About

Posts by :

Brendon Burton Captures Intimate Portraits of North America’s Metamorphosing Rural Landscapes

Brendon Burton Captures Intimate Portraits of North America’s Metamorphosing Rural Landscapes

All images © Brendon Burton, shared with permission

Last summer, Brendon Burton hit the road from his home in Portland, Oregon, and wandered across the great western expanses of Idaho, Montana, North Dakota, and Utah. In the fall, he captured misty scenes around the Pacific Northwest and then headed east to New York and West Virginia, where the trees burst with autumnal orange and red hues. Focusing his lens on abandoned structures and isolated landscapes, the photographer (previously) emphasizes the tenuousness of memory, passing time, and places left behind.

Burton’s dreamlike images are characterized by dilapidated farmhouses, empty roads, and sprawling fields, often caught in a moment of temporary transformation, like when a flock of birds interrupts the quietude of a rural road or a stormy sky releases a dramatic rainbow.

Typically devoid of people, Burton’s images are often fixed on architectural details and artifacts left by past occupants. Rather than focusing on decay, he considers what liminality, or being in-between, physically looks like as landscapes and structures metamorphose through time. The cycle of the seasons plays out in the trees surrounding an Appalachian church or the emergence of a smiley face on timber land on an Oregon hillside. Planted by a lumber company about fifteen years ago, the expressive emblem is composed of larch, which turns yellow and drops its needles each year, amid a sea of Douglas fir.

Burton continues to work toward a book of photographs, which he aims to publish later this year. Find more on his website, Behance, and Instagram.

 

An abandoned, white farmhouse on a lush green hillside.

A msiley face appears in a hillside made of evergreen trees.

A collie looks in from outside an abandoned house or church. A piano sits in the room.

A drone shot of a white church in a valley during autumn.

An abandoned farmhouse in between two trees in a rolling field.

Birds fill the sky above a grassland.

A drone view of an abandoned farmhouse on a rural expanse of land with a hill in the background

A misty, wooded road with a row of six crows on the pavement in various states of hopping around and taking wing.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Brendon Burton Captures Intimate Portraits of North America’s Metamorphosing Rural Landscapes appeared first on Colossal.

Connections to the land: Native artist Amber Du Boise-Shepherd is featured on cover of fall 2023 Sierra Magazine

Connections to the land: Native artist Amber Du Boise-Shepherd is featured on cover of fall 2023 Sierra Magazine

Stan Bindell, Navajo-Hopi Observer

SHAWNEE, Okla. — Amber Du Boise-Shepherd’s illustrations made the cover of Sierra magazine’s fall edition and the illustrations also appear along with the story “Unraveling Manifest Destiny” as the article talks about how tribal nations are buying back their land one parcel at a time.

Du Boise-Shepherd, who is Navajo, Sac Fox and Prairie Band Potawatomi, said she was thrilled about the experience because it gave her a chance to mix her culture with her beliefs about protecting the environment.

“Sierra Magazine honored my style,” she said. “The article shows the tribes have connection to the land.”

She said the editor reached out to her after seeing her art because they were interested in her woodlands tribal art in Oklahoma.

“I have been exposed to all three tribal heritages,” she said. “My upbringing showed there is a connection between all native nations and Mother Earth. It is sacred and that is how we connect with everything including animals, the flowers and nature. We are all stewards of the land.”

DuBoise-Shepherd said when walking on the earth into a hogan on Navajo or a lodge home made of wood on Sac and Fox, a person can feel the connection to the earth.

This is the first major magazine that has carried her illustrations, but her story has been in several others. She said she is accustomed to showing her work in galleries, museums and exhibitions, with Santa Fe Indian Market among her favorites. She was recently part of the Oklahoma Hall of Fame art exhibit.

Born and raised in Shawnee, Oklahoma, DuBoise-Shepherd’s mother is Navajo. DuBoise-Shepherd recalls learning to weave, herding sheep and playing in the dirt on the Navajo Nation as a child She also learned silversmithing. She said she learned beadwork an shawl style from her Potawatomie side.

“I grew up in a home immersed in different Native crafts,” she said. “I would be sitting on my grandmother’s lap and watching her weave.”

DuBoise-Shepherd learned turquoise inlay jewelry making from her Navajo side, but she also dabbled in European art as she mixed the two cultural art forms. Her father played the Native American flute, while her mother also taught her the importance of academics.

DuBoise-Shepherd earned an associate’s degree from Seminole State College before obtaining a BFA with a minor in business from Oklahoma State University. The education paid off as DuBoise-Shepherd became education and outreach director at Mabbe Gerren Museum of Art and currently serves as assistant director at the University of Oklahoma School of Visual Arts.

“I like working with students, so I’m showing others that you can do both: art and administration,” she said.

DuBoise-Shepherd periodically gives lectures and leads art classes around Oklahoma with classes sizes of 50-80 participants.

She said she enjoys watching the transition of weather when she travels from Oklahoma to Arizona.

“I like the wooded areas of Shawnee, Oklahoma, but nothing compares with the mountains of Arizona and New Mexico,” she said. “Oklahoma has these huge beautiful storms.”

For more information visit DuBoise-Shepherd’s website or email her at aldthewoods@gmail.com.

Delcy Morelos Conjures a Sacred Experience With Soil

Delcy Morelos Conjures a Sacred Experience With Soil

In a dimly-lit room, the subtle scent of cinnamon and clove infuses the air from two unbelievable dirt installations. On view at Dia Chelsea through July 2024, artist Delcy Morelos presents El abrazo, an exhibition of two site-specific sculptures that invite a sacred connection to soil that may be the most surprising and satisfying experience with art in New York at the moment.

Delcy Morelos, Cielo terrenal (Earthly Eaven, detaill), 2023. Installation view, Dia Chelsea, New York, 2023.

The first room holds a work titled Cielo terrenal” (Heavenly Earth) – a massive room blanketed with black soil, arranged objects, and the pervasive aroma of cinnamon and cloves. A central clean pathway invites visitors to walk deeper into the room towards a greater darkness.

Geometric shapes under blanket of dark soil

Delcy Morelos, Cielo terrenal (Earthly Eaven, detaill), 2023. Installation view, Dia Chelsea, New York, 2023.

The soil itself was brought in from Hudson Valley’s Black Dirt Region. Its natural inky hue is due to the extreme fertility of the region’s soil, inviting some of the most nutrient-rich earth in the country into Manhattan’s concrete jungle. A further reminder of nature’s power and potential, Morelos has applied the soil mixture up the walls about three feet, marking the exact level of floodwaters during Hurricane Sandy in 2012.

Black ceramics in shape of seed pods on bed of dark soil

Delcy Morelos, Cielo terrenal (Earthly Eaven, detaill), 2023. Installation view, Dia Chelsea, New York, 2023.

The objects on the floor are sourced from two locations: materials pulled from the Dia Art Foundation’s dumpsters at their Beacon location and ceramic seed-like forms made in Colombia using an ancestral open-fire technique. All together it feels like hovering above an alien landscape at dusk – a surreal experience that inspires fascination with the materials from our own planet.

sacks of wood under blanket of black soil

Delcy Morelos, Cielo terrenal (Earthly Eaven, detaill), 2023. Installation view, Dia Chelsea, New York, 2023.

The second room holds a gigantic earth work titled El abrazo (The Embrace). The ziggurat-like soil structure appears to levitate off the floor as it consumes the rafters, covered with thousands of pieces of hay, each inserted individually by hand. The installation took two months.

Massive earth form in sunlit space

Delcy Morelos, El abrazo (The Embrace, detail), 2023. Installation view, Dia Chelsea, New York, 2023.

For this work, Morelos encourages visitors to gently touch the surface. Made with a mixture that includes dirt from Manhattan roof gardens, a light respectful touch results in a transfer of auburn dust to your fingertips.

a towering wall of hay-pierced soil

Delcy Morelos, El abrazo (The Embrace, detail), 2023. Installation view, Dia Chelsea, New York, 2023.

Artist Delcy Morelos places an individual blade of hay

Delcy Morelos during the installation of El abrazo (The Embrace), 2023, at Dia Chelsea, New York.

This too, includes ingredients that produce a unique and sustained scent in the air. Here, cinnamon and cloves join “copaiba,” a medicinal tree extract commonly used in the Amazon. The aroma is difficult to describe – pleasant, warm, comforting, and seems to elicit a different memory for every person who enters.

The entrance to soil hallway

Delcy Morelos, El abrazo (The Embrace, detail), 2023. Installation view, Dia Chelsea, New York, 2023.

Delcy Morelos, El abrazo (The Embrace, detail), 2023. Installation view, Dia Chelsea, New York, 2023.

In the back, a V-shaped hallway is a joyous surprise – inviting visitors to walk between two narrowing walls that compress the air, your sense of scale, and the intensity of aroma. The experience is far more comforting than claustrophobic – a moment of connection, respect, and wonder that, if your experience is anything like mine, will change your relationship with dirt long after your visit.

Delcy Morelos’ El abrazo (The Embrace) is on view through July 2024 and highly recommended for returning visits.

Two visitors wall between dirt walls

Delcy Morelos, El abrazo (The Embrace, detail), 2023. Installation view, Dia Chelsea, New York, 2023.

Soil form appears to levitate above concrete floor

Delcy Morelos, El abrazo (The Embrace, detail), 2023. Installation view, Dia Chelsea, New York, 2023.

Artist Delcy Morelos places an individual blade of hay

Delcy Morelos during the installation of El abrazo (The Embrace), 2023, at Dia Chelsea, New York.

What: Delcy Morelos: El abrazo
Where: Dia Chelsea, 537 W 22nd St, New York
When: October 5, 2023 – July 2024. Open Wednesdays-Sundays from 12-6pm.

All images © Delcy Morelos; Photography by Don Stahl

David Behringer visits over 200 galleries every month to uncover and share the most exciting contemporary art in New York today. Subscribe to his exclusive weekly newsletter at www.thetwopercent.com and learn about his private gallery tours. And be sure to check out his YouTube.

My mission is to take great motorsport photographs: here’s how I got into pole position

My mission is to take great motorsport photographs: here’s how I got into pole position

My Mission

Motorsport photography by David Handley

(Image credit: David Handley)

Mission: Capture pro-quality motorsport images from behind the spectator fence at Oulton Park
Photographer: David Handley
Location: Wrexham, Wales
Kit used: Nikon D3300, Nikon AF-P 70-300mm f/4.5-5.6E ED VR

My lifelong interest in photography started when I first saw my father’s holiday snaps at the tender age of eight. Over the years, I’ve tried various genres, but at the moment, I’m enjoying action photography, more specifically motorsport. 

The biggest challenge is keeping up with the racing cars or motorbikes while panning. They travel at such high speeds that I often capture half a car, or miss it completely and capture just the tarmac! 

When I won a Nikon D3300 in a photography competition, I thought I would see how it coped with action subjects. I purchased the Nikon AF-P 70-300mm f/4.5-5.6E ED VR, after having read some positive reviews, and have been pleased with the results.

My best shots

(Image credit: David Handley)

All of the images here have been taken at Oulton Park in Cheshire. The circuit is a great venue for photographers wanting to capture on-track action, because it doesn’t have a great deal of high safety fencing, which allows for some unobstructed views of the circuit, such as this shot taken at Knickerbrook corner – a great spot for some exciting action. The benefit of shooting from this vantage point is that the corner is slightly higher than the spectator position and, by kneeling down, you can capture an eye-level view. The low angle gives a bit more impact to the picture. 

I used AF-C to continuously focus on the car as it approached and a fast shutter speed of 1/1,000 sec to prevent motion blur. Although my 70-300mm lens allowed me to get close enough, I still needed to crop into the image slightly to get a better composition. I also cloned out some bright red bins and some speakers, which were distractions.

(Image credit: David Handley)

Having taken a number of shots of individual cars, I wanted to capture an image that conveyed the intense competition of a race. This shot was also taken at Knickerbrook. There is always the possibility of someone coming off and, if you’re lucky, you can capture the right front wheel lifting off the ground. My settings remained fairly similar and, once again, I had to crop into the image slightly. An 80-400mm lens with a full-frame equivalent focal length of 120-600mm would have been ideal. But, for now, my 70-300mm and its full-frame equivalent 105-450mm is certainly usable enough.

(Image credit: David Handley)

For this shot, I experimented using Aperture Priority instead of my normal Shutter Priority and set an aperture of f/7.1 to achieve a greater depth of field. In order to do this, I had to increase the ISO to 800. As it was a dull day, I added a little exposure compensation to boost the exposure. In post-processing I cloned out some bits of rubber that were on the track and made a few minor adjustments to the exposure, contrast and clarity. I finished off the image with a little sharpening.

(Image credit: David Handley)

Lodge Corner is another popular spot with photographers. Although it is one of the slowest corners at Oulton Park, the motorbikes still come round at incredible speeds. I find it difficult to keep track of subjects here, because a safety barrier obscures your line of sight as the racers enter the corner. With a little practice and not zooming in too far – so there’s plenty of room for the subject to move within the frame – I have been able to capture some good images here. 

My motorsport photography tips

  • Make finding a suitable background your priority when you visit a race circuit. A messy, cluttered background will spoil what could otherwise be a winning shot.
  • Learn how to pan with your subject. This will help you maintain accurate focus, frame a good composition and – if you’re confident enough to begin slowing the shutter speed down – add a real sense of speed.
  • Be patient and practice. If you don’t get it right there’s usually another lap to follow. And don’t worry about what you’re shooting to begin with. Even a track day is an ideal opportunity to master your craft.

Read more:

Sculpted Portraits from Ancient Egypt

Sculpted Portraits from Ancient Egypt
This exhibition features sculpture from a time of intense artistic revival and renewal in ancient Egypt: the Twenty-Sixth Dynasty (664-526 BCE), also known as the Saite Dynasty after its capital city of Sais in the Nile Delta. Egyptian artists of this period made striking portrait statues of officials associated with the court and priesthood, sculpted reliefs, figurines, and sarcophagi (stone coffins). Depictions of individuals made for temples allowed subjects to eternally worship the gods and receive blessings, while others were placed in tombs, functioning as vessels that could temporarily house the deceased’s spirit. Explore these exceptional artworks at the Getty Villa.

Rafte Photography Announces Branding Change With Additions of Luxury Wall Art And Album Services

Rafte Photography Announces Branding Change With Additions of Luxury Wall Art And Album Services
Rafte Photography | Professional Headshot Photographer

Dena Rafte | Professional Headshot Photographer

Professional Headshots, Personal Branding Photography, Family Photography & More!

Professional Headshots, Personal Branding Photography, Family Photography & More!

Rafte Photography, a leading provider of professional photography services in Houston, is thrilled to announce a significant change to its online presence.

Celebrating the legacy of your family through photography is a timeless gift that we can pass down, creating a treasure trove of memories for future generations.”

— Dena Rafte

HOUSTON, TX, UNITED STATES, January 23, 2024 /EINPresswire.com/ — Rafte Photography, a leading provider of professional photography services in Houston, is thrilled to announce a significant change to its online presence. The company’s website will now be accessible at www.RaftePhotography.com, effective immediately.

The transition from Rafte.com to RaftePhotography.com is not just a change in domain; It marks it represents a deeper commitment to providing luxury portrait and professional branding services to clients in the Houston, Texas area. Rafte Photography has been at the forefront of capturing the essence of its clients, offering stunning results that tell their unique stories through photography.

In addition to their photography services, Rafte Photography also offers the option to turn your cherished images into exquisite Wall Art and a variety of luxurious albums, preserving your memories in the most elegant way possible.

Dena, the talented photographer behind Rafte Photography, has a remarkable ability to put people at ease and establish a genuine rapport. This special skill ensures that the photographs captured by Rafte Photography are natural, never posed or stiff, resulting in timeless and authentic images.

Rafte Photography specializes in a wide range of professional photography services, including:
– Professional Headshots
– Family Portrait Photography
– Generational Stories (e.g., Mother-Daughter Photo Shoots)
– Personal Branding Photography
– Senior Photos
– Female Photography

Their dedication to telling your story shines through in every photograph they produce. Whether it’s a corporate headshot that exudes professionalism or a family portrait that captures the love and connections between generations, Rafte Photography is committed to making you feel empowered while being photographed.

For more information about Rafte Photography and their professional photography services in Houston, please visit www.RaftePhotography.com.

About Rafte Photography:

Rafte Photography, based in Houston, Texas, specializes in luxury portrait and professional headshot photography. With a passion for capturing authentic moments and telling unique stories through photography, Rafte Photography is dedicated to making clients feel empowered while being photographed. Led by the talented photographer Dena, Rafte Photography offers a range of services, including professional headshots, family portraits, generational stories, personal branding, senior photos, and female photography.

Dena Rafte
Rafte Photography
email us here
Visit us on social media:
Facebook
Instagram

image

Five Essential Habits for Aspiring Professional Photographers |

Five Essential Habits for Aspiring Professional Photographers |

Understanding the habits that can propel a photography career forward is crucial in this rapidly evolving field. This helpful video features an experienced photographer discussing five such habits.

Coming to you from Laura BC, this helpful video shares five key habits that significantly contributed to her professional journey. The first habit she emphasizes is the combination of practice and perseverance. This advice is particularly important as it addresses the common issue of not using the camera enough due to busy schedules. She stresses the importance of regular practice and learning from mistakes without getting discouraged. Another habit she discusses is continuous learning. This habit is crucial, as the photography industry is dynamic, with constant advancements in techniques and technology.

She also highlights the importance of balancing learning with creating. Photographers should make it a habit to regularly use their cameras or smartphones to practice their skills. This habit ensures that you don’t get caught up in a cycle of consumption without application. Additionally, she discusses adapting to modern platforms for showcasing work and attracting clients. Her insights into using platforms like Instagram and TikTok effectively are particularly relevant in today’s digital age, where online presence significantly impacts a photographer’s visibility and success. Check out the video above for the full rundown.

In Pics: 25-Foot Lord Hanuman Sculpture Unveiled At Pune’s Phoenix Marketcity

In Pics: 25-Foot Lord Hanuman Sculpture Unveiled At Pune’s Phoenix Marketcity
The sculptural Installation of Lord Hanuman has been designed by Charuvi Agrawal, who is a renowned animation film director, producer, and an immersive artist. Her films have been screened at various film festivals while her artwork has been displayed at various public forums besides being in homes of discerning collectors in India. Her work routinely tests the boundaries of interactive technology, design and art employing elements of Indian mythology to present transformational and immersive storytelling. In 2021, she co-created “The Legend of Hanuman” animated series which was premiered on Disney+ Hotstar. The series has been applauded for its incredible visual design and animation. It was one of the top binged shows in 2021, 2022 and 2024 in India and has a splendid rating of 9.2 on IMDB.com., Pune News, Times Now