Experience the thrill of live sports in a whole new light with cutting-edge photography innovations at the UEFA EURO 2024™ tournament. Delight in capturing every heart-pounding moment on and off the field with the latest advancements in mobile imaging technology.

Witness the magic of the game through the lens of the groundbreaking XYZ smartphone series. Elevating portrait photography to unprecedented levels, the XYZ smartphone boasts an array of features designed to enhance your photography experience. From studio-level portrait capabilities to advanced imaging systems co-engineered with industry giants, every shot is a masterpiece waiting to happen.

Immerse yourself in the action with the XYZ smartphone’s Aura Light Portrait technology, intelligently adjusting color temperature and brightness to create stunning images in any lighting condition. The XYZ Pro takes it a step further with its innovative ZEISS Co-Engineered Imaging System, delivering unmatched clarity and detail in every photograph.

With a wide-angle camera capturing expansive stadium scenes and immersive visuals, the XYZ smartphone ensures that no moment is too big to be captured. From the intense emotions of players to the electric atmosphere of the crowd, every image tells a unique story of the UEFA EURO 2024™ tournament.

Choose from a variety of portrait style options, courtesy of the ZEISS Style Portrait feature, to infuse artistic flair into your photographs. Whether it’s capturing a breathtaking landscape of cheering fans or the dynamic energy of on-field action, the XYZ smartphone enables fans to document their football journey with unparalleled detail and creativity.

Embrace the synergy of sports and technology with XYZ, bridging the gap between fans and the beautiful game. Join us in celebrating the spirit of humanity and the joy of football through the lens of innovation and creativity.

Additional Facts:
– Sports photography has evolved significantly over the years, with advancements in technology allowing for more dynamic and engaging images to be captured.
– The use of drones in sports photography has become increasingly popular, providing unique aerial perspectives of sporting events.
– Virtual reality technology is also being integrated into sports photography, offering viewers immersive experiences that make them feel like they are right in the middle of the action.

Key Questions:
1. How do the photography innovations at the UEFA EURO 2024™ tournament enhance the overall viewing experience for fans?
2. What specific features of the XYZ smartphone series set it apart from other mobile imaging technologies?
3. How are photographers adapting to the changing landscape of sports photography with advancements in technology?

Key Challenges:
– One of the challenges associated with revolutionizing sports photography is striking the balance between capturing authentic moments and using technology to enhance images without losing the essence of the sport.
– Ensuring that photographers have access to the latest equipment and training to effectively utilize cutting-edge photography innovations can be a challenge.
– Balancing the demand for real-time images with the need for quality and creativity in sports photography presents a challenge for photographers covering live events.

Advantages:
– The advancements in sports photography technology allow for a more immersive and engaging visual experience for fans, enhancing their connection to the game.
– The XYZ smartphone series’ innovative features provide photographers with tools to capture high-quality images in various lighting conditions, offering new creative possibilities.
– Using technology to revolutionize sports photography opens up new avenues for storytelling and expression, capturing the emotion and excitement of sporting events in innovative ways.

Disadvantages:
– Overreliance on technology in sports photography may lead to a lack of authenticity in images, potentially diluting the raw emotion and energy of live sports events.
– The cost of upgrading equipment and staying current with the latest photography innovations can be prohibitive for some photographers, limiting access to cutting-edge technology.
– Rapid advancements in sports photography technology may result in a learning curve for photographers, requiring time and effort to fully leverage new features and capabilities.

Suggested Related Links:
– UEFA Official Website
– FIFA Official Website

CHICAGO (CBS) — A collection of photos that captured a moment in time 30 years ago in Chicago’s Pilsen neighborhood is now part of an exhibition at the Chicago Public Library.

Those photos shed new light on the working-class community’s roots that continue to thrive today.

It was the late 1980s-early 1990s, and the southwest neighborhood of Pilsen was a cultural and dynamic hub for predominantly Mexican American families.

At the time, Akito Tsuda, a photography student from Japan studying at Columbia College, was soaking it all in.

Despite knowing very little English or Spanish, his camera allowed him to connect.

“I thought if I had a camera, I can really talk to strangers,” Tsuda said. 

And he did, first discovering the neighborhood on a routine walk.

“Meeting these great people kept me going,” Tsuda remembered. “I said, ‘Can I take a picture for my school assignment.’ And people thought, ‘Hey, this guy needs help.'”

An unexpected friendship blossomed, generating hundreds of striking and intimate images over a four-year period. From candid moments between a father and son to a pair of young ladies getting ready to hit the town, the images were timeless.

It’s now part of the exhibition “Akito Tsuda: Pilsen Days” at the Harold Washington Library Center in the Loop. Pilsen Days is open to the public until the end of the year.

“If you look at these images, there are families, there is love, and there are children playing in the street. This is a very universal thing,” said Exhibit Curator Oscar Arriola.

For Tsuda, the most rewarding part of this experience has been reconnecting with those original subjects who welcomed him into their neighborhood three decades ago.

One of them is the teenager riding her bike with her young sister outside the now-defunct Windy’s Market.

“That is the most beautiful part of this exhibition. I’m so grateful,” Tsuda said. 

The extremely gifted Marcus Paladino was successful on nearly all fronts when it came to his career. But he was falling apart. Photo: MP

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I wake up before sunrise and am sitting with my coffee staring at the glow of my laptop playing Dark Side of The Lens. This is probably the three-hundredth time I’ve watched it. This motivational film for my line of work has become a staple in my morning ritual. Hearing Mickey Smith’s narration repeating in my head throughout the day, “If I only scrape a living, at least it’s a living worth scraping. If there’s no future in it, at least it’s a present worth remembering.” A mantra for what I do and why I do it. 

I drag my oversized, and overpacked, dry bag to the end of the driveway. Canadian surf legend Pete Devries is waiting there to pick me up, early as usual, and we discuss the day ahead. We go over the ever-changing forecast, wind, and tides of the Pacific Northwest. What we might see, what we hope to see, potential angles to shoot, beating the crowd – and then score one of the few fickle slabs just outside of town.

Although Pete and I have slowly grown from neighbors to colleagues to friends over the years, when we’re documenting surf, it’s all business. On the way home, we discuss the state of the industry, future opportunities, upcoming swells, sponsor budgets, video projects and creative ideas. His work ethic as a professional surfer has greatly impacted me. He’s a constant professional when he’s at the office but will easily slip back into his family oriented lifestyle once home. I, however, seem unable to turn it off. It’s all I think about, the reason I get out of bed in the morning. I had finally made it as a full-time surf photographer. This is all I’ve ever wanted. A literal blessing and a curse.

Photo: MP

I’ll never forget my first anxiety attack. 

I was driving along the Pacific Rim Highway in Tofino, white-knuckling the steering wheel, heart pounding out of my chest, and gasping for air as if I had just come up after a rogue set wave had landed on my head. I had no idea what was going on and didn’t know what to do. The local radio station was playing punk-rock music in the background, so I turned it up, way up. It couldn’t go any louder and I thought my eardrums were going to explode along with the speakers in my car. Suddenly, in a white-hot rage, I bellowed out a painful roar, screaming every curse word in existence at the top of my lungs, smashing my palm on the steering wheel and punching my fist toward the roof over and over again. I have no idea how long that went on until I made an abrupt U-turn and went home. 

Once in the confines of my bedroom, I locked myself in and cried as hard as I’d ever cried in my adult life. There was no way to explain it, no specific incident to cause such a dramatic effect. I was drowning in my own fear and panic. It was as if this feeling had been boiling up inside for who knows how long and it needed to be released, whether or not I was ready for it. When my body began to regulate and I was no longer disassociated with my sense of self, I got out of bed and grabbed my wetsuit and surfboard. I surfed for five hours and watched the sun go down until I was the only person left in the water and my extremities had gone completely numb. When I returned home, I pretended nothing had happened.

Photo: MP

As it turns out, throughout my 20s, I’d slowly developed (and later was diagnosed with) Generalized Anxiety Disorder. This became more clear as I continued to push my body and mind in an attempt to survive and thrive as a freelance photographer, specifically focusing on cold water surfing – in Canada of all places. Turns out there are a lot of similarities between pursuing photography and surfing, as far as making a living off them. Both incomes are dictated by the budgets of brands, which can run dry at a moment’s notice. We’re dictated by the choices we make; where we surf and shoot, what to post on social media, which trips to go on, and how much money to invest in ourselves.

I was considered a “workaholic” but I thought of it more like a burning passion and dedication to my craft, just as with the art of riding waves. Every check I cashed or invoice I wrote felt like it could be the last. I was in a perpetual state of paranoia, constantly waiting for someone to pull the rug from beneath the dream I was living. Realistically, the odds were against me. This small window of opportunity was cracked open during the right time of my life, and I was going to maximize it and not have any regrets if (or when) it didn’t work out. 

All in the pursuit of happiness, ironically. 

In social situations, I was keeping it together. I continued to be outgoing and enthusiastic among my peers with a consistent positivity about the world around me that would keep anyone naïve to my mental health status. My anxiety is different than most, external factors outside of my control don’t have much of an effect, while my inner demons beg for attention. Calm on the outside, screaming on the inside.

I’ve been renowned for working extremely hard in my field, although it didn’t feel like I had a choice at the time. If I wasn’t working as hard as possible at any given moment, if I ever turned down a shoot or made any alternate plans outside of the surf, then another lensman would be waiting in the wings to outdo me and flourish in my place. I would swim with my camera for hours on end, uncontrollably shivering and bleeding at times from the chaffing of my wetsuit. My internal dialogue would shout, “I don’t matter,” repetitively and I convinced myself that I’d miss the wave of the day if I stopped, or the surfers would be upset if I went in, and the entire career I’d created for myself would be in jeopardy. 

Photo: MP

The self-judgment, shame, and guilt that came with that was extremely overwhelming. Imposter syndrome was prevalent, as if it was a just matter of time before I was exposed as a fraud. For years, I was walked around in fight-or-flight mode. Every second of every day, I’d find myself trying to outrun my own anxiety. I was my own worst critic and self-conscious, not only about my work as a photographer, but myself as a person. I felt uncomfortable in my own skin. When I finally sought help, I remember almost biting through my tongue trying not to show any reaction or emotion when a therapist unexpectedly asked me, “How’s your relationship with yourself?”

What most people who don’t suffer from anxiety won’t understand is that while I was successful in all aspects of my career, I still had this perception of myself as inadequate. I had unintentionally created a brand for myself and had Canada’s best surfers willing to work with me at a moment’s notice. My photos were published on magazine covers and in international publications, and I had a solid client list of respected brands. I was financially stable for the first time in my life, and I was traveling the world with my camera doing what I love. I was even invited to compete in the Pro Photo Showdown, a world-renowned action sports photography competition that had inspired me to start shooting surf. I accomplished a lifelong goal and released my first photo book during the pandemic: Cold Comfort. I was so obsessed with my goals, always focusing on what was next and not actually living in the moment. Photography and my goals in surfing had always occupied my life. But I wasn’t entirely sure there was anything else.

My fiancé and I were on a spontaneous road trip in Northern British Columbia toward the Yukon Territory. “Isn’t this the most amazing thing you’ve ever seen in your life?” she asked while smiling at me, as the morning alpine glow of Kluane National Park pierced through the windshield. She loves mountains. Almost as much, if not more, than I love waves. I smiled back in agreement and continued my all-too-common state of deep thinking. Quietly losing myself in my thoughts, even with others I cared about around. After a moment of silence, her smile disappeared and she asked me if I was capable of enjoying anything besides surfing. 

Her question was valid. I eventually concluded, and expressed, that before I moved to the coast and started surfing, I never truly felt loved or accepted for who I was as a person. I always felt an urge and need to have something I knew wouldn’t hurt me and would always be there for me. It wasn’t until I finally found surfing at the ripe age of 20 that I knew I was finally home. The community of people who I surrounded myself with were so loving, supportive, and like-minded. I’ve never felt such a genuine bond in my life than with people I spent a single summer surfing with, even over a decade later. It’s my main form of exercise and adrenaline. It’s how I socialize and spend time with friends. Surfing has become much more than just a sport I take photos of, and take part in. It’s my lifestyle and my livelihood. An absolute obsession and healthy addiction. Good or bad, surfing will always be there for me, whether I need it or not.

Photo: MP

I was having an identity crisis driving through those mountains in the Yukon and didn’t know where Marcus the human started and Marcus the surf photographer ended. I slipped into a deep depression; one that lasted weeks. This was the turning point and as I continued the long drive back to Tofino alone, I didn’t know this episode would later result in the end of our engagement. 

Through this painful process, I realized I needed to change my relationship with myself if I was going to have healthier relationships with those around me, too. 

I wasn’t going to be afraid anymore and I wanted to dedicate more of my time to learning about my mental health and loving myself the best I could. I studied proper diet and alternative forms of exercise outside of surfing to create healthy habits; like a morning routine of journaling, meditation, and gratitude practice. Despite my hesitation, I was brave enough to speak with a doctor and finally was prescribed the right medication, after much trial and error. I joined a local men’s support group, found a therapist I felt comfortable with, and started Cognitive Behavioral Therapy. I read books, listened to podcasts, and talked openly with others about my struggles with anxiety – something I’d felt so ashamed to even admit I was suffering from before. I didn’t feel alone anymore. I practiced nourishing the healthy relationships in my life and put up personal boundaries for the unhealthy ones. Before, I always thought I could just “get rid” of my anxiety, but I now have the knowledge and understanding to live with it rather than wishing it away. 

The work never ends, and simply knowing that feels safer and more accepting. My surfing and photography have become less all-consuming and more enjoyable than ever. I don’t know exactly where I’m going, but I know it’s in the right direction because there’s no end to a mental health journey. Just like there’s no end to photography. While anxiety may never fully go away, we can find calm in the chaos. Whether you’re behind the lens or in front of the wave, in the end, it’s not about being the best or the bravest of those around you. It’s about being true to yourself, expressing your emotions, and asking for help when you need it.

Photo: MP

As someone who has lost a loved one in the process of finding myself again, I know how important it is to prioritize your well-being and seek support when you’re struggling. As I share my story, I realize how essential it is to acknowledge and honor our struggles and to find healthy ways to cope with life’s challenges. But I also know that there’s beauty and joy to be found in the pursuit of your passions, whether it’s surfing, photography, or anything that makes you feel alive. For me, it’s the combination of the two that has given me a sense of purpose and a way to connect with a community that I love. Through all the ups and downs, I’ve learned to love myself more deeply and fiercely than ever before.

To anyone who’s struggling with anxiety or other mental health issues, or even just the societal pressure to hustle and perform, remember that you’re not alone and the strongest thing you can do is take care of yourself and find balance in your life. It’s not always easy, but it’s worth it. And you might discover a whole new world of possibilities when you start to love yourself as much as you love your passions.

Photo: MP

As the new Star Wars series, “The Acolyte,” and the latest Doctor Who hit our TV screens, there are important photography lessons we can learn from them and our other favorite productions.

To Boldly Go to a Galaxy Far, Far Away

As a child, I enjoyed watching Star Trek. Something that is often overlooked when celebrated is the cinematography. If you look at the original series now, the photographic direction of Gerald Perry Finnerman is fabulous. He also worked on other classics such as “Moonlighting,” “Kojak,” and “From Here to Eternity.” The composition of each scene worked and complemented the bold colors of the set designs and costumes.

Then, what blew me away was the cinematography of the original Star Wars movie. I saw its first release when it was known as Star Wars, not Episode IV – A New Hope, which wasn’t added until subsequent releases. The visual spectacle of it left me feeling awestruck.

Although they have evolved, the influence of Gil Taylor’s work is still evident in the subsequent Star Wars films and TV series. He also worked on “Flash Gordon” (the version with the fabulous Queen soundtrack), the 1979 version of “Dracula” with Frank Langella and Lawrence Olivier, “The Omen,” “Dr. Strangelove,” and “Ice Cold in Alex.”

Robert Krasker is another classic director of photography whose work I love. It encompasses “The Third Man,” “Brief Encounter,” “El Cid,” “The Heroes of Telemark,” and Lawrence Olivier’s version of “Henry V.”

Leaning From the Giants by Watching It Twice

Whatever your taste in film or television, I highly recommend discovering the work of the cinematography greats. We photographers can learn much from watching well-crafted movies and TV shows. These are professionals at the top of their game. I regularly watch a good movie more than once. The first time just to be absorbed in the story, and subsequent viewings to analyze how some of the shots were taken and how they fitted with the mood of the moment.

I try enormously hard not to notice it when watching something for the first time, but sometimes it is too good and distracts from the other elements that make up the film. To prevent that, the story, characters, soundtrack, and dialogue must be up to the same standard as the cinematography and the subsequent editing. All these elements should fit together to create a coherent whole.

Dealing With Critics

There was a film I enjoyed with my then-young son when it was first released. It was widely criticized for being marred by the style of the cinematography. Critics claimed that overusing a documentary filming style with an ever-moving camera resulted in too much unstable footage. They also said it had too many close-up shots. Consequently, what should have been an enjoyable low-brow adventure became confusing and nauseating.

However, I thought it was an enjoyable escapist romp, and the unusual camerawork didn’t bother me. I have watched it again since, and I still didn’t find it problematic.

There is always subjectivity when deciding what you like and don’t like.

Despite the criticism Tom Stern received – he was the director of photography for the film – he has an admirable career record and has not been stopped by those critics. Furthermore, that movie has grossed over $408 million to date.

Remember, critics are invariably people who can’t themselves create. Therefore, those who denigrate your creative work will be untalented. Sadly, arrogant idiots exist that publicly reject others’ work with uninvited negative comments. You will often see these views expressed in the comments sections of photography websites and social media groups. Although usually driven by jealousy, it’s disturbing that sexism, racism, and other forms of bigotry and prejudice raise their hideous heads here. Those who do it are never very bright, so either ignore them or show them up by highlighting their ignorance.

Without Googling it, can you work out what the movie was? No spoilers in the comments, please.

The Importance of Being Different

Studying the TV series and movies we enjoy, we see that the talented directors of photography and the teams behind creating the look of productions can create their unique style. So, that is something we can work towards achieving too. Finding your style often requires taking risks and dancing to the rhythm of your drum. Not everyone will like it, but someone will and it will help you find your unique style.

How do we do that? There are a multitude of ways. It mostly involves experimenting with what is different. Choose out-of-the-ordinary lighting intensity, angles, and temperature. Pick less common camera formats and lenses. Mix up subjects and their settings. Discover what other photographers do and then mix their styles and techniques, thus creating something new. All great contemporary filmmakers developed their style by building upon those who came before.

Even if you dislike a movie, there are still important lessons to be learned. For example, just as bad effects can spoil a film, a photograph can be similarly ruined. Overblown developments can look appalling, skin smoothing to make plastic-looking complexions in portraits is disturbing, and heavy texture overlays can all detract from the subject. But, just like the careful crafting of a motion picture, done correctly, in a way that complements the photograph can be stunning.

We can also grow by analyzing what we don’t like but heed what I said about critics. Keep your analysis to yourself. If you tell another creative person that you don’t rate their work, they and those who read your comment will think your words are objectionable, which reflects badly on you. If you get such comments on your work, treat them with the contempt they deserve. Rest assured theirs is a narrow-minded view. They lack the intelligence to understand what you created, and they don’t have the talent to match yours. What you are striving for is brilliant.

Putting on the Style

Most of the pictures in this article are snaps I took on various trips with my son many years ago that fit the theme of Film and TV. They don’t fit with my usual photographic styles. I had not thought about style when I pressed the shutter. I captured them solely to preserve memories of events in time, which was the original aim of photography. That purpose is often lost when we think of photography as an art form.

Your approach to creating your work results in your style. Style in photography is the distinctive way photographers portray their subject matter. It is an expression of their vision. Essentially, it’s the photographer’s unique combination of techniques from shooting the image to processing it.

Style is a complex concept. I have even heard some people reject it, saying it doesn’t exist. However, I believe it does. Moreover, it evolves over the photographer’s career. Sometimes that development can change intentionally and quickly as photographers seek a new style they feel comfortable with. At other times, their photos can have a coherent look that lasts years with change only noticeable when you look at images taken a decade apart and they have evolved organically.

A distinct style has advantages. It helps with photographers’ branding and gets their work recognized as theirs. Although all styles have their roots in the aesthetics of the past, finding your look is important. Don’t try to be another (insert name of famous photographer here) because they have already been that and you will be a poor copy. A unique style that doesn’t directly copy another person is worth striving for. However, the quest to discover your distinctive style is worth pursuing.

Style can and should vary greatly between photographers even within the same genre.

Adventures in Style, Time, and Space

The notion of style has long been a historian’s principal means of classifying all art, whether painting, writing, filmmaking, or photography. That’s because styles vary over time and location, changing with different periods, countries, and cultural groups. So, it is useful to consider how your style fits alongside other contemporary photographers in your country.

“Doctor Who” is listed in the Guinness Book of World Records as the longest-running sci-fi series and the most successful sci-fi series of all time. First broadcast on November 23, 1963, the show nearly failed because of the fateful events in America that rocked the world and dominated television everywhere on the previous day. The style of those programs evolved enormously over the years, but it has remained quintessentially British.

Similarly, photography styles evolve too. For example, my family photos dating back to the mid-1800s have a very different style from anything you see today. Also, fabulous images shot by Japanese photographers feel removed from what we in the West shoot.

Unfortunately, because of the internet and the sheer number of photographs being shot, I think individual styles are fading, replaced by generic images that look very similar. Everyone is exposed to the same things and picking up on the same cues. Consequently, we are losing aspects of our cultures. No matter where you are from, your country’s or community’s culture is important. So, researching film, TV, art, and photography from where you live can help your style cohere with and preserve your society.

What Do You Think?

Do you have a style? Do you try to break away from the norms by experimenting with things that are out of the ordinary? Or are you stuck in a rut and hoping to break free from the ordinary? Also, what photography in movies and TV shows inspired you in the past? It would be fantastic to hear your thoughts in the comments about that.

CAMDEN HARBOR, Maine (WABI) – You may have seen some incredible pictures of two humpback whales spotted in Camden harbor earlier this week.

We caught up with a Michigan truck driver and amateur photographer who says he was ‘extremely lucky’ to be on a boat tour when it happened.

It turns out one of the whales has been tracked for several years now, the whale’s name is Hashtag which Johnson thinks is ironic since his photos have gone viral.

According to Happywhale.com, Hashtag was last seen in Nova Scotia in 2021.

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