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A Boudoir Photoshoot Empowers a Local Woman Working on Her Bucket List

A Boudoir Photoshoot Empowers a Local Woman Working on Her Bucket List
A boudoir photo shoot was on 82-year-old Louise Jacquet’s bucket list.” data-image-selection=”{“x1″:0,”y1″:0,”x2″:4796,”y2″:3197,”width”:4796,”height”:3197}”>A boudoir photo shoot was on 82-year-old Louise Jacquet's bucket list.

Proving it’s never too late to live the life you want, Louise Jacquet, 82, has been chipping away at a bucket list she began more than 40 years ago, in the 1980s. “I saw so many of my friends declining mentally, and others who were thinking about retiring and doing nothing,” Jacquet says. 

By contrast, for her 60th birthday, she decided to go skydiving. It’s one of many adrenaline-spiking adventures Jacquet, a retired R.N., has embarked on. In the ’90s, she and her then-teenage daughter, Laurie, toured Australia and New Zealand together. “I’d just gotten a divorce,” she says. “I had no money.” Surviving on credit cards, they spent six weeks overseas. They climbed Ayers Rock, or Uluru, a sacred site for the aboriginal Anangu people that’s now closed to the public, and bungee jumped in New Zealand. 

After adventures like those, Jacquet knew the typical golf-and-tennis retirement wouldn’t work. “That wasn’t for me,” she says.

Jacquet is my neighbor, and ever since we met, I’ve been in awe of her. In addition to bungee jumping and rock climbing, she’s exhibited her artwork in galleries, and hand-painted shirts she made have been featured in several high-end New York City shops, including Bergdorf Goodman. After retiring the first time, she took on a second career as director of nursing for an assessment and care planning firm, driving up and down the Suncoast, “from Punta Gorda to St. Pete.” Now retired again, she still crafts and paints. And the bucket list still beckons.

“I’d thought about it over the years, but it never fell into place,” Jacquet says of her boudoir session.” data-image-selection=”{“x1″:-28,”y1″:0,”x2″:4130,”y2″:2773,”width”:4158,”height”:2773}”>image

Earlier this year, Jacquet decided to have boudoir portraits taken. Laurie, now 53, and local photographer Louise Porvaznik, who offers boudoir photography, are friends, and the bucket-list idea was able to become a reality.

Jacquet found a blush-colored baby doll nightgown at Giggles, the adult shop on South Tamiami Trail, that felt just right.” data-image-selection=”{“x1″:0,”y1″:0,”x2″:3076,”y2″:4614,”width”:3076,”height”:4614}”>Jacquet found a blush-colored baby doll nightgown at Giggles, the adult shop on South Tamiami Trail, that felt just right.

“I’d thought about it over the years, but it never fell into place,” Jacquet says of her session. Beforehand, she fussed over which outfit would work best. Back in 1963, she tells me, she stayed at the original Playboy Mansion in Chicago to recover from a train wreck. In those days, nurses rode on long-distance train rides in case medical issues arose, and Jacquet was one of two on that particular train line, which was en route to Florida. The person she was seeing at the time knew Hugh Hefner and suggested she reach out to him about recuperating from the train accident at the mansion.

Jacquet never met Hefner, but when she traveled back up to Illinois, the Playboy Bunnies were warm and welcoming. “One of the girls gave me a green bunny costume—my favorite color!” she says. For the boudoir session, she tried on a green bustier to recapture that moment, “but I didn’t like it,” she says. Undaunted, she paid a visit to Giggles, the adult shop on South Tamiami Trail, and found a blush-colored baby doll nightgown that was just right. 

During the shoot, Jacquet’s confidence shone. “I felt very comfortable and laughed a lot,” she says.

“She was a hoot!” Porvaznik says, adding that it felt like kismet that the two share a first name. “It warmed my heart when Louise said to her daughter, ‘I had an amazing day.'”

Porvaznik took extra care during the session, considering Louise’s mobility and comfort remaining in sustained positions. “I built a guide in my head of which poses would work,” she says. “Louise had also seen my portfolio and knew she wanted a lying-down pose.”

During the shoot, Jacquet’s confidence shone. “I felt very comfortable and laughed a lot,” she says.” data-image-selection=”{“x1″:-33,”y1″:0,”x2″:4983,”y2″:3345,”width”:5016,”height”:3345}”>image
“Laurie posted a couple of the pictures on her personal Facebook page. Women commented, ‘You’re so brave! You go, mama!’ and men said, ‘You look amazing!'” Jacquet says. “At 82, that does a lot for my ego”” data-image-selection=”{“x1″:0,”y1″:0,”x2″:4391,”y2″:2927,”width”:4391,”height”:2927}”>

I asked Jacquet what the feedback was like considering the prudishness that often surrounds older women’s sexuality. 

“Laurie posted a couple of the pictures on her personal Facebook page. Women commented, ‘You’re so brave! You go, mama!’ and men said, ‘You look amazing!'” Jacquet says. “At 82, that does a lot for my ego. I’m of the generation where to look perfect, you had to be thin.” She tells me that when she looks back on vacation photos from when she was younger, she’s not sure why she didn’t feel sexy. “It’s been a battle,” she says.

“Us women need to love ourselves,” Porvaznik says. “Boudoir isn’t just about a sexy picture, it’s a bit of therapy, too. It transforms women. I love it. I don’t feel there’s an age where any woman should stop feeling sexy.”

“We’ve come a long way,” Jacquet says.

Monochrome Magic: Unveiling the Depths of Black and White Photography

Monochrome Magic: Unveiling the Depths of Black and White Photography

In the ever-evolving world of photography, black and white imagery holds a timeless appeal. For photographers, understanding when and why to choose black and white over color is not just a technical decision but an artistic one, deeply connected to the soul of their work.

Coming to you from Christian Irmler – Landscape Photography, this excellent video tutorial delves into this intriguing aspect of photography, highlighting not every scene or composition is suited for black and white, yet some images are elevated by this choice. Irmler emphasizes that photography is about capturing the soul of a place, not merely replicating reality. In this context, black and white photography becomes a powerful tool to craft a piece of art, where the content of the composition reflects the essence of the scene. By removing color, elements like lines, shapes, and patterns become more defined, focusing the viewer’s attention on the essential parts of the image. This exclusion of color can transform an ordinary scene into something extraordinary, underscoring the mood and emotion inherent in the subject.

Moreover, the video touches upon the technical side of black and white photography, explaining how it revolves around contrasts. In the absence of color, contrasts in luminance become crucial, shaping the elements in the photograph. High contrast and tonality can add dynamism to an image, while a more harmonious tonal range can convey tranquility and subtlety. Irmler provides examples of how color can either enhance or detract from the narrative of an image, illustrating the impact of converting to black and white on the story being told.

Photographers seeking to explore the depths of their creative expression will find Irmler’s expertise enlightening. He not only provides practical tips and insights but also inspires a deeper appreciation for the artistic choices behind black and white photography. Check out the video above for the full rundown. 

And if you really want to dive into landscape photography, check out our latest tutorial, “Photographing the World: Japan With Elia Locardi!” 

Beautiful Holiday Ad Celebrates the Emotional Power of Photography

Beautiful Holiday Ad Celebrates the Emotional Power of Photography
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A new Christmas-themed Toyota commercial focuses less on the company’s automobiles and more on the power of photography.

The new ad, “Present from the Past,” was created by the advertising agency Saatchi & Saatchi and directed by Lisa Gunning. The ad, which clocks in at 90 seconds in its longest cut, tells the story of a young woman who received a thoughtful gift from her grandmother: a vintage camera and the photos the now-elderly woman had captured many years ago.

Toyota Christmas ad celebrates photography and features Pentax Spotmatic film camera

Toyota Christmas ad celebrates photography and features Pentax Spotmatic film camera

“My darling granddaughter. When I was your age, I was given this camera. May it capture your big, beautiful life the way it did mine,” the grandmother’s voice narrates as her granddaughter opens the gift.

The young woman takes her gift on a road trip and recreates her grandmother’s old photos, capturing new versions in all the old haunts. She then puts her recreated photos alongside her grandmother’s originals in a photo album and gifts the album to her grandmother, completing a nostalgic circle of photography.

Toyota Christmas ad celebrates photography and features Pentax Spotmatic film camera

Toyota Christmas ad celebrates photography and features Pentax Spotmatic film camera

Toyota Christmas ad celebrates photography and features Pentax Spotmatic film camera

Toyota Christmas ad celebrates photography and features Pentax Spotmatic film camera

The commercial is nice enough on its own and does a beautiful job demonstrating the emotional impact that photography can have in real life. However, this is PetaPixel, so the precise camera model used in the ad matters.

PetaPixel Staff Writer Phil Mistry was quick to identify the featured camera. It is an Asahi Pentax Spotmatic (screw mount) camera with a Super-Takumar 55mm f/1.8 lens. Mistry adds, “That wooden tripod without a head would never have been used with a Spotmatic!”

The Pentax Spotmatic camera is a perfect choice for the ad, and surely no accident as it was an iconic camera that proved very popular with beginner photographers in the 1960s and 70s.

In a 2018 article, Cody Schultz wrote on PetaPixel that his photography journey started with a gifted Pentax Spotmatic. The camera was “simple to use,” leading to Schultz falling in love with film. Undoubtedly, the Spotmatic had a similar effect on people decades ago.

Toyota Christmas ad celebrates photography and features Pentax Spotmatic film camera

Toyota Christmas ad celebrates photography and features Pentax Spotmatic film camera

Toyota Christmas ad celebrates photography and features Pentax Spotmatic film camera

Alongside the new commercial, Toyota has partnered with the non-profit organization 100Cameras to sponsor photography programs for 10,000 students in the next year.

While it is easy to be jaded regarding commercials, and the commercial’s overall aim is to sell vehicles, the ad also sells photography’s storytelling power. Photography captures lives and connects people across generations. As long as there are cameras and images, history stays alive.


Image credits: Screenshots from Toyota’s new ad, created by Saatchi & Saatchi.

Cleveland, Athens photographers win spots in 2024 Tennessee Wildlife Federation calendar

Cleveland, Athens photographers win spots in 2024 Tennessee Wildlife Federation calendar

Pardon Brenda Gilbert, of Cleveland, Tennessee, and Frank Snyder, of Athens, if they pause a little longer on certain months of the 2024 Tennessee Wildlife Federation calendar. Both have photos featured on the pages.

(READ MORE: How a Tennessee organization is helping manage wildlife while feeding the hungry)

Gilbert, a nurse practitioner in private practice, and Snyder, senior vice president with SouthEast Bank, are among 17 photographers represented in the calendar, which includes wildlife and landscapes from across the state. Theirs are among the featured monthly photos — Gilbert for April and Snyder for October.

Lauren Whitmire, communications coordinator for the federation, said the winning images in the ninth annual contest were selected from more than 2,300 submissions received from 262 photographers in seven states.

Archie’s Royal Photographic Passion Sparks Holiday Wishlist and Family Joy

Archie’s Royal Photographic Passion Sparks Holiday Wishlist and Family Joy

Archie’s Royal Photographic Passion Sparks Holiday Wishlist and Family Joy

In a recent reveal, Meghan Markle, the Duchess of Sussex, shared that her son, Archie, has developed a fascination for photography, taking cues from the esteemed photographer, Misan Harriman. This revelation came to light during a Q&A session held post a special screening of Netflix’s short film ‘The After’ on November 15 in Montecito, California.

Archie’s Photographic Pursuit

Archie, aged four and a half, has manifested a keen interest in photography, notable given his father, Prince Harry’s well-known aversion to cameras, rooted in the distressing experiences of his late mother, Princess Diana. The young royal’s enthusiasm even led him to request a Leica camera, a high-end, handcrafted piece of equipment for Christmas. This request, however, was met with polite refusal from his mother due to the expensive nature of the camera.

A Family Affair

The interest in photography seems to be a family trait, with both Meghan and Harry spending time behind the lens. This shared interest is a reflection of the close-knit bond the Sussex family shares. In an amusing anecdote, Markle mentioned how Queen Elizabeth II once gifted Archie a waffle maker for Christmas, a present that has since become a cherished item for the young prince.

No Royal Christmas

Despite the joyous Christmas experiences the Sussex family has had, they will not be celebrating Christmas with the royal family in the UK this year. Instead, they will focus on reconciliation following a year of tension that was further exacerbated by the release of Prince Harry’s memoir ‘Spare’ and the Dutch version of Omid Scobie’s book ‘Endgame’. These publications contained candid stories about royal family members and stirred controversy by suggesting that some royals had made racist remarks about Archie’s skin color prior to his birth.

As a professional photographer, I’ve finally found an app that could replace Instagram

As a professional photographer, I’ve finally found an app that could replace Instagram

Photo apps have come a long way since the launch of Instagram in 2010, but the platform still reigns supreme for content sharing, editing, and community. Whether that’s because it’s free and easy to use or because it offers insights into the lives of hundreds of celebrities and influencers, I couldn’t say. But as a photographer, I’ve lost my love for the ‘gram big time. And I’m not the only one.

Instagram is used by millions worldwide, but it’s falling out of favor with plenty of stills photographers. Ask them why (and I have), and they’ll say that saturation is up, discoverability is down, and there’s little room for artistry. It’s no secret that the Meta-owned company has prioritized video reels over images to compete with rival network TikTok for user attention. Or that its algorithmic feed shows popular rather than chronological content first, making it harder for photographers to get their work seen.

I’ve been looking for an Instagram alternative for a while, and I think I’ve found it in the photo editing and sharing app VSCO. Short for Visual Supply Company (very hipster), VSCO launched in 2012, just a few years after Instagram. It’s one of the best photo editing apps for mobile that I’ve used, and now that I’m a few weeks into a paid plan, I wish I’d discovered it sooner.

Homescreen heroes

This is part of a regular series of articles exploring the apps we couldn’t live without. Read them all.

I recently downloaded VSCO from the App Store, and it’s completely elevated photo editing on my iPhone 15 Pro. Although I’ve got Adobe Lightroom and Photoshop Express, I prefer VSCO’s minimalist interface and pro-grade filters, and I can’t wait to start sharing my edits with a whole new community and creative space.

There’s a palpable sense of quality over quantity among VSCO users, and I’ve loved trying out the app’s filters and collages. Are there any groundbreaking features on offer? Not really. Like Instagram, VSCO is one part community and one part photo editor, but the whole package is slicker, and there’s a coolness factor that I just haven’t seen replicated elsewhere.

The VSCO app on an iPhone 15 Pro screen

(Image credit: Lauren Scott)

Plus or Pro are the way to go

VSCO is free on iOS and Android, but that only gets you a measly 15 presets and basic exposure adjustments. I found this plan too limiting and quickly signed up for a 7-day trial of the Plus plan. For $7.99 a month or $29.99 annually, that unlocks over 200 presets, a video editor (plus GIF editor), and the types of editing tools you find in Lightroom Mobile – think Dodge & Burn, HSL, and Clarity. You also get unlimited “recipes”, which are the equivalent of saving your own presets, so that you can apply the same visual looks to images again later.

The Pro membership is only available on iOS, and for $12.99 a month ($59.99 yearly) it gives you everything in Plus, as well as VSCO’s web editor, Pro presets, and a Pro Membership badge on your profile. When you consider that Snapseed is a totally free mobile photo editor, VSCO starts to look very pricey. Especially when some of its previously free features have been put behind a paywall. 

It’s a good thing the film emulations reproduce the look of analog photos so well, then. VSCO is still sure to appeal to the demographic of people who love the best instant cameras, people like me daft enough to pay for a trendy aesthetic, and photographers who want to get the most from their best camera phone without ever having to use full-fledged desktop photo editors.

Three screenshots from the VSCO app in the Studio section

Organize gives you another way to view your editing “Recipe”, bringing Presets and Tools into a drop-down view (Image credit: Lauren Scott)

All about the Presets

The VSCO interface is tidy, and it’s easy to navigate thanks to the five main sections at the bottom of the screen – Home, Discover, Studio (the editing bit), your Member Profile, and Spaces. Discover is where you’ll find inspirational feeds from the VSCO community (curated by VSCO staff), broken into sections like “Geometric” and “Style”. So far this is the area I’ve used least, and it’s a little like delving into the hipster galleries of a college photography department. Still, I find the content much more realistic than the perfection of Instagram’s Search & Explore function – which now gives me more cat videos and comedians than creative imagery (blame it on my browsing, perhaps).

It takes moments to add photos to Studio from your camera roll or phone folders, and I imported a batch recently shot on the Leica M11-P so that I could test out the presets on some pro-grade files. Once your images are there, it’s a neat touch to be able to sort through them with options like Edited, Unedited, or Not Saved.

Studio is where I’ve spent the most time tapping so far, and where photographers will find the most value – even if they never use the app’s other functions. Most photo editors are either too basic (Instagram) or too advanced, with so many sliders you can barely fit them on a small phone screen. What I love about VSCO is that once you tap on an image and hit edit, you’re given a huge range of presets – some recommended for the photo – that you know will be a great starting point. 

Three screenshots showing a pet photo being edited in the VSCO app

It helps to start with a decent image (this pet photo was from the Leica M11-P) but presets and effects are very polished (Image credit: Lauren Scott)

Getting advanced

If you think the presets make things too easy, then VSCO’s editing tools provide a whole suite of ways to tweak and enhance the tonal levels, color, contrast, clarity, and more using incredibly responsive sliders. The effect of an edit is instant, but if you don’t like what’s changed then you can go back with a tap of the Undo icon. The FX tab is my guilty pleasure; another step in the Studio editor that lets you add frames and textures to images to make them look like aged film snaps. My digital photos are nothing of the sort, of course, but there’s an inescapable level of nostalgia from adding noise and light leaks to photos. Crucially, VSCO does so in a way that looks genuine rather than artificial and gimmicky.

The whole editing process is like using Lightroom, and I imagine anyone who’s ever touched an image editor will be able to find their way around VSCO without hassle.  Once you’ve finished fiddling, VSCO gives you the option to post to the platform, save it to your camera roll, or a whole host of other sharing options depending on your device – on my iPhone, WhatsApp and an AirDrop to my iMac are the most helpful. You could quite easily rely on VSCO as a high-end image editor, share your shots elsewhere, and never touch the community element. Or you could use VSCO’s camera to add funky effects like double exposures and prism effects. 

I’ve been exploring ways to make use of the app’s collage and montage features to create professional-looking graphics that I can email out to potential clients without ever having to boot up my computer. VSCO has made me feel more creative and yet more consistent, and the Recipes function has been a game-changer in making my portfolio look cohesive.

Three screenshots in the Studio section of the VSCO app

The Studio section of the app is where you can add and sort through photos, and select several to make collages (Image credit: Lauren Scott)

Artsy without an algorithm

I said that VSCO was an Instagram alternative, and in many ways that’s true. It’s given me in-app editing, sharing, and connectivity in one good-looking ecosystem. But without comments or likes, it’s for photography purists who aren’t worried about building a comprehensive social network. Maybe it’s what Instagram could have been for creatives, had its owners not been focused on building an ad and algorithm-heavy behemoth.

I know many creators who have joined supportive communities (UK shooters being a great example) built entirely around Instagram, and it’s undoubtedly fantastic for location inspiration and interacting with others. Maybe it’s because I’ve never put in the time or effort to build up my Instagram following, but I love the minimalist social component of VSCO and how the low-pressure environment leaves you free to experiment. No one sees a photo I’ve shared? Then it’s no biggie and there’s no embarrassment.

The longer I spend in the world of tech and cameras, the more I’m looking to curate my gear, my tools, and my experiences. While Instagram will always be the most versatile way to share images with the biggest audience, VSCO lets me explore untapped niches. Pegged as a space for creators, by creators, it makes light work of heavy edits so that I can get professional-looking photos on the go.

In focus: The best images from the week of December 11-17

In focus: The best images from the week of December 11-17

A collection of the best images from the camera’s of Independent Record photographers last week:



Flooding the ice rink

Jessie Merrifield, City of Helena parks department employee, floods the Memorial Park ice rink on Friday morning.






new Nutcrackers tutus

Premiere Dance Company dancers are fitted for their new Nutcrackers tutus during a recent rehearsal.






The Grand Staircase

The Grand Staircase inside the Montana State Capitol.






2nd Lt. Tug Smith

2nd Lt. Tug Smith gets pinned by family members during a commissioning ceremony at the Montana State Capitol Rotunda on Friday.






Photo: Santa visit children at Ten Mile Creek brewery

Santa Claus visits with children at Ten Mile Creek Brewery on Sunday afternoon. Jolly old St. Nick will make two more stops at the brewery ahead of Christmas day on Dec. 16 and 23 from noon-3 p.m. at the brewery.






Howard Mears, right, laughs with Angie Fillinger

Howard Mears, right, laughs with Angie Fillinger on Wednesday while setting up for this year’s Toys for Tots distribution.






Helena's unhoused population

Helena’s unhoused population has increased 13% since last year according to the most recent point in time survey.






Helena College Cosmetology

Shelby Fletcher, left, and Savannah Henry sit in hair-washing stations in the new facility for the cosmetology program at Helena College.




Thom Bridge is a photojournalist at the Independent Record.

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Meghan Markle Reveals the One Gift Budding Photographer Archie Won’t Be Getting for Christmas

Meghan Markle Reveals the One Gift Budding Photographer Archie Won’t Be Getting for Christmas
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Though he’s only 4 years old, Prince Archie is already, uh, developing a taste for royally expensive photography equipment. 

Meghan Markle revealed that her and Prince Harry‘s son became interested in taking pictures after spending time with their longtime friend and director Misan Harriman.

“His inspiration runs deep,” Meghan reflected during the Nov. 15 Q&A she moderated after a screening of Netflix’s The After. “Misan was showing him how to do photography the last time he was with us. I bought Archie a camera and he said, ‘But it’s not a Leica like Misan.'” 

“I said,” the 42-year-old explained, ‘’You are not getting a Leica! Not even for Christmas!'” After all, the cameras, which are handcrafted in Germany, cost thousands of dollars.

But Archie and sister Princess Lilibet, 2, can still expect a magical Christmas. Meghan and Harry, 39, also noted that their family of four have been evolving their yuletide traditions each year.