art Center in the Staunton Wharf presents a sculptural exhibit titled “Fine (not) Fine” that showcases three local artists.
Sunset Zoo dedicates new sculptures to commemorate local philanthropists
Sunset Zoo dedicated three new sculptures this weekend to commemorate longtime board members John and Karen Pence. Three large bronze sculptures, created by wildlife sculptor John Parsons, feature the Malayan tiger, Amur leopard, and sloth bear. Sunset Zoo Marketing and Development Officer Melissa Kirkwood says the couple were vital to growing the zoo… While the
Althea Crome’s Miniature Sweaters Test the Limits of Traditional Knitting
“Nativity II.” All images © Althea Crome, shared with permission
Have you ever sent a knit sweater through a dryer cycle and returned to find it a fraction of the size it once was? Well, think even smaller. Althea Crome’s incredibly detailed miniature sweaters didn’t shrink in a dryer but were instead created stitch by stitch with scrupulous dexterity over hundreds of hours.
The Indiana-based fiber artist began knitting in college and refined her skills by frequenting knitting shops. Crome was eager to learn new methods, and like many who are part of knitting communities, the artist was happily welcomed with advice, knowledge, and guidance. Mastering one technique meant moving onto another, and when it came to constantly challenging herself, Crome always rose to the occasion.
As time went on, she eventually found herself in the throes of micro-knitting. For Crome, there was something particularly stimulating and liberating about knitting small. Designing tiny garments and being able to knit them relatively quickly provided instant gratification. As she continued to create increasingly small and detailed pieces, her practice began to evolve.
“Starry Night”
In comparison to the average knit sweater that holds about four to eight stitches per inch, Crome has achieved a gauge of more than 80 stitches per inch, meticulously entwining extremely fine silk in different hues. For “Nativity II,” the artist blended over 70 individual colors of thread to achieve detailed shading effects.
Crome is inspired by iconic works such as Van Gogh’s “Starry Night,” ancient Greek amphoras, and Warhol’s soup cans. Before starting each miniature garment, she first designs her own pattern, then she works underneath a high-powered magnifier, using minuscule knitting needles that she made herself from high-tensile-strength surgical steel.
“We’re always looking at other people’s art, trying to understand it,” Crome says. “Taking those images and working with a different medium, I just want to dig in further than my eyes. I want to dig in with my hands.” This way, the artist feels closer to the works that influence her, contemplating ideas for some time before testing new skills and bridging the gap between conceptual ideas and physical manifestation.
Find more of Crome’s work on her website.
“Starry Night”
“Ancient Greek Amphora I”
“Picasso, Woman in a Yellow Hat”
“Pop Art Cardigan”
“Nativity II”
“Sheep Farm” series
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Althea Crome’s Miniature Sweaters Test the Limits of Traditional Knitting appeared first on Colossal.
Paul McCartney Shares Rare Photographs of The Beatles
Paul McCartney‘s rare photographs from The Beatles’ 1963–64 U.S. tour arrive at the Brooklyn Museum. Rediscovered from McCartney’s archives, over 250 images capture the frenzy of Beatlemania and the band’s personal moments. The exhibition blends photography, video clips, and archival materials to immerse viewers in the era. Director Catherine Futter describes it as a window into McCartney’s journey amidst fame and camaraderie.
McCartney’s diverse artistic talent shines through in his photos, reflecting influences from 1960s photography styles. From formal portraits to candid snapshots, the exhibition showcases his range beyond music. “Eyes of the Storm” offers a personal narrative of McCartney’s journey alongside John Lennon, George Harrison, and Ringo Starr.
Beyond nostalgia, the exhibition provides insight into one of music’s enduring legends. Paul McCartney Photographs 1963–64: Eyes of the Storm launched at the Brooklyn Museum on May 3 and is currently on view.
Brooklyn Museum
200 Eastern Pkwy
Brooklyn, NY 11238
Talking turkey with RSPCA Young Photographer Awards winner Jamie Smart
I entered the RSPCA Young Photographer Awards again this year because I loved the competition so much last year. I remember leaving the ceremony at the Tower of London and saying to mum and dad: “I want to win this one day!” And with that I set myself a challenge and goal to try to capture images that would be good enough for me to have a chance.
The idea of photographing our turkey Frederick came to me while I was wandering around my garden with my camera just looking for things to photograph. I spotted him in his pen looking at me through the bars – he was being kept inside because of bird flu. He had a curious look in his eyes so I thought I’d try to get a different image of a turkey while he was standing there looking at me… this is where the photo of him came about and was also the idea for the portfolio of a turkey. I wanted to do something different and unique with the portfolio of the turkey as people overlook turkeys.
Fred is great, he is quite tame and I enjoy spending time with him, so I thought I’d try to capture the beauty of his feathers by using a macro shot to show-up their iridescence. I also wanted to get a real detailed photo of the caruncles on his face and neck. They were particularly red and puffed up, so I asked dad to help hold a flash up for me in his pen while I tried to get the photo of him square on – it was tricky as he would not stay still! And I had to adjust my f-stop and shutter speed quite a bit to finally get the image I wanted.
I’ve used Nikon from day one because that’s what dad James has. He has used Nikon over many years as he enjoyed photography as a hobby. At the moment I shoot with Nikon Z 9 body and various lenses depending on what I’m looking to capture and where I am. For the photo of Frederick, ‘Not Guilty’, which won the overall prize, I used a Nikon Z 24-120mm lens with a Nikon SB-910 Speedlight… and dad as a flash holder!
For the horse photograph, I used a Sigma 150-600mm lens, and for the caterpillar image I used the Nikon Z MC 105mm f/2.8 macro lens with the Nikon SB-910 Speedlight. I took the ‘Turkey Eye’ picture with dad’s Nikon D500… I didn’t start with a Z 9! As I got better, dad trusted me with his newer camera – the D850. We then sold old kit and saved up to get the mirrorless Z 9, which made a massive difference when taking photos of wildlife as it is so much quieter and faster.
I love nature and wildlife and this is all the inspiration I need to take photos. My mum and dad give me as many opportunities as possible to get out into the wild. We do a lot of research on where to find certain birds and animals and what type of habitat they are likely to live in and when.
We get up early to go to places to try to find them. We like to travel a lot around Wales and have started going a bit further afield into England. Lots of times I don’t manage to get the photo I want or I miss the bird or animal altogether. But that makes the time that I do get it right that much more amazing. I like to live by Bear Grylls’ motto – ‘never give up’.
I was so chuffed at winning the Pet Portrait category last year that I started taking more photos straight away when we got home! There’s a group of horses on the moorland near where we live in Wales, and we went up there late afternoon on a pretty rough day. As the sun was setting, the clouds parted for just a few minutes and lit up the herd. This beautiful animal looked across at me with this sort of curious look about him… so I decided to call the image ‘Curious George’.
The ‘Head Underwater’ shot of the swan was commended in the Under-12 category. I took this while I was trying to get a photo of the water droplets coming off the beak as the swan lifted its head out of the water. I didn’t manage to get that photo but I did capture this image.
The ‘Staring at the Sun’ image, of the caterpillar, was commended in the Small World category. He dropped out of a cabbage onto the kitchen worktop and crawled his way on to dad’s phone. I loved playing around a bit with different shots while he was crawling around.
A Year in the Life of a Turkey
About the RSPCA Young Photographer Awards
This year is the 200th anniversary of the RSPCA, so the Young Photographer Awards 2024 is set to be bigger and better than ever. Anyone under 18 can enter, with categories including age categories, the macro of Small World and showcasing Pet Personalities. Entries open in May.
‘A vessel for quiet reflection’: Allen mall erects mass shooting memorial sculpture
A steel sculpture at the Allen Premium Outlets is a memorial for the eight people killed in a mass shooting.
Photography as a Service Market Size, Share, Analysis, Demand, and Forecast 2024 to 2032 | Shutterstock, Adobe Inc., Getty Images
The Global “Photography as a Service Market” 2024 Research Report presents a professional and complete analysis of the Global Photography as a Service Market in the current situation. The Photography as a Service market is experiencing rapid growth as businesses and individuals seek professional photography services on-demand. From corporate events and product launches to weddings and family portraits, demand for high-quality visual content remains strong across various sectors. Photography as a Service platforms connect clients with skilled photographers, offering convenient booking, customization, and delivery options. Factors such as social media influence, e-commerce proliferation, and remote work fuel market expansion. As businesses prioritize visual storytelling and brand differentiation, the market anticipates sustained growth driven by the democratization of professional photography services.
The Photography as a Service Market is expected to grow at a CAGR of 17.2% from 2024 to 2032. Industry indicates steady expansion, driven by the growing demand for data-driven insights and decision-making across diverse sectors.
Get a free sample PDF copy of the latest research on the market in 2024 before the purchase@
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Top Companies in the Global Photography as a Service Market:
Shutterstock, Adobe Inc., Getty Images, Alamy, Dreamstime, 123RF, Depositphotos, iStock (Getty Images), Unsplash, among others.
Key Strategies
In the Photography as a Service market, key strategies revolve around leveraging digital platforms, data analytics, and strategic partnerships to deliver high-quality, on-demand photography services. Providers focus on user-friendly booking interfaces, seamless collaboration tools, and transparent pricing models to enhance customer experience and streamline workflows. Customization options cater to diverse photography needs, from corporate events and product shoots to personal portraits and weddings. Strategic alliances with venues, event planners, and marketing agencies expand market reach and drive referral business. Continuous innovation in editing tools, delivery options, and customer support services fosters loyalty and differentiation in the competitive photography services landscape.
Based on the Types, the Global Photography as a Service Market is Segmented into:
Stock Photo Libraries
Image Licensing
Photography Marketplaces
Based on the Application, Global Photography as a Service Market is Segmented into:
Creative Projects
Marketing Campaigns
Editorial Content
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Trends Analysis
The Photography as a Service market observes several trends shaping its development. As businesses and individuals increasingly rely on visual content for communication and branding, there’s a growing demand for professional photography services on-demand. Photography-as-a-Service platforms are gaining traction for their ability to connect clients with skilled photographers efficiently. Moreover, there’s a trend towards specialization, with platforms offering niche services such as corporate events or product photography. Strategic partnerships with venues, event planners, and marketing agencies drive innovation and service differentiation. Additionally, there’s a focus on accessibility and affordability, democratizing access to high-quality photography services.
Regions are covered by the Photography as a Service Market Report 2024 to 2032
North America (United States, Canada, and Mexico)
Europe (Germany, France, UK, Russia, and Italy)
Asia-Pacific (China, Japan, Korea, India, and Southeast Asia)
South America (Brazil, Argentina, Colombia, etc.)
Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria, and South Africa)
Geographical markets are of great importance for investors since a detailed report offers core areas to identify potential prospects. Strategic initiatives under regional analysis display mergers, acquisitions, collaborations, and joint ventures between key players. Innovation is been the driving force for these players and in the mode of business expansion, players are now leaping and investing in other ventures for mutual profits. Chapter-wise segmentation and data analysis are ensured for every region.
Historical Years: 2019-2023
Base Year: 2024
Forecast Period: 2024-2032
Strategic Points Covered in Table of Contents of Photography as a Service Market:
1 Report Business Overview
1.1 Study Scope
1.2 Market Analysis by Type
1.3 Market by Application
1.4 Study Objectives
1.5 Years Considered
2 Global Growth Trends
2.1 Global Photography as a Service Market Perspective
2.2 Growth Trends by Region
2.3 Market Dynamics
2.3.1 Industry Trends
2.3.2 Market Drivers
2.3.3 Market Challenges
2.3.4 Market Restraints
3 Competition Landscape by Key Players
3.1 Global Photography as a Service Sales by Manufacturers (2019-2024)
3.2 Global Photography as a Service Revenue Market Share by Manufacturers (2019-2024)
3.3 Market Share by Company Type (Tier 1, Tier 2, and Tier 3)
3.4 Global Photography as a Service Average Price by Manufacturers (2019-2024)
3.5 Manufacturers Photography as a Service Sales Sites, Area Served, Product Type
3.6 Market Competitive Situation and Trends
3.6.1 Market Concentration Rate
3.6.2 Global 5 and 10 Largest Photography as a Service Players Market Share by Revenue
3.6.3 Mergers & Acquisitions, Expansion
4 Photography as a Service Market Breakdown Data by Type
4.1 Global Historic Market Size by Type
4.2 Global Forecasted Market Size by Type
5 Photography as a Service Market Breakdown Data by Application
5.1 Global Historic Market Size by Application
5.2 Global Forecasted Market Size by Application
6 North America
6.1 North America Market Size
6.2 North America Market Size by Type
6.3 North America Market Size by Application
6.4 North America Market Size by Country
7 Europe
7.1 Europe Market Size
7.2 Europe Market Size by Type
7.3 Europe Market Size by Application
7.4 Europe Market Size by Country
8 Asia-Pacific
9 Latin America
10 Middle East and Africa
11 Key Players Profiles
12 Analyst’s Viewpoints/Conclusions
13 Appendix
13.1 Research Methodology
13.1.1 Methodology/Research Approach
13.1.2 Data Source
13.2 Author Details
13.3 Disclaimer
Frequently Asked Questions About The Market
– What would be the size of this Market by 2032?
– What are the key driving factors and challenges in this Market?
– Who are the top Market players in this industry?
– At what CAGR is the Market estimated to grow in the forecast period?
– Which segment is leading the Market in 2024?
– Which region dominated the Market in 2024?
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