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‘If Memory Serves’: Los Angeles Center of Photography unveils new show honoring Aline Smithson

‘If Memory Serves’: Los Angeles Center of Photography unveils new show honoring Aline Smithson
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Memory and photography are inextricably linked, bearing witness to life’s most significant moments: birth, death and all that transpires between. Throughout her career, teacher and photographer Aline Smithson has chronicled how photographs move through time — conveying memory, history and being — and shift based on ever-changing technology.

“If Memory Serves: Photography, Recollections and Vision,” produced by the Los Angeles Center of Photography, honors Smithson’s contributions to photography and her work as a teacher and mentor. The exhibit will open with a reception on Saturday, Dec. 16, at the Brand Library and Art Center in Glendale and continue through Saturday, Feb. 24.

Filling out the 5,000 square-foot gallery, Smithson’s work will stand alongside collections by 12 of her former students and collaborators: Safi Alia Shabaik, Elizabeth Bailey, Dena Elisabeth Eber, Sarah Hadley, Diane Hemingway, Rohina Hoffman, Susan Lapides, Annette LeMay Burke, Annie Omens, Lori Ordover, Aurora Wilder Collective (Jennifer Pritchard in collaboration with Patrick Corrigan and DALL-E), Aline Smithson and Rosalie Rosenthal.

“Since the beginning of my photography career, I’ve been looking at how family photos move through time,” Smithson said. “Even in the ’80s, I began to find photographs on the ground and started thinking about how our legacies are increasingly difficult to keep.”

Since the early aughts, when digital photography began gaining popularity, photos and memories have slowly migrated from physical images and albums to the ether of the net. While digitization may seem like an indelible canonization, files corrupt and hard drives fail, eradicating years of photo memory. Smithson’s work documents the decline of the photo album and underscores the need to preserve family histories.

“The ‘corruption,’ the literal de-composition of digital files is its own kind of fugue state — a loss of ‘consciousness’ with wide-ranging implications and effects: the erasure of histories, writ large, and those quieter histories of the self and family,” Smithson explained.

Smithson’s portion of the exhibit, titled “The Ephemeral Archive,” consists of dozens of photo albums and thousands of photographs untethered from their families, collected from across the country. Her show will feature six bodies of work, including three installations and Smithson’s first foray into filmmaking. As the name suggests, the works examine the transience of technology and its effect on collective family memory.

“This show allowed me to take this concept that we’re losing our physical histories and expand and create six bodies of work around that idea,” Smithson explained.

One installation will feature a wall of family photos chronicling life events, great and small. The piece touches on the “ubiquitousness of what we put in the photo album — birthday parties, graduations, weddings — what we choose to document and save,” Smithson said.

The show also features Smithson’s first short film, which explores the burden of carrying memories through time. Another work features a found photo album, with only captions remaining, inviting viewers to imagine what the pictures might have been. Captions in physical photo albums are often hyper-specific, including notes, dates and anecdotes, providing invaluable historical context. Digital photos are often scattered across various devices and platforms without context.

“As memories fade and individuals move on, the meaning behind these images can be lost. The stories that once accompanied family photos may be forgotten, leaving future generations with incomplete narratives or archives lost to apathy, technology or time,” Smithson explained.

Since 2001, Smithson has worked as a teacher and mentor at LACP. Many of the participating artists in the show came out of Smithson’s year-long portfolio master class in 2021 during the pandemic.

“We all wanted to be connected,” Smithson said. “Everyone in the group is a true artist. They’re not like student photographers. Everyone got along really well and brought wonderful attributes to the group.”

By the end of the class, Smithson realized each person’s work, including her then-current projects, touched on the same theme: memory. Inspired by this synchronicity, the group went on to collaborate on a traveling exhibition with the same focus.

Curated by LACP Executive Director Rotem Rozental, “If Memory Serves” is the newest iteration of the group’s previous work, including new works and two new artists, Hoffman and Shabaik. The show is entirely women-led and features artists from LA and nationwide.

“I think the show is going to touch people that are not necessarily in the art world. … It is about family, and it’s about archives, personal things,” Smithson said. “It’s an amazing opportunity, and I’m so grateful to LACP, and I’m so excited to be showing with all these wonderful artists and showing so much work at once.”

Pictures Worth Thousands of Words: Local photographer’s Community Giveback Event grows

Pictures Worth Thousands of Words: Local photographer’s Community Giveback Event grows

IMPERIAL – A slew of adults in ugly Christmas sweaters alongside smiling kids in Santa hats came out to celebrate a comeback and capture a moment of togetherness during the second annual Giveback Event and toy drive held on Sunday afternoon, December 10 at Cheval Farm in Imperial.

The event, put on by local photographer Rudy Leyvas Jr., boasted over 40 local vendor booths at the entirely free event, which has doubled in size since its first year, according to organizers.

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Anime-niacs unite: Anime Art Market heads to the El Paso County Coliseum

Anime-niacs unite: Anime Art Market heads to the El Paso County Coliseum

If you’re an anime fanatic, then listen to what I’m saiyan.

Kaleidoscope Art Market is kicking off the new year with an Anime Addicts Art Show and Market.

The colossal event is happening inside the El Paso County Coliseum, 4100 E. Paisano, on Saturday, January 6th.

Get ready for 8 hours of fun starting at 2 in the afternoon until 10 p.m.

RECOMMENDED:Git ready El Paso: A Country Girl Christmas Mega Market heads to the Coliseum

Do you have what it takes to ‘Goku’ a super form like the characters in Dragon Ball Z?

Put it to the test in their Super Saiyan Scream Contest.

Aside from that, you have the opportunity to donate books or toys to benefit Guardians of the Children, a nonprofit organization comprised of motorcycle enthusiasts who help children overcome child abuse.

Members of G.O.C. will escort children to court, attend school and social events at the child’s request, provide protection and support and sponsor “Little Guardian” private events yearly.

The event will also feature a cosplay contest for kids, teens and adults alike.

There will of course be food, vendors, live entertainment and much more!

You even have the chance to trade some of your Anime and Sanrio collectibles. How cool is that!

The calendar date also marks Three Kings Day so it was a ‘wise’ choice to schedule the event on the same day!

The celebration wouldn’t be complete without Rosca, which will be available while supplies last.

The event is free and open to everyone of all ages!

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Wildlife photographer Sumio Harada to present at FVCC

Wildlife photographer Sumio Harada to present at FVCC

Anyone can come across a variety of animals in Glacier National Park. However, it takes patience and time to see how animals live their lives in the park — something that is not lost on wildlife photographers such as Sumio Harada.

On Dec. 20 at Flathead Valley Community College, the West Glacier-based photographer and videographer will present breathtaking images of animals in their natural habitats, highlighting the importance of preserving their ecosystems. Audiences will get a glimpse into the daily lives of bears, goats and mountain lions as they breed, hunt forage, hibernate and give birth.

This month, Harada found himself on the other side of the lens as he was followed by a Japanese film crew in Many Glacier to document him while at work for a 2024 TV program. People who attend the presentation, which is hosted by Glacier National Park Volunteer Associates, will get to see behind-the-scenes footage of the challenges and rewards of wildlife photography along with the dedication and commitment required to capture these extraordinary moments. 

Sumio will share his experiences setting up camp in the snowy wilderness, battling freezing temperatures and braving the elements to get the perfect shot.

Born in Japan, Harada studied biology at the Tokyo University of Agriculture. His research on the behavior of the Japanese serow, a close relative of the mountain goat, led to his wildlife photography career. He started taking photographs of mountain goats in the Canadian Rockies in 1987. In 1989 and 1991, Sumio stayed in Glacier National Park. In 1994, he moved to West Glacier with his wife and daughter.  

Harada’s photos have appeared in magazines such as “National Geographic,” “National Wildlife” “Ranger Rick,” “Geo” and “Montana Outdoors,” and books titled, “Wild Harmony of Glacier National Park,” and “Mountain Goats of Glacier National Park.”

The presentation will be held at 7 p.m. in the FVCC Arts and Technology building.

Why Victoria Hervey’s shocking photographs are nothing new in the turbulent family saga

Why Victoria Hervey’s shocking photographs are nothing new in the turbulent family saga

“I could no longer stay silent,” said Lady Victoria Hervey. In an interview this week, the aristocratic TV star and journalist, 47, detailed allegations of horrific abuse towards her sister, Lady Isabella Hervey, by Isabella’s ex-husband Christophe de Pauw. 

Hervey, the eldest daughter of the 6th Marquess of Bristol, said her sister had been “broken” by the alleged mental and physical abuse, which she claimed included de Pauw punching Isabella in hospital soon after she had given birth.

She posted pictures of her sister’s injuries on her Instagram account, where she has more than half a million followers. “I have been really fearing for [Isabella’s] safety and mental wellbeing,” she told Mail Online.

“She was feeling that nothing was ever going to improve, and nobody was going to find out what he was really like.” 

Lady Victoria Hervey posted pictures of her sister’s injuries on her Instagram account


Lady Victoria Hervey posted these pictures of her sister’s injuries on her Instagram account


Credit: Instagram

Isabella, 41, a model and reality TV star, and de Pauw, a Belgian businessman, were married in 2014 but separated in August. They have two sons and a daughter.

Victoria said she was pushed into going public after watching her sister being worn down. 

“She was just so broken, and so depressed about the whole thing. A lot of it has been mental abuse, making her feel s–t all of the time, as well as physical abuse.”

In text accompanying the Instagram pictures, Victoria made allegations of infidelity against Mr de Pauw. “Christophe de Pauw should be put away,” she wrote. “He is a serial abuser. It has got to a point that we can no longer stay silent.”

In a separate interview last week, Isabella had made similar accusations. “There are many more images and videos, but the mental abuse was, for me, the worst.”

The Telegraph has contacted Mr de Pauw for comment. 

Lady Isabella Hervey and husband Christophe De Pauw at the Ivy Garden in Chelsea in 2016


Lady Isabella Hervey and husband Christophe De Pauw at the Ivy Garden in Chelsea in 2016


Credit: Xposure Photos

The grim allegations mark the latest episode in a family saga that has been dogged by tragedy and notoriety for hundreds of years. The 1st Earl of Bristol, John Hervey, was a Whig politician who was given the title as a reward for his loyalty during the Glorious Revolution. 

He had 20 children, including John, the 2nd Baron Hervey. An aristocratic literary type, John was embroiled in a tussle of love with the Prince of Wales over Anne Vane, and fought a duel with William Pulteney over a seditious pamphlet. 

He was known to be bisexual, and had a 10-year relationship with a man, too. 

John Hervey, 1st Earl of Bristol


John Hervey, 1st Earl of Bristol


Credit: Hulton Archive/Getty Images

The 3rd Earl of Bristol, Augustus Hervey, was a decorated 18th-century naval officer with a chequered personal life. In 1744, he married Elizabeth Chudleigh, a notable courtesan and courtier. Twenty years later he paid Ann Elliot, an actress, to come off the stage to be his mistress.

Later, he took another mistress, Mary Nesbitt, who had been a model for the painter Joshua Reynolds. The family during this period were endlessly short of money. Frederick, the 4th Earl of Bristol, died on the road in Italy in 1803, having had his assets seized by Napoleon’s troops. 

There followed a period of relative calm until the 20th century, when the 6th Marquess of Bristol, Victor Hervey, Victoria and Isabella’s father, brought the family roaring back into the newspapers.

A playboy aristocrat who married three times and was nicknamed The Reptile, he did much to undo the work the Victorian Earls had done in making the Herveys respectable again.   

The Marquess Of Bristol, Victor Frederick Cochrane Hervey (Lady Isabella Hervey's father) died in 1985


The Marquess Of Bristol, Victor Frederick Cochrane Hervey (Lady Isabella Hervey’s father) died in 1985 after becoming a permanent tax exile


Credit: Hulton Archive/Getty Images

Born in 1915, Victor went to Eton and Sandhurst, but was asked to leave the latter for bad behaviour. As a young man, he developed a penchant for theft, which led to his becoming the ringleader of a gang of jewellery robbers from well-to-do families who were known as the Mayfair Playboys.

This was the era of Raffles, the gentleman thief, but there was nothing civilised about some of their activities.

In December 1937, four of the gang were arrested for the violent robbery of a Cartier boss, whom they had lured to a hotel in Mayfair before coshing him and stealing £13,000 worth of diamond rings.

While Victor was not involved in that incident, and would complain people unfairly associated him with it, in 1939 he was sent to prison for three years for stealing more than £5,000 worth of jewellery, rings and fur from two properties in Park Lane and Mayfair. 

The Recorder at the Old Bailey described him as the “mainspring of the conspiracy”, adding that “the way of the amateur criminal is hard, but the way of the professional is disastrous”. On hearing the verdict, his upstanding father, the diplomat and politician Herbert Hervey, wept in court. 

Yvonne Marie Hervey, Dowager Marchioness of Bristol (widow of Victor Hervey, 6th Marquess of Bristol) with her son Frederick (left) and her daughters Victoria (centre right) and Isabella (far right)


Yvonne Marie Hervey, Dowager Marchioness of Bristol (widow of Victor Hervey, 6th Marquess of Bristol) with her son Frederick (left) and her daughters Victoria (centre right) and Isabella (far right)


Credit: Alan Davidson/Shutterstock

Unlike some gentleman thieves, Victor needed the money. In 1937 he had declared bankruptcy, with debts of £123,000, more than £8 million in today’s money, having come unstuck trying to sell arms to both sides during the Spanish Civil War. Eventually his arms trading came good – he was one of Franco’s leading dealers – and he amassed a fortune estimated at £50 million

 The eccentric stories continued. A couple arriving for a shooting weekend in Sussex in the 1960s at Ickworth, the family seat, noticed Victor leaning from an upper window. As they drove nearer, he opened fire, forcing them to run for cover.

A family friend recalled passing the Bag O’Nails, a pub on Buckingham Palace Road, in London, where they were told Victor had “emptied a revolver into the ceiling”. He told a friend, Moira Lister, that he had shot two men in a mutiny whilst treasure-hunting on Cocos Island off the coast of Costa Rica.

A photo later surfaced of Victor, from the incident in Cocos Island, “standing with his foot on four dead bodies”. In 1979, six years before Victor died, he moved his family to Monte Carlo, vowing never to set foot in the UK again. 

Lady Isabella Hervey and Lady Victoria Hervey in 2006


Lady Isabella Hervey and Lady Victoria Hervey in 2006


Credit: MJ Kim/Getty

Sorrier tales were to come. Victor married three times and had six children: a son, John, and a stillborn daughter, Anne, by his second wife, Lady Juliet Wentworth-Fitzwilliam, and four, including Victoria and Isabella, by his third wife, Yvonne Marie Hervey. John, Victor’s heir, born in 1954, had an unhappy life from the start, despite his wealth and titles. Victor treated him cruelly. 

A school friend of John’s at Harrow, Jamie Spencer-Churchill, said that Victor “created the monster that John became”. Openly gay and hedonistic, John was a fixture of the British tabloids in the 1970s and 1980s thanks to a stream of reported incidents: opening a champagne fridge by firing a shotgun at it; dodging a traffic jam on the M11 by driving at 140mph on the hard shoulder; constant cocaine and heroin use.

A friend remembered a party of John’s in a private suite at Claridge’s. “All the cocaine was on the left-hand side of the mantelpiece, and all the heroin was on the right. In lines,” he said. “You took whichever one you liked.” He was jailed twice on drugs charges and died in 1999, having lost Ickworth as well as the rest of his fortune. His half-brother Nicholas had died by suicide the year before.

Victoria became famous in the 1990s, the heiress-apparent to Tamara Beckwith and Tara Palmer-Tomkinson in the pantheon of witty aristocratic blonde party girls. Speaking about John in a Guardian interview in 2001, Lady Victoria Hervey described him as “evil”.  

Lady Yvonne Marchioness of Bristol with her daughters Lady Victoria Hervey (right) and Lady Isabella Hervey (left)


Lady Yvonne Marchioness of Bristol with her daughters Lady Victoria Hervey (right) and Lady Isabella Hervey (left)


Credit: Alan Davidson/Shutterstock

“What happened to him was just awful,” she added. “When you see someone lose everything, it puts you off. I mean he blew everything.” 

In recent years she has not shied from controversy. A sometime girlfriend of Prince Andrew’s, she backed Ghislaine Maxwell’s remarks that the notorious photo of him with his arm around then 17-year-old Virginia Giuffre was “fake”.

 “At the end of the day he says he’s never met her and he’s always stood by that,” she said. “If you look at everything, even when they did settle [out of court]… he didn’t apologise because why would he apologise?”

More recently she has embraced conspiracy theories, saying in 2021 that the Covid vaccine was part of a play by Bill Gates “to depopulate the world”. 

Isabella started out as a model before several appearances in reality TV programmes.

She won the second series of Channel 4’s athletics competition The Games and subsequently appeared on Celebrity Love Island, Celebrity Masterchef and Sky’s Cirque De Celebrité.

Lady Isabelle Hervey competing in the Sky One show Cirque de Celebrite in 2007


Lady Isabelle Hervey competing in the Sky One show Cirque de Celebrite in 2007


Credit: Sky TV/Shutterstock

Recently she has become an elite cyclist, representing the UK at the UCI championships in Glasgow. “I didn’t want to publicise all this, as I’m a private person, but things have got worse and worse this year,” she told the Mail after the split. 

In another Instagram caption, Victoria said she was sharing “to give other women the courage to speak out as it took my sister a long time.” 

The Herveys are due some happiness. 

Rembrandt prints hit the spot

Rembrandt prints hit the spot

Rembrandt proved the success story of the Old Masters season in London, though not, as expected, for his rediscovered “Adoration of the Kings” (c1628); that sold for below its £10mn-£15mn estimate with just one bid at £9.5mn (£11mn with fees) at Sotheby’s on December 6. While still the highest price of the season, demand for Rembrandt was more marked for Christie’s dedicated sale of 69 prints, from the collection of the mail-order businessman and broad-ranging collector Sam Josefowitz.

These all sold on December 7 for a total £6.3mn (£7.9mn with fees, est £3.1mn-£4.7mn), with bidding online coming from as far afield as China and Australia, as well as in the saleroom and over the phone. Top lot of the sale — and the last conducted by Christie’s star auctioneer Jussi Pylkkänen — was St Jerome (c1653), which sold for £1.25mn (£1.6mn with fees, est £500,000-£700,000).

Josefowitz, who died in 2015, was introduced to Rembrandt’s engravings by a chance meeting on a flight with the American art dealer Ira Gale in 1969. His provenance, associated with scholarly quality, helped keep prices for the prints high, though an “Ecce Homo” from 1655, with the highest estimate put on the Josefowitz Rembrandts (£1mn-£1.5mn), failed to sell earlier in the day. A print from the same etching state at Sotheby’s sold from the estate of the Greek shipping magnate George Embiricos for £400,000 (£508,000 with fees).

Overall, Sotheby’s mixed-owner evening sale came in just under its low estimate at £16.2mn (£19.4mn with fees) while Christie’s nudged within estimates at £17.9mn (£21.9mn with fees).

‘Saint Jerome Reading in an Italian Landscape’ by Rembrandt, which sold for £1,552,500 (est £500,000-£700,000)

There are only 25 recorded Pop period (1962-66) paintings by Pauline Boty, who encapsulated London’s Swinging Sixties with her blonde bob, black eyeliner and colourful, politically attuned art — and five of them are in a show at Gazelli Art House (until February 24). These include her 1962 work of the actor Jean-Paul Belmondo, which sold at Sotheby’s last year for an artist record of £1.2mn. While this is not back on the market, says the gallery’s George Lionel Barker, archival photographs of Boty taken by Michael Ward and also on show are £3,000.

Young blonde woman shown from shoulders up (bare) wearing fedora-style hat and sunglasses, standing in front of a poster of a man in similar hat and sunglasses
‘Untitled (Men Only Cover shot)’ by Michael Ward (1963/2023), featuring Pauline Boty © Courtesy Elizabeth Seal-Ward for the Michael Ward Archive, Iconic Images and Gazelli Art House

Boty died in 1966 aged only 28, of a tumour for which she refused chemotherapy as she was pregnant, and much of the work to bring her back into the limelight has been done by her sister-in-law, Bridget Boty, and the curator and art historian Sue Tate. Both are among the talking heads in a documentary about the artist, due to be screened at the gallery next year. The film’s writer and co-producer, Vinny Rawding, says that while there is much hardship associated with Boty — her widower and daughter both also died in tragic circumstances — his film is “a celebration of her life, bringing her back in the conversation as a Pop pioneer, standing shoulder to shoulder with [David] Hockney and [Peter] Blake”.


Greece’s Eurobank Asset Management has bought a minority stake in Mintus, a platform that fractionalises art for private individuals which launched last year. “It is a real confidence boost for us and for the art market, this was not done on a whim,” says Ben Clark, who became president of Mintus this year. The level of investment from Eurobank, which manages €5bn of assets, has not been disclosed.

Mintus was founded by Tamer Ozmen, previously a senior executive at Microsoft; investors buy into the regulated funds with a minimum $3,000, enabling private wealth banks “to offer a diversification play to their high-net-worth clients”, Clark says. Mintus launched with paintings by Andy Warhol and George Condo, initially valued at £3.8mn and £2.1mn respectively.

The art market has softened this year, particularly at the higher end. Clark says that this is likely to have an impact on the works they offer, which will be at more “accessible” values. (There are no updated valuations for the already purchased works.) The Eurobank investment enables Mintus to be “more active” in the art market next year, while its strategy could include other alternative assets, Clark says. Investment in these is expected nearly to double to $24.5tn by 2028, according to a recent report by industry data provider Preqin.


There’s never a dull moment at the Cromwell Place gallery hub these days. Having appointed curator and Turner Prize judge Helen Nisbet as its first chief executive and artistic director in August, and having recently announced an £2mn revamp of its buildings, the latest news is that chief operating officer Kathryn Waring and chief business development officer Elizabeth Dellert are leaving at the end of this year.

“We are going through a transformation and had to reassess the scale of our senior team,” Nisbet says. She promises more details of the new-look Cromwell Place early next year, saying that this “will include a curated programme that supports experimental art and more focused national and international partnerships, alongside the commercial galleries, who are very much a part of this”.


Painting of an androgynous figure in a sky-filled landscape bisected by a folded plane in a floral pattern
‘I’s Above Me, As Below’ (2021) by Christina Quarles, among limited-edition prints for sale at South London Gallery

For anyone looking for a last-minute Christmas present that benefits a charitable cause, South London Gallery has a set of five prints by some of today’s most in-demand artists for £12,000 (edition of 45). All proceeds for the signed works — by Alvaro Barrington, Rashid Johnson, Gabriel Orozco, Christina Quarles and Haegue Yang — will go to the institution, which, like many, has been looking for new ways to raise money as public funding cuts loom. The price might be a little higher than for the average gift but, notes art adviser and SLG patron Janna Lang, the Johnson print alone (“Seascape”, 2021) can retail at £50,000 — so, for once, everyone could be a winner.

The Art Market column is taking a seasonal break and will be back in January

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