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Photographer Sues Detroit Lions For Using His Photo For NFL Star’s Statue

Photographer Sues Detroit Lions For Using His Photo For NFL Star’s Statue
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A photographer has sued the Detroit Lions for allegedly using his photo of former football star Barry Sanders to design a statue of him.

According to a report by Michigan Live, the Detroit Lions unveiled an 8-foot statue of Sanders outside Ford Field stadium in Downtown Detroit in September 2023.

In a lawsuit filed last week, photographer Allen Kee claims that the sculpture of the former football star is based on an image that he took of Sanders in action during the Detroit Lions game against the Pittsburgh Steelers.

According to the photographer’s lawsuit, the Detroit Lions published a YouTube video about the making of the sculpture called “Sculpting Barry: The Making of Lions Legend Barry Sanders’ Statue” one week after the statue’s unveiling last year.

In the YouTube video, which remains online, a blown-up copy of Kee’s photograph of Sanders can be seen hanging directly behind the clay mold of the statue as the sculptors work on it in a studio.

At another point in the YouTube video, one of the statue’s sculptors also acknowledges that they intended to “recreate” Kee’s photograph in the statue.

“We have a photo that’s considered the most iconic running photo ever taken of Barry Sanders,” the sculptor is heard saying in the footage.

“That’s what’s being re-created in this sculpture.”

A Statue Based on a Photograph

Kee, who has been a sports photographer for more than three decades, claims the Detroit Lions used his photo of Sanders for the statue without his consent.

Michigan Live reports that Kee, who was working as a freelance photographer when the photo was taken, says he was not an employee of any entity or organization at the time he created the photograph and did not create the image under any “work for hire” arrangement or contract.

Kee is now suing the Detroit Lions, as well as Getty Images, NFL Properties, NFL Enterprises, Fanatics, Dick’s Sporting Goods, McFarlane Toys, and others in the U.S. District Court for the Southern District of New York, for direct, contributory, and/or vicarious copyright infringement.

The photographer alleges that he never granted an exclusive license regarding the photograph to any person or entity, nor photograph sub-licensing to customers, along with other photographs he created during the same game.

However, Kee admits that he did submit the image of Sanders to “NFL Photos” — a licensing agency created, owned, and operated by the NFL that was dedicated to licensing and distributing photos by freelance photographers at NFL games.

However, NFL Photos ceased operation in 2004. Furthermore, Kee claims he did not relinquish his copyrights to the agency, created, nor did he grant the NFL or any of its subsidiary entities any license or rights to use the photo without purchasing an additional usage license.

The photographer is suing Getty Images for never giving them consent to resubmit his photo for relicensing and McFarlane Toys for profiting off three figures of Sanders figures allegedly based on Kee’s image.

Kee is asking for an undetermined amount of relief in the lawsuit, as well as a permanent injunction prohibiting the defendants from copying, displaying, distributing, advertising, promoting, and/or exploiting in any manner his copyrighted work.


Image credits: Feature photo via YouTube/Detroit Lions.

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​Photography exhibition exploring “modern rave culture” to land in Manchester

​Photography exhibition exploring “modern rave culture” to land in Manchester

A photography exhibition exploring modern-day rave culture and music subcultures is set to land in Manchester next month.

Tough Luck presents: KNEES UP heads to Smolensky Gallery in Deansgate, Manchester, on Saturday, February 10, from 6:PM until 11:PM.

The exhibition features photography from rave photographers including Laks, Cinshot, George Verinder, Marzuq Rehman, and Conor Fitzpatrick, with a look into “the world of electronic music and underground parties”.

Read this next: “Freedom and thrill”: The lockdown project paying homage to the rave

Hosted by Tough Luck, a photography archive documenting dance music cultures around the world, KNEES UP also promises insight into “the characters that make up this vibrant subculture through the lens of our extremely talented photographers”.

“Our photography exhibition transcends conventional art experiences; it’s a spirited celebration of music, freedom, diversity, and boundless creativity,” reads a description of the exhibition.

Tough Luck’s Jordan Taylore tells Mixmag: “Buzzing to be hosting another photography exhibition, this time in Manchester.”

The exhibition follows an earlier edition in London last April. Tough Luck will be donating a portion of ticket sale profits to The Photography Foundation, a charity organisation raising money for “less advantaged young adults in London”.

Read this next: How the original rave spirit is still driving youth culture today

“I want to create a space for people to not only to view an array of artwork from some extremely talented photographers, but a gathering in which people can have a few drinks, chat, and meet new like-minded people,” he says.

Tough Luck began as a lockdown project in 2020 from Newcastle’s Jordan Taylor, a film photography fan and a lover of “youth and rave culture from around the world”.

“I was missing that sense of freedom and thrill you get at raves and nights out, so it was a great thing to look back on and reminisce,” he told Mixmag in 2022.

Grab your tickets to Tough Luck presents: KNEES UP here.

Gemma Ross is Mixmag’s Assistant Editor, follow her on Twitter

Todd St. John Hones Surprise and Delight in His Jocular Wooden Characters

Todd St. John Hones Surprise and Delight in His Jocular Wooden Characters

“Fafafafa.” All images © Todd St. John, shared with permission

From lethargic lions to a fragmented figure with a distinguished chuckle, the sculptures of Brooklyn-based artist and designer Todd St. John are tailored toward surprise and wonder.

Alongside personal projects, St. John collaborates with editorial clients like The New York Times and The New Yorker and brands like Netflix and Google to illustrate ideas or emotions that words are inadequate to convey. He frequently reaches for pine, walnut, and other woods, carving stylized characters and objects that are both amusing and approachable.

“I initially learned woodworking as a kid working with my father who always had a woodshop, and I’ve always built furniture on the side,” he tells Colossal. “I used it mainly for animation and stop-motion projects, but dimensional forms quickly found their way into other work, as well.”

The medium lends itself to the disjointed, abstract structures St. John gravitates toward as he sculpts Cubist-style busts or a tousled spider plant. He explains:

I do think that sometimes creating tactile objects opens up more opportunities for surprises. There are a lot of processes with digital work that get pre-determined by the software itself, and while working practically has its own constraints, it can be a more novel and even direct way to realize certain ideas.

St. John has a few exhibitions planned for this year, and you can follow news about those, in addition to his newest works, on Instagram. Find prints in his shop.

 

a wooden sculpture of an abstract, fragmented face and shoulders

“Relief Head”

two wooden sculptures of abstract, fragmented busts

“Relief Heads”

a wooden sculpture of a lion with a large, wide mouth and six white teeth and small legs on the left and right sides

“Lion”

a wooden tape dispenser shaped like a cresting wave

“Wave”

a woodcut with a green spider plant in an orange pot

“Spider Plant”

an oval wooden sculpture with fragmented pieces on various levels against a black backdrop

“Untitled,” raw pine

an oval wooden sculpture with fragmented pieces on various levels against a black backdrop

“Untitled (Raw Pine)”

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Todd St. John Hones Surprise and Delight in His Jocular Wooden Characters appeared first on Colossal.

Local photographer captures veteran saluting at parade; nation rallies to successfully find him

Local photographer captures veteran saluting at parade; nation rallies to successfully find him

Ryan J. Childress, local Westerville photographer, could have never imagined that a photo he took at his daughter’s Christmas parade would garner national attention and provoke a city-wide scavenger hunt for a man in a green jacket.

On December 3, Childress captured a photo of a gentleman in a green jacket saluting as the service flag corps made its way down the street, marching proudly in the parade. 

“The man caught my attention because he reminded me of my own father,” Childress explained. “He stood in the cold wearing a retro styled bright green shiny jacket, and a cap to keep his head warm.  I immediately smiled and appreciated his presence…At that time, taking a photo was not even on my mind, as my concentration was directed at the servicemen walking [in the parade].  It was then that ‘the man in the green jacket’ lifted his right arm to salute that American flag.  Aware of what was happening, I quickly raised my camera and snapped off two shots roughly 20 seconds apart.”

The famous photo, taken by Childress

When going through the photos later on, Childress realized he caught a touching moment, and asked around on social media in hopes that he could give the image to the man. Within hours of posting the picture to search for him, there were around 20,000 shares and 1.5 million views of the image.

“The post had become a movement that people could get behind. The story that none of us knew we needed.  A search for a cute little man saluting his flag, so he could be presented a gift of gratitude for his simple gesture.  A fairytale of sorts,” Childress emphasized.

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But even with the millions of views and thousands of shares, the man in the green jacket couldn’t be found, and Childress eventually started losing hope. After hundreds of leads later though, a family member reached out to him, and Don (the man in the green jacket!) and his wife Susan agreed they should meet in-person so that Childress could gift him the print of the photograph.

“We met at a local coffee shop and greeted each other.  After getting a couple of drinks ordered up, we sat down together at a small table in the corner.  We all looked at each other and began to laugh.  We were bonded from that day forward.  Together we had gone through the craziest week of social media that any of us had ever witnessed, and we were in the middle of it all,” said Childress. 

Childress said that Don is, “exactly what we all hoped for; kind, humble, shy, soft spoken, and proud. I truly could not have asked for a better subject for one of my photographs.”

In response to the image, Childress began selling prints of it, with all proceeds donated to a local Veteran based charity called Honor Flight Columbus. You can check out Childress’ photos here, and even buy the print there, too!

Want to read more? Check out our print publications, (614) Magazine and Stock & Barrel. Learn where you can find free copies of our newest issues here!

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Will amphibian make-up be the next big trend?

Will amphibian make-up be the next big trend?
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Dazed community member Lisa Michalik’s amphibian-inspired make-up is a tribute to the mysteries that surround us. In an otherworldly new shoot, she ”showcases the transformative power of unique and unexpected elements” in nature. 

Working alongside photographer Kevin Drelon, Michalik took inspiration from the diverse beauty of nature and channeled it into reptilian looks that are unsettling, even while being visually striking. It’s a combination that is key to much of the make-up artist’s work. ”Today we no longer have any limits, beauty can be virtual, ugly, speckled, connected, sublime, or even controversial. We can all create beauty. We just have to know how to observe it and realise it,” Michalik told Dazed in 2020, while discussing the inspiration behind her grotesque and alluring grills

For this shoot, she focused on texture, using pearl-like beads – which almost evoke the satisfying slime of frogspawn – to frame and extenuate the eyes. ”We experimented with a variety of materials, including iridescent fabrics, intricate metallic embellishments and translucent textures,” Michalik says. While framing the eyes is usually the role of the eyebrows, here they were bleached in order to create a fantasy similar to the reptile’s idle stare. Alongside Drelon’s illuminating photography, ”these elements were combined to create looks that gave the illusion of a second skin, blurring the lines between reality and fantasy”.

The shoot produces striking images to remind us of the beauty in nature and how unconventional this can seem on the surface. ”Our aim was to push boundaries and explore new possibilities while staying open to the inspiration that surrounds us,” Michalik tells Dazed, hoping the photos resonate with viewers and inspire a sense of intrigue. ”Our intention is to challenge conventional ideas of beauty and encourage individuals to embrace and celebrate their unique features,” she tells us. ”We want people to feel encouraged to explore new forms of beauty and to appreciate the visual diversity that exists around us.”

Seeking True Artistic Growth as a Photographer

Seeking True Artistic Growth as a Photographer

Understanding the source of inspiration in photography is critical for both budding and seasoned photographers. It’s not just about the aesthetic appeal of an image, but also about its soul and the story it tells. This is essential for photographers to grow artistically and avoid stagnation in their craft.

Coming to you from Justin Mott, this thought-provoking video challenges photographers to rethink their sources of inspiration. Mott emphasizes that many popular photography destinations focus more on entertainment than on the art of photography. He argues that this can mislead photographers, as these channels often lack originality and depth in their imagery, leading creatives to fall into chasing trends. Mott’s critique is not of the entertainment value, but of their limited contribution to developing photographic skills and creativity. He encourages viewers to look beyond the allure and to seek inspiration that pushes their boundaries and fosters genuine growth in their art.

Mott goes on to discuss the distinction between being good at YouTube and social media and being good at photography. He points out that many successful case are excellent storytellers of their own journeys, but may lack depth in their photographic work. This, according to Mott, can result in a homogenized, cookie-cutter approach to photography that stifles creativity. His advice is to explore the works of classic and contemporary photographers who are renowned for their storytelling through imagery. By doing so, photographers can develop a more nuanced understanding of what makes a photograph truly compelling and emotionally resonant.

His insights offer a fresh perspective on finding meaningful inspiration and developing a more profound photographic practice. Check out the video above for the full rundown from Mott.

AI-powered Verge Motorcycle Is Like Riding With Eyes on the Back of Your Head

AI-powered Verge Motorcycle Is Like Riding With Eyes on the Back of Your Head

An electric motorcycle capable of accelerating zero to 60mph in just 3.5 seconds and capable of jetting to a top speed of 124mph is a tempting proposition for the thrill-seeking set. But many motorcycle riders also depend on their bikes for their daily commute, sharing city streets and highways with much larger cars, trucks, and SUVs at speeds well below their bike’s full potential. Verge Motorcycles is hoping to satiate and serve both the desire for thrills and the necessity for safety with the help of artificial intelligence.

With six cameras and an AI-assisted radar system monitoring the front, back, and sides, the all-electric Verge Motorcycles TS Ultra was unveiled and on display at CES 2024 as the future of motorcycles. “Equipped with the sense of sight,” the bike is designed to navigate traffic with the aid of an AI system that includes everything you might know and depend upon behind the wheel of a modern car: collision avoidance, adaptive cruise control, and lane departure assistance. In essence, it’s engineered to go fast, but with a heightened awareness of its surroundings.

Overhead angle view of Verge TS Ultra electric motorcycle's Starmatter Vision HUD display.

Rider's view of Verge TS Ultra electric motorcycle's Starmatter Vision HUD display, showing collision detection on one side and speed to the right.

Alongside safety and vital drive info, the Starmatter Dash operates as the bike’s infotainment center.

Displayed across a large Starmatter Dash, the TS Ultra gives riders a 360-degree view of its surroundings, an overview made possible by a combination of optical and high-resolution front and back radar sensors. Hazard warnings, blind spot assistance, and rear view cameras are paired with other safety features such as traction control, an anti-brake-locking system, and even a custom ride mode that sets max speed and torque limits so you don’t accidentally push the bike – and yourself – beyond safe riding parameters.

Simulated overhead view of the Verge TS Ultra electric motorcycle's Starmatter Vision radar and camera sensor capabilities.

And at 1,200Nm of torque delivered by its rear wheel, there can be a lot to handle for those not yet fully initiated with riding an electric motorcycle equipped to accelerate in a heartbeat. Speaking of the rear wheel, you might have noticed the TS Ultra is missing a hub. Verge’s team hid the motor inside the wheel to maintain a low center of gravity and proximity to the bike’s underbelly battery pack. Beyond the benefit of improved maneuverability and stability, it’s obvious Verge recognizes the cool factor of its cyberpunk design.

Detail rear view of Verge TS Ultra electric motorcycle's hub-less rear wheel design.

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Verge offers the TS Ultra in a selection of five colors – white, black, red, yellow, and green – alongside seasonal special editions.

Verge TS Ultra electric motorcycle in green painted exterior.

Verge TS Ultra electric motorcycle in red painted exterior.

Verge TS Ultra electric motorcycle in white painted exterior.

Verge TS Ultra electric motorcycle in yellow painted exterior.

Verge Motorcycles chief technology officer Marko Lehtimäki says their goals are to become the safest bike in the market, something akin to Volvo and Polestar’s automotive ethos, but on two wheels. If we’re being real, it would be safe to venture the average TS Ultra customer will arrive drawn by its slew of safety features equipped across the $44,900 electric motorcycle, but over time and with everyday use we’d suspect having those extra technological sensors will not go unappreciated noting the most dangerous drive is the one we take daily.

Gregory Han is a Senior Editor at Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.