Amazing Winners of GDT Nature Photographer of the Year 2024

Amazing Winners of GDT Nature Photographer of the Year 2024
Trees on a floodplain in Germany in the winter

“Winter in the floodplain forest” by Dieter Damschen. Overall Winner and Second place, Special Category: Everything in flux – Germany’s River landscapes.
“The inundated trees in the floodplain hardwood forest of the Mittel Elbe during a winter flood.”

A dreamy winter scene has earned Dieter Damschen the title of GDT Nature Photographer of the Year. The competition is run by the Germany Society for Nature Photographers to highlight the talent of its members. This year, 481 members from 13 countries entered just under 8,000 images.

Damschen rose to the top with his photo of trees dusted with snow as a winter flood swept through Germany’s Elbe River Landscape Biosphere Reserve.

“I often visit this hardwood riparian forest in the foreland of the dyke to take photographs at fixed points with lines of sight that reveal carefully selected compositions,” Damschen shares. “On this particular morning, the trunks and branches of the trees were plastered with snow on one side, thanks to snowfall in combination with strong winds during the previous night. The resulting contrasting lines emphasize the time-worn structures of the mighty trees, creating the special graphic effect of this fleeting moment.”

Other standout images include Kai Kolodziej‘s portrait of a diamondback rattlesnake flicking its tongue and Scott Portelli’s aerial view of humpback whales during bubble-net feeding.

Scroll down to see some of our favorite winners and finalists from the 2024 contest. They just might inspire you to get out and spend more time in nature.

Here are the winners of the 2024 GDT Nature Photographer of the Year contest.

Humpback whales bubble nettingHumpback whales bubble netting

“Bubble netting” by Scott Portelli. First place, Mammals.
” Humpback whales spend the summer months in their Antarctic feeding grounds hunting energy-rich krill to build up sufficient blubber reserves for the long migration to their winter breeding grounds in the tropics. Using a technique known as bubble netting, several whales encircle a swarm of krill, crowd the swarm further by releasing a curtain of air bubbles, and then lurch in to feed effortlessly.”

Portrait of diamondback rattlesnack with tongue outPortrait of diamondback rattlesnack with tongue out

“Tasting the air” by Kai Kolodziej. Second place, Other Animals.
” The diamondback rattlesnake uses its tongue to detect odors. My goal was to make this behavior visible.”

Thread-winged antlion in camp at night, NamibiaThread-winged antlion in camp at night, Namibia

“Thread-winged” by Dr. Gerald Haas. First place, Other Animals.
“Thread-winged antlion in camp at night, Namibia.”

Aerial view of the Pupplinger Au floodplainAerial view of the Pupplinger Au floodplain

“Isar floodplain in morning fog” by Andreas Volz. Second place, Special Category: Everything in flux – Germany’s River landscapes.
“The floodplain of Pupplinger Au is an invaluable and species-rich nature reserve. In this region, the streambed of the Isar is largely unregulated.”

Birds perched on a telephone poleBirds perched on a telephone pole

“Scenes from a marriage” by Silke Hüttche. Special category winner.

Alpine ibex on a cliffAlpine ibex on a cliff

“Eyes shut and waiting for spring” by Flurin Leugger. Second place, Mammals.
“Alpine ibex are perfectly adapted to the inhospitable conditions at high elevations and can even survive severe winter storms.”

The contest is open to members of the German Society for Nature Photographers.

Common arrowhead in a riverCommon arrowhead in a river

“Arrowhead” by Heike Odermatt. First place, Plants and Mushrooms.
“The small river Groote Aa flows past the outskirts of my village. In the summer, this is the perfect habitat for arrowhead.”

A tree shaped by the wind in the grey dunes of the German barrier island BaltrumA tree shaped by the wind in the grey dunes of the German barrier island Baltrum

“Flag tree” by Marte Engelbrecht. First place, Atelier Nature.
“A tree shaped by the wind in the grey dunes of the German barrier island Baltrum. Exposure with intentional camera movement (ICM).”

An eider drake tries in vain to snatch a mussel in Kieler Förde.An eider drake tries in vain to snatch a mussel in Kieler Förde.

“Predator and prey” by Jan Sohler. Jury Prize.
“An eider drake tries in vain to snatch a mussel in Kieler Förde.”

Gentoo penguin swimming inside a waveGentoo penguin swimming inside a wave

“Surfing the wave” by Levi Fitze. First place, Birds.
“Gentoo penguin, Sea Lion Island, Falkland Islands. Gentoos are the fastest swimmers among penguins and agile enough to surf breaking waves.”

Morning in the forestMorning in the forest

“Birches in autumn” by Felix Wesch. First place, Landscapes.
“A section of one of my favorite woods in Wahner Heath on a rare mornings in autumn with both fog and sunshine.”

Black skimmers (Rynchops niger) on the east coast of FloridaBlack skimmers (Rynchops niger) on the east coast of Florida

“Morning roll call” by Jens Kählert. Third place, Birds.
“Black skimmers (Rynchops niger) on the east coast of Florida.”

481 members from 13 countries entered just under 8,000 images into this year’s competition.

The Rhine flows over a limestone formation at Istein Cataracts. Severe frost and soft morning light create a mystical scene.The Rhine flows over a limestone formation at Istein Cataracts. Severe frost and soft morning light create a mystical scene.

“Frosty morning at Istein Cataracts on the Rhine” by Karl Heinz Scheidtmann. Third place, Special Category: Everything in flux – Germany’s River landscapes.
” The Rhine flows over a limestone formation at Istein Cataracts. Severe frost and soft morning light create a mystical scene.”

Godafoss waterfall in IcelandGodafoss waterfall in Iceland

“Godafoss” by Britta Strack. Fifth place, Landscapes.
“Godafoss is a waterfall in northern Iceland. According to legend, it is known as the ‘waterfall of the gods’.”

Pasque flower on a frosty morningPasque flower on a frosty morning

“Frosty bell(e)” by Sigi Zang. Second place, Plants and Mushrooms.
“Pasque flower on a frosty morning.”

Cheetah hunting a zebraCheetah hunting a zebra

“In the eye of the cheetah” by Monika Morlak. Eighth place, Mammals.
“‘But cheetahs don’t kill zebras!’ proclaimed our astounded guide in Madikwe, South Africa. But this cheetah with three adolescents in tow managed to do just that.”

A male yellow sac spider in its webA male yellow sac spider in its web

“Yellow sac spider” by Christian Jakimowitsch. Ninth place, Other Animals.
“A male yellow sac spider in its web.”

GDT Nature Photographer of the Year 2024GDT Nature Photographer of the Year 2024

“Marble” by Florian Smit. Second place, Landscapes.
“This photograph was taken in Marble Castle, Saltfjellet-Svartisen National Park, Norway. The scene was illuminated with flashes from several perspectives.”

Wagtails flying across the morning sunWagtails flying across the morning sun

“Aerobatics in morning light” by Christian Brinkmann. Second place, Atelier Nature.
“In the warm glow of the morning sun in the Wadden Sea, a group of wagtails chases through the air; I captured two at just the right angle—a goosebump moment!”

German Society for Nature Photographers (GDT): Website | Facebook | Instagram

My Modern Met granted permission to feature photos by GDT.

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Winners of British Ecological Society Photo Contest Celebrate the Diversity of Nature

20 Incredible Winners From the 2023 European Wildlife Photographer of the Year Contest

Kaleidoscopic Paintings by Sarah Helen More Pulse with Vibrant Energy

Kaleidoscopic Paintings by Sarah Helen More Pulse with Vibrant Energy

“Foolin Around.” All images © Sarah Helen More, courtesy of Garvey|Simon, shared with permission

Textile design and the visual language of quilting shine through in Sarah Helen More’s paintings. Her kaleidoscopic works pair various geometric and botanical motifs in patchworks of flat graphic color. Emitting a joyful, meditative energy, the vivid compositions directly tie to the artist’s childhood memories and experiences.

Growing up in Portland, Oregon, and Houston, More was exposed to her mother’s quilting practice and her father’s vast geology collection, and she fuses the two in her works, as organic imagery melds with stripes and bold blocks of color. Now inspired by her daily walks around her home in Seattle, the artist often begins with a photograph or sketch before translating the patterns to the canvas. “My work has always been a place of solace for me—a place where I ruminate on life events and escape into an abstract reality that brings comfort and exhilaration,” she adds.

More has some paintings available through Garvey|Simon, and you can find more of her practice on Instagram.

 

a patchwork painting with stripes, shapes, and various motifs in a pink and red palette

“Sweetie”

a patchwork painting with stripes, shapes, and various motifs in a blue green palette

“167th and Division”

a patchwork painting with stripes, shapes, and various motifs in a rainbow palette

“Gravitron Zipper”

a patchwork painting with stripes, shapes, and various motifs in a rainbow palette

“Hide and Seek”

a patchwork painting with stripes, shapes, and various motifs in a blue palette

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Kaleidoscopic Paintings by Sarah Helen More Pulse with Vibrant Energy appeared first on Colossal.

Australia’s Richest Woman Wants a Museum to Remove Her Portrait

Australia’s Richest Woman Wants a Museum to Remove Her Portrait

Australia’s richest woman is apparently hopping mad at a portrait of her now on view at Canberra’s National Gallery of Australia. She wants the painting, by the indigenous Western Aranda artist Vincent Namatjira, removed from view in the exhibition “Vincent Namatjira: Australia in Colour.” 

The museum is standing firm in support of the artist and in defense of its right to display the canvas.

“Since 1973, when the National Gallery acquired Jackson Pollock’s Blue Poles, there has been a dynamic discussion on the artistic merits of works in the national collection, and/or on display at the gallery,” the museum said in a statement shared with Artnet News. “We present works of art to the Australian public to inspire people to explore, experience, and learn about art.”

A group of portraits hanging in a gallery in front of a long table

Installation view of “Vincent Namatjira: Australia in colour at the National Gallery of Australia, Kamberri/Canberra, 2024. Photo courtesy of the National Gallery of Australia.

Rinehart did not immediately respond to a request for comment, emailed to her in care of her company Hancock Prospecting, a mining and agricultural firm. The museum’s website shows that she is a friend of the museum and has made a gift between $4,999 and $9,999 ($3,338 to $6,679 in U.S. dollars).

“I paint the world as I see it,” Namatjira wrote in a statement on Thursday, quoted in the Guardian. “People don’t have to like my paintings, but I hope they take the time to look and think, ‘Why has this Aboriginal bloke painted these powerful people? What is he trying to say?’” He paints significant people who have impacted society for better or worse, he said. “Some people might not like it, other people might find it funny but I hope people look beneath the surface and see the serious side too.”

A woman with shoulder-length hair gazing upward

Gina Rinehart in Sydney, Australia, 2015. Photo: Matt King/Getty Images.

It’s true that Rinehart doesn’t look so great in the portrait, which gives her a very prominent double chin and staring eyes that make her look a bit unhinged. All the same, there was no fuss when the painting hung at Adelaide’s Art Gallery of South Australia, where it was on show for several months, ending in January. 

Namatjira has portrayed Rinehart before. His 2017 painting Gina Rinehart and Me shows the two shoulder-to-shoulder, neither looking too pleased with the arrangement. The Richest (Gina Rinehart), from 2016, earned him a finalist spot for the $100,000 Ramsay Art Prize the following year. 

“I like to paint with a little bit of humor,” the artist said about Gina Rinehart and me II, in the collection of the Art Gallery of Western Australia (in which both look a bit happier). “Humor takes away some of their power and keeps us all equal.”

Also coming in for the Namatjira treatment in the current exhibition are an international host of famous figures past and present, from Queen Elizabeth II (who exhibits a strange grimace) to Australian rules footballer Adam Goodes to musician Jimi Hendrix.

The museum describes the artist, from Indulkana in South Australia, as “a satirical chronicler of Australian identity.” He has been painting portraits of significant figures since 2013 and has won considerable attention: in 2020, he became the first Indigenous artist to win the Archibald Prize, granted by the Art Gallery of New South Wales, for his portrait of Goodes, and was decorated with the Medal of the Order of Australia (OAM) for his contribution to Indigenous visual arts.

A man sitting on a bench in a gallery hanging with portraits

Vincent Namatjira at the National Gallery of Australia, Kamberri/Canberra, 2024. Photo courtesy of the National Gallery of Australia.

Namatjira, a native of Alice Springs, was torn from his family at age six and raised in foster care in distant Perth, where he was deprived of all contact with and knowledge of his relatives. 

“I was just taken away by strangers,” he said in a video on the museum’s website. “I lost connection with family, Country, and culture. That was a bit hard.

“That’s why I paint the politicians and people with tuxedos and suits, that’s what the politician was to me and my sister—’We raise you until you’re 18, you can go back to family, pushed out the door and sent back on a plane to Alice Springs.’” 

“They don’t apologize at all. We never got a ‘see you’ or ‘good bye’ or ‘take care,’ that kind of thing.”

Also on view is a selection of works, curated by the artist, by his great-grandfather, famed artist Albert Namatjira, whom he cited as his “number one key role model.” He had no knowledge of his connection to the elder artist until he was an adult, and was amazed to discover that he was part of an artistic lineage.

“I believe in the power of art, the power of the paintbrush,” said Namatjira. “I know that art can change lives—it changed mine—and I hope that art can change the world too.”

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The Series Every Photographer Should Be Watching

The Series Every Photographer Should Be Watching

Aside from being an entertaining series with a great cast, this article discusses why the stunning new Netflix series “Ripley” is a must-watch for photographers.

This 2024 limited series is based on Patricia Highsmith’s 1955 crime novel, “The Talented Mr. Ripley,” and is noted for its striking black-and-white cinematography. “Ripley” follows the story of Tom Ripley, a struggling New Yorker hired by Herbert Greenleaf to convince his son, Dickie, to return from Italy to join the family business. This initial mission spirals into a life of deceit, fraud, and murder. The series is celebrated for its high-contrast film noir style, deep shadows, and dramatic lighting, making it a visual feast. Cinematographer Robert Elswit and creator Steven Zaillian intentionally crafted a unique aesthetic, avoiding familiar visuals and opting for a bold, sophisticated look.

The series’ cinematography stands out for its playful use of deep contrasts, angles, and proportions. Hopper praises the series for its high-quality visuals that continuously surprise and engage the audience. The use of film noir lighting is a highlight, with key lights illuminating subjects while creating intentional shadows, enhancing the narrative’s dark themes. The show’s visual language also pays homage to early German expressionist cinema and the works of photographers like Eugene Smith. There are many scenes in each episode that will have you reaching for the pause button to take in the composition.

In the video accompanying this article, Tatiana Hopper points out the significant role of lighting in “Ripley,” particularly in a scene inspired by Caravaggio’s chiaroscuro technique. This highlights the expressive and dramatic potential of light, adding layers to the narrative and visual storytelling. Hopper also appreciates the use of high and low camera angles to reflect Ripley’s complex situation, drawing parallels to noir influences.

Hopper acknowledges that while some may find the series’ pace slow, this deliberate rhythm enhances the visual experience and narrative depth. The series excels in balancing the amount of information revealed, maintaining a dominant ambiguity that keeps viewers engaged and reflective.

Hopper’s discussion of “Ripley” not only highlights its cinematic brilliance but also offers insights into how photographers can learn from its use of light, shadow, and composition. For those interested in exploring the adaptations of “The Talented Mr. Ripley,” she recommends the 1960 film “Purple Noon,” directed by René Clément, as an additional viewing.

A Taipei City Design Studio Is Recreating Historic Mosaic Tiles Found Throughout Taiwan

A Taipei City Design Studio Is Recreating Historic Mosaic Tiles Found Throughout Taiwan

All images courtesy of Pan Pan Hua

The Taipei City-based studio Pan Pan Hua is preserving local heritage by recreating the historic details unique to the region’s built environment. “Through years of research, we have found that the mosaic tile, once thriving in Taiwan, ceased production nearly half a century ago. Neither tile factories nor construction material suppliers offer similar products anymore, resulting in a gradual loss of Taiwan’s architectural identity,” a statement says.

After documenting dozens of examples around the country—find these on Flickr—designers created digital patterns and began to reproduce the colorful motifs. Handcrafted in small batches, the tiles are a labor-intensive ode to Taiwan’s vibrant history of design.

Visit the Pan Pan Hua website for information on purchasing the tiles, and be sure to check out the studio’s Instagram, which is a trove of architectural gems.

 

a square tile with brown and blue geometric components nested together

a square tile with a pink flower at the center and green and brown pieces around it

a mass of blue wavy tiles with brown dots in the bottom of the waves and green lines below the blue

a tile piece with blue and brown circles and beige lines that connect the circles

a square tile with a pink flower at the center and green and beige pieces around it

two white tulip like flowers with three black dots above the petals and blue stems and leaves. the left is right side up and the right is upside down

a collection of a square tile with brown and blue geometric components nested together

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article A Taipei City Design Studio Is Recreating Historic Mosaic Tiles Found Throughout Taiwan appeared first on Colossal.

Mastering Creativity and Avoiding Burnout in Wedding Photography |

Mastering Creativity and Avoiding Burnout in Wedding Photography |

Wedding photography is a demanding yet rewarding field, and it requires photographers to constantly adapt and evolve to stay fresh and inspired. Maintaining creativity while avoiding burnout is crucial for long-term success.

Coming to you from Sam Hurd and Taylor Jackson, this insightful video features an interview with Hurd, a seasoned wedding photographer known for his unique style and ability to capture genuine emotion. He shares his perspective on maintaining creativity, emphasizing that it stems from problem-solving and finding unique solutions in every situation. Hurd believes that the ever-changing nature of weddings, with each couple bringing their own dynamic, provides a constant source of fresh inspiration.

Hurd emphasizes the importance of actively shooting to combat burnout. He argues that educators who solely focus on teaching without actively practicing their craft risk stagnation. He encourages photographers to embrace new experiences and challenges, even outside their comfort zones, to continually refine their skills and perspectives. Hurd’s commitment to constantly shooting, even while traveling, demonstrates his dedication to staying sharp and inspired.

Hurd’s advice for aspiring wedding photographers is to say “yes” to a wide range of opportunities in the early stages of their careers. This approach allows photographers to develop their style, experiment with workflows, and gain experience in various aspects of the business, such as client communication and payment processing. By embracing diverse experiences, photographers can build a solid foundation for a successful and fulfilling career. Check out the video above for the full rundown from Hurd and Jackson.

If you would like to continue to learn about wedding photography, be sure to check out “How To Become A Professional Commercial Wedding Photographer With Lee Morris and Patrick Hall!”

Light painting grapes with the Hobolite Iris

Light painting grapes with the Hobolite Iris

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In Crociati, beauty in scars

In Crociati, beauty in scars

Most anyone who has played or plays soccer knows what it is like to rupture an ACL. Marco Damascelli, a photographer from Bari based in Milan, has documented the story behind the scars that surgery leaves behind. His penchant for reportage and analog, has resulted in the project In Crociati, an intimate exploration of the scars resulting from ACL operations. The project documents the scars, skin and composition of the knees of nine different subjects who have undergone this surgery. Through his camera, Damascelli captured the beauty, complexity and uniqueness of these scars, each of which tells a story of personal healing and resilience.

in crociati | Collater.al

The photographs show a variety of scars: from subtle and barely visible to more pronounced and pronounced. These differences not only reflect the diversity of surgical techniques, but also the dexterity of the surgeons who performed them. Each scar is a hallmark that speaks to the medical expertise and individual healing process of each patient.

In Crociati is a contribution to the understanding and appreciation of surgical scars as symbols of strength and rebirth. Damascelli wanted to pay tribute to the people who have gone through this journey, showing how scars are not just physical marks, but testimonies to experiences lived and overcome.

I wanted to capture, through the camera, the beauty, complexity and ‘uniqueness of these scars, which are the result of healing each individual person. From the subtle and barely visible to the more pronounced and pronounced. The nine subjects, although operated with the same two techniques, show the diversity of skin closure given mainly by the manual skill of the doctor in his surgical expertise.

Marco Damascelli

Ph copyright & courtesy Marco Damascelli