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Opening Reception for Muckleshoot Indian Tribe Artists will be Wed., Jan. 17 at Postmark Center for the Arts

Opening Reception for Muckleshoot Indian Tribe Artists will be Wed., Jan. 17 at Postmark Center for the Arts

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The Postmark Center for the Arts will be featuring a group exhibition of talented artists from the Muckleshoot Indian Tribe, with an Opening Reception scheduled for Wednesday, Jan. 17, 2024, from 5 – 7 p.m.

The exhibition will be displayed both in the Postmark Gallery and Vault Gallery, with artwork in a variety of mediums, sizes, and themes.

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Exhibiting artists showcasing work include:

  • A selection of hand-painted drums by artist Donny Stevenson.
  • Founder of brand Generational Trauma, designer Isiah Corwin combines popular iconography with Indigenous symbolism to create designs that represent Native Peoples.
  • Weavings and beadwork by artist Joyce Starr.
  • Digital painter Kim Saladin often works with imagery of the Muckleshoot tribe in daily life.
  • Original weavings from artist Gail White Eagle.
  • Intricate beadwork from artist Julie James.

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  • Artists Keith Stevenson and Tyson Simmons, who work in a variety of 2-dimensional and 3-dimensional media, will be showcasing their carvings and prints.
  • Sam Obrovac, who works in a variety of media, will display artworks that draw from traditional Pacific Northwest and Coast Salish design.

Many of these talented artists had a hand in the creation of the carved cedar Welcome Figure that stands proudly outside the front of the Postmark Center for the Arts and was unveiled during the Grand Opening of the renovated building.

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“The City of Auburn is thrilled to be partnering with these talented artists to represent both Muckleshoot culture as well as the diversity of their contemporary art practices,” officials said.

The Postmark Center for the Arts is located at 20 Auburn Ave. | Auburn, WA 98002:

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Sculpture acquired for €0.5 million bought from MICAS director’s client

Sculpture acquired for €0.5 million bought from MICAS director’s client
A sculpture by a renowned Swiss artist, Ugo Rondinone, placed in an open-air garden in Floriana, has cost taxpayers almost half a million euro, The Shift found. Research also shows that the commissioning of ‘The Radiant’ on behalf of Malta International Contemporary Art Space (MICAS) was made through a member of its board, Gozitan art […]

Shore-Based Wedding Photography Talks Event Trends and Traditions

Shore-Based Wedding Photography Talks Event Trends and Traditions

As the owner and operator of the Jersey Shore-based wedding and portrait photography company, Wild Magnolia Photography, Brit Bott is no stranger to the ever-changing landscape of the photography industry. 

From trendsetting beach weddings to more traditional affairs, Bott has seen it all and is ready to share her take on the newest and most exciting trends she’s seen while capturing couples on the most memorable day of their lives. 

Q: Why did you decide to get into wedding photography? 

A: Growing up, I loved how photography could impact people and document all of the major events in life, from the good to the bad. 

My mom has a wall of family portraits, including wedding photographs from generations. When I spoke to her about her wedding photography experience, it opened my mind to wanting to do better for others. 

[My parents’ wedding] photographer did not take a photograph of my parents together or my mom with her brothers. Hearing that made my heart sad because they’ve been married for over 40 years. The story of my parents’ wedding is a big motivator for why I wanted to focus on wedding photography. I hear all of these horror stories about bad wedding photography, and I want to provide my couples with the best experience possible.

Q: What has changed in the industry since you first started? 

A: I think that the industry is always changing. However, one thing I noticed making a comeback is film. The photography industry started phasing out film cameras in the early 2000s and now here we are bringing film back, especially in the wedding industry. 

Q: Tell me about the most unique wedding you’ve shot so far.  

A: Every wedding is unique in its own way, so I can’t pinpoint one specific wedding. I’ve seen weddings where the couple is staying in the same house while getting ready and the bride sees the groom throughout the day, a wedding on a Christmas tree farm, [weddings at] haunted mansions, and even a McDonalds and a Hoffman’s Ice Cream truck with late-night ice cream.  

Q: What are some current wedding trends that you love?  

A: Wedding trends that I’ve been loving are the mix and match color bridesmaid dresses, more unique seating charts, bows, bright colors, beautiful flower arches and candid photos – especially the direct flash ones.

Q: Are there any older wedding trends that have started to make a comeback recently? 

A: Definitely film, as mentioned earlier. I think disco balls are still a thing, and we will see more in 2024. Also, smaller cakes with piping that give a more retro look.

Q: What does the future of the wedding photography industry look like to you?  

A: Great question! I think as we start seeing more [artificial intelligence] programs coming out, the expectation for turnaround times with wedding galleries will increase. People are educating themselves more on photography, which has made for some interesting conversations. And I think it’s really important for people to have an opinion when it comes to wedding photography. There are photos that they will have to look at for the rest of their lives. 

Q: What do you love about being a wedding photographer? 

A: I love getting to know couples, how they met and where life is taking them. There are billions of people in the world, and for two people to meet and decide they want to spend the rest of their lives together is pretty cool in my mind!

Q: Why do you think photography is such an important part of someone’s special day?

A: Photography has a different impact on each person. Photography on someone’s special day is so crucial because, for most people, it’s one day in their lives that they will never get to repeat, so they want to have all the little moments captured as perfectly as possible. Who can blame them?

Tlingit artist designs featured on new series of Starbucks cups

Tlingit artist designs featured on new series of Starbucks cups

ANCHORAGE, Alaska (KTUU) – A Southeast Alaska Native artist is finding new fame this year after one of the largest coffee brands in the world picked up on her talents.

Alison Bremner, a multidisciplinary Tlingit artist from Juneau, is gaining new exposure this year with the reveal of Starbucks’ Artist Collaboration Series cups and tumblers. Bremner’s Indigenous art is part of the series, which showcases independent artists’ work from around the world.

Bremner’s work featured three unique designs on Starbucks cups, which were announced this week.

“It’s been such a joy to see them out, to see them used, like to see the reception that they’re getting,” Bremner said. “It’s just been fabulous.”

Bremner is the latest Alaska artist to have her Indigenous artwork prominently featured on a national scale, following up on Alaska Airlines planes and U.S. Post Office stamps inspired by fellow Juneau artist Crystal Worl. Worl’s artwork has also been used to create the behemoth mural adjacent to Anchorage’s City Hall.

The official launch date was Jan. 3, with the first media release coming Jan. 8, but Bremner said a fan post on social media with a photo of her cups helped them go viral on the internet.

“It had like, over 22,000 likes the last time I saw it, and so a lot of the stores in Alaska are already sold out,” she said.

Bremner said she’s even heard of folks in Lower 48 states like Texas and Florida wanting a piece of the merchandise sale.

“People found out about them kind of immediately, and I have heard of stores telling people that if you want to get those cups, you had to have been here at 5 a.m. when we opened,” she said.

“It’s been really cool to see just how ‘nationwide’ nationwide really is, and I like hearing from folks all over the country. It’s been really amazing.”

The artist collaboration series by Starbucks debuted in efforts to celebrate and elevate the “diverse voices and stories in its communities,” according to company officials. Starbucks said Bremner’s work is the fourth to be featured in the series.

Born and raised in Juneau, Bremner attributed her inspiration to do art to her parents — her father is from Yakutat and her mother is from the Seattle area — and two mentors whom she learned the art of formline from; David Robert Boxley and his brother David Albert Boxley. Both brothers are recognized Alaskan artists whom Bremner worked with as part of a four-year apprenticeship.

Since formline adheres to a rigid set of rules that defines its characteristics, Bremner said she personalizes her artwork by superimposing floral patterns into the spaces between lines.

Alison Bremner, a multidisciplinary Tlingit artist from Juneau, is gaining new exposure this...
Alison Bremner, a multidisciplinary Tlingit artist from Juneau, is gaining new exposure this year with the reveal of Starbucks’ Artist Collaboration Series cups and tumblers.(Courtesy Alison Bremner)

She also appreciates the wider recognition that Tlingit art and Alaska Native styles on a broader level are getting, comparing the Southeast traditions to much more well-known Native American artwork in the Southwest United States.

“Formline isn’t quite there yet, which is like, a blessing in a sense where it doesn’t get appropriated on a wide scale,” she said. “But it’s been really wonderful to have something that’s so specialized to Alaska and the Northwest coast be shared all over.”

Bremner said Starbucks first took notice of her art about two years ago when the company’s Instagram account followed her own Instagram account. After initial discussions about collaborating, Bremner said months went by before Starbucks representatives reached out with the idea of using her designs on merchandise.

The ideas for all three designs began on paper, Bremner said, which she then transferred to the digital sphere, using computer programs to recreate her designs exactly.

From there, Starbucks creators were able to transfer that imagery onto a three-dimensional space, leading to the official debut of Bremner’s creative designs on a national level.

“It’s just a thrill to have mine showcased on such a massive scale.”

Upper Valley photography studio celebrates self-acceptance

Upper Valley photography studio celebrates self-acceptance

Valley News – Upper Valley photography studio celebrates self-acceptance

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Upper Valley photography studio celebrates self-acceptance

Les Bella Boudoir associate photographer Sarah McEnany adjusts Shelby Soulia's position while photographing her at the studio in Claremont, N.H., on Tuesday, Jan. 9, 2024. It was Soulia's third visit to the studio for a photography session.  (Valley News - Jennifer Hauck) Copyright Valley News. May not be reprinted or used online without permission. Send requests to permission@vnews.com.

Les Bella Boudoir associate photographer Sarah McEnany adjusts Shelby Soulia’s position while photographing her at the studio in Claremont, N.H., on Tuesday, Jan. 9, 2024. It was Soulia’s third visit to the studio for a photography session. (Valley News – Jennifer Hauck) Copyright Valley News. May not be reprinted or used online without permission. Send requests to permission@vnews.com. Valley News photographs — Jennifer Hauck

Meghan Brown, owner of Hidden Gem Studio and Makeover by Meg, applies makeup on client Shelby Soulia, of Andover, Vt., before Soulia's boudoir photography session on Tuesday, Jan. 9, 2024, in Claremont, N.H. (Valley News - Jennifer Hauck) Copyright Valley News. May not be reprinted or used online without permission. Send requests to permission@vnews.com.

Meghan Brown, owner of Hidden Gem Studio and Makeover by Meg, applies makeup on client Shelby Soulia, of Andover, Vt., before Soulia’s boudoir photography session on Tuesday, Jan. 9, 2024, in Claremont, N.H. (Valley News – Jennifer Hauck) Copyright Valley News. May not be reprinted or used online without permission. Send requests to permission@vnews.com.

Les Bella Boudoir associate photographer Sarah McEnany, left, and owner Jess Kinson help client Shelby Soulia, of Andover, Vt., choose what she will wear for her photography session -- her third at the studio -- in Claremont, N.H., on Tuesday, Jan. 9, 2024. (Valley News - Jennifer Hauck) Copyright Valley News. May not be reprinted or used online without permission. Send requests to permission@vnews.com.

Les Bella Boudoir associate photographer Sarah McEnany, left, and owner Jess Kinson help client Shelby Soulia, of Andover, Vt., choose what she will wear for her photography session — her third at the studio — in Claremont, N.H., on Tuesday, Jan. 9, 2024. (Valley News – Jennifer Hauck) Copyright Valley News. May not be reprinted or used online without permission. Send requests to permission@vnews.com. Valley News photographs — Jennifer Hauck

Les Bella Boudoir offers numerous outfits for clients to choose from during their session at the studio in Claremont, N.H. (Valley News - Jennifer Hauck) Copyright Valley News. May not be reprinted or used online without permission. Send requests to permission@vnews.com.

Les Bella Boudoir offers numerous outfits for clients to choose from during their session at the studio in Claremont, N.H. (Valley News – Jennifer Hauck) Copyright Valley News. May not be reprinted or used online without permission. Send requests to permission@vnews.com.

Jess Kinson, owner of Les Bella Boudoir, left, helps client Shelby Soulia with an edit of her photographs following Soulia's session at the studio in Claremont, N.H., on Tuesday, Jan. 9, 2024. (Valley News - Jennifer Hauck) Copyright Valley News. May not be reprinted or used online without permission. Send requests to permission@vnews.com.

Jess Kinson, owner of Les Bella Boudoir, left, helps client Shelby Soulia with an edit of her photographs following Soulia’s session at the studio in Claremont, N.H., on Tuesday, Jan. 9, 2024. (Valley News – Jennifer Hauck) Copyright Valley News. May not be reprinted or used online without permission. Send requests to permission@vnews.com.

Les Bella Boudoir owner Jess Kinson, left, and associate photographer Sarah McEnany change one of the studio's sets on Tuesday, Dec. 5, 2023, in Claremont, N.H. Kinson and McEnany often create new scenes at the studio for their clients to be photographed in. (Valley News - Jennifer Hauck) Copyright Valley News. May not be reprinted or used online without permission. Send requests to permission@vnews.com.

Les Bella Boudoir owner Jess Kinson, left, and associate photographer Sarah McEnany change one of the studio’s sets on Tuesday, Dec. 5, 2023, in Claremont, N.H. Kinson and McEnany often create new scenes at the studio for their clients to be photographed in. (Valley News – Jennifer Hauck) Copyright Valley News. May not be reprinted or used online without permission. Send requests to permission@vnews.com.



In a downtown Claremont hair salon, Shelby Soulia sat patiently in a chair while Meghan Brown delicately affixed false eyelashes to Soulia’s eyelids. Soulia has gotten used to wearing them for special occasions, even though, she said, they are like having “caterpillars on your face.”

Brown, the owner of Makeover by Meg, which is tucked behind the Opera House, styled Soulia’s long, ash blond hair in soft waves and then applied makeup, putting on a pink lip gloss and dusting on a light layer of powder. It’s Soulia’s third time there. When Brown is finished, Soulia scrutinizes herself in the mirror. “It looks so good, it’s so simple, it’s subtle,” Soulia said.

This is Soulia’s first stop. She reaches the next by leaving the salon, walking down the hallway and then climbing a steep set of stairs that bring her into the Opera House. From there she walks outside and down the street to Les Bella Boudoir, a business dedicated to boudoir photography that has been open since 2021 in a streetfront space on Opera House Square.

The front windows are frosted and tinted so that passers-by can’t peer inside.

The client, usually female, poses in an array of costumes — lingerie, silk robes, black leather — in an array of sets — chairs, bathtubs, beds — with an array of props — use your imagination.

The two women who run the business, Jess Kinson, the owner and photographer, and Sarah McEnany, an associate photographer, are both in their 30s. Kinson choreographs Soulia’s poses while McEnanay takes pictures of Soulia from different angles, using a Canon R6 camera.

Soulia cheerfully contorts her body into pretzel-like shapes, throws her hair back and waggles her legs this way and that. She is firm on what she likes and what she doesn’t, what she’ll do and what she won’t.

The light through the back windows on a gloomy winter day is soft and dim. The natural and artificial lighting, and the way Kinson and McEnany deploy them, pick out the curve of a shoulder or neck, an arch of the back, and the eyes and lips.

After an hour of posing and occasional laughter, Soulia, 29, puts her street clothes back on. She and McEnany do a first edit, pruning the initial crop of 222 photos down to 48, and then the final edit of 20. She is going to share the photos with her husband, Soulia said.

A Les Bella package, which includes hair and makeup by Brown, sets, clothing and props, starts at $600. Images are purchased separately. A package that includes photography starts at $2,500. Clients must be 18 or older.

Soulia, who lives in Andover, Vt., has done two prior sessions at Les Bella. It took a while to get up the “confidence and courage” to come to terms with physically (and mentally) revealing herself.

“People are very hypercritical,” she said. “But it’s really showing that everybody is different and beautiful in their own way. You’re not letting society write your narrative; you write your own. It’s going against the grain a little bit. You can feel empowered and beautiful and confident. I can feel good in that moment. It’s art. It’s more than just photos.”

Brown, who has had her own photos taken, said when she saw them, she was amazed: “I saw my photo and I was like, OK. OK.”

Kinson, who lives in Claremont, started out photographing weddings and high school graduates. But she became more interested in boudoir photography because she saw how women could be transformed by the process.

“There’s such a stigma of what women are supposed to look like,” she said. “Seeing how they felt made me feel better. … The whole point is to show that your body is good.”

Indeed, the vibe is not “creepy or pervy,” Kinson said. It’s rather wholesome: a combination of gym workout (point those toes, stretch your hamstrings!), Barbie movie-style girl power and the look of a mildly risqué pin-up calendar that does not exceed anything seen in films or TV. Signs on the wall set the tone: “The Future is Female,” “Break the Rules,” and, attributed to Coco Chanel, “Don’t be like the rest of them, darling.”

Soulia, Kinson and McEnany joke around throughout the hour-long photo shoot.

“We’re not afraid to be silly,” Kinson said, who encourages Soulia with the occasional cheer of “Gaw-geous!” as well as exhortations to lift, drop or clutch her buttocks.

A first-time client typically comes in “stiff and uncomfortable,” said Kinson. She and McEnany walk a first-timer through the process to make them feel more at ease.

Given the volatile nature of social media and potential for misuse, the Les Bella Facebook group of women (around 4,500, according to Kinson) who share their boudoir photos is private. Clients must sign contracts before being admitted to the group. It is women only, and you must be over 18. Screenshots are not permitted. Members can be kicked out for violation of the rules or for general rudeness. They have not had problems, said McEnany.

Kinson no longer posts on Instagram but does use TikTok to advertise. Without it, she said, she doubts they would have attracted customers from outside New Hampshire and Vermont. There are dozens of photographers and photography studios in New Hampshire and Vermont offering a boudoir option, and the business of boudoir seems to have increased in the past three years, Kinson wrote in an email.

Both Kinson and McEnany know that some people will not approve of what they do. But they view themselves as preaching self-acceptance in a world that judges women harshly on their appearance.

For that reason, Kinson added that she has thought about dropping the word “boudoir” in favor of calling what they do “empowerment or reinvigoration sessions.”

“If we focused on what others may think of the type of photography we do, we wouldn’t be able to provide such a raw, unapologetic experience for women. Women need to be encouraged to embrace their bodies and sexuality and not have it be about men or the ‘male gaze,’ ” McEnany wrote in an email.

Kinson echoed McEnany, writing in an email that women don’t need to dye their hair, lose weight or have plastic surgery to consider themselves desirable: “What we do is show women that despite maybe not feeling ‘perfect,’ they are still damn beautiful!”

More often than not, Kinson said, when women see the final results, they are “floored” and sometimes become emotional.

“You come in one person and go out a different person,” Kinson said.

Nicola Smith can be reached at mail@nicolasmith.org.


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