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Ambler’s Art in the Storefront to host opening reception for photographer Kristen Maag’s new exhibition

Ambler’s Art in the Storefront to host opening reception for photographer Kristen Maag’s new exhibition

Ambler’s Art in the Storefront will host an opening reception for professional photographer Kristen Maag’s new exhibition on Friday, January 26 from 5:30pm to 7:00pm at 41 E. Butler Ave.

The reception has been postponed from January 19 due to snow. The community is invited and refreshments will be served.

Maag resides in Schwenksville, where she maintains her photography studio. Her interest in photography began nearly three decades ago on her dad’s Polaroid camera. After a lengthy career in finance and philanthropic services, Maag decided to venture out to share her vision with others through her company, Maagnifque Photography, LLC.

“I have always been drawn to photography,” Maag said. “It is an honor for me to capture some of the happiest moments for families, friends and area landmarks and sites.”

A sample of Maag’s work, courtesy of Art in the Storefront

Her endeavors include photography of people, intimate family scenes and special occasions, weddings, pets and their people and more. Maag’s artwork is custom framed, suitable for all situations, including business spaces, waiting room areas, lobbies and real estate photography. Her prints focus is centered on Pennsylvania scenes, including the counties of Montco, Bucks, Lancaster, Dauphin, Williamsport and beyond. Her work also extends to beach scenes from Maryland to Maine and landscape and farms in upstate New York.

“I am passionate about translating exceptional moments into tangible pieces of art, commissioned and otherwise,” she said.

Visit maagnifiquephotography.com for more details about her photography and client services. You can email her at kmaagphotos@gmail.com or call 267-342-4448.

For more on Art in the Storefront, you can visit their Facebook page.

Photos: Art in the Storefront, ValleyVorge.org

In This Award-Winning Short Film, Two Birds Race to Save Their Eggs When the World Goes ‘BOOM’

In This Award-Winning Short Film, Two Birds Race to Save Their Eggs When the World Goes ‘BOOM’

It’s just another pleasant day on the island among a flock of feathered friends when the earth comes literally crashing down. In a desperate bid to save their four eggs, two sparring bird parents try to reconcile their differences while making a grand escape down the side of an erupting volcano, attempting various ways to keep their offspring out of harm’s way. Whether tossed up into a tree or clutched with both wings, getting the awkward orbs to safety proves quite the feat.

Directed by students at the École des Nouvelles Images, “BOOM” has been shortlisted in the best animated short film category for an Oscar at this year’s Academy Awards. The piece has screened at numerous festivals and won thirty additional awards during the past two years, including a gold medal at the 2023 Student Academy Awards.

 

All images © École des Nouvelles Images

Two orange birds stand beneath a dead tree, on the limb of which is an egg.

A gif of an orange bird carrying two eggs in its wings and stopping another one from rolling down the hill with its foot.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article In This Award-Winning Short Film, Two Birds Race to Save Their Eggs When the World Goes ‘BOOM’ appeared first on Colossal.

Up close and personal: Wildlife photographer’s retrospective collection on display at art museum

Up close and personal: Wildlife photographer’s retrospective collection on display at art museum
image

Most people rarely have a chance to get close to wildlife. But at the Art Museum of Eastern Idaho’s newest exhibit, attendees can get close enough to see each hair and whisker. The museum is hosting “A Life in the Wild,” a retrospective collection from renowned wildlife photographer Thomas Mangelsen.

This exhibit will be at the art museum, 300 S. Capital Ave. in Idaho Falls, from now through March 30.

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Unique Camera Will Take 1,000 Years to Capture a Single Photograph

Unique Camera Will Take 1,000 Years to Capture a Single Photograph

TUCSON, Ariz. — What will the world look like in 1,000 years? One camera is hoping to capture the moment for your descendants — all in one single photo. In the serene landscape of Tumamoc Hill, a unique project, known as the Millennium Camera, is set to capture the evolution of Tucson, Arizona, over the next thousand years.

Unlike traditional cameras, the Millennium Camera employs a simplistic design for longevity. Light enters through a pinhole in a 24-karat gold sheet and imprints on a special surface inside a copper cylinder. This surface is coated with rose madder, a type of oil paint pigment, which will gradually fade under sunlight over centuries. In a millennium, this process will reveal an image of Tucson’s transformation through time.

Sunlight shining through forest trees in a beautiful view of nature.
In the serene landscape of Tumamoc Hill, a unique project, known as the Millennium Camera, is set to capture the evolution of Tucson, Arizona over a thousand years.. (Photo by Eric Masur on Unsplash)

Experimental philosopher Jonathon Keats, a research associate at the University of Arizona College of Fine Arts, is the brainchild behind the Millennium Camera. He and his team from the Desert Laboratory have installed this camera with a viewpoint overlooking the Star Pass neighborhood, encouraging hikers to reflect on what lies ahead.

“Most people have a pretty bleak outlook on what lies ahead,” Keats says in a university release. “It’s easy to imagine that people in 1,000 years could see a version of Tucson that is far worse than what we see today, but the fact that we can imagine it is not a bad thing. It’s actually a good thing, because if we can imagine that, then we can also imagine what else might happen, and therefore it might motivate us to take action to shape our future.”

The concept behind this long-term photographic project challenges conventional methods. Typical cameras capture images quickly, using chemical reactions or digital processes. However, these methods wouldn’t endure a thousand years, nor would future humans necessarily have the means to interpret such images. The Millennium Camera, through its slow-fading pigment, bypasses these limitations.

“Let’s take a really dramatic case where all the housing is removed 500 years in the future,” explains Keats. “What will happen then is the mountains will be clear and sharp and opaque, and the housing will be ghostly. All change will be superimposed on one image that can be reconstructed layer by layer in terms of interpretation of the final image.”

Beyond documenting the past, the project aims to inspire current generations to consider their impact on the future. It’s not a commentary on urban development, but rather an invitation to ponder and discuss our role in shaping the environment.

Sunsets started to tease the Arctic horizon as scientists on board the U.S. Coast Guard Cutter Healy headed south in the Chukchi Sea during the final days collecting ocean data for the 2011 ICESCAPE mission.Sunsets started to tease the Arctic horizon as scientists on board the U.S. Coast Guard Cutter Healy headed south in the Chukchi Sea during the final days collecting ocean data for the 2011 ICESCAPE mission.
In the serene landscape of Tumamoc Hill, a unique project, known as the Millennium Camera, is set to capture the evolution of Tucson, Arizona over a thousand years. (Credit: NASA Goddard Space Flight Center /Kathryn Hansen)

To ensure a broad perspective, Keats collaborated with local experts, including Clark Reddin, the Desert Laboratory’s director of operation, and Robert Villa, community outreach assistant. Both have deep ties to Tumamoc Hill. Their choice of location reflects the hill’s historical significance and its role in connecting people with their environment.

Keats plans to expand this project, with another camera on Tumamoc Hill facing a different direction and additional installations at the Santa Rita Experimental Range and globally, in places like Chongqing, China, and Griffith Park in Los Angeles.

“This project depends on doing this in many places all over the world,” concludes Keats. “I hope this leads to a planetary process of reimagining planet Earth for future generations.”

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Amagansett’s Stony Hill: A Contemporary Homage to History and Nature

Amagansett’s Stony Hill: A Contemporary Homage to History and Nature

Stony Hill, a project completed by Bates Masi, stands as a testament to the rich history of Amagansett, an early English and Dutch settlement on Long Island’s East End. Nestled between meadow and woodland, this home for a young family pays homage to its roots, drawing inspiration from the site’s agrarian history and connection to the early settlers. The site, once cleared by Native Americans for hunting purposes, evolved into the location of the first settler’s house in 1680. It later served as communal grazing pasture, separated into individual plots with low stone walls. For generations, the land, livestock, and human intervention worked together to help stabilize the landscape. However, as farming declined and property values went up, the meadow is transitioning to woodland, losing its connection to a significant piece of history.

Bates Masi’s project aims to revive and reference the agrarian history of the site through thoughtful architecture and landscape design. The land is divided into zones mirroring the original pasture parcels, each designed to meet modern needs. High grasses and shrubs provide a visual separation from the road, while medium-height grasses screen the house from those approaching. Low grass and ground cover offer views when needed. Elevated planting zones along the approach emphasize historic connections to the land, offering a unique experience for those in passing.

angled exterior view of modern wood house

angled exterior view of modern wood house

Stony Hill is separated into smaller volumes that relate to specific zones – public, private, guest, and service spaces. The connected gabled volumes give nod to barn-like structures, yet they’re designed with a modern spin. The gabled roofs feature splits in the ridges which allows natural light to flood the top floors.

partial exterior view of modern wood house with two structures

Materials play a crucial role in connecting the contemporary design with historical references. The home is clad in oversized shingles found throughout the are. Thatch siding, reminiscent of the pasture’s grasses, is packed between exposed exterior framing resulting in a modern look.

exterior view of steeply pitched section of modern house with wood exterior

angled closeup view of modern house

partial exterior view of modern wood beach house with long roof

partial view of L-shaped modern house

partial view of modern house with expanse of green lawn

interior view of modern house looking through to multiple rooms

partial interior room with installed banquette seating

Built-in seating spans the length of one wall flanking the kitchen and dining room, ensuring plenty of places to sit when company is over.

sunken living room with built-in seating and fireplace

A sunken living room wraps in front of a fireplace, one of many situated in the public spaces to encourage family gatherings.

interior shot of modern dining room with floating fireplace

Natural materials, such as oak, clay tiles, and plaster further integrate the house with the surrounding landscape, creating a warm and cozy ambiance.

view of modern kitchen under pitched wood ceiling

closeup view of modern kitchen

closeup partial view of two floating wood wall-mounted shelves with books

interior view of open bedroom with built-in bunk beds under steeply sloped ceiling looking out to pool and poolhouse

The warm woods used throughout evoke a sense of comfort without leaning towards rustic.

angled view of modern bedroom with sliding glass doors looking out to rest of the house

angled view of modern wood switchback staircase

modern interior shot looking down wood staircase

angled interior view of large modern bedroom under steep pitched wood ceiling with ball chandelier

A second story bedroom located under the steeply sloped ceiling has a modern A-frame feel.

angled interior view of large modern bedroom under steep pitched wood ceiling with ball chandelier

angled view of modern bathroom with wood walls, ceiling, and floating counter

modern bathroom with floating white tub under sloped wood ceiling

angled view of modern vanity in bathroom with wood details

Photography by Bates Masi + Architects.

Caroline Williamson is Editor-in-Chief of Design Milk. She has a BFA in photography from SCAD and can usually be found searching for vintage wares, doing New York Times crossword puzzles in pen, or reworking playlists on Spotify.

Daido Moriyama’s Haunting Photos of Tokyo’s Stray Cats

Daido Moriyama’s Haunting Photos of Tokyo’s Stray Cats

Captured in hyper-contrast chiaroscuro, Daido Moriyama’s new photo book captures stray cats on the streets of the Japanese capital

January 22, 2024

A full-time street hunter, roaming Tokyo’s dank back alleys and derelict haunts, Daido Moriyama has encountered his fair share of feline friends and foes. And so, the time has finally come for us to appreciate all of his cat pics in one single book, Stray Cats. Moriyama might not have initially intended for them to end up in a dedicated volume, but publisher Akio Nagasawa’s archival rummaging nevertheless testifies to a thematic continuity in the lensman’s work. That is, tailing targets in flux.

“For Moriyama, there is no distinction between old and new photographs,” explains Nagasawa. “It is only about good or bad ones. A photograph can be reborn by pulling it out of the before-and-after context in which it was taken and placing it into a new one. I edited this book with Moriyama’s philosophy in my mind. It was arranged through a combination of photographs which have cats in them and those which seem to.”

Moriyama’s are not the cute and cuddly cats that reign over our social media zoo. Captured in hyper-contrast chiaroscuro, they are more like the haunted bakeneko spirits of Japanese catlore who have great shapeshifting powers. Sometimes, you have to look long and hard to find the scruffy strays. Are they playing hide-and-seek behind those bins, or sulking in the photographer’s shadow? Undeniably, the best shots here are taken up close and low to the ground, hinting at the photographer’s feline affinities. While Moriyama has previously described his famous 1971 image of a stray dog as more of a self-portrait, can the same be said of his cats? “I think so,” says Nagasawa. “He has always decided where to go by the smell of things, much like a dog or a cat.” 

What’s indisputable is that Moriyama is no stranger to the stray life. Inspired by the restless writings of Jack Kerouac right from the get-go, he has committed himself to a near-nomadic lifestyle where meaning is released thanks to an existence on the prowl. “Most of what I want simply flows away like water slipping through a net,” Moriyama has said. “What remains are only vague, elusive fragments of images that sink into countless strata in my mind.” It is clear that the mad and quenchless fantasy of possessing whatever Moriyama perceives still haunts him. If he is a hunter, then he is one engaged in a perpetual cat-and-mouse game, ensnaring his prey for only a fraction of a second before it scurries away. And what could be more photographic than that? 

Stray Cats by Daido Moriyama is published by Akio Nagasawa Publishing, and is out now.