What the Tech: Firework Photography

What the Tech: Firework Photography
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...EXCESSIVE HEAT WATCH IN EFFECT FROM SATURDAY MORNING THROUGH
TUESDAY MORNING, JULY 9TH...

* WHAT...Temperatures are going to warm significantly as we head
into the 4th of July weekend with afternoon highs approaching 100
degrees across western NV by the 4th of July, then heating further
to near or above 105 degrees over the weekend and early next week.
This will result in a prolonged period of Major HeatRisk.

* WHERE...Northern Washoe County, Western Nevada Basin and Range
including Pyramid Lake, Greater Reno-Carson City-Minden Area, and
Mineral and Southern Lyon Counties.

* WHEN...From Saturday morning through Tuesday morning, July 9th.

* IMPACTS...Heat related illnesses increase significantly during
extreme heat events, particularly for those working or
participating in outdoor activities.

PRECAUTIONARY/PREPAREDNESS ACTIONS...

Prepare for an extended period of dangerous heat. Drink plenty of
fluids, stay in an air-conditioned room, stay out of the sun, and
check up on relatives and neighbors. Try to limit strenuous
activities to early morning or evening. Take action when you see
symptoms of heat exhaustion and heat stroke.

Do not leave young children and pets in unattended vehicles. Car
interiors will reach lethal temperatures in a matter of minutes.

&&

Ashland photographer captures faces, stories on Ukrainian domestic front in book

Ashland photographer captures faces, stories on Ukrainian domestic front in book
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ASHLAND — Rubble left behind after a Russian attack on civilians, a Ukrainian amputee continuing to play the sport he loves, widows mourning their husbands and vowing to defeat the enemy at all costs — these are the subjects and stories within Ashland-based photojournalist Christopher Briscoe’s latest book.

Titled “The Child on the Train: And Other Stories in War-Torn Ukraine,” the photo book follows the Ukrainian people and their stories following Russia’s invasion in 2022.

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Culpeper native’s “Walking Dualities” photography exhibit opens

Culpeper native’s “Walking Dualities” photography exhibit opens
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A new photography exhibit by a Culpeper native, exploring segregation, opens today at the Paramount Theater on the Downtown Mall in Charlottesville.

“Walking Dualities,” by Kori Price, is on display at the historic Third Street Box Office, a separate entrance for African Americans around the side of the Main Street theater. The opening coincides with the 60th anniversary of the signing of The Civil Rights Act of 1964, according to a Paramount Theater release. The temporary exhibit will be on display until July 23.

“In the installation “Walking Dualities,” Black people from our present become apparitions representing Black folks from our country’s not-so-distant segregated past,” according to an exhibition statement from Price, founder Kori Price Photography. “These apparitions are en route to The Paramount Theater’s Third Street Box Office. Each apparition is captured in a moment of their time and shown converged all together to merge their past with our present.”

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A mother and daughter walk up to purchase a ticket, sharing the same space with a couple who are there to do the same.

“Each photograph in the installation compresses time into a singularity where we can exist in unison with these apparitions from the past and those unseen and unknown who will come after us,” Price stated. “We walk in dualities of space and dualities of time. We are a product of history, a preamble of what comes next. Our present carves a path between the past and the future.”

A 2010 graduate of Eastern View High School who spent her first two years at Culpeper County High School, Price is a multi-disciplinary artist and photographer based in Charlottesville. She holds a B.S. in electrical engineering from Virginia Tech and seeks to maintain a balance between her technical and creative interests with her work, according to a biography from the theater.

Price is a founding member and president of the Charlottesville Black Arts Collective, a past resident artist at New City Arts Initiative as well as a writer-in-residence at McGuffey Arts Center. Her work has been exhibited at The Bridge Progressive Arts Initiative, Studio IX, McGuffey Arts Center and Second Street Gallery, according to the biography.

Asked how being from Culpeper has influenced her art, Price said she picked up her first digital camera as a student in the Pearl Sample Elementary after-school art program.

“It was a big clunky camera that used a floppy disk for storing the images, but I thought it was one of the coolest things ever,” she said.

“It was wild that you could take a picture in the computer lab and then view it on screen moments later. I kept up my interest in photography once the technology became smaller and my dad purchased a point-and-shoot camera for us to use during family gatherings and trips.”

Her brand new installation consists of four large banners printed with photographs depicting people in motion as if they are walking to and up to the former Coloreds box office, she said.

“Walking Dualities” is also a nod to W.E.B. Du Bois’s concept of double consciousness and a reminder that the double standard of the American declaration that “all men are created equal” has not yet been actualized, Price said in the exhibition statement.

“While the Civil Rights Act and continued activism have created significant change for Black people in our society, the generation-spanning wounds of segregation can still be felt today. Through something as quiet as unconscious bias or as vocal as white supremacy, the legacy of segregation and the Jim Crow South continues to affect current systemic and social issues. As our society continues on its path toward equity, it’s important for us to understand how both the whole picture and the nuances of the past have informed and led to our present. We must not only interact with the facts of the past, but we must stop to feel and empathize,” she stated.

“As you walk alongside these apparitions from the past, I invite you to envision what it would mean to use this alternative box office, this alternative entrance. What it would mean to have structures and signage put in place to keep you out of sight, to live a life where you are an invisible part of society,” Price said.

Two other exhibits will be featured this summer at the Third Street Box Office—”Shadows of the Past” by Tobiah Mundt, from July 30-Aug. 20, and “Ascending Light” by Nick Brinen, from Aug. 27-Sept. 17.

Paramount Theater CEO Julie Montross said in a statement they are thrilled to share the historic site for a project that invites area artists to present their voice, talent and perspective with the entire community and beyond.

Mundt is a self-taught fiber artist born and raised in Houston, Texas, and co-owner and creative director of The Hive, an arts and crafts bar in Charlottesville. Brinen is a licensed and registered architect in Virginia, Texas and New York, a founding partner of Studio Figure and a professor of architecture at James Madison University.

“We were delighted at the response we received from our open call, and each of the proposals were thought-provoking and inspiring,” Montross said. “The review panel was immensely impressed by the creativity, thoughtfulness and points of view of Kori, Tobiah and Nick around The Paramount, the Third Street Box Office and the history of segregation and civil rights. We encourage as many people as possible to visit these exhibitions over the summer and hope that they inspire dialogue and meaningful reflections.”

The Paramount Theater in Charlottesville first opened in 1931, bringing a grand movie palace to a small college town of 15,000 residents during a rising time in the early history of motion pictures, according to the theater release.

It opened as a segregated building that required Black patrons to use a separate entrance on Third Street. Only balcony seating was available to Black patrons. Access to concessions and restrooms was separate from white patrons who entered the building with greater ease and comfort from Main Street, according to the release.

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For wedding content creators, it’s the ‘imperfect moments’ that matter

For wedding content creators, it’s the ‘imperfect moments’ that matter
Caroline Vonachen-Carleton, 29, is the founder of a wedding content creation business, Carleton Socials, in Boston.Hannah Lozano Photography

When the bride asks her wedding guests to put their phones away, they tend to listen. Maddie Fairbanks-Batchelder, a 26-year-old investment bank manager from Boston, told her guests she and her husband wanted an “unplugged” ceremony, preferring to leave the photography to the professionals.

However, there was one exception, with their phone in-hand, capturing all the best moments of the ceremony beside the photographer. It wasn’t an arrogant wedding guest who didn’t listen to instructions (there were accusations), but instead, a professional “wedding content creator” hired by the bride and groom.

Unlike a traditional wedding photographer, the content creator focuses on capturing bite-size behind-the-scenes and candid footage at a wedding, delivering hundreds of social-media-ready photos and videos to the couple, sometimes overnight.

“I want to see the personality behind my couples. I want to see the tears and the laughs and the imperfect moments that make a wedding day perfect,” said Caroline Vonachen-Carleton, the 29-year-old founder of Carleton Socials, a content creation company based in Boston.

A dedicated day-of content creator is a relatively new role in the wedding industry, though its introduction to the mainstream and subsequent rise can be attributed to its symbiotic relationship with social media and a seemingly endless stream of extravagant trends and celebrations — not just from celebrities and influencers, but everyday people, too. Vonachen-Carleton said she is on track to produce content for 40 weddings over the span of 2024.

The role of the wedding content creator is somewhat nuanced: They aren’t meant to replace a traditional wedding photographer, if a couple chooses to hire one. Instead, they aim to supplement, capturing organic moments and events as they pass by, instead of following a fixed schedule or shot list. Some even post to the couples’ social media accounts in real time if asked.

Fairbanks-Batchelder explained that a wedding’s content creator and a photographer have different targets. For example, while she and her husband posed for portraits with the photographer, Vonachen-Carleton filmed a 20-second clip of the bride’s father rehearsing his speech behind the church. In other words, these creators capture the content the couple or the wedding party might have taken themselves using their phones.

A quick turnaround time is also part of their appeal. While a full batch of professionally edited photos and video may not arrive for weeks after the wedding, the couple receives hundreds of intimate, curated photos and videos directly to their phones, sometimes within hours. (Carleton Socials sends an organized Dropbox within 24 hours.)

The professionals interviewed for this story encouraged skeptics to think beyond Instagram Stories and TikTok when hearing the word “content.” They explained that most couples request their services to directly share the impromptu pics with family and friends — not an entire newsfeed, and especially not in the hopes of going viral.

Professional photographers like Kaylyn Leighton (pictured) have added wedding content creation to their list of offerings. Her Lowell-based company, Seamless Photography, still offers traditional wedding photography packages, but has experienced increased interest in “content creation” from couples. Seamless Photography

“Most of our couples aren’t even on social media, so it’s not about social media content,” said Kaylyn Leighton, the 35-year-old co-founder of Seamless Photography, a wedding photography company in Lowell.

While Leighton has been a wedding photographer for more than a decade, she only recently added wedding content creation to her list of services. As someone who continues to work on both sides, she confirmed that the roles demand very different things from each professional. She explained that while photographers and videographers take time to craft stories, content creators give the couple an unfiltered version of their wedding day.

However, like many professional wedding photographers, some creators incorporate similar ownership clauses into their for-hire contracts, restricting or permitting use of their photography based on its intent. Boston-based photographer Nicole Chan also asks her couples to refrain from using the content for any economic purposes, such as redistribution or advertising purposes.

So much how does this not-quite-a-photographer cost? Most content creators have a fixed starting point and the overall price increases depending on hours worked or the quantity of content produced. Vonachen-Carleton’s pricing starts at $1900 for two hours. The package includes all unedited footage from the event, one highlight video, and the option to use professional cameras rather than a phone camera. Her other packages range from six to 10 hours of coverage with a varying set of deliverables, with the most expensive being a multi-day option that covers all bridal shower, rehearsal day, and wedding day footage at $4000. Similarly, Chan sets her pricing between $2000 and $4000 for a full-day of content creation.

“On the lower-end, it would be just the content creation itself, and then we provide a hard drive or Airdrop of all the footage,” Chan, 37, said. “And on the high-end, it includes additional services, like being able to create [Instagram] Reels for them, or posting [live] by getting access into their account.”

Like Leighton, Chan began as a traditional wedding photographer who offered content creation as an add-on service in recent years. However, Chan still considers professional wedding photography to be her primary job.

“I think that there will always be a space for professional photography and videography,” said Chan. “I think the rise in popularity is really about getting things immediately and being able to share that [content] with everybody that you know, care about, love, or that follow you.”

When hired in the lead-up to the big day, all creators all have their own systems of preparation, ranging from questionnaires to consultation calls to determine their clients’ needs. Chan said her clients’ requests have ranged from going Live on Instagram to creating a full Reel for those unable to attend. They also discuss potential content itself, like what sounds or songs to incorporate, wedding industry trends to highlight, and other logistics.

Leighton refers to content creation as photojournalistic, adding that capturing human connection is essential for content.

“[The process] is very first person — like I will get in on that dance floor and be involved,” Leighton explained. In her experience, Leighton said wedding content creators are treated like friends through sharing the day with the couple, their wedding party, and guests. The effect is somewhat chameleon-like — most creators said they dress to blend in with other guests — permitting the pros to stealthily capture the experience. In a way, it’s like inviting a friend who happens to be exceptionally talented with an iPhone camera, which is especially appealing as couples are increasingly opting for an unplugged ceremony.

Fairbanks-Batchelder has no regrets about hiring a content creator, adding that Vonachen-Carleton was the best vendor she hired for her big day.

“She makes everybody feel so warm on their wedding day,” Fairbanks-Batchelder said. “She was more of a friend to me than a vendor on that day. She delivered everything that she had promised and more.”


Arushi Jacob can be reached at arushi.jacob@globe.com.

The world’s first photograph required how much time of exposure?

The world’s first photograph required how much time of exposure?

Choose your answer and the correct choice will be revealed.

French inventor Joseph-Nicéphore Niépce is credited with creating the first permanent photograph in 1826. He used a camera obscura and a pewter plate coated with bitumen of Judea, an asphalt derived from petroleum. After exposing the plate, he washed it with lavender oil and petroleum to remove the bitumen that had not hardened by light, achieving the image shown here.

The exact exposure time required for this historic photograph is disputed. For many years, it was believed that the exposure time was 8-9 hours. However, researchers dedicated to preserving the history of photography have studied Niépce’s notes and now report that it would have actually taken several days of exposure to capture the image.

The photograph, known as “View from the Window at Le Gras,” depicts the view from an upstairs window at Niépce’s estate in Saint-Loup-de-Varennes, France. The process Niépce used, called heliography, was groundbreaking, yet it was far from practical due to the lengthy exposure time required.

This early experiment laid the foundation for future developments in photography, eventually leading to more efficient processes and shorter exposure times. Niépce’s work was instrumental in paving the way for fellow inventor Louis Daguerre, with whom he later partnered, and who went on to develop the daguerreotype process.

Lessons for Photographers From the Career of Movie Director Quentin

Lessons for Photographers From the Career of Movie Director Quentin

As one of the most iconic screenwriters and directors of the last three decades, Quentin Tarantino has forged a career as a unique voice in films. Although his medium as a storyteller is moving images, there’s a lot we can learn from his path as photographers looking to find our own creative voice.

I’ve been a fan of the YouTube channel of Tatiana Hopper for some time now, and the video featured here is another in her series that examines how creative people have overcome the challenges and obstacles that they have been forced to confront along their path to forging a successful career in their own creative field. In a previous article here on Fstoppers, I discussed Tatiana’s video about the filmmaker Christopher Nolan, and the lessons that we can draw as photographers from his career. In this new video in the series, Tatiana dives into the career of the filmmaker Quentin Tarantino, with a similar agenda.

As I said in my previous article, whether you are working with still or moving images, there’s a real art to telling a story with pictures. But regardless of whether your creative medium of choice is visual or not, there seems to be a set of core tenets that are an essential starting point for finding your voice in any creative field. In the Christopher Nolan video, Tatiana discussed the importance of breaking rules and bucking established norms in order to create something unique. This theme is reiterated in the Tarantino video, and in examining the career paths of these creative people, we definitely start to see something of a pattern from which we can draw valuable lessons as photographers.

There are other lessons in this video as well about just getting out there and doing it instead of waiting around for the perfect moment to start, about working with what you already have, about channeling the pain and discomfort of hard times into your art, and about knowing yourself and what it is that you want to get out of your photography.

Here’s How to Avoid Hating Your Wedding Photos

Here’s How to Avoid Hating Your Wedding Photos
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A series of TikTok videos about a bride’s dissatisfaction with her photos spurred online discussions, with pros offering advice on how to hire a photographer.

When Alexandra Weinstein received the photos from her wedding in Anguilla in November 2023, she loved them all. At first.

A few weeks later, after she had gone through all the photos and reflected further, she felt that something was off about the editing style, and she wasn’t happy. She felt it made her makeup look dulled, her teeth yellow and the ocean background gray.

Months after a back-and-forth with her photographer, she took to TikTok to chronicle the experience in a series of videos, which collectively garnered millions of views. She said she asked for re-edits of some photos, but when she didn’t like the updated versions, she requested the unedited, raw images. The photographer shared some, which Ms. Weinstein edited herself to better align with her vision.

Eventually, Ms. Weinstein asked for all the raw images, and the photographer quoted a price that she and her husband found unreasonable, after initially paying nearly $8,000. She posted on her Instagram story saying something like, “You shouldn’t be in the wedding industry if you’re not aiming to please a client,” Ms. Weinstein shared in a phone interview.

“And I had emailed her stating, I really hope you don’t want me to share a negative review on this situation,” said Ms. Weinstein, 30, who lives in Tampa, Fla.

“As a first time bride, you’re going into it blind,” she said. “You don’t know the right questions to ask.” She said she found the photographer on Instagram, they talked and she sent a Pinterest board with ideas of what she wanted.

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Cushing photographer opens barn gallery for season

Cushing photographer opens barn gallery for season

CUSHING — Photographer Rich Reynolds is opening his barn gallery for the 2024 summer season beginning July 7, and every Sunday from 9 a.m. to 4 p.m. The Gallery at Clam Pudding Farm is located at 71 River Road.

Reynolds is a retired school administrator and professional musician. He is known for his stunning action nature photography, high dynamic sports events images, and atmospheric landscape photos. His rich conservatory education in music has taught him to see, listen and connect behavioral details, creating a deep understanding and appreciation of his subjects. He often speaks and judges at camera clubs. He enjoys providing amusing and insightful background information on some of his captured images, along with lessons and insights he has learned along the way.

San Antonio photographer explores the unique beauty of lowriders

San Antonio photographer explores the unique beauty of lowriders
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Al Rendon has been photographing music and culture in South Texas since 1973. While his first focus was to shoot those who made music, before long he widened his focus to show a much wider part of Texas culture.

“I’ve been doing commercial photography and art photography for over 50 years,” he said. “I recently had a retrospective exhibit of my artwork at the Witte Museum that just closed at the end of May.”

Rendon’s photo of Selena was used for the cover of 1992’s “Entre a Mi Mundo” album. Rendon has spent the last 50 years doing a mix of photographic endeavors.

Now, he’s being honored with a new photo exhibit at the Bullock Texas State History Museum in Austin. It features 30 works that illustrate San Antonio’s lowrider subculture.

Rendon said some of his shots for Carros & Cultura were taken during the holiday season.

“They did a cruise through downtown, between Christmas and New Year’s. And they all lined up around the tower, the base of the Tower of the Americas over there by the Institute of Texan Cultures,” Rendon said. “And then they drove all through downtown up Houston Street. And of course, Houston Street at the time was very decorated for Christmas. And so it made for a great backdrop.”

Many lowriders have the ability to hop up and down and do other tricks people don’t expect cars to do.

“They were also hopping and they were driving on three wheels at an angle. In March of this year, there was the lowrider Super Show at the Joe Freeman Coliseum,” he said. “And they have a hopping competition and all these different types of things that they judge the lowriders on. And so that was another opportunity to get some good action shots.”

He also said that some of the lowriders have that sense of retro fashion hearkening back to the zoot suit era.

“I’ve only been doing it for a little over a year. So, I’ve still got a lot to learn about the actual history of lowriding here in San Antonio,” he said. “But some of these car owners that I’ve met from San Antonio, they’re already second or third generation of lowriders.”

Rendon said that lowriding as a passion is culturally unique.

“The thing about lowriding is it is a homegrown, Mexican-American phenomenon. It’s not something they borrowed from somebody else,” Rendon said. “These cars — they don’t come off the assembly line that way. These guys have learned how to put hydraulics to them to make them jump around. Nobody else does that except in Latino culture.”

There are several different clubs active in the city, and they’ve morphed over the years. Some clubs hearken back to the early days of lowriders in Los Angeles. Others are uniquely San Antonian.

“They have all these different clubs here. There’s the Browns, there’s the Impalas, there’s the Steelo Finos. And it’s very family-oriented,” he said. “That’s one thing that surprised me about it is how involved the families are in fixing up these cars and showing them off every weekend on Sundays and Saturdays. They have picnics, and they have cruises down Southwest Military.”

“Carros Y Cultura” will be up through Sept. 2 at the Bullock Museum. Also, Rendon will be at the museum on Wednesday, July 3, at noon to discuss the artwork. Find more information here.

Enter For A Chance To Spend The Weekend In Picturesque Idaho For The Stoecklein Photography Workshop!

Enter For A Chance To Spend The Weekend In Picturesque Idaho For The Stoecklein Photography Workshop!

A love of photography and the West started Stoecklein Photography’s workshops, and that passion continues to energize these amazing experiences.

C&I’s Stoecklein Photography Western Photo Workshop Giveaway is offering a lucky winner the chance to attend one of these unforgettable two-day workshops to see the sights and learn the skills in Idaho’s Stoecklein country.