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Escape to Forests Around the World with the Ambient Sounds of tree.fm

Escape to Forests Around the World with the Ambient Sounds of tree.fm

Feeling stressed? Overwhelmed? Get away from the stimuli of modern life by tuning into tree.fm, a stream of ambient forest sounds from around the globe. Designed by the Berlin-based design studio New Now, the soothing platform compiles crowd-sourced audio clips from the lush tropics of Kerala to the lively jungles of Madagascar. If you, like us, are stuck at your desk, take a moment to escape those emails and listen to Ecuadorian birdsong or the insect chirps of Panama. It might even boost your health. (via swissmiss)

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Escape to Forests Around the World with the Ambient Sounds of tree.fm appeared first on Colossal.

Artist draws inspiration from her Indigenous heritage

Artist draws inspiration from her Indigenous heritage

LAC LA BICHE – Her unique artwork has been on display at several local shows in recent months, and the current Native Arts and Culture student at Portage College has even hosted some art workshops for community members since moving to Lac La Biche from Grimshaw. 

For Soul Dachuk, her artwork is about self-expression and preserving her Indigenous heritage. 

Dachuk enjoys working in various Indigenous art forms, and makes items such as beaded earrings, bracelets, ribbon skirts and dreamcatchers. She is also fond of creative writing, singing, painting, and sculpting. 

“Making art or doing crafts is important to me because it is my legacy, it is the very essence of who I am, who I will become, and who I will be remembered as,” Dachuk told Lakeland This Week. 

Dachuk also assists her mother in teaching Indigenous art workshops in communities surrounding her hometown in northwestern Alberta. She has also done three workshops since arriving in Lac La Biche to start her studies. 

“I do workshops on how to make dreamcatchers, often harvesting the natural materials needed weeks before the actual date, which is always fun,” she stated. 

Finding inspiration  

With regards to how this artist goes about starting a project, she usually finds herself inspired either by something she has read, dreamt about, seen, or felt on an emotional level. Once an idea takes shape, the next step involves brainstorming and thinking of how she will present her piece to have the greatest impact on a viewer.  

“Then I bring it to life with any medium of my choosing,” she said.  

Since childhood, Dachuk has been highly creative, and as she got older, her arts and crafts became her greatest form of self-expression. 

“My art allowed me to convey my emotions without having to utter a word and create connections with people in ways I never could have imagined,” she said.  

Dachuk describes her artistic tendencies as a family tradition. Growing up, she watched her grandfather and older brother making art. Sitting next to them as they went about drawing in sketchbooks, or sculpting things out of a variety of materials, she took it all in, and before long, she started a sketchbook of her own.  

While she was still in high school in Grimshaw, Dachuk taught art to elementary school students. Most of the classes, she said, were done during specific Indigenous awareness events. She also went into classes and taught the basics of traditional dancing, jigging, songwriting, and creating dreamcatchers.  

“I always enjoyed those experiences, and often get told I would make a great teacher,” she said.  

“My favourite part of teaching in schools is seeing young children show interest in what they are doing, and problem-solving instead of giving up.” 

Once she has completed the Native Arts and Culture program, Dachuk hopes to become a knowledge keeper, preserving and passing on the traditional Indigenous art forms she has learned to future generations. Dachuk also would like to eventually earn a steady enough income through her future endeavours to create Indigenous-based programs to provide relief to people who are struggling.  

The young artists says her family and her recent studying at Portage has helped make her a better artist and better person. Her current schooling has offered so many new ways to spark not only her creativity, she said, but also satisfy her thirst for knowledge.  

“My style has become more confident and reflective of who I am, and the person I would like to become,” she said.  

Working around her busy college schedule, Dachuk hopes to host more community workshops in the coming months.  

 

 

The Nature Photography Contest winners

The Nature Photography Contest winners

Mount Carmel, IL

(62863)

Today

Generally cloudy. High 36F. Winds light and variable..

Tonight

Becoming windy with some snow showers overnight. Low 16F. WNW winds at less than 5 mph, increasing to 25 to 35 mph. Chance of snow 40%. Higher wind gusts possible.

Updated: January 18, 2024 @ 12:51 pm

Ocean City fan-favorite photographer Kravitz dies ‣ Ocean City Sentinel

Ocean City fan-favorite photographer Kravitz dies ‣ Ocean City Sentinel

OCEAN CITY — Tributes poured in for professional photographer Donald B. Kravitz, who died Jan. 15, 2024. 

Kravitz was a fixture at Ocean City events for decades and his work encompassed everything from local charitable events to Miss America pageants.

Kravitz, a talented and genial presence who was well respected among his peers, was seemingly everywhere covering events including July Fourth parades and the resort’s unlocking of the ocean on Memorial Day weekend. That was but a small fraction of his work.

The decorated Vietnam War veteran took photographs for Ocean City, Atlantic City, various casinos, Getty Images, the Philadelphia Phillies and Eagles, Miss New Jersey and Miss America and the Garden State Film Festival. 

He was involved in many charitable organizations and understood the importance of sharing kindness and compassion with everyone, according to his family, who considered him a supportive and loving husband, father, stepfather and Pop-Pop. The graduate of the University of Maryland was often seen wearing his baseball cap turned backward while he was working.

“Don was one of the hardest-working people I know, he loved his craft and I’m sure his talents will be greatly missed,” Richard Strauss said.

“I met Don 20 years ago when I became the photographer for the Miss New Jersey pageant,” he explained. “At first it was a little intimidating since everybody knew Don and I was the new kid on the block. Don helped me get acquainted with the pageant world and soon we became good friends. I always looked forward to seeing him at the pageants and whoever arrived first would save the other one a seat.”

“This is incredibly sad news. Don was such a kind and loving man. He will be missed,” wrote Tricia Bowman Branch, a former Miss New Jersey from Ocean City.

“He had that infectious smile and kindness about him,” said Cathy DiMarco, president of the Ocean City Cape Atlantic Chapter of the Sunshine Foundation. “And he was always seen with (his wife) Carol by his side.”

DiMarco said Kravitz volunteered for years to take photos for the Sunshine Foundation and “captured the right moments” for her organization and the other events he covered. “He was always extending a helping hand.”

“He was not only a photographer, but a friend to all who knew him,” DiMarco added, “always offering his services any way he could.”

“Oh, my heart is breaking,” wrote comedian Dena Blizzard. “Don was one of the kindest souls I’ve ever met. I’m not sure how … but from behind that camera he supported so many of us on stage. Many prayers to his wife, Carol, and their beautiful family. He will be missed so much.”

“He will be so, so missed,” former Miss New Jersey Jill Horner wrote. “What a wonderful person.”

“I’ve traveled a distance away from my pageant career, and my home base of Ocean City. It’s been so long that ‘former’ titleholder feels overly generous,” wrote Robin Vitale. “But Donald Kravitz didn’t forget. A few years ago, he caught me at a baby parade in Ocean City and he instantly connected.

“I felt transported back to my days sitting on the back of a volunteer’s convertible. Don always made you feel special. He will be missed. But he’s now able to capture the best view of those he loves. I pray his memory brings them comfort in time.”

“He was always a kind and generous person,” Ocean City Mayor Jay Gillian said. “A true fixture of Ocean City.” 

Diana Dove shared an anecdote. 

“I believe I fell into his arms during a local pageant when he was taking pictures. I was a visiting queen walking down an unfamiliar runway (without a rehearsal). I didn’t realize there were black steps at the end of the black runway, while blinded by the spotlight. … We were both so happy I didn’t make a crash landing! He said I was the ‘catch of the day!’ He tilted me back up and I kept walking, waving and smiling.”

“Don was everywhere with his cameras,” said David Nahan, a photographer and editor of the Sentinel newspapers. “He was one of the first people I met covering events in Ocean City more than 25 years ago and that I bumped into ever since. He was always friendly, kind and supportive.

“His work was outstanding,” Nahan added. “I was impressed by the quality of his photos, but doubly so by how he managed to cover so many different things. I also was impressed by the reactions he got from the people he covered — so many adored him.” 

He is survived by his loving wife, Carol Hadley (nee Reichman), who often accompanied and supported him on his assignments. He was the loving father of Brett Dockwell (Alison), Dr. Amy Kravitz-Del Solar (Alvaro), Troy Kravitz (Sandra Normann-Kravitz), Bryan Nadley (Jill) and Amy Polis (Adam); adoring grandfather of Fin, Nola, Ainsley, Elias, Mathias, Charlotte, Noah, Jake, Jordyn, Jonah, Beckam and Ramsey; brother of Karen Jacobson (Arthur) and Eileen Fein (Ronnie.)

Family and friends are invited to his funeral service at 9 a.m. Sunday, Jan. 21, at Goldsteins’ Rosenberg’s Raphael-Sacks Suburban North Chapel, 310 Second Street Pike in Southampton, Pa. Entombment to follow at Montefiore Cemetery in Jenkintown, Pa.

Contributions in his memory may be made to the Heart of Surfing (www.heartofsurfing.org) or to the Sunshine Foundation (www.sunshinefoundation.org).

Atlanta Braves photographer visits LOA

Atlanta Braves photographer visits LOA

GREENSBORO, Ga. — t was an exciting day for Lake Oconee Academy’s photography class when the Atlanta Braves team photographer, Kevin Liles, visited to share his knowledge and experience as a photographer with the budding photography students.

Liles began his career as a small-town reporter in South Georgia. After covering local high school sports, Kevin discovered he had a growing interest in photography, especially when it came to sports. He went on to photograph hundreds of assignments for The New York Times, Washington Post, Sports Illustrated and The Wall Street Journal. In 2018, he found his home as the team photographer for the Atlanta Braves where he continues his work today.

Liles shared some of the amazing moments he has captured over the years with the photography students. While most of the photographs he shared were epic ones he has taken for the Braves, he also shared some amazing moments he’s been fortunate to capture outside of The Braves organization over the years — from a regal portrait of former Pres. Jimmy Carter to a rare moment with University of Alabama head football coach, Nick Saban. He even shared an unexpected moment he was fortunate to capture of a pastor praying with a police officer that landed on the front of The New York Times Sunday edition. His was the lead photograph of every photographer across the country covering this story. It was an incredible honor.

In addition, Liles shared great advice with the young photography students as they prepare for their futures in any area of study. Liles suggested, “It takes about 10 years, in my experience, to be really good at anything…”

He later stated, “I think a lot of kids come into photography and try to be great very, very quickly. They want to be shooting a Braves game next week and it doesn’t work that way.”

His advice was to just put in the time to gain experience, suggesting that in order to grow in photography one needs good critiquing of his or her work to excel in the field.

Liles enjoyed bantering back and forth with ninth grade student, Ben Reber. He noticed Ben had a superior knowledge of the Braves stats and playfully tested his knowledge throughout. Ben later shared how much he enjoyed seeing Liles’ work from games he had attended or viewed on TV, recalling the moments from memory.

Before the event, Jordynn Chafin, a 10th-grade student, was unsure if photography was a career path she was interested in, “I wanted to do something in the technology field, but I thought photography was kind of boring. Seeing his work made me realize there is more to it and technology can be fun if you make it,” said Jordyn. She emphasized, “He definitely made me give photography a second thought.”

Being in the presence of such an accomplished photographer was a special experience for these young photography students. Before departing, Liles gave the students an opportunity to hold his official Braves World Series ring, an experience many of the students will never forget.

Vipp V3: Elevating Kitchen Design With a Modern Aluminum Masterpiece

Vipp V3: Elevating Kitchen Design With a Modern Aluminum Masterpiece

Danish brand Vipp, renowned for its 85-year tradition of metalwork and most notably their iconic trash bins, introduces their latest kitchen design that’s a perfect testament to the company’s legacy. Crafted with aluminum, the V3 kitchen is a modular masterpiece that seamlessly merges functionality with minimalist aesthetics, marking a new chapter in Vipp’s storied journey. Wrapped in naturally anodized aluminum, the freestanding modules boast vertically extruded profiles that gracefully curve, infusing a light elegance into the metallic landscape. Vipp CEO Kasper Egelund describes it as “a unique kitchen that feels like a sculptural piece on its own.”

The V3 kitchen pays homage to Vipp’s heritage, tracing back to founder Holger Nielsen’s entrepreneurial spirit. Inspired by the legacy of their notable stainless-steel pedal bin, the V3 follows in the footsteps of its predecessor, the V1 kitchen made of black powder-coated steel, introduced in 2011. While maintaining the principles of the V1, the V3 takes a departure, introducing an aluminum-first appearance that breathes freshness into Vipp’s longstanding metalwork legacy.

front view of modern kitchen with aluminum freestanding island and bank of cabinets with extruded door profiles

partial view of modern kitchen with aluminum freestanding island and bank of cabinets with extruded door profiles

True to Vipp’s philosophy that “a kitchen is a tool, not a decoration,” the V3 is designed for everyday use. Discreetly integrated pulls, long handles with rounded rubber inner edges on fridge and freezer cabinets, and a four-millimeter stainless-steel countertop are thoughtful details that underscore Vipp’s commitment to form, function, and durability. The kitchen is envisioned to be a lifelong companion, celebrating thoughtful design and premium materials. Kasper Egelund sums up Vipp’s approach, stating, “Our kitchens are based on everything we’ve learned about metalwork since Vipp was founded in 1939.”

closeup edge view of modern kitchen with aluminum freestanding island and bank of cabinets with extruded door profiles

closeup down view of corner of aluminum kitchen cabinet with extruded exterior

The V3 kitchen offers versatility with three distinct modules – island, wall, and tall – and the choice of integrated gas hobs or an induction option.

closeup angled view of of aluminum kitchen cabinet with extruded exterior

closeup front view of of aluminum kitchen cabinet with extruded exterior

closeup of aluminum kitchen cabinet with extruded exterior with cabinet door open

While Vipp’s metalwork history revolves mostly around steel, their latest design introduces a lighter option inspired by the use of aluminum in the brand’s Shelter and Chimney guesthouses.

down view looking into open kitchen cabinet drawers filled with dishes and cooking accessories

down view looking into open kitchen cabinet drawers filled with dishes and cooking accessories

down angled closeup view of aluminum kitchen countertop

angled partial view of modern kitchen with extruded aluminum cabinets

front view of modern kitchen with extruded aluminum cabinets

From afar, the cabinets appear to have a fresh, light gray color exterior. Upon closer inspection, the metallic hue and tactile quality of the fluted panels makes for an elevated and unique kitchen design.

partial end view of modern kitchen with extruded aluminum cabinets

partial end view of modern kitchen with extruded aluminum cabinets

looking through door into modern kitchen with aluminum island

partial view of modern kitchen with aluminum island

For those eager to learn more or experience the V3 kitchen, further details can be found on Vipp.com.

Caroline Williamson is Editor-in-Chief of Design Milk. She has a BFA in photography from SCAD and can usually be found searching for vintage wares, doing New York Times crossword puzzles in pen, or reworking playlists on Spotify.

Photographer Captures New York at its ‘Worst and its Very Best’

Photographer Captures New York at its ‘Worst and its Very Best’

Phil Penman New York photography

Wandering the empty streets of New York during the dark days of the COVID-19 pandemic, photographer Phil Penman captured the city at one of its lowest ebbs.

“I have mixed emotions about this time,” Penman tells PetaPixel. “It was very sad to see the streets I love boarded up, due to the rise in shoplifting and theft.”

Phil Penman photography

Phil Penman photography

Despite the bleak times, Penman found comfort in chance conversations with strangers as people yearned for human connection during a period when authorities were enforcing lockdowns.

“This is New York at its worst and its very best,” says Penman. “The images take you on a journey. Quiet streets of New York like we have never seen before right through to the characters and personalities on the street that were less fortunate and had nowhere else to go.”

Phil Penman photography

Phil Penman photography

“I spent a great deal of time wandering the streets documenting everything and anything I saw,” he continues. “I found the conversations I had with people on the street helped me mentally and appreciate just how much we all need each other. Zoom calls were nice but no substitute for talking with people in the flesh.”

Big Empty Apple

Penman’s photos play on isolationist themes, amplified by the Leica Monochrom camera he chose to shot the project on. Like any street photographer, he knows patience is a virtue.

“Coming from the U.K. and knowing how much the rain just sucks, I now find myself looking for the bleak weather to act as a backdrop for the characters I like to capture,” he explains.

“I know from my 30 years on the streets that those extraordinary moments are few and far between. It requires a lot of man hours on the street walking and observing. If you go out with the mindset that you are going to get these images all the time you are setting yourself up for failure.”

Phil Penman photography

Phil Penman photography

Phil Penman photography

Despite hailing from Britain, Penman says he is “very much a New Yorker” after living there for 23 years. He points to Arnold Newman, Elliot Erwitt, and Josef Koudelka as influences but one inspires him more than others.

“Always have to go with Salgado on this one. From both a photographic point of view but also as a businessman and the way in which he handles himself with projects he chooses to do,” he says.

Phil Penman photography

Phil Penman photography

Penman has built an enviable following online with his Instagram page boasting 180,000 followers.

“Back when I started photographers had to have the gatekeepers approve of them and maybe they could have a career,” he says.

“These days young photographers don’t realize how great it is. You now can build an audience and make money doing something you love without going to the gatekeepers. Many photographers now can reach millions of people every month.”

Photographer Phil Penman.
The cover of Penman’s book New York Street Diaries.

His photos have been collated into a book called New York Street Diaries which is published by teNeues.

More of Penman’s work can be found on his Instagram and website.


Image credits: Photographs by Phil Penman

Applications Open for the 2024 New York Portfolio Review

Applications Open for the 2024 New York Portfolio Review
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Apply now for this free event for photographers

Applications are now open for the free New York Portfolio Review, which is produced by The New York Times photo department, Photoville and the Craig Newmark Graduate School of Journalism at CUNY.

This year we are bringing together 140 talented photographers with 70 top photo editors, publishers and curators for the 11th annual New York Portfolio Review on April 13 and 14, 2024.

Due to popular demand, and the need to be as accessible as possible for those who cannot travel, the 2024 review will take place in-person and remotely. On Saturday, April 13, the review will be in-person in New York. On Sunday, April 14, the review will be held virtually over Zoom. Photographers can apply for either the in-person review on April 13, or the online review on April 14. But not both. Once you apply, you will not be able to change which day, or format, that you wish to participate in.

Participation is open to anyone 18 or older. The review focuses on photojournalism, editorial and documentary photography, though all types of work will be considered.

A mainstay of photo events in the United States, the review convenes members of the photographic community to share work, exchange ideas, help each other — and have fun. On Sunday, April 7, there will be online workshops and presentations open to all the photographers attending either day of the review. Topics will include working with photo editors, running a business, negotiating contracts, editing and sequencing your own photos and self-care.

Each in-person participant will receive five private critiques. Each photographer attending remotely will receive four private critiques.

  • Photographers who attended last year’s review are not eligible to apply. Those who attended once in previous years can apply for this year’s review, but they must submit new work. Those who have already attended the review twice cannot apply.

  • When you apply, you will be asked to select your top choices for the reviewers you most want to see. You must choose 15. We will match the photographers chosen to attend with as many of those reviewers as possible using an algorithm.

  • To apply, send no more than 10 photos total, from one or two projects or bodies of work, using this form.

  • The files should be jpegs, 1,500 pixels at the longest side and 72 D.P.I.

  • Each file needs to be less than four megabytes each. Entries with files larger than four megabytes will be disqualified.

  • You can only apply once. Choose either Saturday (in person) or Sunday (remote). Not both. If you apply more than once you will be disqualified.

  • We will inform those who are accepted by March 8, 2024. Be sure to triple-check the email address you submit.

  • Photographs submitted will only be used to choose who attends the review. They will not be used for any other purpose.

  • If you have any questions email us at newyorkportfolioreview@gmail.com

  • Here, again, is the application form to submit photos.


  • Craig Allen, Senior Photo Editor, The New York Times

  • Sam Barzilay, Creative Director & Co-Founder, Photoville

  • Jacqueline Bates, Photography Director, NYT Opinion, The New York Times

  • Heather Casey, Photo Editor, The New York Times

  • Sandy Ciric, Director of Photography, Getty Images

  • Samantha Clark, Senior Photo Editor, National Geographic

  • Tanner Curtis, Photo Editor, The New York Times

  • Sean Corcoran, Senior Curator, Photographs, Museum of the City of NY

  • José Ginarte, Visuals Director, Bon Appétit

  • David Gonzalez, Writer/Photographer, The New York Times

  • Alyssa Goodman, Photo Editor, Associated Press

  • Angelika Hala, Photo Editor-Producer, Stern Magazine

  • Stephanie Heimann, Photo Director, New Republic

  • Jehan Jillani, Visuals Editor, Atlantic

  • Natalia Jimenez, Senior Photo Editor, Washington Post

  • Amy Kellner, Senior Photo Editor, New York Times Magazine

  • Danese Kenon, Managing Editor of Visuals, Philadelphia Inquirer

  • David Y. Lee, Senior Program Officer, Storytelling, National Geographic Society

  • Adriana Teresa Letorney, Founder, VISURA

  • Virginia Lozano, Photo Editor, NPR

  • Renee Melides, Photo Editor, The New York Times

  • Kara Milstein, Photo Editor, Time

  • Marie Monteleone, Features Photo Editor, Bloomberg

  • Quentin Nardi, Chief Photo Editor, Smithsonian Magazine

  • Megan Paetzhold, Photo Editor, New York Magazine

  • Corinne Perkins, North America Editor, Reuters Pictures

  • Sadie Quarrier, Director of Photography, National Geographic

  • Akili Ramsess, Executive Director, NPPA

  • Stephen Reiss, Photo Editor, The New York Times

  • Luise Stauss, Visual Editor, Pentagram

  • Sandra M. Stevenson, Deputy Director of Photography, Washington Post

  • Noelle Flores Théard, Senior Digital Photo Editor, New Yorker

  • Bernadette Tuazon, Director of Photography, CNN Digital

  • Amanda Webster, Photo Editor, The New York Times

  • Andrea Wise, Visual Strategy Editor, ProPublica

  • Ariel Zambelich, Lead Photo Editor, National + Politics, The Wall Street Journal


  • Tina Ahrens, Director of Photography, Zeit Online

  • Anna Alexander, Director of Photography, WIRED

  • David M. Barreda, Senior Photo Editor, National Geographic

  • Dudley M. Brooks, Deputy Director of Photography, Washington Post

  • Kim Chapin, Executive Director of Photography, Los Angeles Times

  • David Carthas, Senior Photo Editor, The New York Times Magazine

  • Elissa Curtis, Deputy Photo Director, Wall Street Journal

  • Melissa Dale, Associate Director of Photography, The Nature Conservancy

  • Adam Dean, Photo Editor, The New York Times

  • Matt Fidler, News Photo Editor, Guardian

  • Sarah Gilbert, Features Photo Editor, Guardian

  • Alessia Glaviano, Head of Global PhotoVogue, Condé Nast

  • Sam Hall, U.S. Assignment Photo Editor, Bloomberg News

  • Boyzell Hosey, Senior Editor Visual Storytelling, ProPublica

  • Sangsuk Sylvia Kang, Photo Editor, Time

  • Hideko Kataoka, Photo Editor, Curator, Educator, Newsweek Japan

  • Alexa Keefe, Assistant Managing Editor, National Geographic

  • Matej Leskovsek, Photo Editor, The New York Times

  • Eve Lyons, Photo Editor, The New York Times

  • Sabine Meyer, Photography Director, National Audubon Society

  • Matt McCann, Photo Editor, The New York Times

  • Mark Murrmann, Photo Director, Mother Jones

  • Evan Ortiz, Photo Editor, Bloomberg Businessweek

  • Emma Raynes, Director of Programs, Magnum Foundation

  • Joe Rodriguez, Senior Visuals Editor, Rolling Stone

  • Carla Rosorius, Director of Photography, GEO Germany

  • Jennifer Samuels, Interational Photo Assignment Editor, Washington Post

  • Steve Sapienza, Senior Editor, Pulitzer Center

  • Danielle A. Scruggs, Photo Editor, Wall Street Journal

  • Mikko Takkunen, Photo Editor, The New York Times

  • Jovelle Tamayo, Visuals/Multimedia Editor, Marshall Project

  • Amanda Voisard, Climate photo editor, Washington Post

  • Elijah Walker, Photo Editor, The New York Times

  • Nicole Werbeck, Deputy Director, Visuals, NPR

  • Maye-E Wong, Senior Editor, Wider Image & Special Projects, Reuters

Inside the world of 90s gamers and LAN Party culture

Inside the world of 90s gamers and LAN Party culture
image

Before high-speed internet connection and Discord servers, multiplayer gaming meant lugging your bulky CRT monitor to a friend’s house, convention centre or random basement for a LAN (Local Area Network) party. In the late 90s and early 2000s, owning a personal computer was still a relatively new thing. For early adopters, LAN parties were an opportunity to meet up with fellow tech enthusiasts, and typically consisted of hours spent in sweaty rooms playing Doom or Quake 2 surrounded by empty bottles of Mountain Dew.

“Anyone who was on the internet in the late 90s and early 2000s was probably something of a misfit who found people who shared their sensibilities and interests online and that was a very powerful feeling,” says merritt k, the video game designer and archivist behind the upcoming book LAN Party. Since first talking to Dazed back in 2022 when she initially began contemplating the project, the artist has collected hundreds of images from an open call – all of which capture the Web1 era in all its hacked-together glory, with burnt CDs strewn across tables, cables snaking across floors, and packed-out sports centres with rows of PCs. Players can be seen wearing nu-metal t-shirts in rooms covered in 90s anime posters. Bulky monitors are framed with stacks of energy drinks, empty junk food packaging and Y2K relics such as Nintendo Gamecubes and digi-cams.

“What’s interesting is that the photos in the book show off not just LAN parties themselves, but the trends, fashions, and objects of interest of their participants at the time,” agrees merritt k. “You see a lot of these cultural threads merging in various ways, for instance in the anime music video (AMV) where footage from anime shows like Dragon Ball Z was set to tracks by groups like Linkin Park. These videos were then shared on forums and file sharing services like Napster and Limewire, because centralised repositories like YouTube didn’t exist yet.”

What’s most interesting is the DIY and community spirit of gaming’s early days, especially when compared to today’s ultra-sleek and official tournaments. There’s something deeply nostalgic about the chaotic, ad-hoc set-ups that feels optimistic, a time when personal technology was seen as liberating. “LAN parties specifically harken to a period before the internet affected everyday life and before the ubiquity of cell phones, meaning that most people still had to play games and hang out together in person,” agrees merritt k. “I grew up during the period when LAN parties were at their peak but my parents would never let me drag our Dell machine out to a friend’s place for one.” 

In recent years, there’s been a growing interest in LAN parties, which is unsurprising really when you consider the effect that lockdown has had on gaming culture – QuakeCon, one of America’s biggest LAN parties, is an event that hosts over 3,000 gamers each year. “I think COVID and the ways in which it forced people to retreat from public gatherings also played a big role in making images of people having fun with computers together in basements or living rooms more appealing to people viewing them today,” adds merritt k. This is particularly true for many of us, who’ve grown up alongside the internet, spending most of our time staring at a phone screen. In contrast, LAN parties offer a glimpse into a world before social media took over every aspect of our lives, a time when switching on a computer felt new and exciting. 

LAN Party: Inside the Multiplayer Revolution is out January 22 via Thames & Hudson